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in the loop - july 26

realtime news and advance word


Roger Dean Roger Dean
photo Philippa Horn
late night sonics

In the first of two collaborations with the vocal ensemble Halcyon, austraLYSIS presents Late Night Sonic Space in Sydney, July 31. Formed in 1970 and working with interactive and network technology since 1995, austraLYSIS has developed a number of innovative methods for controlling rhythmic, timbral and harmonic interaction. The program includes two purely electroacoustic works, one of them by Canadian composer Robert Normandeau; the premiere of Toy Language 1, composed by Roger Dean for mezzo soprano and Halcyon co-founder Jenny Duck-Chong, with live electronics; and a sound and text work called Clay Conversations 2, by Hazel Smith and Joanna Still (UK). There will also be the opportunity to converse with the creators themselves about their work after the concert. The program is presented by the New Music Network with the support of ABC Classic FM and takes place at the ABC Centre, Ultimo. austraLYSIS and halcyon, Late Night Sonic Space, Studio 227, ABC Centre, Ultimo, Sydney, July 31 10.30pm; www.newmusicnetwork.com.au

brodsky quartet, eddie perfect & topology

For some reason the Brodsky Quartet (UK) has surprisingly chosen to escape the northern summer for our winter. The quartet is playing a variety of concerts, though one of the most intriguing is the Songs from the Middle series of performances with Eddie Perfect and musicians from the Australian National Academy of Music (ANAM). Apparently it involves Eddie returning to his roots, and more specifically to the Melbourne suburb of Mentone, where entertainment includes the beach, the bowling club and, more recently, Bunnings. This bout of nostalgia has apparently been brought on by the arrival of a baby girl so perhaps the show will be a new father’s postmodern paean to working families moving forward. You can also see the Brodsky Quartet in concert with contemproary classical ensemble Topology, as part of the Brisbane Powerhouse’s OMG (Other Musical Genres) series. Topology have previously been described by Keith Gallasch as “a live working band with a casually theatrical and jazzy spontaneity.” (You can hear a sample of their work in RealTime’s first sound capsule here.) The Brodsky Quartet, Australian tour, July 22-Aug 8; The Brodsky Quartet, Eddie Perfect, and ANAM musicians, ANAM, Melbourne, July 25-26, Sydney Opera House, Aug 1, Brisbane Powerhouse Aug 6; The Brodsky Quartet and Topology, Brisbane Powerhouse, Aug 8.

sizzling new music at the bowling club

More music news…Ensemble Offspring first conceived of Sizzle as an alternative musical event for Sydney in winter, and better yet as a way of getting contemporary classical music out of the concert hall and into people’s Sunday afternoons. So each Ensemble Offspring member, Bree van Reyk, Veronique Serret and Jason Noble, is curating a musical event at his or her local bowling club (maybe Eddie could come). Noble started proceedings last month in Waverley, and van Reyk continued things this month in Petersham. For the final instalment next month Veronique Serret has invited The Noise improv string quartet, spoken word artist Eleanor Knox, CODA, visual artists and, of course, Ensemble Offspring, to play at the Camperdown Bowling Club. Ensemble Offspring and others, Camperdown Bowling Club, Mallett Street, Camperdown, Sydney, August 1

everyday crisis management

The phrase 'human interest story' brings to mind images of personal stories at the end of news broadcasts: babies, animals and, if you’re really lucky, baby animals—in short, everything you’re supposed to avoid in show business. That said, it’s also a catchy title, especially for a show that promises to investigate the relationship between the medium, the message and the mobilisation of empathy. Lucy Guerin’s latest show, commissioned by Malthouse Theatre and the Perth International Arts Festival, “explores our shared consumption of media news” and the “personal impact of the global crises delivered daily to our doorsteps” (press release). Like much of Guerin's work, surveyed in RealTime’s Archive Highlights here, Human Interest Story combines imagery, gesture and sound to almost surreal effect. Created by an outstanding ensemble of dancers and collaborators and featuring design by Gideon Obarzanek (Mortal Engine), lighting by Paul Jackson and a very special newscast by Anton Enus (SBS), Human Interest Story premieres in Melbourne before touring to Perth. Lucy Guerin Inc, Human Interest Story, Malthouse Theatre, July 23-August 1; www.malthousetheatre.com.au; Perth International Arts Festival Feb 11-March 7 2011

Jenny Kemp, Madeleine Jenny Kemp, Madeleine
photo courtesy of Malthouse
contemplating madness

One issue that has often made the news over the past year is mental health, first when Professor Pat McGorry was appointed as Australian of the Year and then when Professor John Mendoza resigned from the National Advisory Council on Mental Health in frustration at the government’s efforts or lack thereof. Of course, themes of mental health and illness have a long history in art and theatre. One example is Jenny Kemp’s exploration of loss, longing and mania in her 2008 work Kitten. This month, this adventurous writer-director of dream like performance works mounts the companion piece, Madeleine, at Arts House, Melbourne. Madeleine is turning 19 and starting to show signs of schizophrenia. As she disintegrates mentally so too does her family, and together they are thrust onto the path to tragedy. Madeleine “brings the uncertain world of mental illness into presence, for contemplation. It provides a space within which these concerns can become a reality—a poetic reality of beauty, humour and horror” (press release). Jenny Kemp and Black Sequin Productions, Madeleine, Arts House, North Melbourne August 3-8 https://www.melbourne.vic.gov.au/ArtsHouse/

computer gaming on in launceston

If you missed Game On, the exhibition devoted to the history of video games curated by the Barbican and hosted in Australia by ACMI in 2008 (RT84, p.29), then you might want to catch Game On 2.0. This new exhibition is having its world premiere at the Queen Victoria Museum and Art Gallery in Launceston. While the new version includes several new pinball machines and arcade games from the past, it also shows off the Virtusphere, which is apparently “the best locomotion interface for virtual entertainment.” Game On 2.0, Queen Victoria Museum and Art Gallery, Launceston, July 3-Oct 3, http://www.qvmag.tas.gov.au/gameon/

live-in performance art

Anastasia Klose has been sitting in bed since July 9 and will continue to do so until August 8. If you want to see her, she is at the Australian Experimental Art Foundation, Adelaide. But she’s not just sitting, she’s also writing, typing her thoughts onto her laptop. These musings, which shift from the banal to beautiful and back again (“Staring…Checking phone," “you must never admit to your mistakes, you must instead claim them, as if you intended them,” “The anxiety of a white screen. Here is my new performance. Sit for 5 minutes without typing. Starting now. 3.04”) are then projected onto the white wall behind her that also serves as a bed head. The performance, titled i thought i was wrong but it turns out I was wrong, is accompanied by an essay called In bed with Anastasia: intimate strangers, written by Larissa Hjorth. Anastasia Klose, i thought i was wrong but it turns out I was wrong , Australian Experimental Art Foundation, July 9-Aug 8 http://aeaf.org.au/exhibitions/10_klose.html

RealTime issue #97 June-July 2010 pg. web

© RealTime ; for permission to reproduce apply to realtime@realtimearts.net

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