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profiler jul 22, 2015

articles/reviews


RT Profiler 11
RT Profiler 11

Profiler 11 situates itself firmly in Asia, with reports from Ansan and Seoul in South Korea, and an interview with OzAsia Festival director Joseph Mitchell. Plus artist profiles and more.

Interview: Joseph Mitchell, OzAsia Festival
Interview: Joseph Mitchell, OzAsia Festival

Keith Gallasch speaks to the exuberant and passionate Joseph Mitchell, Artistic Director of Adelaide’s upcoming OzAsia Festival.

Ansan Street Arts Festival
Ansan Street Arts Festival

Tristan Meecham and Bec Reid (Fun Run, All The Queens Men) and Madeleine Flynn and Tim Humphrey (Megaphone Project) report on their experiences at the Ansan Street Arts Festival in South Korea.

RealTime Traveller: Seoul, Korea
RealTime Traveller: Seoul, Korea

Gail Priest headed off to Seoul in search of the future, in particular what the future might sound like, and discovered a plethora of galleries and artistic activity.

Interview: Michael Dagostino, Campbelltown Arts Centre, I Can Hear Dancing
Interview: Michael Dagostino, Campbelltown Arts Centre, I Can Hear Dancing

CEO Michael Dagostino discusses CAC’s forthcoming program of three works, I CAN HEAR DANCING. Three years in the making, it dispenses with the usual hierarchy to bring together contemporary musicians and choreographers on an equal platform.

Don't miss
Don't miss

Rug up and immerse yourself in Carriageworks’ monumental 24 Frames Per Second dance-screen installations [ends 2 Aug] and Sue Healey’s On View: Live Portraits at Performance Space [ends 25 July].

In Profile: Jason James
In Profile: Jason James

Jason James is a Tasmanian based artist, lighting designer, video designer, curator, and a multitude of other things. His most recent works, Angry Electrons and Crevasse, were shown at Dark MOFO Festival in Hobart.

In Profile: Nick Power
In Profile: Nick Power

Sydney based b*boy and independent choreographer Nick Power, tells us about his first full-length independent work, Cypher.

Previous e-ditions

Cover image:
Athanasia, 2014 (detail), Broc Webster, University of NSW Art & Design, Bachelor of Fine Arts, Honours

Oil on canvas, large format film photography, digital painting, ink, acrylic, wood, audio and found materials. 3 mins, 29 seconds.

Broc Webster’s “Athanasia explores the metaphysical notion of rebirth: the evolutionary continuance of the spirit beyond bodily death. By weaving interrelated narratives throughout imagery pertaining to differing eras, a progressive ancestral trail is suggested. Mounted on a wall, a vitrine acts as a museological stage: a closed system environment akin to that of our universe, where narratives play out before being ultimately retired, boxed and archived as their successors take their place. Various works scattered on the ground evidence this recurring process, as each image and its accompanying narrative represents an era distinct from the others on display, made clear through the use of historic and contemporary artistic techniques, media and subject matter”. Catalogue HATCHED National Graduate Show, 2015 PICA, WA