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Archive building in progress

We are currently re-building our online archive, with a powerful search facility to make it more accessible.
This is a major long-term project which will make available editions from our very first in 1994.
We are working backwards from the current edition.
If you are searching for an article in an edition not yet archived, please email the Managing Editors at
realtime@realtimearts.net with your query, and we will attempt to assist you.
Most back editions can be purchased for $5.50 inc, GST, post and packaging.

Editions currently online:

issue 138 - Flow maps & heightened states

issue 138 - Experience into dance: translation and failure

issue 138 - A sustaining instrument

issue 138 - An Australian sect saga

issue 138 - New words for music

issue 138 - Video art treasure house on demand

issue 138 - The weight of abstraction

issue 138 - THE LOOP

issue 138 - Ros Bandt, Tarhu Connections, double CD

issue 138 - The audience on the inside

issue 138 - An experimental art hub in Melbourne’s west

issue 138 - Film festivals vs the big streamers

issue 138 - Art as big public infrastructure

issue 138 - Science + love = explosive dance

issue 138 - Is anyone there—online or off?

issue 138 - Vale John Clarke

issue 138 - Bundanon: creative refuge

issue 138 - Bundanon: channelling Arthur Boyd

issue 138 - Raw: T-shirts and double passes

issue 138 - Post-industrial town’s art conversion

issue 138 - Techno-shapeshifting

issue 138 - Eating people: serious horror

issue 138 - THE LOOP

issue 137 - WOMADelaide 2017: Saving the musical mind

issue 137 - Dancing new lives

issue 137 - Aromatics of thought

issue 137 - Supercell Dance Festival: Brisbane dances

issue 137 - Into the internet's black holes

issue 137 - Senses and causes

issue 137 - The sweet smell of jalebi

issue 137 - Lloyd Cole: the interacting synthesiser

issue 137 - Shifting gravity's centre

issue 137 - Remarkable musics

issue 137 - Art at labour's limits

issue 137 - Dance is the game

issue 137 - Music's ever evolving electronics

issue 137 - Beyond sadness

issue 137 - Art takes on despair

issue 137 - Undoing imagination

issue 137 - Another side of Mary

issue 137 - More than a bio-opera

issue 137 - Cultures, words, lives, limits

issue 137 - Performing Asia in & with Australia

issue 137 - Lauren Carroll Harris joins RealTime

issue 137 - Presence and strength

issue 137 - Nam June Paik: bad video, poor performance

issue 137 - Documentary in a virtual, post-truth world

issue 137 - AIDC 2017: Transcending the news cycle

issue 137 - A work of art

issue 137 - A barbarian's right to difference

issue 137 - THE LOOP

issue 137 - DVD: Tanna

issue 137 - TAO Dance Theater in ‘6’ and ‘8’

issue 137 - Bold, not just older

issue 137 - AUDIO: A dangerous beast

issue 137 - Wynscreen: video art for those in transit

issue 137 - Gold Coast new art momentum

issue 137 - DVD: Life, Animated

issue 137 - THE LOOP

issue 137 - Phases and faces

issue 137 - Ghosts and bones and angels

issue 137 - Of sport and gods

issue 137 - Disaster meditations from Japan

issue 137 - Spatial effects, narrative distractions

issue 137 - Curiosity, clouds, release

issue 137 - Crisis face to face

issue 137 - Iran onstage

issue 137 - DVD: Ken Loach's I, Daniel Blake

issue 137 - Women's film festivals: breaking the mould

issue 137 - Unanticipated moves

issue 137 - Three kinds of grieving

issue 137 - Naturalism that makes space for all

issue 137 - Our world, now different?

issue 137 - The power of collaboration

issue 137 - Escape attempts

issue 137 - Model dirty dancing

issue 137 - THE LOOP

issue 137 - Sights Unseen

issue 137 - Life at the limits

issue 137 - Virtual embodiment, real empathy

issue 137 - Great Kosky, great Saul

issue 137 - Beautiful failure vs fetishised perfection

issue 137 - Privacy & protest

issue 137 - The future is almost here

issue 137 - THE LOOP

issue 137 - A king for our time

issue 137 - Technique, plus and minus

issue 137 - Time for a reckoning

issue 137 - Degendering

issue 137 - Hearts beating as one

issue 137 - Scoring conciliation

issue 137 - Inner & outer light

issue 137 - THE LOOP

issue 136 - Sonic art liberation

issue 136 - Perfect pairings

issue 136 - Similitudes & affinities: Dancehouse & the world

issue 136 - Pathos: concept > document > object

issue 136 - Music & politics of migration

issue 136 - Regional stresses & passions

issue 136 - For All We Know (or thought we knew): Part II

issue 136 - ACMI Mark II: Museum of the future

issue 136 - Man at work

issue 136 - Memory made music

issue 136 - Sydney Festival: A great sense of occasion

issue 136 - 2017 Sydney Festival: A Personal Guide

issue 136 - Reassembling the cosmos

issue 136 - Light made sound made light

issue 136 - Re-imagining 'regional'

issue 136 - Maximalised sounding vs authored synaesthesia

issue 136 - Love, materialism & metaphysics

issue 136 - PIAF 2017: A very special place

issue 136 - DVD: Stephen Page, Spear

issue 136 - DVD: Weiner

issue 136 - Shifting the goalposts

issue 136 - The joy of pulsing complexity

issue 136 - Counterbalancing chaos

issue 136 - Making scents of Sydney

issue 136 - In light of darkness

issue 135 - A common spirituality

issue 135 - Queerings of form and perception

issue 135 - A living document of diversity

issue 135 - Ever blossoming art out of Asia

issue 135 - Festival rises above the storm

issue 135 - BOOK: Unworldly Encounters

issue 135 - Speak Percussion: the music of shells, bells and fluoros

issue 135 - Life distilled into moments

issue 135 - Melbourne Fringe: angles on unsexed perspectives

issue 135 - Melbourne Fringe: the beauty of bafflement

issue 135 - Sublimity in rural Texas

issue 135 - Internationals, locals, any body & every body

issue 135 - The artist, cultural transmitter & trickster

issue 135 - Speculative fictions & microbial collaborations

issue 135 - A festival grounded in transitional space

issue 135 - Everyday crisis-resilience

issue 135 - Celebrating Dada

issue 135 - The ambiguous cry of blood

issue 135 - Performance vs rape culture

issue 135 - Ordinary monsters, at a distance

issue 135 - Drawing: calm in chaos

issue 135 - Old halls, new lives

issue 135 - DVD: Ivan Sen’s Goldstone

issue 135 - Between a plinth and a hard place

issue 135 - Fassbinder, degrees of proximity

issue 135 - Prophetic sonic art

issue 135 - Seeing touch: contemporary soft sculpture

issue 135 - DVD: Mustang

issue 135 - Festival for a town that doesn’t conform

issue 135 - Utopia, unsettled

issue 135 - Women, art & the challenges of empowerment

issue 135 - The end of the world as we know it

issue 135 - High anxiety, vivid wondering

issue 135 - Growing choreography in Newcastle

issue 135 - Inside Asia, heart and art

issue 135 - Artefact liberation

issue 135 - On a need to know basis

issue 135 - A storm, untouched by theory

issue 135 - Gesturing kindness and generosity

issue 135 - Rituals of another kind

issue 135 - Music vs capitalism, ghosts in machines

issue 135 - Liveworks: A bigger picture

issue 135 - A new instrument speaks

issue 135 - Voiced-over pop, hateful audiovision

issue 135 - Not defined by rape

issue 135 - Utterly wired

issue 135 - DVD: Ben Wheatley’s High-Rise

issue 135 - All set adrift

issue 135 - Having a go at the horror

issue 135 - An ear to the future of creative radio

issue 135 - When dads dance

issue 134 - The virtues of self-indulgence

issue 134 - Occupying culture in Rio de Janeiro

issue 134 - Exploratory music on a high in Bendigo

issue 134 - The cruelties of God, evolution & showbusiness

issue 134 - Accepting the agency of the non-human

issue 134 - Crime, punishment & role reversal

issue 134 - A conflict of interests

issue 134 - Sound by nature, music by name

issue 134 - Advancing the art of reviewing

issue 134 - The making of performance makers

issue 134 - Girls lost and found

issue 134 - Gaming climate change

issue 134 - Art & the inevitable

issue 134 - Drought drama

issue 134 - From Picasso to music to dance

issue 134 - Futuring music theatre in the academy

issue 134 - Cultural diversity’s new dramaturgy

issue 134 - Imagination and incarceration

issue 134 - Taking on the panic machine

issue 134 - Another route to being human

issue 134 - Tribute to a pioneering dance media artist

issue 134 - Tasmanian youth: dancing with a mission

issue 134 - The screen: inside and out

issue 134 - Liveworks 2016: a storm of creativity

issue 134 - Troubled bodies tangle with truth

issue 134 - A just hearing in the court of theatre

issue 134 - On the record: Australian artists in free-fall

issue 134 - Racism laid bare: not so funny

issue 134 - When the Goal Posts Move, by Ben Eltham

issue 134 - OzAsia Festival: Exorcising America

issue 134 - 2016 Darwin Festival: Tradition sustains innovation

issue 134 - The metadata that counts

issue 134 - Salamanca Moves: making visible dance’s diversity

issue 134 - 2016 Darwin Festival: the power of art in the making

issue 134 - The aesthetics of kinetic impact

issue 134 - Imaginary ecologies: real fears & hopes

issue 134 - An independent art school for all

issue 134 - ELISION ensemble: a bold 30-year adventure

issue 134 - Living beneath life

issue 134 - Four quartets, from musing to outburst

issue 134 - Reverse the trend; champion creative education

issue 134 - Adelaide College of the Arts: Acting, privilege and legacy

issue 134 - How animal are humans?

issue 134 - The sounding of dance data

issue 134 - Loops within loops

issue 134 - Music Writers’ Workshop

issue 134 - The ensemble as organism

issue 134 - When light plays an orchestra

issue 134 - On the precipice

issue 134 - The corralling of disparate voices

issue 134 - The dead arise, play and dance

issue 134 - Degrees of green art radicalism

issue 134 - Asia-Pacific artists screen climate change

issue 134 - Inquisitive pairings of data and forms

issue 134 - Improv idol 2016

issue 134 - BIFEM 2016’s unprecedented scale and vision

issue 134 - Slow traumas or apocalypses of choice?

issue 134 - Mastering the power of unpredictability

issue 134 - The critical limits of sound

issue 134 - Fine friction between sound & meaning

issue 134 - Dance: LINK-ing and Mastering

issue 134 - An inclusive vision of Australian women

issue 134 - Donnie Darko, 15th Anniversary Edition DVD

issue 134 - The call to dance

issue 134 - Something more than ourselves

issue 134 - For All We Know (or thought we knew): Part I

issue 133 - Next Wave Festival: complex selves & cultures

issue 133 - The Choreographic: concept or con?

issue 133 - A musical brain of your own

issue 133 - Embracing a new reality

issue 133 - Peggy Guggenheim: Art Addict, DVD

issue 133 - Fighting for the arts & the public good

issue 133 - Fraught organic/digital business

issue 133 - Documenting emotion

issue 133 - Experimental art fills in the blanks

issue 133 - A dance of minds, bodies & synchronicities

issue 133 - RUCKUS tames Time

issue 133 - The city as problem and solution

issue 133 - Activist art: origins and resurgence

issue 133 - The Games DVD

issue 133 - Editorial June 8

issue 133 - If truth be told…

issue 133 - Domestic violence in the white cube

issue 133 - An anxiety-inducing mechanism of fascination

issue 133 - Laughter & pain in a post-colonial limbo

issue 133 - Radically adrift in an expanding cosmos

issue 133 - I Shudder To Think

issue 133 - Revolutionising reception of the world

issue 133 - Initial conditions tight, possibilities unlimited

issue 133 - Brilliant hi- & lo-fi mysteries & disorientations

issue 133 - The artist as stripper: when is ‘too much’ enough?

issue 133 - Roger Smalley: a new music legacy reinvigorated

issue 133 - In the wastes of Ormen

issue 133 - REV 2016: for the love of the big screen

issue 133 - Art & massacre: the necessary memory of loss

issue 133 - Playwriting: celebrating the art against the odds

issue 133 - To live, dance and love, with HIV

issue 133 - Artgaming the art/video game nexus

issue 133 - VR, finding its way to art

issue 133 - A powerful cross-cultural shape-shifter

issue 133 - Cinema that reshapes seeing, time and the human animal

issue 133 - A Pigeon Sat on a Branch Reflecting on Existence DVD

issue 133 - Virtual pain, harsh reality

issue 133 - Absurdly capital contradictions

issue 133 - Should you see Manifesto?

issue 133 - A biennale with the city as site

issue 133 - To connect in a time of disintegration

issue 133 - Angles on eccentricity

issue 133 - Hip, political music-making

issue 133 - From Europe: Two kinds of nakedness

issue 133 - A glorious revelation of the unseen

issue 133 - The challenges of transformation

issue 133 - Damage makes art

issue 133 - A reckoning between generations

issue 133 - Saving PACT: persistence vs crisis

issue 133 - A regenerative dreamscape

issue 133 - Putuparri and the Rainmakers DVD

issue 133 - Tea, Elvis & the magical mundane

issue 133 - Thought-shifting art

issue 133 - Angles on democracy

issue 133 - A serious comedy connects with country

issue 133 - OzAsia 2016: a necessary festival

issue 133 - Strengthening an all too fragile loop

issue 133 - Dust, myth & a new hero

issue 133 - Art, empathy and risk

issue 132 - The art of disappearance

issue 132 - Facing trauma with dance

issue 132 - A dance-propelled Newcastle

issue 132 - 20th Biennale of Sydney: fierce return of the Futurists

issue 132 - 2016 Next Wave: the future now

issue 132 - David dead & sounding real

issue 132 - La Mama’s Uncle Vanya plays in regional Victoria

issue 132 - Climate change, culture threat

issue 132 - The beautiful music of mortality

issue 132 - The end of an idyll

issue 132 - Art for science

issue 132 - The dancing museum & the politics of public space

issue 132 - The art & ideas behind an award

issue 132 - Compulsion’s fraught harmonies

issue 132 - Decibel and the new classicism

issue 132 - 99 Homes DVD

issue 132 - Regional industry: dance versus loss

issue 132 - Jafar Panahi’s Tehran Taxi DVD

issue 132 - Eye to eye with the animal

issue 132 - Peggy Guggenheim: Art Addict DVD

issue 132 - Can acrobatics liberate Modernism’s heroines?

issue 132 - Heather Kravas & American Realness

issue 132 - Liberating lo-fi for the digital generation

issue 132 - Zoe’s masterpiece

issue 132 - Men’s Business in another world

issue 132 - Love & pain: a crystalline memoir

issue 132 - Live art, sex, death & community

issue 132 - Playing the live art game

issue 132 - AN ARTS CRITICAL ELECTION

issue 132 - A meeting of Aboriginal & Jewish cultures

issue 132 - Game on: making the virtual physical

issue 132 - Everything in the mix

issue 132 - Derek Kreckler: Accident & Process is on tour

issue 132 - Addiction’s vicious cycles

issue 132 - Nightmares & dreamscapes

issue 132 - Editorial 4 May 2016

issue 132 - Conceptual choreography & award anxieties

issue 132 - RUCKUS, Speed Of Life

issue 132 - Award keeps choreographers & audiences on their toes

issue 132 - Dance opens out gaol-space

issue 132 - Next Wave Festival 2016: the thrill of emergence

issue 132 - Leah Barclay: global sono-eco ambassador

issue 132 - For art’s sake, for artists’ sake - act now!

Special Feature - Next Wave Festival: Re-seeing the body in motion

Special Feature - Next Wave Festival: Many ways into “energized tranquility’

Special Feature - Next Wave Festival: Dance & humour vs misinformation

Special Feature - Next Wave Festival: The violence of internalised oppression

Special Feature - Next Wave Festival: The transmission of sensation

Special Feature - Next Wave Festival: Shaking loose the self

Special Feature - Next Wave Festival: Cultural tensions in a fraught sisterhood

Special Feature - Next Wave Festival: The art of unlearning

Special Feature - Next Wave Festival: The fantastical power of the everyday

Special Feature - Next Wave Festival: The evocative power of abstraction

Special Feature - Next Wave Festival: “How did that make you feel?”

Special Feature - Next Wave Festival: Urgent cultural tensions embodied

Special Feature - Next Wave Festival: Dance, decay & transformation

Special Feature - Next Wave Festival: Wrestling with monsters

Special Feature - Next Wave Festival: From disconnect to transcendence

issue 132 - Next Wave, a festival of creative attentiveness

issue 132 - Carol DVD

Special Feature - Oppression & the two sides of the digital coin

issue 131 - I love hard work; I could watch it all day

issue 131 - Video art’s mirror worlds

issue 131 - More Mofo provocations

issue 131 - Northern Lights

issue 131 - Giveaway 3rd Feb: Macbeth DVD

issue 131 - Sympatico neuron dancing

issue 131 - Dance, music & biomimicry

issue 131 - When dance makes music

issue 131 - A remaking of resurrected manifestos

issue 131 - What’s missing in Carol?

issue 131 - Obituary: Pierre Boulez, 1925-2016

issue 131 - Maelstrom & meditation

issue 131 - Conversation and arts politics in the arts marketplace

issue 131 - Post-traumatic stress disorder from the inside

issue 131 - Blurred vision

issue 131 - Trim, taut, terrific

issue 131 - A positive disturbance

issue 131 - Bonding over bondage

issue 131 - Let Them Stay

issue 131 - Giveaway 10th Feb: The Family Law DVD

issue 131 - The intimate weave of art and life

issue 131 - Good works for hardworking audiences

issue 131 - Panoptic spreadsheets & political art

issue 131 - “These are the dancers”

issue 131 - The Gods come to Earth

issue 131 - Rights, copyright and the license to critique

issue 131 - Arcadia: two worlds, two minds

issue 131 - lingering + spatialising + listening

issue 131 - Perth International Arts Festival: Modernism repackaged?

issue 131 - Francophone dance, a difference

issue 131 - Customer service and failed intimacy

issue 131 - Perth International Arts Festival: Dark matter

issue 131 - Adelaide Festival: No pastoral refuge

issue 131 - PIAF 2016: Survival arts

issue 131 - PIAF 2016: A personal sharing

issue 131 - PIAF 2016: Contemporary techno-tragedy

issue 131 - MESS: not so old machines, new music

issue 131 - Sounds from the home of The Blizzard

issue 131 - Wired to make a difference

issue 131 - Seeking consistency

issue 131 - A sad bunch of lonely kings

issue 131 - A new landscape for new circus

issue 131 - Exiled from our being

issue 131 - Music, equity & belonging

issue 131 - Dance & other performance art

issue 131 - Between evasion and overload

issue 131 - Arts workers analyse the market

issue 131 - Paying attention to the lives of others

issue 131 - Everyday tech, intimacy & illusion

issue 131 - One heart beating for the many

issue 131 - Giveaway 16th March: The Look of Silence, Joshua Oppenheimer DVD

issue 131 - Narcissism critiqued and indulged

issue 131 - Road rage art

issue 131 - Ambiguities of the Word and the Flood

issue 131 - Dances of protest

issue 131 - Redefining form and experience

issue 131 - Old transgressions, new art & understanding

issue 131 - Hyperreal Tales

issue 131 - The joy of mesmeric disquietude

issue 131 - Screen as time lens

issue 131 - The summed hum of time and space

issue 131 - The art of sensory expansion

issue 131 - The ever-evolving string quartet

issue 130 - Varieties of creative intimacy

issue 130 - The force inhabits you

issue 130 - Experimental art—having to speak for itself

issue 130 - Editorial: Last Print Edition, Not Last Words

issue 130 - A rigorous engagement with Asia

issue 130 - Cultural play & interplay

issue 130 - Renewal through reflection

issue 130 - The past drives dance into the future

issue 130 - Fragility, resilience, work & home

issue 130 - New connections, strange directions

issue 130 - A wild flowering of new works

issue 130 - Primal myth magic

issue 130 - For highbrow perusal

issue 130 - When life turns surreal

issue 130 - Let’s do hysteria

issue 130 - Ice, art & urgency

issue 130 - Fun durational art

issue 130 - With an ear to the wall

issue 130 - Obsession, creation & re-invention

issue 130 - Bending a brass band

issue 130 - Canny Robotics

issue 130 - Guide to a festival of great gifts

issue 130 - Everything depends on dramaturgy

issue 130 - The art of empathy

issue 130 - A festival that feels, senses and thinks

issue 130 - Of kings, carnations & psyches in crisis

issue 130 - An integrated & evolutionary vision

issue 130 - Limited critique, internal contradictions

issue 130 - Unsound vision

issue 130 - A common magic

issue 130 - Place, displacement & disposition

issue 130 - Ode To Modernism

issue 130 - Walking, animal dances & becoming

issue 130 - Rewind forward

issue 130 - Cultural climate change

issue 130 - Insanity, inside & out

issue 130 - Boldly narrowing the gap

issue 130 - Reality’s other perspectives

issue 130 - The unexpectedly ecstatic

issue 130 - The perils of emptiness overcome

issue 130 - Refugee awareness: a way through?

issue 130 - Performance & the restoration of the real

issue 130 - All a part of something

issue 130 - Occupy the street

issue 130 - What’s in a name?

issue 130 - Hearing through capital’s illusions

issue 130 - A tribute to transcendence

issue 130 - Talents, minds & cultures united

issue 130 - Eclectic fusion

issue 130 - Sonica’s good-looking sounds

issue 130 - Tracing counterpoint

issue 130 - Feminist manifestos converse

issue 130 - Giveaways RT130

issue 129 - Amplified Elephants, Select Naturalis

issue 129 - Listening to others’ listening

issue 129 - The power & beauty of resonance & cadence

Special Feature - In Profile: Zoe Scoglio, artist

issue 129 - Percussive possibilities

issue 129 - Editorial: Liveness/Deadness

issue 129 - Liveness: interrogating the dream

issue 129 - Liveworks Festival Of Experimental Art

issue 129 - Performing hysteria

issue 129 - The Filipino body and labour capital

issue 129 - One-on-one: truly, urgently present

issue 129 - Likeness unlimited

issue 129 - Running for your life, and art

issue 129 - Audience on the spot, inside and out

issue 129 - Virtual restoration as theatre

issue 129 - Liberate media art & animate the gallery

issue 129 - Liveness = not being lost in the crowd

issue 129 - On your feet: protest & walking as art

issue 129 - Audience phones in addiction

issue 129 - Classical gas & retrograde ejaculation

issue 129 - The courage to address other ways of being

issue 129 - Three films as one for our time

issue 129 - Into a heart of darkness (or love)

issue 129 - The shaman’s theatre of the night

issue 129 - Meaning & its absence in the everyday

issue 129 - The dance life of objects

issue 129 - Australia and Indonesia draw near

issue 129 - And now for something different

issue 129 - Putting Africa into Othello

issue 129 - In the flux of the moment

issue 129 - When ‘hypnotic’ is good

issue 129 - Regaining equilibrium

issue 129 - Teenagers dream The Bacchae

issue 129 - Creativity, generosity & taking the pledge

issue 129 - Targeted by art drones

issue 129 - Joys of the ascent

issue 129 - An abundance of imagery—aural, visual, imagined

issue 129 - Kaleidoscopic pleasures

issue 129 - Celebrating Room40 & a world of textures

issue 129 - Raw beauty and complexity

issue 129 - Unseen energies manifest as art

issue 129 - Never turn your back on the sea

issue 129 - Giveaways RT129

issue 129 - Miss Universal dances the Transmodern, with love

issue 129 - Welcome to the all-consuming infinite

issue 129 - Pippa Samaya, film: Dancing in the Now

issue 129 - A new gallery for & of the internet

issue 129 - Seeing the Trees from the Wood: models in sustainability for new, experimental, and ‘other’ music performance

issue 129 - Declaration of Sonic Rights

issue 128 - From Asia, with passion and daring

issue 128 - Editorial

issue 128 - A time for experimental thinking & doing

issue 128 - A generous learning and sharing

issue 128 - Practicality, phenomenology & adaptability

issue 128 - Teaching for independence & innovation

issue 128 - Dancing & teaching: with & without a ball

issue 128 - Teaching photography: practically & conceptually

issue 128 - Liberating experimentalism

issue 128 - Art, design, What if… and WTF?

issue 128 - Creating togetherness, making democracy

issue 128 - East, West, chance, dance & causality

issue 128 - Deep time, walking Queensland waterways

issue 128 - Immersive, verbatim & immersively verbatim

issue 128 - Students for the future of documentary

issue 128 - Deafness, symbolism & silence

issue 128 - Killer contrite in a heartbeat

issue 128 - Down-home supernaturalism

issue 128 - Insatiable: ghosts & humans

issue 128 - Conversation, celebration, compassion

issue 128 - A visit with a doppleganger

issue 128 - Asia-Australia: art, conscience, action

issue 128 - Culture and constraint

issue 128 - When blunt design is sharp

issue 128 - Thrills & serial complications

issue 128 - Going for the burn

issue 128 - Domestic Bliss

issue 128 - The shape of things to come?

issue 128 - The virtues of hopelessness

issue 128 - Gay Muslim immigrant pride

issue 128 - Scenographies of the city, weather & politics

issue 128 - Beautiful suffering: Baroque & Gothic

issue 128 - The future with an ear to the past

issue 128 - Scientific conception, sonic sensation

issue 128 - A monumental dance of screens & bodies

issue 128 - New light on light

issue 128 - The sound beyond & the light inside

issue 128 - Multiplying alter egos

issue 128 - The past in present tense

issue 128 - Giveaways RT128

issue 128 - In between moment and momentum

issue 128 - soundinitiative does Lang doing Deleuze doing Beckett

issue 128 - Vivid new music imaginings

issue 128 - The parade of time, change & sound

issue 128 - Feral thought, fears & fun

issue 128 - Experimental, subversive, visceral…underground

issue 127 - Art & healing on the streets of Ansan

issue 127 - Dance & drawing: ways of seeing trace

issue 127 - On the line between earth and sky

issue 127 - Poets at risk

issue 127 - Editorial

issue 127 - Body Image Screen - Introduction

issue 127 - Framing trauma, fear & love

issue 127 - The body in the machine: the screen as performer

issue 127 - A treasure house of movement-led hybridity

issue 127 - Screen-dancing back the layers

issue 127 - Democracy of the lens

issue 127 - Performance art in the experience economy era

issue 127 - Missing in action

issue 127 - The mining of image & metaphor

issue 127 - It’s the nature of play that makes gaming

issue 127 - Hope in and fear of the new

issue 127 - Talk about fucked up

issue 127 - Documenting problems or documentary as problem

issue 127 - A shift in the locus of fear

issue 127 - Horror: intensified but refined

issue 127 - Suburban screen adventure

issue 127 - Time for action!

issue 127 - When buildings sing

issue 127 - Not your average primate

issue 127 - Art and a post-industrial town

issue 127 - Site-specific, durational, regional Chekhov

issue 127 - A dark dance of choice and chance

issue 127 - Without movement, no time

issue 127 - An alchemical progression

issue 127 - Inimically Wright

issue 127 - Obituary: Maggi Phillips (1944-2015)

issue 127 - The feminine: monstrous, polite, tenacious

issue 127 - Unburdened Australians in an adventurous mix

issue 127 - Crazy Horse exposé

issue 127 - Mingling memories, signs & connotations

issue 127 - Power game variations

issue 127 - Art bred from destruction

issue 127 - New music, digital culture & the big questions

issue 127 - The body as ear

issue 127 - Trio: flight, death, earth

issue 127 - A meeting of cultures through public art

issue 127 - Venice Biennale: the art of housing art

issue 127 - Art that illuminates the street

issue 127 - Emanations from the forest

issue 127 - Giveaways RT127

issue 127 - URGENT: ACT NOW, SENATE ARTS INQUIRY

issue 127 - Inside the sounding of dance

issue 126 - Editorial

issue 126 - To market to market!

issue 126 - More than meets the ear

issue 126 - Queering the days

issue 126 - The deep roots of revelatory performance

issue 126 - Inner lives & collective crises

issue 126 - What will you do?

issue 126 - Voicing empathy, rehearsing protest

issue 126 - Trouble shared

issue 126 - Shoulder to shoulder

issue 126 - Double wonder

issue 126 - Through a looking glass

issue 126 - The mind performs

issue 126 - You can dance if you want to...

issue 126 - The composer in full voice

issue 126 - Ecstatic, tribal contemporary dance

issue 126 - A festival rising in the body of one

issue 126 - Ambition and vision

issue 126 - Weather: immersive

issue 126 - Calm and turbulence

issue 126 - ...on class & development

issue 126 - Reading the film score: part 1

issue 126 - Reading the film score: part 2

issue 126 - From Faust on film to now

issue 126 - At play with perception & consciousness

issue 126 - Dance Massive

issue 126 - The body, seen & seeing

issue 126 - Keeping track

issue 126 - The enduring dance

issue 126 - Museums more or less

issue 126 - Digital theatre: live and mobile

issue 126 - To the moon: producing the future

issue 126 - The power of the outsider

issue 126 - Perception shifts

issue 126 - Taking a hard look at the self

issue 126 - Lives in collision

issue 126 - Live art: new home, new terrain

issue 126 - Comic descent

issue 126 - Design for the here and now

issue 126 - War, fragility & imagination

issue 126 - Riding the wave

issue 126 - Trans-Tasman drone

issue 126 - When music and poetry converse

issue 126 - War, nostalgia, utopia

issue 126 - At one with water

issue 126 - From lab to creation to festival

issue 126 - The moment in between

issue 126 - The zero waste cut

issue 126 - Giveaways RT126

issue 126 - Draft Apology to the Survivors of Immigration Detention

issue 126 - Get your art fix: Artfilms

issue 126 - Plasticity, performance & environment

issue 126 - Game to play

issue 126 - The body: subject, object, material

issue 126 - RealTime Writing Workshop

issue 126 - Major art heist: the Brandis file

issue 125 - MoveMe’s becoming & arriving

issue 125 - The greening of performance

Special Feature - Water play and sensory circuits

issue 125 - Art, mind and ideology

issue 125 - Producer at work: a storm of creativity

issue 125 - Time-space reshape

issue 125 - APPCAMP: First snowfall, auspicious beginnings

issue 125 - Shared creation in safe places

issue 125 - The post-museum & the uncertainty principle

issue 125 - To do more than talk, more than please

issue 125 - Ritual empty & full, spiritual & political

issue 125 - Broken: the museum grip on bodily performance

issue 125 - Taking it to the limit

issue 125 - In the neighbourhood

issue 125 - Slippery when whet

issue 125 - Lives in & out of sync

issue 125 - Up there for dancing

issue 125 - A memoir: knock’em down

issue 125 - We all can dream

issue 125 - Film as essay, performance as film

issue 125 - Time recharged

issue 125 - World War Z: Israel-Palestine musical

issue 125 - Scarlett Johansson & the alien feminine

Special Feature - On the border: practice & potential

issue 125 - Mining the magic of the moment

issue 125 - Humanimal dances

issue 125 - De Keersmaeker’s dance of ever more simple movement

issue 125 - Couple bust taboo

issue 125 - In-theatre, online, public, private

issue 125 - The politics of sacrifice

issue 125 - Mis-labelled child

issue 125 - Stein song

issue 125 - Underground, actually and seriously

issue 125 - Loving Philip Seymour Hoffman

issue 125 - The performance lecture: the dead & the dead-end

issue 125 - For and by kids with a little help from friends

issue 125 - We’re on earth, is there a cure for that?

issue 125 - Art inside out

issue 125 - Radical thought as sound

issue 125 - Errant violinism

issue 125 - Falling into Heaven

issue 125 - Persona re-personified

issue 125 - Live, wired & testing the limits

issue 125 - New audiences for new instruments

issue 125 - The liberation and containment of sight

issue 125 - The art of self-incarceration

issue 125 - The many-meaning Murray

issue 125 - The outsider on the inside

issue 125 - Giveaways RT125

issue 125 - RT125 Editorial

issue 125 - The perfection of silliness and stupidity

issue 125 - Across the great divide

issue 125 - Sounding eclecticism & juxtaposition

issue 125 - Springing from between the cracks

Special Feature - realtime tv: ELECTRONA 7054: An Ode to Suburban Sprawl

issue 124 - Editorial - RT124

issue 124 - Experimentation with added spark

issue 124 - Stories true and truthy

issue 124 - Adapto-mania: insights and limits

issue 124 - In others’ words

issue 124 - The primordial present

issue 124 - Trisha Brown, choreographer of the postmodern

issue 124 - The unease of digitalised intimacy

issue 124 - Not so innocent

issue 124 - Excess, insight and magic

issue 124 - Body/tech crossings

issue 124 - Intimate delights and dark disturbances

issue 124 - 2015: the bright maturing of a vision

issue 124 - Ephemerality capture and kin

issue 124 - Thinking big, laterally

issue 124 - Adventures in collaboration

issue 124 - Nature, sound, memory & mortality

issue 124 - The soul of sustainability

issue 124 - An eye on China for three decades

issue 124 - Sacred sites and screenic figurines

issue 124 - Elma Kris: from a Torres Strait Islander perspective

issue 124 - Collision and transcendance

issue 124 - Dark visions

issue 124 - An elusive journey

issue 124 - Growing up with PACT

issue 124 - Vale: Margaret Cameron, 1955-2014

issue 124 - Artists on the road, into the unknown

issue 124 - Immersed in the art of Richard Schechner

issue 124 - Bigger than average performance anxieties

issue 124 - A double life: politics & the family

issue 124 - Flight from extinction

issue 124 - Cross generational soundings

issue 124 - Stage fathers

issue 124 - Lateral travel guide

issue 124 - Quiet faith in loud times

issue 124 - Rachael Maza: the power of intuition and collaboration

issue 124 - Sound unbound

issue 124 - The audible & the invisible

issue 124 - Bass clarinet + dome = immersion

issue 124 - Viola da Gamba: acoustic, electric, other

issue 124 - The concert: surreptitiously re-thought

issue 124 - Exotic vernacular: Chinese Gardens in Avoca

issue 124 - Remembering not to forget

issue 124 - Climbing Art

issue 124 - Giveaways RT124

Special Feature - realtime tv: Dalisa Pigram, Edwin Lee Mulligan, Marrugeku's Cut the Sky

issue 124 - Anthony Pateras, full interview

issue 124 - The interrogatory path

issue 124 - Highs & hopes

issue 123 - Editorial - RT123

issue 123 - A grand plan: reassurance & hope

issue 123 - From the ashes, renewal

issue 123 - Accelerating cultural evolution

issue 123 - Giveaways RT123

issue 123 - Culture’s haunted houses

issue 123 - Treasures of the lost and found

issue 123 - Christopher Barnett: Cultural Bolshevik

issue 123 - Cultural syntheses: north-south, east-west

issue 123 - Made wise by disorientation

issue 123 - Radical expectations

issue 123 - Live art minus jets

issue 123 - What’s big about being small?

issue 123 - Stepping just out of the frame

issue 123 - Grand innovators

issue 123 - Life, death & music—making connections

issue 123 - Hyperreal sonics & breathing music

issue 123 - Horror—beyond genre

issue 123 - Body duress, culture stress

issue 123 - Can we ever be home?

issue 123 - Art against the clock

issue 123 - Listening with my skin, bones, organs, eyes

issue 123 - On the precipice of dancing matter

issue 123 - Holy Sheet & the collective choreographic consciousness

issue 123 - Three minds, six bodies, one wonder

issue 123 - Dancing in the divide

issue 123 - Starting out

issue 123 - Was there dancing?

issue 123 - The RealTime of our lives

issue 123 - Forever young

issue 123 - Deep inside the world-as-body

issue 123 - The power of listening

issue 123 - Speaking to reality, more or less

issue 123 - Degrees of risk and violence

issue 123 - In search of a theatre of the mind

issue 123 - The art of escapology

issue 123 - The theatre of induced susceptibility

issue 123 - War on the inside, on both sides

issue 123 - Gorky validated, if improved

issue 123 - Unerring explorations

issue 123 - The percussive gesture

issue 123 - The limits of multi-Mayakovsky

issue 123 - The music of archival track work

issue 123 - Wake with ceramophone

issue 123 - Heaven & Hades, virtually

issue 123 - Opera redux: the Glass Trilogy

issue 123 - Compulsively obsessive art & sound

issue 123 - The binding chains of social connection

issue 123 - Images & icebergs

issue 123 - Teen fun in dystopic times

issue 123 - Triangulating the horizon

issue 123 - Art and reclamation

Special Feature - realtime tv: Kate McMillan's Moment of Disappearance

Special Feature - realtime tv: Ken Thaiday Senior

Special Feature - In Profile: Angus Cerini, writer, performer, director

Special Feature - In Profile: Julian Day, composer

Special Feature - In Profile: André Lawrence, emerging curator

issue 123 - Partner Art pt 2

issue 122 - Epic history, intimately told

issue 122 - Editorial - RT122

issue 122 - Presence, integration & deregulation

issue 122 - Art school redux: from oldest to newest

issue 122 - Limited solutions to a crisis in specialisation

issue 122 - Academy & industry hand in hand

issue 122 - Strong tradition, new moves

issue 122 - Intensive, intimate, connected

issue 122 - Points of difference, degrees of engagement

issue 122 - New degree in Neo-life

issue 122 - Cover: Considered movement

issue 122 - Career optimism in tight times

issue 122 - Illuminated edifices & audiovisual effigies

issue 122 - Artists as filmmakers

issue 122 - Avatar theory and a necessary hysteria

Special Feature - Screening memory

Special Feature - Compassionately adrift

issue 122 - Staring down the apocalypse

issue 122 - Tasmania’s arts engine room

issue 122 - The intricacies of dance and history

issue 122 - Invitations to other worlds

issue 122 - Breaking through the fog of myth

issue 122 - The many faces of death

issue 122 - Something human lurks

issue 122 - Micro/macro dances of light & matter

issue 122 - The global politics of the stage

issue 122 - Magic: digits & the digital

issue 122 - Life has other ideas

issue 122 - Grimmer childhood aesthetics

issue 122 - Artistic greatness and human fallibility

issue 122 - Breakdown and repair

issue 122 - Bloody history lessons

issue 122 - Disability & its taboos

issue 122 - Braving the limits of the monologue

issue 122 - The empty space as artifice

issue 122 - A nice night out

issue 122 - The view from the Hills Hoist

issue 122 - Sounding the boundaries

issue 122 - Stockhausen, May 68: intuition & liberation

issue 122 - Music un-compressed, non-YouTubed

issue 122 - Mapping the personal

issue 122 - The strangeness of communal slumber

issue 122 - A bitter conceit

issue 122 - Love vs Big Pharma

issue 122 - The dead end of addiction

issue 122 - Dark tales cast light in dark times

issue 122 - New simplicity for new complexists

issue 122 - The dangers within

issue 122 - In the flow

issue 122 - Giveaways RT122

issue 122 - Partner Art

issue 122 - Big science, intimate exchanges, deep humour

Special Feature - In Profile: David Rosetzky, Gaps

Special Feature - In Profile: Matt Warren, mumble(speak), III - real and imagined scenarios Gail Priest

issue 122 - Imaginings, puppets and saving cranes

Special Feature - realtime tv: Andrew Upton, Sydney Theatre Company

Special Feature - realtime tv: Julie Vulcan, performance and installation artist

issue 121 - RT121 Editorial

issue 121 - RealTime, celebrating the second decade

issue 121 - Message from the Chair

issue 121 - RealTime 121: cover story

issue 121 - RealTime is 20!

issue 121 - RealTime: the first 10 years

issue 121 - Abbott claws back the past

issue 121 - RealTime: more than a magazine

issue 121 - Bodies of Thought: 12 Australian Choreographers

issue 121 - A real and quiet horror

issue 121 - Mouthing politics, breathing politics

issue 121 - The idiosyncracies of a film festival curator

issue 121 - Redfern: the view from the inside

Special Feature - Deep cultural waters on the banks of the Shoalhaven

Special Feature - Together, listening to landscape

issue 121 - Build-up, shimmer & share

issue 121 - Choreographic boom for WA

issue 121 - A realm of exquisite sensitivity

issue 121 - Dancing out of trauma

issue 121 - Healing the pain of loss

issue 121 - Risk yields new forces

issue 121 - Bastardy and identity

issue 121 - Tiwi Island Dreamtime fantasia

issue 121 - Inner bodies on the outer

issue 121 - We go to places you can’t go / in real life.

issue 121 - Identity loss, metaphysics and bad democracy

issue 121 - Taking a fine brush to big ideas

issue 121 - Fertile ground

issue 121 - Social media demons

issue 121 - Two worlds of percussion

issue 121 - Saxophone sings the stars

issue 121 - The all-inclusive choir

issue 121 - A world made into tools

issue 121 - The melancholy poetry of machines

issue 121 - The Biennale and the Surreal screen

issue 121 - Abstraction re-engaged

issue 121 - Intoxicating media anxieties

issue 121 - Environmentally integrated art-making

issue 121 - The Whitlam legacy: It’s Time again

issue 121 - RT121 giveaways

issue 121 - Fearful future dreaming

Special Feature - Contributor profile: Caroline Wake

Special Feature - Contributor profile: Jodie McNeilly

Special Feature - In Profile: Prying Eye, White Porcelain Doll

issue 121 - Living with the grim reaper

issue 121 - Opening dialogues, evolving spaces

issue 121 - The two voices of Mayakovsky

Special Feature - In Profile: Lily Hibberd, Twin Cinema: Four Devils and a Woman in Red

issue 121 - Dreaming Cities

Special Feature - realtime tv: Lynette Wallworth, Tender

Special Feature - realtime tv: Pilar Mata Dupont, Purgatorio

issue 121 - Getting to the heart of Aboriginal art

issue 121 - The 100% festival

Special Feature - realtime tv: Josephine Ridge, Melbourne Festival 2014

Special Feature - realtime tv: Keir Choreographic Award Finalists

issue 121 - On the road & closer to home

issue 121 - Bull leaping and other fearless fun

Special Feature - Contributor profile: Nicola Fearn

Special Feature - In Profile: Lawrence English, Wilderness of Mirrors

Special Feature - In profile: Natalie Abbott, Maximum

issue 121 - Fashioning art

issue 120 - Northern Territory is the New Blak

issue 120 - RT120 Editorial

issue 120 - For bodies at risk

issue 120 - Suffering and the limits of sympathy

issue 120 - The television of intimate connections

issue 120 - The water crisis: action or wet dreams?

issue 120 - Whose side are you on?

issue 120 - Told from the inside

issue 120 - A reason to care for strangers

issue 120 - It’s all about you

issue 120 - You, me, the theatre: is it enough?

issue 120 - Five days in other worlds

issue 120 - True cause to celebrate

issue 120 - New music, making the earth move

issue 120 - The imagination writ large

issue 120 - Tools for fantasy

issue 120 - To be different, visible and invisible

issue 120 - Immaculate conception

issue 120 - Enduringly queer

issue 120 - Documentary democratisation

issue 120 - Emotional pornography & social silence

issue 120 - Touch that dial

Special Feature - In Profile: Wyatt Moss-Wellington, Sanitary Apocalypse

Special Feature - See, and hear, history come and go

issue 120 - Cellular wisdom

Special Feature - Enjoying the heat in the kitchen

issue 120 - Enter the real world

issue 120 - Blak Wave rising

issue 120 - Marketplace intensity

issue 120 - Two actors or one, or none, is fine

issue 120 - The power of collaboration

issue 120 - Introducing theatre master Lee Breuer

issue 120 - The intricacies of conflict

issue 120 - Epic tribute to more desperate times

issue 120 - Obituary: James Waites

issue 120 - Dark mothering

issue 120 - Nasty noses

issue 120 - Meta-theatrical magic

issue 120 - Organic performance growth

issue 120 - Everything new under heaven

issue 120 - Clarinet variations

issue 120 - Sax heaven: Julian Arguelles

issue 120 - The signals have been waiting for us

issue 120 - Obituary: Robert Ashley

issue 120 - Re-estimating the vernacular

issue 120 - The photograph as place

issue 120 - Tacita Dean takes to the stage

issue 120 - Another kind of cinema

issue 120 - Giveaways RT120

issue 120 - In the moment with Deborah Hay

Special Feature - In Profile: Chris Bennie, Fern Studio Floor: a cosmology

issue 120 - A return to aesthetics

issue 120 - Under the Influence: words, pictures, sounds

Special Feature - realtime tv: Theatre Kantanka, Club Singularity

Special Feature - realtime tv: Sarah Last, Wired Open Day

Special Feature - In profile: AñA Wojak, 3 Decades

Special Feature - In Profile: Paper Cut Contemporary Performance Collective

issue 120 - Nostalgia for the Drive-In and ‘Community Arts’

Special Feature - Contributor Profile: Laetitia Wilson

Special Feature - Contributer profile: John Bailey

issue 119 - Kim Machan: re-visioning the horizon

issue 119 - Amplified by the power of three

issue 119 - Sometimes a seam, sometimes a disconnect

issue 119 - Making meaning as you journey

issue 119 - RT119 Editorial

issue 119 - History never repeats

issue 119 - Creating our own centre

issue 119 - Thinking bigger in Parramatta

issue 119 - A community fights back

issue 119 - The trouble with tragedy

issue 119 - Cautionary tales: under the eye of ASIO

issue 119 - Pseudo-cinema & deus ex musica

issue 119 - The good earth

issue 119 - Forces resisted & revealed

issue 119 - Critical thinking gets Bamboozled

issue 119 - Dance stands up for itself

issue 119 - The strengths & limits of form

issue 119 - Salt & self-worth

issue 119 - Inside the body, behind the mask

issue 119 - Cornered chaos; soccer un-danced

issue 119 - The body is not given in advance

issue 119 - For the wounded: theatre & reality

issue 119 - Curating, caretaking & growing their own

issue 119 - Adelaide uncompromisingly

issue 119 - Becoming environment

issue 119 - Troubled transgression

issue 119 - Ominous and off-kilter

issue 119 - Boy on the edge of obliteration

issue 119 - A haunting illumination

issue 119 - For those game to wait

issue 119 - Catastrophe & mind time

issue 119 - Without the safety net of definition

issue 119 - Everyday listening performatively large

issue 119 - Indeterminate realities, comic truths

issue 119 - Signalling by light and sound

issue 119 - Playful, intimate, humane horror

issue 119 - A life from many angles

issue 119 - The consolations of philosophical theatre

issue 119 - Radical percussions

issue 119 - Hectic, eclectic, enthralling

issue 119 - Exhibition as immersive installation

issue 119 - Telepathic dreaming & the art of mind

issue 119 - Speculative ecologies

issue 119 - Music’s mysterious magic

issue 119 - Giveaways RT119

issue 119 - The Arteffect

issue 119 - Finding form

issue 119 - The soldier inside

issue 119 - The art of the extradimensional

issue 118 - Video art now through the lens of then

issue 118 - The past lives in us

Special Feature - Regional Profiles: The Ronalds

issue 118 - Hamlet, Harding & the Living Dead

issue 118 - Between meaning & pure physical eloquence

issue 118 - A ghostly bonding

issue 118 - RT118 Editorial

issue 118 - Enabling Art: Introduction

issue 118 - Sons & mothers, from two angles

issue 118 - Finding a place in the art world

issue 118 - Are you worth your salt?

issue 118 - New selves made by dancing

issue 118 - Inter-abilities, networks & re-evolutions

issue 118 - Onstage: liberated into other worlds

issue 118 - Live art, the enabler

issue 118 - A dialogue between equals

issue 118 - Celebration and sad reflection

issue 118 - Epics, legacies and continuities

issue 118 - Confronting the canon

issue 118 - Festival-going & making choices

issue 118 - The real thing

issue 118 - Radically re-thinking film distribution

issue 118 - Making and distributing from the grassroots up

issue 118 - Girls in the beginning

issue 118 - Loving the image of your own voice

issue 118 - Closed circuit

issue 118 - Speaking of ghosts

issue 118 - Time out for creatives

Special Feature - Re-inscribing nature

issue 118 - Heat into movement

issue 118 - Creative exploitations

issue 118 - A life re-lived and imagined anew

issue 118 - A republic of words, images, bodies

issue 118 - A painful proximity to truth

issue 118 - War and theatre by other means

issue 118 - The schooled audience

issue 118 - Performative experiments & perspectives

issue 118 - Intimate transformations

issue 118 - The poetry of catastrophe

issue 118 - A long, slow, loving look at dance

issue 118 - Taking flight in a living room

issue 118 - New sound worlds from combined forces

issue 118 - Between desire and silence

issue 118 - Bringing Russian art to light

issue 118 - Wish you were here

issue 118 - RT118 Giveaways

Special Feature - Contibutor profile: Benjamin Brooker

Special Feature - Contributor profile: Michelle Astrid Francis (writing as Astrid Francis)

issue 118 - SCANNER 2014: The Experimenters, Part 1

issue 118 - SCANNER 2014: The Experimenters, Part 2

Special Feature - realtime tv @ MONA FOMA

Special Feature - realtime tv @ MONA FOMA: Robin Fox, RGB Laser

issue 118 - Sasha Waltz in conversation

issue 117 - Riding the theta waves

issue 117 - Transitions: performance, mortality and ceremony

Special Feature - Acoustic space: explicit object

Special Feature - Complexity from simple tools

Special Feature - Expectations and cultural crossovers

Special Feature - Shaken out of the everyday

issue 117 - Sharing country

issue 117 - Lives surviving disarray

issue 117 - Other anatomies, other ecosystems

issue 117 - A universe of everyday desires

issue 117 - Editorial - RT117

issue 117 - The art of multi-sensory care

issue 117 - Solace in the sensorium

issue 117 - Art & care: where life and death connect

issue 117 - Facing the evasion of the bitterest truth

issue 117 - Accelerated media & aural fatigue

issue 117 - Unexpectedly & violently absurd

issue 117 - Denying fashion’s dark side

issue 117 - Syria: protest, mobile phones & death

issue 117 - A troubled love letter to Laos

issue 117 - The artist handles the world

issue 117 - User-friendly branding for risk-taking art

issue 117 - Eastern Riverina sites & sounds

issue 117 - In the continuum of flux

issue 117 - Dress sense

issue 117 - Performance Space at 30: still weird & wonderful

issue 117 - Desperately seeking Barbara

issue 117 - Strictly in the moment

issue 117 - Ambiguities of gender

issue 117 - At play with the one-on-one

issue 117 - Come & play

issue 117 - Making it

issue 117 - Making sense of place & relocation

issue 117 - Identity’s loose grip

issue 117 - The evils of neo-liberalised warfare

issue 117 - Teen girl brutalism

issue 117 - A brave & curious turn

issue 117 - Bluebottle’s good genies

issue 117 - Empowered by and embodied in song

issue 117 - Operas of conscience

issue 117 - A lifetime as composition

issue 117 - New music: celebration & angst

issue 117 - Reconsidering museology

issue 117 - Giveaways RT117

issue 117 - What the death wish most desires

issue 117 - In the loop 23 Oct: Quick picks

issue 117 - In the loop 23 Oct: Opportunities

issue 117 - Swept up by an emotional storm

issue 117 - The wrath of Plath

issue 117 - In the loop 30 Oct: Quick Picks

issue 117 - In the loop 30 Oct: Opportunities

issue 117 - The past as the construction of a snapshot

issue 117 - Opera: individual passion, collective tragedy

issue 117 - Intensity over pleasure

issue 117 - In the loop 6 Nov: Quick picks

issue 117 - In the loop 6 Nov: Opportunities

issue 117 - In the loop 13 Nov: quick picks

issue 117 - In the loop 13 Nov: opportunities

issue 117 - Sound, speed, rust and re-cycling

issue 117 - In the loop 20 Nov: opportunities

issue 117 - In the loop 20 Nov: quick picks

issue 116 - In the loop 18 Sept: Quick picks

issue 116 - In the Loop 18 Sept: Opportunities

issue 116 - Spectator sports

issue 116 - Past reclamations, future provocations

issue 116 - RT116 Editorial

issue 116 - Zombie apocalypse at the ivory tower

issue 116 - Utopia within, across & beyond the university

issue 116 - In the age of the new King Kongs of the online world

issue 116 - From: Head of the Utopian School of Music

issue 116 - Fresh Cut & Hatched

issue 116 - Transdisciplinary projections

issue 116 - Real thinking in an ideal vein

issue 116 - The book: multigraph not monograph

issue 116 - The crime movie, Indigenously

issue 116 - Goodbye to an interrogative eye

issue 116 - History–just the way it’s got to be

issue 116 - Film’s saving excesses

issue 116 - Non-human speech & listening cameras

issue 116 - From the archive to a new gay baroque

issue 116 - Singing the sound of the world

issue 116 - The eye looks inward

issue 116 - You’ll stop seeing me as your dancing monkey

issue 116 - Fear, imagination & activism

issue 116 - Great expectations

issue 116 - Realising regional ambitions

issue 116 - Live art from demolition

issue 116 - Something happened

issue 116 - Anne-Louise Sarks

issue 116 - A serious laughing matter

issue 116 - Integrated audience & international citizen

issue 116 - Expecting the unexpected

issue 116 - Celebrating the body: plasticity & mutation

issue 116 - Re-working & new expectations

issue 116 - The telling power of masks

issue 116 - Ventures in theatre-film

issue 116 - Mercenary or hero?

issue 116 - Revealing the invisible

issue 116 - Apocalyptic anxieties

issue 116 - Shadow boxing with illusions

issue 116 - Hybrid beats

issue 116 - Deranged Disney

issue 116 - Dark arena

issue 116 - To see… or not to see

issue 116 - Resisting erasure

issue 116 - Live art life styles

issue 116 - Performative evolutions

issue 116 - Giveaways RT116

issue 116 - Arts Centre spelunking

issue 116 - In the belly of the past, with added apocalypse

issue 116 - In the loop August 28: quick picks

issue 116 - In the loop August 28: opportunities

issue 116 - Place: Linz, Austria – Ars Electronica special

issue 116 - Ruptures & raptures

issue 116 - In the loop Sept 4: opportunities

issue 116 - In the loop Sept 4: quick picks

issue 116 - Election art fears & side effects

issue 116 - In the loop 11 Sept: Opportunities

issue 116 - In the loop 11 Sept: Quick picks

issue 116 - The common language of tinkering

issue 116 - Surfing the screen scene

Special Feature - In Profile: Pia van Gelder

Special Feature - In Profile: Michaela Davies

issue 116 - A life too short, a momentary tragedy

issue 116 - Seeing Australia anew

issue 116 - Improvisers & composers connect!

issue 116 - In the loop 25 Sept: Quick picks

issue 116 - In the loop 25 Sept: Opportunities

issue 115 - That business with the art…

Special Feature - Jon Rose

issue 115 - Parsifal as modern nightmare

issue 115 - When no means no, maybe

issue 115 - Organic, machinic, artistic, touristic

issue 115 - Time-shifting landscapes

issue 115 - PuSh vérité

issue 115 - RealTime 115: The body in question

issue 115 - When sculptures look back

issue 115 - The title foregrounds space

issue 115 - Performing in 13 Rooms

issue 115 - Breaching the body

issue 115 - Gender, genitalia & the old hand-in-hand

issue 115 - Do you want me to touch you?

issue 115 - The theatre of rehearsing for life

issue 115 - Circus: second class artform?

issue 115 - The art of re-dancing

issue 115 - Canberra: legacy-making & future-thinking

issue 115 - The potentials of futility

issue 115 - Singing up the tree of light

issue 115 - Canopy delights, underground hell

issue 115 - Alien and other states of being

issue 115 - Cultural resurgence on the Gold Coast

issue 115 - Art for water

issue 115 - ISEA: Immersion + Assange

issue 115 - Tiny revolutions

issue 115 - The artful scoring of animation

issue 115 - Picturing musical creativity & emptying the self

issue 115 - The rough road to Paradise

issue 115 - Anatomy of a successful arts doco series

issue 115 - Ghosts of presences past

issue 115 - The magical attire of the ordinary

issue 115 - Post-ballet

issue 115 - The Maids: the invention of theatre

issue 115 - Tessa Leong & Emma Beech

issue 115 - Intimacies & vulnerabilities

issue 115 - Tragedy not as true as melodrama

issue 115 - A casual musical multiculturalism

issue 115 - Broad spectrum new music

issue 115 - Can composers afford ethical distractions?

issue 115 - Time travelling exorcism

issue 115 - The exhibition as a single entity

issue 115 - Bewitching disorientations

issue 115 - Giveaways - rt115

issue 115 - Country, self-discovery and belonging

issue 115 - In the loop 26 June: opportunities

issue 115 - In the loop June 26: quick picks

issue 115 - Cracking the technology case

issue 115 - On the surface of memory and history

issue 115 - In the loop July 3: quick picks

issue 115 - In the loop July 3: opportunities

issue 115 - In the loop July 10: opportunities

issue 115 - In the loop July 10: quick picks

issue 115 - Music denied a voice

issue 115 - Otherworlds of empathy and irony

issue 115 - Screwball Shakespeare

issue 115 - Musical multiplicities

issue 115 - In the loop July 17: opportunities

issue 115 - In the loop July 17: quick picks

issue 115 - Caring for the planet, one step at a time

issue 115 - No blood on the keys?

issue 115 - Big dreams on a small island

issue 115 - In the loop July 24: quick picks

issue 115 - In the loop July 24: opportunities

issue 115 - Dances for a little black dress

issue 115 - The right to a rite of passage

issue 115 - In the loop July 31: quick picks

issue 115 - In the loop 31 July: opportunities

issue 114 - editorial -rt114

issue 114 - for fugue’s sake

issue 114 - unmoored in the maelstrom

Special Feature - suggestive formalism

Special Feature - life in a puff

Special Feature - blacker than black

Special Feature - brittle bones & internal electricity

issue 114 - in the thick of it

Special Feature - when two become one

issue 114 - a dance for dark times

Special Feature - creating an affective community

Special Feature - inner fury, seductive skill

Special Feature - the perfection of submission

Special Feature - dance & disorientation

Special Feature - more or less monstrous

Special Feature - sounds to dance to, with, against

issue 114 - dance: installed, immersed, hybridised

issue 114 - the eyes have it

issue 114 - new kid on the conglomerate art block

issue 114 - isea2013: resistance is futile/fertile

issue 114 - laurie anderson: do dogs aspire to nirvana?

issue 114 - enlarging the musical universe

issue 114 - in the midst of death

issue 114 - gravity decentred

issue 114 - the body, eloquent, risk-taking & violent

issue 114 - set controls for the heart of the sun

issue 114 - good lies & truth by degrees

issue 114 - artfully, entertainingly visceral

issue 114 - ambient invader

issue 114 - no prizes for the aacta awards

issue 114 - between electric italy & black america

issue 114 - the heart of cold war survival

issue 114 - excretal, harmful, mournful, wonderful

issue 114 - should i stay or should i go?

issue 114 - two moons, new worlds

issue 114 - rite & scar: boys to men

issue 114 - missing martin

issue 114 - tracing the transnational: degrees of interactivity

issue 114 - the last dance on earth

issue 114 - paths to art in zones of conflict & transition

issue 114 - appropriations & approximations

issue 114 - 15 minutes of fame & death after supper

issue 114 - embracing the world

issue 114 - inside the lives of others

issue 114 - many questions, no need for answers

issue 114 - entertaining perplexities

issue 114 - coding the software/art nexus

issue 114 - the city and its double

issue 114 - a necessary transfusion

issue 114 - acting out and mouthing off

issue 114 - love might not come easily to art, but…

issue 114 - giveaways - rt114

issue 114 - in the loop may 1: quick picks

issue 114 - in the loop may 1: opportunities

issue 114 - in the loop may 8: quick picks

issue 114 - in the loop may 8: opportunities

issue 114 - reframing the world

issue 114 - in the loop may 15: quick picks

issue 114 - in the loop may 15: opportunities

issue 114 - in the loop may 15: full on, head on

issue 114 - casting light on darkness

issue 114 - coming up in realtime 115

issue 114 - molten musics

issue 114 - in the loop may 22: quick picks

issue 114 - in the loop may 22: opportunities

issue 114 - in the loop may 22: london calling

issue 114 - vivid vibrations

issue 113 - rt113 - editorial

issue 113 - our small eternities

issue 113 - a tear in the fabric of invisibility

issue 113 - john cage centenary: an exultation of lineage

issue 113 - john cage centenary: legacies and liberties

issue 113 - the beast unleashed

issue 113 - a spectrum of spontaneity

issue 113 - koji wakamatsu: the ambiguous gaze

issue 113 - country: confirmed & remade

issue 113 - the pleasures of cultural immersion

issue 113 - are we innately art-making creatures?

issue 113 - are we innately art-making creatures?

issue 113 - an intense manifestation of dance

issue 113 - mapping the unmappable

issue 113 - masks of fashion and power

issue 113 - history refracted by art

issue 113 - degrees of subjectivity & the power of empathy

issue 113 - the albie thoms legacy

issue 113 - the ethnography of compassion

issue 113 - tsunami suffering

issue 113 - the power of the present

issue 113 - 70s dystopia in 2013 via 80s & 90s tv

issue 113 - affected music & emotional exhaustion

issue 113 - hope & survival in the back of a van

issue 113 - machine wilderness: water in the desert

issue 113 - body memory/trauma

issue 113 - balletlab: into the otherness

issue 113 - unravelling tales & constellations

issue 113 - cruel past, uncertain future

issue 113 - festival micro perks

issue 113 - queering the evil child

issue 113 - pleasures synaesthetic & crystalline

issue 113 - sydney chamber opera: opera’s other worlds

issue 113 - everything always: sometimes

issue 113 - water: play, wonder, politics

issue 113 - womadelaide: art, action & erasure

issue 113 - difficult world

issue 113 - sex: the bigger picture

issue 113 - in the valley of nature & sculpture

issue 113 - things to do with ikea

issue 113 - giveaways - rt113

Special Feature - realtime tv: sarah-jane norman, unsettling suite

issue 113 - lives lost and found

issue 113 - in the loop march 6: quick picks

Special Feature - dance massive 2013: from the archive

Special Feature - Contributor profile: Varia Karipoff

Special Feature - Contributor profile: Philipa Rothfield

issue 113 - in the loop march 6: opportunities

issue 113 - that festival feeling

issue 113 - in the loop march 13: quick picks

issue 113 - in the loop march 13: opportunities

issue 113 - in the loop april 3: quick picks

issue 113 - in the loop april 3: opportunities

issue 113 - in the loop april 3 – a pop-up windmill

issue 112 - oedipus and the doomed choice

issue 112 - on the road with rose

issue 112 - anne teresa de keersmaeker: the highest order out of chaos

issue 112 - highly strung dance

issue 112 - hybrid vigour, classical rigour

issue 112 - daniel matej, yes he loves you!

issue 112 - rt112 - editorial

issue 112 - oh how they danced!

issue 112 - raimund hoghe: difference is his theme

issue 112 - laurie anderson: we are meaning machines

issue 112 - jim campbell: low resolution light magician

issue 112 - welcome the near world

issue 112 - a relational biennale

issue 112 - regional lives and very live art

issue 112 - growing food, growing ideas

issue 112 - world class: twixt exotic & universal

issue 112 - walking in the dark, voices in harmony

issue 112 - via the gut

issue 112 - once more, with feminism

issue 112 - art, activism and ai weiwei

issue 112 - filmmaking by degree: new modes of production

issue 112 - international animation: the bleak & the upbeat

issue 112 - australian animation: diverse sleights of hand

issue 112 - for your eyes only

issue 112 - counter-voicing politics

issue 112 - the return of the videogame outsiders

issue 112 - metaphors, binaries & mergings

issue 112 - an ocean of pleasure, a tide of responsibility

issue 112 - bergman’s persona re-personified

issue 112 - berlin performs david foster wallace

issue 112 - bodies, guitar and beethoven 7

issue 112 - more than a dog’s life

issue 112 - the body in the shadow of the past

issue 112 - between hell & heaven

issue 112 - art censored in trades hall

issue 112 - is crossover good for music?

issue 112 - come feel the noize

issue 112 - music in nature, nature in music

issue 112 - into the labyrinth

issue 112 - all the right buttons

issue 112 - attentively, on the edge of hearing

issue 112 - over & down yonder & beyond

issue 112 - the artist-run space tour: part 2 detroit, minneapolis, st paul

issue 112 - layerings, labyrinths & revelations

issue 112 - giveaways - rt112 (finished)

issue 112 - hypnagogic horror & hauntological cinema

issue 112 - in the loop jan 30: quick picks

issue 112 - in the loop jan 30: guided by the moon

issue 112 - in the loop jan 30: opportunities

Special Feature - realtime tv: matthew whittet, school dance

issue 112 - adelaide festival: thursday, serious serendipities

issue 112 - in the loop feb 6: do or die

issue 112 - in the loop feb 6: quick picks

issue 112 - in the loop feb 6: opportunities

Special Feature - realtime tv: lee wilson & matt prest, whelping box

issue 111 - in the loop nov 20: the next 25, celebrating sounds in wa

issue 111 - realblak

issue 111 - the time bomb ticks

issue 111 - filmic, theatrical polyphony

issue 111 - the sound already present

issue 111 - stephen whittington: musical renewal

issue 111 - anne teresa de keersmaeker speaks

issue 111 - rt111 - editorial

issue 111 - in the loop – quick picks oct 9

issue 111 - blood is such clever stuff

issue 111 - making theatre from scratch

issue 111 - burning issue - authenticity: heritage and avant-garde

issue 111 - cultural protocols: acknowledging the knowledge

issue 111 - myths & epic journeys: creating & recreating

issue 111 - design language: place, people, heart

issue 111 - blak queens talking: it’s a drag thing

issue 111 - aspire to inspire

issue 111 - yung gun

issue 111 - show me the culture!

issue 111 - passion finds fertile ground

issue 111 - high octave culture: creating indigenous opera

issue 111 - yellamundie means storyteller

issue 111 - looking back, looking forward

issue 111 - watchaupto? lily shearer

issue 111 - whatchaupto? dalisa pigram

issue 111 - whatchaupto? dallas winmar (yettung)

issue 111 - whatchaupto? isaac drandic

issue 111 - whatchaupto? louana sainsbury

issue 111 - whatchaupto? maurial spearim

issue 111 - the arc, the tension, the payoff

issue 111 - pindan & linen

issue 111 - whatchaupto? tammy anderson

issue 111 - in the loop: realblak advance word

issue 111 - boldly crossing artistic boundaries

issue 111 - 2012 london olympics: song-steak with video sizzle

issue 111 - art & games, a killer combination

issue 111 - hostages to culture

issue 111 - diverting if not defiant

issue 111 - anouk van dijk: an introduction in three acts

issue 111 - things to do when you’re invisible

issue 111 - campbelltown arts centre goes dance mad

issue 111 - in the wake of the singularity

issue 111 - survivors of the deep

issue 111 - dancing in the big picture

issue 111 - not quite spring fever

issue 111 - talk about going to pieces!

issue 111 - cross cultural reckonings

issue 111 - deep fear and light obsession

issue 111 - love & unashamed purpose

issue 111 - amazing maze

issue 111 - of the earth, temporarily

issue 111 - mysteries of conception & execution

issue 111 - no strings attached

issue 111 - getting more from your instrument

issue 111 - inside psychosis

issue 111 - freedom & structure

issue 111 - the summoning spirit of a civic artist

issue 111 - the ari tour: part 1: chicago

issue 111 - performance space: then, now, next + sex

issue 111 - thing-ness and photography

issue 111 - variants on variety

issue 111 - rt111 - giveaways

issue 111 - in the loop oct 23: happy birthday mr cage

issue 111 - In the loop oct 23 – quick picks

issue 111 - in the loop oct 23: opportunities

issue 111 - in the loop & giveaway oct 23: the pause that enlivens

issue 111 - parramasala: south asia celebrated in australia

issue 111 - in the loop nov 6: live art streaming

issue 111 - in the loop nov 6: bringing the desert to town

issue 111 - in the loop nov 6

issue 111 - realtime tv: robyn archer, canberra 100

issue 111 - In the loop nov 20: opportunities

issue 111 - in the loop nov 20: quick picks

issue 111 - in the loop nov 20: other media, other worlds

Special Feature - realtime tv: lee wilson & mirabelle wouters, branch nebula, concrete and bone sessions

issue 111 - giveaway nov 20: the share

issue 110 - giveaways rt110

issue 110 - the mind: travelling & unravelling

issue 110 - rt110 - editorial

issue 110 - performance: the artist-scholar hybrid

issue 110 - true calling: the good news & the bad

issue 110 - going very live online

issue 110 - the research degree—consistency vs diversity

issue 110 - creative doctorates & the health of music education

issue 110 - make the creative process visible

issue 110 - regional as centre

issue 110 - live art-activated launceston

issue 110 - in pursuit of failure & the body possible

issue 110 - contemplation, shit and activism

issue 110 - true chaos: theatre at the limits

issue 110 - antarctic reveries

issue 110 - thinking through film

issue 110 - sean penn: the time, the event

issue 110 - structures, strictures & students

issue 110 - asleep but awake and dancing

issue 110 - aurora festival of living music - feature

issue 110 - a random revolution

issue 110 - beyond our borders

issue 110 - weather patterns & word dances

issue 110 - the body: beginning and end

issue 110 - dancing fish tales

issue 110 - tweaking reality

issue 110 - stepping out

issue 110 - what’s a dramatist to do?

issue 110 - face to face with ingmar bergman

issue 110 - demonic doubt & puppet art

issue 110 - acting and much more

issue 110 - a rash of male hysterics

issue 110 - a scarred colonial psyche

issue 110 - light, shadow & place

issue 110 - who would consider me mad now?

issue 110 - when shapes change shape

issue 110 - canaries in electric rain

issue 110 - on the tightrope of audience judgement

issue 110 - the body in the instrument

issue 110 - three shadows

issue 110 - lo-fi & hi-fi, irony & alchemy

issue 110 - the longing for healing

issue 110 - photographic uncertainties

issue 110 - transgender transformations

issue 110 - radical relief in reactionary times

issue 110 - more than a shadowy imposter

issue 110 - in the loop aug 21: sonic capers in corner country

issue 110 - in the loop aug 21: dancing season

issue 110 - in the loop aug: 21 quick picks & opportunities

issue 110 - risk-free rom-com

issue 110 - in the loop sept 5: asian flavours under a full moon

issue 110 - in the loop sept 5: digital whispers & shadows

issue 110 - in the loop sept 5: quick picks & opportunities

issue 110 - giveaway: rosas' cesna, carriageworks

issue 110 - in the loop sept 18: quick picks

issue 110 - In the loop sept 18: new spaces & opportunities

issue 110 - realtime tv: claire edwardes & damien ricketson, ensemble offspring

issue 109 - heart, mind, body simultaneously

issue 109 - death and dissociation

issue 109 - filthy & exquisite, base & refined

issue 109 - monetisation & the new rom-commie

Special Feature - Contributor profile: Greg Hooper

issue 109 - rt109 editorial

issue 109 - being human at critical mass

issue 109 - bir’yun, brilliant, briwyant

issue 109 - new niches, new dance audiences

issue 109 - the suspended moment of energy & stillness

issue 109 - unmoored and entranced

issue 109 - performative repatriation

issue 109 - comedy of not quite in control

issue 109 - mutability: magic & order

issue 109 - at the crossroads of the senses

issue 109 - adelaide festival: the demands on feeling

issue 109 - murder and mutable truths

issue 109 - reading the signs, seeking revelation

issue 109 - the soil for growing innovation

issue 109 - the noise and feeling of thought

issue 109 - returning time to the future

issue 109 - stalker: inside the viewer

issue 109 - an illuminating history: the faces behind the cameras

issue 109 - convergence targeted: policy battle ahead

issue 109 - off to the meta-theatre

issue 109 - hell house, hot house, arts house

issue 109 - lured to the horizon

issue 109 - obituary: rosie lalevich

issue 109 - an exchange: acting, reality & (dis)ability

issue 109 - something wild for everyone

issue 109 - giveaways

issue 109 - live art release

issue 109 - ghost station

issue 109 - staging the really virtual

issue 109 - room to imagine

issue 109 - sonic antarctic

issue 109 - listening anew to john cage

issue 109 - the horror

issue 109 - memorable ephemera

issue 109 - please disturb

issue 109 - the photographer made visible

issue 109 - memory & the haunted present

issue 109 - just another moment in time...and then some

issue 109 - the gift that keeps on giving

issue 109 - liberation and/or annihilation

issue 109 - artv: choreographer garry stewart, be your self

issue 109 - testing & celebrating the social animal

issue 109 - over the horizon

issue 109 - next wave day tripping

issue 109 - the comfort of noise

issue 109 - alternate hearings

issue 109 - electric anxieties

issue 109 - innovative diffusion

issue 109 - plucking through the air

issue 109 - dancing alone, walking on ice

issue 109 - look out below

issue 109 - unravelled and re-woven

issue 109 - beyond like and dislike

issue 109 - flight-or-fight listening

issue 109 - in the throes of birth or metamorphosis

issue 109 - another audience, guitar with a difference

issue 109 - synergy, energy & introversion

issue 109 - a moving song for the earth

issue 109 - in the loop – july 3

issue 109 - artv: stuart buchanan, new weird australia

issue 109 - artv: joel stern (otherfilm), psycho subtropics

issue 109 - in the loop july 17 – festivals

issue 109 - In the loop – july 17, quick picks and opportunities

issue 109 - perspectives on infinity

issue 109 - street level visions: china, the unofficial view

issue 108 - media art diy: clefts & crevices

issue 108 - the hurt in laughter

issue 108 - moral questions, everyday choices

issue 108 - artv: composer profile, jon rose

issue 108 - editorial - rt108

issue 108 - a polyphonic clamour of bodies

issue 108 - living with biomorphic anima-machines

issue 108 - the magic of film music—minus the film

issue 108 - the notes that make culture

issue 108 - the ups & downs of one-on-one

issue 108 - entrapment & release

issue 108 - the artist-in-residence: beyond just being there

issue 108 - the sweet music of art-driven tasmania

issue 108 - realtime 2012 reader survey gifts

issue 108 - between authenticity & artifice

issue 108 - an aurora over western sydney

issue 108 - the embassy will be open

issue 108 - deepening the festival experience

issue 108 - the shadowcatchers: australian cinematographers documented

issue 108 - low budget, high ideals

issue 108 - conversations with a sex worker

issue 108 - two-bit antipodean horror becomes a classic

issue 108 - what else goes missing in a disappearance

issue 108 - endangered species: the auteur documentarian

issue 108 - interactivity, agency & the ethics of participation

issue 108 - one size fits all? classifying media in the digital age

issue 108 - something borrowed, something true blue

issue 108 - between one and the many

issue 108 - melded minds & bodies

issue 108 - experts of the everyday

issue 108 - a kagean birthday

issue 108 - separation and its anxieties

issue 108 - a theatre for children other to itself

issue 108 - virtual bozo

issue 108 - presence-absence polarity destabilised

issue 108 - freedom within reach

issue 108 - jon rose: australia made extraordinary

issue 108 - from the living room into the world

issue 108 - borders down, camaraderie on

issue 108 - percussion: the next generation

issue 108 - undercurrents

issue 108 - gloriously interfused antitheses

issue 108 - music theatre of the imagination

issue 108 - the battambang renaissance

issue 108 - when is a walk art?

issue 108 - love refractually

issue 108 - video art & the uncontainable imagination

issue 108 - the human automaton revealed

issue 108 - tanja liedtke: in the accumulation of traces

issue 108 - in the loop: a noisy decade

issue 108 - in the loop: quantum journeys

issue 108 - in the loop - quick picks

issue 108 - In the loop - unnatural intelligences

issue 108 - pictures page

issue 108 - In the loop - may 8

issue 108 - in the loop: opportunities - may 8

issue 108 - in the loop: reconciling histories

issue 108 - in the loop: left of centre, beyond the margins

issue 108 - In the loop: quick picks & opportunities

issue 108 - rich rewards for concerti new and renewed

issue 107 - edible, sensual, sustainable,

issue 107 - man-machine music

issue 107 - vale: john blades

issue 107 - worlds of possibility

issue 107 - the flickerfest eye-opener

issue 107 - editorial - rt107

issue 107 - black cultural capital

issue 107 - masculinity on the margins

issue 107 - celebrating an elusive form

issue 107 - essential & seminal: a work called dance

issue 107 - neurons, technology & the extended self

issue 107 - nothing lost in translation

issue 107 - eartheffect: glitter and blood

issue 107 - caught in the act

issue 107 - culture will eat itself

issue 107 - arts centre ascendant

issue 107 - obituary: douglas leonard

issue 107 - the film editor: time & trust in the digital age

issue 107 - spotlight on shame

issue 107 - time shift hong kong

issue 107 - the real amerika

issue 107 - let’s get ethical

issue 107 - iran: cinematic defiance from a prison home

issue 107 - is this a network i see before me?

issue 107 - in the circles of hell: i could do that

issue 107 - capturing the ephemeral

issue 107 - opening up the terra incognita of experimental film

issue 107 - becoming otherwise: a symposium of images

issue 107 - psychic geology in theatre & dance

issue 107 - of love and purgatory

issue 107 - situation absence

issue 107 - art is something you do, that happens to you

issue 107 - ethical ventriloquism

issue 107 - contagious matter, infectious stuff

issue 107 - critical acts of forgiveness

issue 107 - all that remains

issue 107 - inside a korean fantasy-bar

issue 107 - tuning the audience

issue 107 - bracing new music & a new percussion ensemble

issue 107 - the deceptive eye: the world reappraised

issue 107 - remembering future lives

issue 107 - art-science: the cerebral & the sensory

issue 107 - artv: composer profile, cat hope

issue 107 - in the loop - march 6

issue 107 - in the loop: on time and on the map

issue 107 - in the loop: beyond the cage

issue 107 - in the loop: remembered journeys

issue 107 - in the loop: giveaways

issue 107 - in the loop: quick picks

issue 106 - rt106 - editorial

Special Feature - expanding time, space and sounds

Special Feature - the proximity of sounds

Special Feature - playing the ghosts of history

Special Feature - percussion maximal

Special Feature - slippage of sound and sight

Special Feature - sounding architecture, sculpting space

issue 106 - expanding on the solo

issue 106 - the actor in the gallery

issue 106 - the ecstatic, needy, desirous body

issue 106 - censorship and the right to shock

issue 106 - visions of lives constrained

issue 106 - love in a cold climate

issue 106 - bodies, flocks and crowds

issue 106 - layering the asian-australian connection

issue 106 - east & west: side by side & in between

issue 106 - immersed with eyes wide open

issue 106 - points of departure, confrontation & engagement

issue 106 - 2012 sydney festival: black at the centre

issue 106 - unsettling the idea of ideas

issue 106 - in the age of loneliness

issue 106 - riding with dragons

issue 106 - manifesting the unexpressed

issue 106 - short film paradise

issue 106 - shades of light and dark

issue 106 - divisible istanbul

issue 106 - the future of the past of media art

issue 106 - transforming the artist & the audience

issue 106 - juggler of forms

issue 106 - dance and gravity

issue 106 - between god and human

issue 106 - accessing innovative art

issue 106 - junkyard opera in the tower

issue 106 - outside looking inside out

issue 106 - back to the past, into the future

issue 106 - in the loop

issue 106 - sharing sound with painters

issue 106 - textures of togetherness

issue 106 - letter

issue 106 - soundstream: smart new music

issue 106 - public art and its audience

issue 106 - performance art: going beyond

issue 106 - slide show or no show

Special Feature - transcending the hear and now

issue 106 - hypnotic hazes, voyeuristic visions

issue 106 - in the loop jan 31

issue 106 - artv: kate champion video interview

issue 105 - in the belly of the beast

issue 105 - the balancing act of life itself

issue 105 - the victim seen and seeing

issue 105 - in the loop

issue 105 - rt105 - editorial

issue 105 - cross-disciplinary art rock’n’rolls

issue 105 - how to speak about tomorrow

issue 105 - how green are the performing arts?

issue 105 - outsiders & others

issue 105 - putting innovative australian performing arts on the map

issue 105 - from the philippines: ways of making

issue 105 - a revelatory spring

issue 105 - keeping time

issue 105 - from the fears of innocents

issue 105 - two in one

issue 105 - open to anything & everything

issue 105 - relations de-fused

issue 105 - festivals of discovery

issue 105 - novel to film: the art of distillation

issue 105 - ghostly tales from our northern neighbours

issue 105 - in the filmmaking crucible

issue 105 - a nation slips under the waves

issue 105 - at last—a cinematheque for sydney?

issue 105 - ways of seeing nature’s fragility

issue 105 - responsive video

issue 105 - an audience of your making

issue 105 - theatre/performance education part 2: home & the world

issue 105 - theatre/performance education: training off-shore

issue 105 - mapping the machine

issue 105 - surreal and squirmacious

issue 105 - everything but existence

issue 105 - a melancholy theatre

issue 105 - the mysteries of curation

issue 105 - returning the gift: conceptualising music

issue 105 - part 3: sydney scenes & sounds

issue 105 - combinatorial challenges

issue 105 - new realms for the bass recorder

issue 105 - emitting & sharing vibrations

issue 105 - schubert x 2

issue 105 - a formidable duo a decade on

issue 105 - teasing consumerism

issue 105 - chernobyl: looking & listening

issue 105 - body & geography: the dancer as explorer

issue 105 - technical, experimental, metaphysical

issue 105 - refugees adrift

issue 105 - in the loop – oct 25

Special Feature - avantwhatever label collection

issue 105 - when opposites meet

issue 105 - in the loop - nov 8

Special Feature - the NOW now

issue 105 - online giveaway - nov 22

Special Feature - Contributor profile: Dan Edwards

issue 105 - listening to landscape & community

issue 105 - in the loop – nov 22

issue 104 - revelling in the now

issue 104 - a new life for william barak

issue 104 - a dark 21st century folktale

issue 104 - digital holiday

issue 104 - the city & its disconnects

issue 104 - editorial - rt104

issue 104 - dance education: why invoke the nation?

issue 104 - tribute, legacy & radical revisionism

issue 104 - not drowning, dancing

issue 104 - underwater anxieties

issue 104 - theatre/performance education part 1: home & the world

issue 104 - the us in faustus

issue 104 - the genesis: ganesh versus the third reich

issue 104 - local government: low farce & high drama

issue 104 - delicate detritus

issue 104 - in the loop – august 23

issue 104 - just whose theatre?

issue 104 - the self-centred society

issue 104 - machine/performer/spectator

issue 104 - the ‘legitimate’ limits of artistic practice

issue 104 - film education: rich resources & more to be mined

issue 104 - cop hard: the naked and the web

issue 104 - beyond the tv frame

issue 104 - the art of interactive lighting

issue 104 - the horror: how australian?

issue 104 - real life on the edge

issue 104 - experimental film: state of play

issue 104 - media arts education: sublimation vs subjugation

issue 104 - critical flows: climates & peoples

issue 104 - journey into virtuality & convergence

issue 104 - world of water

issue 104 - music education: the hunger for critical literacy

issue 104 - reciprocity between sounds

issue 104 - listening up

issue 104 - music to conjoin continents

issue 104 - tripping joy time

issue 104 - part 2: sydney scenes & sounds

issue 104 - time as music and image

issue 104 - grand piano designs

issue 104 - visual arts education: local content, global branding

issue 104 - light: substantially

issue 104 - in the loop

issue 104 - hidden in plain view

issue 104 - in the loop – sept 6

issue 104 - in the loop - sept 20

issue 104 - the unexpected & the unexplored

issue 103 - more or less than fairytale

issue 103 - existential allegories

issue 103 - editorial - rt103

Special Feature - the poisoned pea

Special Feature - suspending self, time & disbelief

Special Feature - Contributor profile: Jana Perkovic

Special Feature - Contributor profile: Urszula Dawkins

issue 103 - transported: between memory & desire

issue 103 - a garden experiment

Special Feature - Contributor profile: Matthew Lorenzon

Special Feature - Contributor profile: Carl Nilsson-Polias

issue 103 - where there’s a will there’s a when

issue 103 - re-inventing the city

issue 103 - supernow and the hyperlocal

issue 103 - singing to survive

issue 103 - culture, community & inspiration

issue 103 - a life retrieved

issue 103 - a fistful of renminbi

issue 103 - china’s divided screen culture

issue 103 - you can’t build on an emptiness

issue 103 - the horror: how australian?

issue 103 - music, machines, misinterpretations

issue 103 - film: the full body experience

issue 103 - pixels ain’t square, man! seeing the digital light

issue 103 - synthetic engineering: dreams & doubts

issue 103 - time, myth & timelessness

issue 103 - onscreen: in the loop

issue 103 - china: creative expression on notice

issue 103 - incendiary performance: christoph schlingensief

issue 103 - rescuing dancefilm from the margins

issue 103 - dance in focus

issue 103 - dancing city—traceries in stone

issue 103 - exhibiting the future

issue 103 - the heart: savage & pained

issue 103 - the power & magic of juxtaposition

issue 103 - brilliance, shimmer & shine

issue 103 - meeting of minds and mountains

issue 103 - a room & the residue of movement

issue 103 - from the ground up

issue 103 - wanted: playwrights, dead or revived

issue 103 - the reverberations of disappearance

issue 103 - pain makes art

issue 103 - a new recipe for reality

issue 103 - writing the voice

issue 103 - controlled abandon

issue 103 - part 1: sydney scenes & sounds

issue 103 - clock work

issue 103 - with an ear to the greater city

issue 103 - licence to imagine

issue 103 - a winning year for innovators

issue 103 - the future is now the past

issue 103 - signalling, not clowning

issue 103 - the aesthetic of sensation

issue 103 - the artist as citizen

issue 103 - breakdown of the break-up

issue 103 - some other selves

issue 103 - in the loop - june 28

issue 103 - surveying your selves

issue 103 - in the loop - july 12

issue 103 - tough love, rough hate

Special Feature - Contributor profile: Ella Mudie

Special Feature - Contributor profile: Chris Reid

issue 103 - in the loop - july 26

issue 102 - putting the work back into networks

issue 102 - new music: challenge as fun

Special Feature - kinetic art machine makes waves for dance

issue 102 - refracted cities

issue 102 - opinion: the wild duck re-make

Special Feature - journey of the tribe

Special Feature - turning the tables, working the audience

issue 102 - china: creative expression on notice

Special Feature - into the dance-scape

Special Feature - the art machine dances

Special Feature - dance like never before

Special Feature - present, tense

Special Feature - in the heat of the moment

Special Feature - the ambiguities of happiness

Special Feature - erupting from the archive

Special Feature - sounds massive

Special Feature - talkin' 'bout my generation

Special Feature - let's dance—and we do

issue 102 - apps, dim sum & astronauts' wives

issue 102 - intro: maintain critical mass!

issue 102 - editorial - rt102

issue 102 - sparks in the dark: ideas & forms

issue 102 - the city: reversing lines of sight

issue 102 - the speculative fringe

issue 102 - jam tomorrow: art, science & magic

issue 102 - the magical meeting of cinema & media arts

issue 102 - indigenous media art: complex visions

issue 102 - small stories, big pictures, bigger reach

issue 102 - between the notes

issue 102 - into a hall of mirror gazes

issue 102 - a transmedia fairytale conversation for adults

issue 102 - aligning senses and ethics

issue 102 - shooter with silencer

issue 102 - the body infinite

issue 102 - reworking language for the theatre

issue 102 - embracing chaos

issue 102 - new music theatre in utero

issue 102 - delicacies, brutalities & inbetween

issue 102 - pure pursuits

issue 102 - another acoustic reality

issue 102 - sounds found & introduced

issue 102 - music and the unruled eye

issue 102 - photography here, there & everywhere

issue 102 - wormholes into new dimensions

issue 102 - into the void: nature distilled

issue 102 - after cinema: the meeting of feeling & meaning

issue 102 - performance art up close at a distance

issue 102 - the dance of language

issue 102 - in the loop – may 10

issue 102 - the pleasures of meta-performance

issue 102 - in the loop – may 24

issue 101 - live art & beyond: deepening & expanding

issue 101 - douglas sirk - the high art of melodrama

Special Feature - for you, against you

issue 101 - man on the edge of...

Special Feature - complicity, responsibility, reality, juju

Special Feature - oblique ethnicities

issue 101 - the unbearable lightness of unconsciousness

issue 101 - non-danse's indelible traces

issue 101 - a comic-romantic crusader for our times

issue 101 - nature, technologically

issue 101 - the quiet influence of accrued wisdom

issue 101 - realtime 101: what next—2011?

issue 101 - when little is big

issue 101 - suburban imaginings

issue 101 - live work, women’s work

issue 101 - how does your live art grow?

issue 101 - the inventiveness of islands

issue 101 - in the loop - rt101

issue 101 - can film do facebook?

issue 101 - a new generation performs

issue 101 - serious competition: life vs art

issue 101 - messing with media

issue 101 - living cultures, moving images

issue 101 - cineclubism: realities & potential

issue 101 - making it internationally in media arts

issue 101 - brisbane screen culture: trials & glories

issue 101 - the meeting point

issue 101 - degrees of risk

issue 101 - irregular revelation

issue 101 - nurturing the new

issue 101 - celebrating stalker at 21

issue 101 - re-charge: continuity & evolution

issue 101 - gfc: art of the aftershock

issue 101 - designs on australian theatre

issue 101 - new ways to hear australian plays

issue 101 - bringing chamber opera home

issue 101 - songs of lament, resistance & joy

issue 101 - the masters of regeneration

issue 101 - scaling the heights to quality & equality

issue 101 - railroad transformations

issue 101 - sa art: present tense

issue 101 - looking for art in all the wrong places

issue 101 - giveaway: douglas sirk

issue 101 - editorial - rt101

issue 101 - in the loop - march 7

issue 101 - the human as animal

issue 101 - wim wenders & pina bausch: 3+ dimensions

issue 101 - in the loop – march 22

issue 101 - in the loop – april 5

issue 100 - the artist performed & painted

issue 100 - screen bleed

issue 100 - the many modes of erasure

issue 100 - memorial for a memorial

issue 100 - making dance on the move

issue 100 - dance, strategically

issue 100 - skate, create, destroy

issue 100 - a childhood of theatre

issue 100 - editorial - rt100

issue 100 - questions of culture

issue 100 - the underworld of performance

issue 100 - the creative suburb

issue 100 - it always feels like the first time

issue 100 - the extra-ordinary

issue 100 - epiphanies and play

issue 100 - on the dyingness of things

issue 100 - expanding the aural palate

issue 100 - art via the arctic portal

issue 100 - the future at our fingertips

issue 100 - alternate-universe australia

issue 100 - new faces of the real

issue 100 - editing: beyond intuition

issue 100 - sounding the festival factory

issue 100 - art’s ghostly touch

issue 100 - the persistence of letters

issue 100 - mind, play, empathy & machines

issue 100 - a line going for a walk

issue 100 - work world upside down

issue 100 - australian dance history treasure chest

issue 100 - dancing to the limit

issue 100 - reflections on self and body

issue 100 - wtf are you doing in february?

issue 100 - survival arts in new york

issue 100 - maximising emergence

issue 100 - australian stages on the page

issue 100 - cross-cultural winners

issue 100 - fringe benefits

issue 100 - putting sound into site

issue 100 - sound appropriates space

issue 100 - an unrelievable urge

issue 100 - risk & the politics of place

issue 100 - opposing currents

issue 100 - somnambulant sensing

issue 100 - individual aspirations, collective expectations

issue 100 - intimate warnings

issue 100 - in the loop - rt100

issue 100 - in the loop – january 17

issue 99 - 10th indonesian dance festival: dance, future tense

issue 99 - fight censorship with same sex zombies

issue 99 - editorial - rt99

issue 99 - building an indigenous physical theatre future

issue 99 - the dance of images & artefacts

issue 99 - between past & present, joy & danger

issue 99 - art as acupuncture for the city

issue 99 - it’s relational: shopping for experience

issue 99 - quality-controlled fringe

issue 99 - no denying the body

issue 99 - melbourne festival: from screenplay to stage

issue 99 - parramatta celebrates south asian art

issue 99 - the past informs the future

issue 99 - in trash, the return of mystery

issue 99 - dance, animation & other realities

issue 99 - shanghai: fractured memories, contested histories

issue 99 - boat people: intimate tragedy

issue 99 - through the screen into others’ worlds

issue 99 - memories & miracles

issue 99 - film with a difference

issue 99 - the sun, reconsidered

issue 99 - indigenous new media-making

issue 99 - new kid on the block

issue 99 - tackling bio-art’s ethical ambiguities

issue 99 - tooling up for film career

issue 99 - the life expectancy of choreography?

issue 99 - measuring up & mining the moment

issue 99 - explorations in the missing centre

issue 99 - unheroic love

issue 99 - the trouble with the news

issue 99 - feeling the pulse

issue 99 - singing director brought to book

issue 99 - experiences & ideas: fast & furious

issue 99 - art in the lab

issue 99 - the wound that will not heal

issue 99 - interior worlds of the north

issue 99 - dream within a dream, city within a city

issue 99 - labours of love

issue 99 - the war is on

issue 99 - death & ways of being

issue 99 - voicing fear

issue 99 - the invisible workers dance

issue 99 - family madnesses

issue 99 - war against pop: singing & suing

issue 99 - networking the new

issue 99 - percussive acts of necessity

issue 99 - life & music: the randomised remix

issue 99 - blues, myth, philosophy & the land

issue 99 - the music is in the timbre

issue 99 - night works

issue 99 - intensified attentiveness

issue 99 - processing paradoxes

issue 99 - in the loop

issue 99 - festival on country

issue 99 - uneasy un-realities

issue 99 - in the loop – october 25

issue 99 - adventures in perception

issue 99 - in the loop - november 8

issue 99 - in the loop - november 22

issue 98 - editorial - rt98

issue 98 - genius loci, sparks and arcs

issue 98 - magnificent in defeat

issue 98 - boat people: intimate tragedy

issue 98 - broken mothers in the blind spot

issue 98 - mesmeric menace

issue 98 - new portraiture: cold tech, warm interior

issue 98 - a delicate balance in a gross world

issue 98 - performance by degree

issue 98 - connecting with culture

issue 98 - dark inheritance

issue 98 - the remorseless logic of a farce

issue 98 - transfigurative perspectives

issue 98 - mobilising contemporary performance

issue 98 - ghosts of form and family

issue 98 - for and of the city

issue 98 - the uneasy path to dance practice

issue 98 - dancing into the world

issue 98 - present sense

issue 98 - brothers in dance

issue 98 - exorcising addiction

issue 98 - the pre-cognitive alternative

issue 98 - seizing the moment

issue 98 - film education: new contexts, new criteria

issue 98 - absent parents, challenged childhoods

issue 98 - sublime art, strange states

issue 98 - for and by the community

issue 98 - in the age of over-sharing & the death of shame

issue 98 - adjusting to the artificial others

issue 98 - risk: the limits of laughter & intimacy

issue 98 - body melt

issue 98 - in and out of the comfort zone

issue 98 - multicultural arts: always already mainstream

issue 98 - opera for ipad

issue 98 - the universities: a sound connection with the world

issue 98 - the accidental audist

issue 98 - sound art+/-performance

issue 98 - visual arts education: between research & the market

issue 98 - handled with care

issue 98 - double lives

issue 98 - self-portrait, multiple careers

issue 98 - artist: intermedia: viewer

issue 98 - china sightings

issue 98 - effervescent transcendence

issue 98 - wishlists on the way to policy

issue 98 - an artless campaign

issue 98 - campaign art

issue 98 - a short guide: national cultural policy

issue 98 - interior worlds of the north

issue 98 - alexander proshkin: memories & miracles

issue 98 - in the loop - august 23

issue 98 - war against pop: singing & suing

issue 98 - make art, drink, vomit

issue 98 - in the loop – september 6

issue 98 - sino-supernova

issue 98 - in the loop – september 20

issue 98 - restoring culture: the dance of images & artefacts

issue 97 - confessions & generations

issue 97 - disabling art online

issue 97 - meditations in pure space

issue 97 - the growling: talking film festival culture

issue 97 - accidents & art: the evolution of a film

issue 97 - accidents, loss & the grief trap

issue 97 - talking art with the minister

issue 97 - editorial - rt97

issue 97 - pics pages - rt97

issue 97 - dialectical entanglements

issue 97 - after party for the american century

issue 97 - together in the here & now

issue 97 - culture: an intangible, protectable & nurturable good

issue 97 - making the trip work

issue 97 - in the loop - rt97

issue 97 - vale pierrot bidon

issue 97 - starting over: new chinese cinema

issue 97 - from the dark side of economic success

issue 97 - fighting for adventurous documentary making

issue 97 - sun work: mathematics as media

issue 97 - movement is rewarded

issue 97 - from screen dance to screen based

issue 97 - dancefilm: making choices

issue 97 - negotiating a transposed hell

issue 97 - digital insanity

issue 97 - dancing through trauma

issue 97 - see you, see me

issue 97 - intensive research, enriched development

issue 97 - a soft hurtfulness, a kind of beauty

issue 97 - truth, dare or physical challenge?

issue 97 - minus signs

issue 97 - we made this: scattered tacks

issue 97 - off-balance act

issue 97 - partners in crime & reconciliation

issue 97 - still not there: dylan on film & stage

issue 97 - altered states & mood swings

issue 97 - critical homage to a short life

issue 97 - 10 years of room40: privileging the ears

issue 97 - new music, new means

issue 97 - brave venture in a regional city

issue 97 - sounding a room

issue 97 - looking through photography

issue 97 - video art: performance, politics, vision

issue 97 - tears in time

issue 97 - in the loop - june 28

issue 97 - coming of age in cane country

issue 97 - in the loop - july 12

issue 97 - the shapes of water

issue 97 - the bostock inheritance

issue 97 - harmony between man, earth, heaven

issue 97 - sao paulo: public space as theatre space

issue 97 - in the loop - july 26

issue 96 - the high art of machine knitting

issue 96 - a place to give pause

issue 96 - dreaming unanimity

issue 96 - unaustralian cinema

issue 96 - lake mungo as medium

issue 96 - campion’s realm of the senses

issue 96 - rooms with surprising views

issue 96 - editorial - rt 96

issue 96 - the complicit witness

issue 96 - death defying opera

issue 96 - layers, exchange, simultaneities

issue 96 - the art in cultural policy making

issue 96 - the city, the world, beauty & music

issue 96 - celebration against the odds

issue 96 - in the loop - rt96

issue 96 - china: alternative realities

issue 96 - australian screen culture: the hard yards

issue 96 - the hybrid screen library

issue 96 - the past is always present

issue 96 - experimental audiovisual: room to move

issue 96 - infinities material and spiritual

issue 96 - envisaging the unseeable

issue 96 - the future with a foot in the past

issue 96 - between space, people & camera

issue 96 - a wealth of dancing partners

issue 96 - live the questions now

issue 96 - keeping up with the audience

issue 96 - frame shifters

issue 96 - good mother, bad mother

issue 96 - next wave 2010: riding risk

issue 96 - person to persona

issue 96 - dangerous stuff

issue 96 - epic new music showcase

issue 96 - looping & shimmering

issue 96 - vigorous exercise & a well-balanced diet

issue 96 - the greater politics of human interaction

issue 96 - true aussie diggers

issue 96 - in the loop - april 27

issue 96 - the challenges of homage

issue 96 - love spread too thin

issue 96 - fingers on windows

issue 96 - the bitter landscape of the soul

issue 96 - dancing lightly on their graves

issue 96 - in the loop - may 10

issue 96 - massacre sites: actual, theatrical, virtual

issue 96 - everyday surreal

issue 96 - expanded dramaturgical thinking

issue 96 - in the loop - may 24

issue 96 - place: confirmed and displaced

issue 95 - editorial - rt 95

issue 95 - seeing yourself seeing

issue 95 - putting us in the bigger picture

issue 95 - cities: art-led renewal

issue 95 - berlin: island & identity

issue 95 - revisioning east/west

issue 95 - new seeding

issue 95 - australian dance: unseen at home

issue 95 - in and out of the frame

issue 95 - home is where the hurt is

issue 95 - beauty disturbed

issue 95 - selling experience & interaction

issue 95 - walkers re-write city

issue 95 - in the loop - rt95

issue 95 - ancient rites, new filmmaking

issue 95 - an unpredictable auteur

issue 95 - australian film: a wider screen

issue 95 - the sound of some other australia

issue 95 - media arts and their disconnects

issue 95 - japanese dreaming

issue 95 - message is medium is message

issue 95 - dancing into altered states

issue 95 - out of the ordinary

issue 95 - inbetween dance & visual art

issue 95 - twixt ecstasy & self-possesion

issue 95 - no surfaces, only depths

issue 95 - the voyeur unsheltered

issue 95 - tensions at the point of origin

issue 95 - performing new form history 1973-86

issue 95 - the theatre of our city selves

issue 95 - wunderkind mysteries

issue 95 - performance in brazil's mega-metropolis

issue 95 - gone to air but taken to account

issue 95 - murder reverie

issue 95 - myths refurbished and upgraded

issue 95 - human rights push and pull

issue 95 - a lot can happen in a minute

issue 95 - a feast of summer sounds

issue 95 - new director, new opera

issue 95 - coders, crafters & cooks

issue 95 - the exhibition makes, unmakes & remakes itself

issue 95 - tooling the art of electronics

issue 95 - in the loop

issue 95 - the poetry of the mundane

issue 95 - in the loop

issue 95 - in the loop

issue 95 - fire & family in the memory

issue 95 - life & death, sound & soul

issue 95 - the not too united states of carmilla

issue 95 - the sacrifice of father-daughter love

issue 94 - editorial rt94

issue 94 - operatics

issue 94 - the art of integration

issue 94 - glocal slippage: the festival show conundrum

issue 94 - a fistful of skin

issue 94 - read this space

issue 94 - intercultural in-between

issue 94 - art and hope

issue 94 - the emotional body

issue 94 - mind, body & the evolution of a dance work

issue 94 - innocents retrieved

issue 94 - a fine catch in a net cast wide

issue 94 - in the loop

issue 94 - mao in the mall

issue 94 - merely floating in the world

issue 94 - where the truth lies

issue 94 - an eye on screen history

issue 94 - everyday complexity

issue 94 - we’re on the road to nowhere

issue 94 - a film for all markets

issue 94 - boys with attitude

issue 94 - stop-start beat: walking the city

issue 94 - trucking media art

issue 94 - utopia reconsidered

issue 94 - m-book: all thumbs

issue 94 - so you think you can make art?

issue 94 - digital demands & pleasures

issue 94 - night work

issue 94 - dreams of flight

issue 94 - erotic rescue

issue 94 - contemplations of hanged men

issue 94 - open heart work

issue 94 - dancing with expectations

issue 94 - dance bites

issue 94 - where to now?

issue 94 - the art of excavation

issue 94 - child flight, adult plight

issue 94 - reflections on reconciliation

issue 94 - westralia fantasia

issue 94 - ageing and [in]difference

issue 94 - naturally, electromagnetic

issue 94 - breathing music

issue 94 - music for the quick and the dead

issue 94 - the makings of sound

issue 94 - expat reverie

issue 94 - riding the impro wave

issue 94 - machine age new music

issue 94 - music by design

issue 94 - choral creativity

issue 94 - temporal oscillator

issue 94 - seeing black: degrees of invisibility

issue 94 - unfinished business

issue 94 - deepening degrees of subjectivity

issue 94 - sensitively national, selectively global

issue 94 - vale

issue 94 - the shame of growing old gracefully

issue 94 - performing performance anxiety

issue 94 - in the loop

issue 93 - retooling modernist tropes

issue 93 - fish-bowl dreaming

Special Feature - elegy for the land

issue 93 - editorial rt93

issue 93 - a monument of dancing bodies

issue 93 - made by the land

issue 93 - look back, move forward, cross borders

issue 93 - dancing up the apocalypse

issue 93 - here be dragons

issue 93 - indigenous & cosmopolitan

issue 93 - mime, new generations

issue 93 - never too far away

issue 93 - risky theatre at risk

issue 93 - building capacity, growing culture

issue 93 - in the loop

issue 93 - chronicles of the blank generation

issue 93 - tokyo haze

issue 93 - the great filmmaking escape

issue 93 - the fruits of intervention

issue 93 - documentary: art and truth

issue 93 - layers of history & filmmaking

issue 93 - keeping the (on)line open

issue 93 - the wow factor

issue 93 - mothers and children

issue 93 - the story of a story

issue 93 - human nature in the clouds

issue 93 - the body as lived

issue 93 - artful infestation

issue 93 - time travelling via gps

issue 93 - british computer art 1960-1980

issue 93 - new media fast forward

issue 93 - sound-image synaesthesia

issue 93 - dancing heavy metal

issue 93 - controlled release

issue 93 - romance: excavated & mutated

issue 93 - purist, improvisor, shape-shifter

issue 93 - many abled bodies

issue 93 - dance building

issue 93 - signatures and signalling

issue 93 - darwin celebrates darwin

issue 93 - more than a walk in the park

issue 93 - hyperrealism in overdrive

issue 93 - violations: sex, history, form

issue 93 - fractured selves

issue 93 - history by the history-makers

issue 93 - music that needs to be seen

issue 93 - new meets new

issue 93 - music like speech

issue 93 - listening for change

issue 93 - seeing, hearing, believing

issue 93 - new growth, new directions

issue 93 - capitalism’s ups and downs

issue 93 - obituary: emil goh, 1966-2009

issue 93 - rewind, recall, recover

issue 93 - dancing machine

issue 93 - the edge of reality

issue 93 - away from the studio, towards the gallery

issue 93 - westralia fantasia

issue 93 - outside the western box

issue 92 - reform, reinvention & the education revolution

issue 92 - arts business practice or practice based research?

issue 92 - new rules: the research game

issue 92 - creative release, creative limits

issue 92 - of tea and other fluids

issue 92 - that was shit!

issue 92 - the future now, minus nations

issue 92 - chinese photography: out of the shadows

issue 92 - making room for hope

issue 92 - calling the shots

issue 92 - bangarra at 20: circle of connection

issue 92 - rt92 - education and the arts

issue 92 - period of adjustment

issue 92 - the man in the malkovich mask

issue 92 - figuring motion: a 20th century artist for the 21st

issue 92 - eddie & charlie, kings of the road

issue 92 - nationalistic fervour & metaphysical reverie

issue 92 - tricks and treats

issue 92 - positive initiatives, problematic implications

issue 92 - online life, downside and up

issue 92 - d emoshnl pwr of d txt msg

issue 92 - matchbox magic: dance as film

issue 92 - a mindful body-in-place

issue 92 - embodying inner demons

issue 92 - condition red

issue 92 - lie to me

issue 92 - observation and its relativities

issue 92 - under a spell

issue 92 - the image that pierces

issue 92 - home improvements

issue 92 - comeout 09: artful reciprocity

issue 92 - stockhausen: visions of light

issue 92 - architectural meltdown

issue 92 - sound, image & their ghosts

issue 92 - the art of sonic curation

issue 92 - mind-reading in the 21st century

issue 92 - politics & art: direct engagement

issue 92 - risks with self and stranger

issue 92 - in the loop

issue 92 - global transmission in progress

issue 92 - new, new music for sydney

issue 92 - taboo teen territory

issue 92 - sydney's mean streets

issue 92 - abela in china

issue 92 - the nurturing of chinese photography

issue 92 - new growth, new directions

issue 92 - sonic insights

issue 92 - in the loop

issue 92 - fringe festival: roulette and reason

issue 91 - editorial rt91

issue 91 - the audience made complicit

issue 91 - culture crash: things as they are

issue 91 - art-working the city

issue 91 - merce cunningham: generational mix

issue 91 - i don't know about acting…

issue 91 - in the loop

issue 91 - stirring transformations

issue 91 - classic transposition

issue 91 - sound affects

issue 91 - art scars

issue 91 - new asian dance: body doubles

issue 91 - unexpected art

issue 91 - identity’s black holes

issue 91 - interdisciplinary artists & publics

issue 91 - a home for contemporary cultures

issue 91 - activating art spaces

issue 91 - a matter of urgency

issue 91 - screening the ‘other’ deutschland

issue 91 - shimmering beauty, dark vision

issue 91 - jack charles, hybrid lives

issue 91 - redefining film’s cutting edge

issue 91 - animating dreaming into action

issue 91 - pornography with difference

issue 91 - expanded screen writing, expansive cinema

issue 91 - screendance 2.0 is with us

issue 91 - the itch factor

issue 91 - threshold intimacies

issue 91 - exhibiting the future

issue 91 - mediated: craving for expression

issue 91 - second life eco-management

issue 91 - cellular intrigue

issue 91 - ecstasy and repulsion

issue 91 - the art of enquiry

issue 91 - responsive objects

issue 91 - the dance of inner space

issue 91 - canonical miss-takes

issue 91 - looking for love

issue 91 - game: life and art

issue 91 - a very good deal

issue 91 - fabulous liars

issue 91 - reading at a remove

issue 91 - space-maker

issue 91 - becalmed yearnings

issue 91 - sounds continuous

issue 91 - working to rule

issue 91 - composed spontaneity

issue 91 - transient works, temporary publics

issue 91 - a return to vulnerability

issue 91 - the life of digits

issue 91 - at the end of the day

issue 91 - he’s watching the detectives

issue 91 - sculpture as music

issue 91 - contentious cut and paste

issue 90 - rt90 editorial

Special Feature - horror stretch

Special Feature - 18 minutes in another town

Special Feature - reality dance

Special Feature - ensemble power

Special Feature - knowing pop

issue 90 - inescapable pasts

issue 90 - e-bodies in trouble

issue 90 - from glitz to pure gold

issue 90 - the mask speaks

issue 90 - unconditional acceptance

issue 90 - history’s imprints

issue 90 - designs on light

issue 90 - dance massive: intro

issue 90 - in the loop

issue 90 - infrastructure & the health of the organism

issue 90 - post-youth new growth

issue 90 - the jobbing playwright

issue 90 - the wandering life

issue 90 - mentoring and more

issue 90 - the seeing ear, the hearing eye

issue 90 - the making of samson & delilah

issue 90 - unravelling terror

issue 90 - mary and max: little people, big animation

issue 90 - love the beast: bogan dreams and endless love

issue 90 - the combination: gauging rage

issue 90 - adrenaline-fuelled life in the media arts lab

issue 90 - film, image & the post-medium condition

issue 90 - wired 4 games: artful computer gaming

issue 90 - blast theory: small secrets in public spaces

issue 90 - hybridised unities

issue 90 - animating the interactive spin

issue 90 - media arts: in search of history & legitimacy

issue 90 - expanding the cultural zone

issue 90 - unfolding bonachela

issue 90 - as dreamt by a dancer

issue 90 - the metaphysics of birdwatching

issue 90 - yoga land & crack alley square off

issue 90 - no room for psycho-realism

issue 90 - at the coalface of queer performance

issue 90 - modern tragics

issue 90 - barometer of a generation

issue 90 - play as political gesture

issue 90 - the real & other realities

issue 90 - at the bottom of the garden

issue 90 - circus unlimited

issue 90 - the sound of bicycles singing

issue 90 - a walk on the wilder side

issue 90 - shaper of time

issue 90 - the work, the influence

issue 90 - party in pieces

issue 90 - cause for celebration

issue 90 - tuning the inner ear

issue 89 - rt89 editorial

issue 89 - the war within, the war without

issue 89 - the other dancing

issue 89 - the gift of a smile

issue 89 - belarus free theatre: an aesthetic opposition first of all

issue 89 - in the loop

issue 89 - reveries and dark dreams beyond categories

issue 89 - critical mass

issue 89 - don’t ask

issue 89 - iceland, taiwan, sicily, england, japan...tasmania

issue 89 - surreal realities from the other side

issue 89 - targeting australia

issue 89 - film by design

issue 89 - through the screen to palestine

issue 89 - screen potential

issue 89 - making images with audiences

issue 89 - a new cinema: immersive and interactive

issue 89 - making dancefilm: influences, cultures, bodies

issue 89 - investing in dance screen

issue 89 - reframing the dance screen

issue 89 - smelling the sun, breathing a river

issue 89 - media art: negotiating the future

issue 89 - intelligent fabrics, organic attire

issue 89 - the science-art of quakes

issue 89 - creative electronic community

issue 89 - fine tuning

issue 89 - worlds within

issue 89 - dying a death

issue 89 - creative attack

issue 89 - dream logic

issue 89 - learning to listen

issue 89 - the dislocation of european desires

issue 89 - taking on water

issue 89 - savage truths

issue 89 - the improvising animal

issue 89 - jungle sounds: raw & synthetic

issue 89 - cross-generational experimentation

issue 89 - of the moment and about time!

issue 89 - a quarter century sampler

issue 89 - fabrication & physics

issue 89 - beauties beyond irony and austerity

issue 88 - rt88 editorial

issue 88 - awestruck by dance

issue 88 - returning the audience’s gaze

issue 88 - jailbreak

issue 88 - the darkest of fairytales

issue 88 - powered up with performance

issue 88 - in the belly of the beast

issue 88 - all the right steps

issue 88 - talking through hybrid performance

issue 88 - time slips in an other place

issue 88 - nature by design, music & science

issue 88 - first kiss: the arts and health sciences

issue 88 - anxious times: the future of australian film funding

issue 88 - othering the cultural mainstream

issue 88 - buried truths, hidden history

issue 88 - past into present times the future

issue 88 - a sudden responsibility, a new career

issue 88 - life behind a curtain

issue 88 - the thin line between mainstream & underground

issue 88 - a deep breath of russian cinema

issue 88 - not so silent resurrection

issue 88 - wonder, beyond categories

issue 88 - looking for deep generative poetry

issue 88 - rewarding the field

issue 88 - electrofringe will eat itself

issue 88 - secretary of the impossible

issue 88 - magic and mistakes

issue 88 - how it came to this, explained in full

issue 88 - virtually/actually hands-on

issue 88 - across the film-vis arts divide

issue 88 - matters of choice

issue 88 - art moves

issue 88 - dancing secrets

issue 88 - a revealing partnering

issue 88 - performance space: the winning years

issue 88 - in the picture

issue 88 - into the woods

issue 88 - timely reinvention

issue 88 - ironies of the inevitable

issue 88 - simple materials, live art

issue 88 - in the blood

issue 88 - schütte-lihotzky: the architecture of a life

issue 88 - phone magic

issue 88 - ecstasy & other states

issue 88 - infiltrations & accumulations

issue 88 - a branching practice

issue 88 - musical miracles

issue 88 - the making of a world

issue 88 - the horrible truth

issue 88 - rhyme and reason

issue 88 - the fiona winning interview

issue 87 - rt87 editorial

issue 87 - art on the side of cinema

issue 87 - all in the voice

issue 87 - the art of punishment

issue 87 - the brain-technology dance

issue 87 - multiple maps of the imagination

issue 87 - infinite othernesses

issue 87 - deep inside the box

issue 87 - kindred spirits

issue 87 - at war with war

issue 87 - two lives, one storm

issue 87 - murderous ambivalences

issue 87 - the limits of healing

issue 87 - character issues

issue 87 - the way we look

issue 87 - night falls over innocence

issue 87 - room for change

issue 87 - on the edge of the moment

issue 87 - life on the inside

issue 87 - the middle way: light infrastructure

issue 87 - working from home: the producing hub

issue 87 - MIFF 2008: lo-tech brilliance

issue 87 - the tribulations of based-on-fact fiction

issue 87 - film is like music, it has time

issue 87 - gods in the street

issue 87 - image, music, connection

issue 87 - active recall: animating history

issue 87 - the past bleeds into present

issue 87 - the cross-currents of new russian film

issue 87 - parallel lives: in cinema & beyond

issue 87 - new media, new to china

issue 87 - interactive mysteries

issue 87 - kaleidoscoped

issue 87 - the name of the game: media arts now

issue 87 - just what's on offer?

issue 87 - the second life funding landscape

issue 87 - sharing and remixing via the abc

issue 87 - beyond the dumb-mobile

issue 87 - a constrained dance of words

issue 87 - taking underground overground

issue 87 - through violence to contemplation

issue 87 - in the bodies of others

issue 87 - the body: re-examined, recreated, restless

issue 87 - a very real unreal place

issue 87 - the challenge: teaching dance screen

issue 87 - only the best

issue 87 - noise is free in beijing

issue 87 - nayda and the music of change

issue 87 - diverse readings, acute listenings

issue 87 - depends on where you sit

issue 87 - sonic interiors

issue 87 - beyond easy

issue 87 - sounds solid, sounds fluid

issue 87 - imaging the ritualised hour

issue 87 - transgression, translation, transcription

issue 87 - transgression, translation, transcription - full interview

issue 87 - hardcore and zen

issue 87 - homecoming for the future

issue 87 - spin cycle

issue 87 - positively artrageous

issue 86 - various intimacies

issue 86 - startlingly close

issue 86 - exotic intimacies

issue 86 - new humans, beyond meaning

issue 86 - editorial rt86

issue 86 - the job-ready graduate: on the right path

issue 86 - the job-ready graduate: acting and a lot more

issue 86 - the world in a book

issue 86 - going it alone...

issue 86 - the refugee’s only currency

issue 86 - violence by degrees

issue 86 - match & mismatch

issue 86 - a strange gift

issue 86 - the job-ready graduate: multi-skilled, self-sufficient

issue 86 - fine first steps

issue 86 - bleak days for the aussie male

issue 86 - running on empty

issue 86 - day for night

issue 86 - an icon performs

issue 86 - finding the words

issue 86 - puppet power & scary magic

issue 86 - making art out of hollywood

issue 86 - the job-ready graduate: autonomous & entrepreneurial

issue 86 - if you like photosensitive seizures, we like you

issue 86 - weightlessly home, safe

issue 86 - naturally synthetic

issue 86 - listening to the turning world

issue 86 - the job-ready graduate: well supported, well connected

issue 86 - not playing safe

issue 86 - bitter-sweet ageing

issue 86 - the partiality of perspective

issue 86 - body traps

issue 86 - forsythe, bausch, platel…

issue 86 - judging the body-media meld

issue 86 - nothing to lose

issue 86 - the job-ready graduate: underpinning independence

issue 86 - a sound archive for an aural future

issue 86 - a new pulse

issue 86 - filling in the map

issue 86 - what you hear is what you see

issue 86 - unchanged perceptions

issue 86 - questions of intimacy

issue 86 - laidback listening to sounds concrete & chaotic

issue 86 - minimally maximal

issue 86 - pre-dawn revelations

issue 86 - the job-ready graduate: making art, maybe money

issue 86 - un-linear life & art

issue 86 - engagingly awkward proximities

issue 86 - tainting the artist

issue 86 - energy in flux, change in motion

issue 86 - to boldly go

issue 86 - dark futures, distant present

issue 86 - playing with the audience

issue 86 - to create, not repeat

issue 86 - domestic inspiration

issue 86 - disagreeable, but desirable

issue 86 - between contemplation and delirium

issue 86 - from the outside in

issue 85 - editorial rt85 - censorship

issue 85 - to camera

issue 85 - reeldance festival: contemporary dance on screen

issue 85 - entwining china & australia

issue 85 - turn, turn, turn

issue 85 - unexpected treats

issue 85 - fugue of the senses, geometry of desire

issue 85 - flying high, and under the radar

issue 85 - new waving

issue 85 - the s word

issue 85 - open letter in support of bill henson

issue 85 - puppets at play with form & history

issue 85 - inside the experience of living

issue 85 - hybrid lives, hybrid dreams

issue 85 - tasmanian horrors real & mythic

issue 85 - last man standing

issue 85 - the city eroticised

issue 85 - a place for dialogue

issue 85 - teen vision

issue 85 - film by other means

issue 85 - the musicality of the moving image

issue 85 - video art for the cinema

issue 85 - the video art game

issue 85 - mapping an ugly australia

issue 85 - graham tardif & the aural auteur

issue 85 - broadcasting the future

issue 85 - between research, philosophy & documentation

issue 85 - british multimedia interventions

issue 85 - live objects

issue 85 - the dimensions of perception

issue 85 - the road to excess leads to...

issue 85 - multiplying screens & means

issue 85 - dance of the aftermath

issue 85 - memories spoken and embodied

issue 85 - safe risks

issue 85 - a democratic offering

issue 85 - action art dance

issue 85 - nightshift: dangerous work

issue 85 - tribute to an outlaw

issue 85 - everything postdramatic

issue 85 - cross-racial casting: what will it take?

issue 85 - direction, design & room to move

issue 85 - paper theatre, uncertain memories

issue 85 - intercultural harmonising

issue 85 - the past made present

issue 85 - the many ways to play

issue 85 - elemental vibrations

issue 85 - car, crash, contemporary

issue 85 - the drama & dance of xenakis

issue 85 - making music +

issue 85 - contemporary...now and then

issue 85 - vale tristram cary, 1925-2008

issue 85 - percussion: power and puzzle

issue 85 - photography: look twice

issue 85 - 798 at the crossroads

issue 85 - a city remembered in trees

issue 85 - art when it’s at home

issue 85 - performance for making change

issue 85 - reeldance festival: the awards

issue 85 - reeldance festival: global shorts, this dancing life

issue 85 - reeldance: global shorts: music:dance:image

issue 85 - reeldance festival: global shorts, the art of moving

issue 84 - rt84 editorial

issue 84 - nrla 2008: live art talk

issue 84 - gift economy

issue 84 - a thinking person’s list

issue 84 - the theatre of live art

issue 84 - schubert dub

issue 84 - live art refuge

issue 84 - this is the verse

issue 84 - big, intimate and fearless

issue 84 - the games art plays

issue 84 - in the shadow zone

issue 84 - moving messages and uncertain content

issue 84 - inside looking out

issue 84 - open to surprise

issue 84 - the rise of the west

issue 84 - hybrid arts: hives of industry

issue 84 - art, commerce, action!

issue 84 - cinema in transition: a comedy

issue 84 - hamlet as film: the rest is static

issue 84 - making light of winter

issue 84 - sydney film festival adapts and mutates

issue 84 - the intimate details

issue 84 - reel-dancing

issue 84 - the time consumers

issue 84 - every moment lived, a moment lost

issue 84 - australian animation: quality wins

issue 84 - opening the field

issue 84 - a complex culture in film

issue 84 - engineering the arts

issue 84 - games as art: playtime over

issue 84 - bee art: exchange systems

issue 84 - furthering hybridity

issue 84 - dynamic duets

issue 84 - the festival dances

issue 84 - next: evolving dance

issue 84 - reading the land, seeing the light

issue 84 - reinventions radical & respectful

issue 84 - someone else’s dream

issue 84 - life swapping freefall

issue 84 - walking with artists

issue 84 - melancholia’s peculiar beauty

issue 84 - crash test

issue 84 - the quick and the dirty

issue 84 - the black hole of injustice

issue 84 - bollywood: film as theatre

issue 84 - relocation and reinvention

issue 84 - is anybody listening?

issue 84 - seasonal sounds

issue 84 - the instrument and beyond

issue 84 - furnishings for the mind

issue 84 - not so ephemeral

issue 84 - talking bon scott

issue 84 - Photofile: an expanded perspective

Special Feature - the space between: a triangle of trust

Special Feature - hey girl!: ache and awe

Special Feature - my name is rachel corrie: a life resurrected

Special Feature - my dad, my dog: between worlds

Special Feature - small metal objects: magic micro culture clash

Special Feature - instructions for modern living: night fears

Special Feature - clark and I somewhere In connecticut: the one who cares

issue 83 - glow: analog passion, digital driver

Special Feature - palace grand: grand illusion

Special Feature - palace grand: theatre of the self

issue 83 - roads to despair

issue 83 - a spontaneous sounding

issue 83 - power suppressed

issue 83 - across minds and cultures

issue 83 - a quiet kind of terror

issue 83 - love’s waiting room

issue 83 - the poetry of ages

issue 83 - the waiting game

issue 83 - lost in translation

issue 83 - into other worlds

issue 83 - a feral universe

issue 83 - boy spirit

issue 83 - taking it to the streets

issue 83 - it’s happening (again)

issue 83 - mexico is different…

issue 83 - the rhythm of the night

issue 83 - beyond play

issue 83 - try this at home

issue 83 - cyber-conceived/cyber-birthed

issue 83 - houdini undone

issue 83 - in a state of dance

issue 83 - ghosts in the machine, romance in the garden

issue 83 - spanish cool

issue 83 - editorial - rt83

issue 83 - mixed reality cycling

issue 83 - playing the moon

issue 83 - art-layering the city

issue 83 - images of resilience

issue 83 - encounters bizarre, elusive & beautiful

issue 83 - power dressing

issue 83 - artists go global

issue 83 - welsh border crossing

issue 83 - gob squad saves the world

issue 83 - the classic justly undone

issue 83 - mission just possible

issue 83 - states of loss

issue 83 - port adelaide reanimated

issue 83 - at play on a digital slippery slope

issue 83 - obituary: jean-pierre voos

issue 83 - the raw materials for change

issue 83 - construction as performance

issue 83 - in the dead of night

issue 83 - opening up the house

issue 83 - the unbinding of desire

issue 83 - fragility and responsibility

issue 83 - dance screen treasure chest

issue 83 - within the frame: a timeless space

issue 83 - listening to history

issue 83 - showman or shaman?

issue 83 - simon charles

issue 83 - playing with glass

issue 83 - so much to sing about

issue 83 - on, off, into and across the record

issue 83 - dark illuminations

issue 83 - visceral intuition, critical thought

issue 83 - lighting up

issue 83 - puppet power and youth pull

issue 83 - connect: canada and australia

issue 83 - screendance: artform in transition

issue 82 - editorial - rt82

issue 82 - hybrid life: some recent sightings

issue 82 - moving and shaking

issue 82 - the festivals make music

issue 82 - making the world work

issue 82 - legacies, living and transmuted

issue 82 - telling silences

issue 82 - certain uncertainties

issue 82 - the elusiveness of cultural exchange

issue 82 - new music out of china

issue 82 - ars electronica, vitae brevis!

issue 82 - empathy and otherness

issue 82 - rock stars in the cross-hairs

issue 82 - still touching from a distance

issue 82 - led zeppelin: art at the crossroads

issue 82 - from chinatown to china

issue 82 - she’s a smooth operator

issue 82 - performative cinema

issue 82 - new art the old way

issue 82 - no mission statements please

issue 82 - the fringe morphs

issue 82 - dead cinema, new cinema

issue 82 - more now than new

issue 82 - the thought provoking jolt

issue 82 - a once and future building

issue 82 - learning is living

issue 82 - diverting disconnects

issue 82 - tensions of form and affect

issue 82 - magic en masse

issue 82 - refashioning myth

issue 82 - the art of going global

issue 82 - war at a distance

issue 82 - being in one place with roots in another

issue 82 - solace, if not closure

issue 82 - the term of their unnatural lives

issue 82 - living football in the territory

issue 82 - young, local, national, global....

issue 82 - far from home

issue 82 - sound worlds past and present

issue 82 - post impressions

issue 82 - experimental sounds in the city

issue 82 - joyous songs of sadness

issue 82 - still life in a dying world

issue 82 - artful contemplation

issue 82 - dark sightings

issue 82 - an itty-bitty theatre of the absurd

issue 82 - dark currents

issue 82 - of trains and training

issue 82 - the twyla tharp legacy

issue 82 - birth rites by vote

issue 82 - RealTime online @ PuSh

issue 82 - the loving wild child

issue 82 - greater than the sum of its parts

issue 82 - schlock treatment

issue 81 - rt81 - giveaways

issue 81 - editorial rt81

issue 81 - gran turismo

issue 81 - pacific australia, south-west sydney

issue 81 - aglow in the dark

issue 81 - nt’s festive season

issue 81 - the simple fact of merce cunningham

issue 81 - matthew barney meets monkey king

issue 81 - cultural infusion: indonesia in australia

issue 81 - tanja liedtke

issue 81 - loud, soft and with feeling

issue 81 - confessions of a fast talker

issue 81 - marvellous mutator

issue 81 - next

issue 81 - small tales and true

issue 81 - the power of arab film

issue 81 - avant-home cinema

issue 81 - reinvigorating the most important art

issue 81 - the art of the short short

issue 81 - the sound of noise

issue 81 - point of view: female

issue 81 - making films politically

issue 81 - field of dreams

issue 81 - adding sound to silents

issue 81 - traditional animation, the computer finish

issue 81 - shopping for interactivity

issue 81 - screen worlds

issue 81 - new order distribution

issue 81 - as the fur flies

issue 81 - more than rabbitting on

issue 81 - beyond words

issue 81 - dvd: almost absolutely robert wilson

issue 81 - last days of raunch at lanfranchi’s

issue 81 - a game with the works

issue 81 - shocking symmetries

issue 81 - deeply abhorrent and utterly entertaining

issue 81 - to choose or not to choose

issue 81 - apoplectic apocalypto

issue 81 - at play in public space

issue 81 - gideon obarzanek: after glow

issue 81 - dancing cultural time zones

issue 81 - prediction and predilection

issue 81 - magic dance patterning

issue 81 - sound in mind and body

issue 81 - sonic extremeties

issue 81 - elision: musical gaming

issue 81 - the art of not-listening

issue 81 - percussive dance and drama

issue 81 - opera and the primal sublime

issue 81 - unexpected synergies

issue 81 - post aftermath

issue 81 - between heaven and hell

issue 81 - steampunk aiming high

issue 81 - re-casting the apocalypse

issue 81 - aphids-realtime reviewer residency

issue 81 - stuck pigs squeal incest & sibling rivalry

issue 81 - pain relief for paranoia

issue 81 - testing the tightrope

issue 81 - making music at the interface

issue 81 - kiddie art a con?

issue 81 - the body inside and out

issue 80 - free and not so free

issue 80 - editorial rt80

issue 80 - negotiations and love songs

issue 80 - from the simplest of interfaces: complexity

issue 80 - tiny movies, big moves

issue 80 - from anywhere at any time

issue 80 - the art of the earth

issue 80 - pulling down walls

issue 80 - a festival to change perceptions

issue 80 - next

issue 80 - revolution or reaction?

issue 80 - embodiment’s adventures in scholarship

issue 80 - contemporary performance: signs of life

issue 80 - precarious balance & extra-daily effort

issue 80 - the new academicism

issue 80 - music education in search of a future

issue 80 - sound art and the extended university

issue 80 - production challenges, threats to theory

issue 80 - the thousand voices of garin nugroho

issue 80 - the poetry of turkish cinema

issue 80 - the secret war: remembered & repressed

issue 80 - animation: access, artistry, limits

issue 80 - unleashing the inanimate

issue 80 - farewell bergman, farewell antonioni

issue 80 - the piano replayed & re-read

issue 80 - dreaming in motion

issue 80 - digitising the film industry: the big questions

issue 80 - DVD: the innovator, interviewed: adam elliot

issue 80 - extreme writing: digital lifestyle practice

issue 80 - escaping into the hands of the enemy

issue 80 - puns of the father

issue 80 - perspective play

issue 80 - seeking immersion

issue 80 - the road to excess & the wisdom of restraint

issue 80 - in expectation of the unexpected

issue 80 - the art of the after-party

issue 80 - the incessant alert of responsibility

issue 80 - radio-ing in: the artifice of intervention

issue 80 - a very strange kind of time

issue 80 - no small wonder

issue 80 - the underground's big day out

issue 80 - women on the edge

issue 80 - post-dance, everything is choreographic

issue 80 - dance film: spiritual odyssey

issue 80 - room for everything and more

issue 80 - computer composers go back to the future

issue 80 - sounds seen & worded

issue 80 - lessons in hyper-virtuosity

issue 80 - making space: the freedom to mess

issue 80 - mental karaoke

issue 80 - the ghosts of bad blood

issue 80 - the big spill: a fitting climax

issue 80 - naked history

issue 80 - medium magic

issue 80 - radical fanging in the museum

issue 80 - new recipes in theatre making

issue 80 - the hurt of pain witnessed

issue 80 - with a child's eyes

issue 80 - fine with a chance of cloud

issue 80 - future indefinite

issue 80 - this girl can’t be serious

issue 80 - dreams gentle and apocalyptic

issue 79 - plugging into film culture

issue 79 - editorial rt79

issue 79 - the world in our hands

issue 79 - still/moving

issue 79 - there forever, gone tomorrow

issue 79 - ghosts of hamlets past

issue 79 - performance art beyond the event

issue 79 - live art strategies

issue 79 - bright sparks in the silence

issue 79 - art becomes village becomes art

issue 79 - out of the frying pan...

issue 79 - world without bearings

issue 79 - re-skinning documentary

issue 79 - sydney film festival’s new face

issue 79 - meditations & contradictions

issue 79 - black sun: after the eclipse

issue 79 - all in the process

issue 79 - the history trap

issue 79 - the digitising of public art

issue 79 - an improvising automaton

issue 79 - archivists on the edge

issue 79 - the war that never ends

issue 79 - virtually the real thing

issue 79 - autonomy and the emerging artist

issue 79 - duetting new possibilities

issue 79 - when I was born, I couldn’t move at all

issue 79 - messing with the word

issue 79 - vigilante performance

issue 79 - bible bashing and book burning

issue 79 - evolving indigenous live art

issue 79 - one woman in many: survival and resilience

issue 79 - adventures 07: anxious pleasures

issue 79 - discrete/discreet

issue 79 - musical archaeology

issue 79 - loud, clear and cantankerous

issue 79 - vertiginous pleasures of disconnection

issue 79 - photography: stillness & beyond

issue 79 - conversation in slow time

issue 79 - framing the world

issue 79 - art on the ball

issue 79 - art animated and dissected

Special Feature - the write/here project: signs of the times

Special Feature - leigh hobba – the space of presence: time spans

Special Feature - port arthur project: sites unseen

Special Feature - queen of the snakepit: stories, shandies and supersnakes

issue 78 - editorial - rt78

issue 78 - radical theatre of failure

issue 78 - urban theatre projects: urgent agendas

issue 78 - acp: photography speaks up

issue 78 - mirror stories: the implicated audience

issue 78 - twixt black box & white cube

issue 78 - an experiment in life at the piano

issue 78 - another time now

issue 78 - the cool of artertainment

issue 78 - realtime on the island

issue 78 - cinemas of possibility

issue 78 - genres transcended

issue 78 - lo-budget good health

issue 78 - wrestling with fandom

issue 78 - unpicking the flicks

issue 78 - the logic of mediation

issue 78 - of profits and prophets

issue 78 - films otherwise unseen

issue 78 - babel, silenced

issue 78 - but is it washable?

issue 78 - art vs apparatus

issue 78 - imagining the invisible

issue 78 - upgrading and evolving

issue 78 - apocalypse near you

issue 78 - word magic: the how of reading

issue 78 - loungeroom critique

issue 78 - to learn again to adventure

issue 78 - 2007 singapore arts festival

issue 78 - crossing the divide

issue 78 - dancing at the interface

issue 78 - a vertiginous theatre

issue 78 - unnerving and uncanny

issue 78 - setting boundaries, combating fear

issue 78 - doubly emergent

issue 78 - obituary: lindzee smith

issue 78 - history too innocent

issue 78 - out of the underworld

issue 78 - working that european thing

issue 78 - who is this man?

issue 78 - a loving punch-up

issue 78 - a shared madness

issue 78 - split radio breaks the spell of pop

issue 78 - whistling on the way to the apocalypse

issue 78 - media multiplies opera

issue 78 - sitsky's progress

issue 78 - subtle assaults

issue 78 - indoors and out there

issue 78 - so artless, so interesting

issue 78 - seeing what we need to see

issue 78 - unmissable marker

issue 78 - the wrong mr right

issue 78 - the body written, recollected, haunted

issue 78 - the converging of art history and media art

issue 78 - the touch of nations (the companies we keep)

issue 77 - Editorial

issue 77 - london’s regenerative festival

issue 77 - volatile work for incendiary ends

issue 77 - all in good time

issue 77 - the future arrives: a new APT, a new gallery

issue 77 - islands of ambiguity

issue 77 - the body in hand

issue 77 - a theatre for all the senses

issue 77 - an endless dance of death and yearning

issue 77 - danger: transcendental theatre

issue 77 - lost in translation

issue 77 - love, digital and suicidal

issue 77 - adelaide festival centre redux

issue 77 - performance on DVD: archive alive

issue 77 - other worlds, outer limits

issue 77 - in the moment

issue 77 - shifting and shucking

issue 77 - in the theatre of war

issue 77 - all in the choreography

issue 77 - down there for thinking

issue 77 - seeing anew

issue 77 - farewell fromagerie

issue 77 - the dancer moves, the world begins

issue 77 - performance alchemies

issue 77 - the whole stage is breathing

issue 77 - acting up

issue 77 - the eternally flickering image

issue 77 - string quartet: evolution & mutation

issue 77 - life after reverb

issue 77 - new music from dead horse

issue 77 - part 2: the films—buried histories

issue 77 - a new gaze via remote control

issue 77 - out on film

issue 77 - a pansemiotic cornucopia

issue 77 - lights, camera...social action!

issue 77 - this is not a comic book

issue 77 - d/Lux & the super history of super 8 in sydney

issue 77 - the filmmaker underdog and the australian way

issue 77 - digital liberation

issue 77 - the new silents

issue 77 - russian cinema: audacious and inimitable

issue 77 - the virtual gets physical, the user too

issue 77 - a media arts cornucopia machine

issue 77 - monstrous beauty

issue 77 - side by side, australian & japanese media art

issue 77 - game on: agendas of gender

issue 77 - unwilling prophet of the present

issue 77 - playing with reality in virtual worlds

issue 77 - haunted machines & spooky ideologies

issue 77 - rules of engagement: auras of presence

issue 77 - second front: online performance art

issue 77 - emergent and infectious

issue 77 - liquid city

Special Feature - Living the in-between

issue 76 - Editorial - RT76

issue 76 - the city dances

issue 76 - the body in the city in the picture

issue 76 - parcel

issue 76 - christoph marthaler: in the meantime

issue 76 - siev x memorial

issue 76 - editor's choice

issue 76 - the young & the restless

issue 76 - company b: dissolving distance

issue 76 - deeply collaborative, richly minimalist

issue 76 - below the surface

issue 76 - adelaide grows a festival

issue 76 - the rise of the superdoc

issue 76 - looking back over pilger's australia

issue 76 - michael riley: photographer & filmmaker - part 1: spirit, land, image

issue 76 - female experimental film magic

issue 76 - vancouver international film festival

issue 76 - art in the instant city

issue 76 - interactive feedback

issue 76 - the best of the beast

issue 76 - video as spatial experience

issue 76 - words in the frame

issue 76 - a second life: living online

issue 76 - music makes the moves

issue 76 - dark journey

issue 76 - kinds of truth

issue 76 - risky business adds aesthetic value

issue 76 - joyous music, modest means

issue 76 - crisis within, crisis without

issue 76 - another nocturama

issue 76 - cutting it

issue 76 - disturbing the dust on a bowl of rose leaves

issue 76 - return of the gods

issue 76 - icons, puppets & perspectives

issue 76 - bootcamp for the soul

issue 76 - haunted by the outside world

issue 76 - art against the silence

issue 76 - ANTI festival, finland, site-specific mysteries

issue 76 - heroes in the theatre of adversity

issue 76 - writing our culture alive

issue 76 - ornamental happiness & walking cures

issue 76 - the many-otheredness of the NRLA

issue 76 - two blokes in a room, drawing on each other

issue 76 - elves and other friends

issue 76 - sydney performance

issue 76 - taking the s-train

issue 76 - new music machine up & running

issue 76 - discontinuous perceptions

issue 76 - singapore biennale, a total approach

issue 76 - words as art

issue 76 - intersections in the screen pit

issue 76 - a desolation too real

issue 76 - images that hold

issue 76 - myth through an avant garde lens

issue 76 - clowning into oblivion

issue 75 - Editorial

issue 75 - Internet incarnate

issue 75 - Melbourne International Arts Festival: Inside out/outside in

issue 75 - The journey: expansion and implosion

issue 75 - Under the city's skin

issue 75 - Regenerative inversions

issue 75 - The body transported & transformed

issue 75 - Celebration of transformation

issue 75 - An impetus to innovate

issue 75 - What the listener sees

issue 75 - Cinecrophilia

issue 75 - Magical, micro, experimental and underground

issue 75 - Hidden: a film for our time

issue 75 - In the pleasure dome

issue 75 - Nordic thrills and other good shorts

issue 75 - War for real: drama & documentary

issue 75 - Matthew Barney: cinema under review

issue 75 - Onscreen Course Guide—Film and New Media Art

issue 75 - Contagious diseases, virulent truths

issue 75 - The art of mobile phone empathy

issue 75 - Knit two together

issue 75 - Time sliced, perception shifted

issue 75 - New Wark vectors

issue 75 - Courageous lover, great imagineer

issue 75 - Darwin's evolution

issue 75 - Dancing in the folds

issue 75 - Small beginnings

issue 75 - Several degrees of separation

issue 75 - Perspective on power and perception

issue 75 - Handme that crowbar

issue 75 - Murder in the theatre

issue 75 - Body Imperfect

issue 75 - A murderous month in the country

issue 75 - Action art against all odds

issue 75 - The blind leading

issue 75 - Not diving, falling

issue 75 - Artists invade history

issue 75 - Sound bodies

issue 75 - Sounds improbable, sounds remarkable

issue 75 - Confined and released

issue 75 - Synaethesia for all

issue 75 - Fast, furious, fleeting

issue 75 - Into the overtones

issue 75 - Space voyages and neonatal nightmares

issue 75 - The ambiguities of ambition

issue 75 - We're all in this kitchen

issue 75 - Labyrinths of myth

issue 75 - Ballen speaks

issue 75 - In the body of the beholder

issue 75 - Singing the unheroic hero

issue 74 - Two lives in one: theatre making & teaching

issue 74 - The ambulatory artist-teacher

issue 74 - Making music: inside/outside

issue 74 - The when of composing

issue 74 - Oscillations: the sound artist as educator

issue 74 - Dancer-teacher: The undivided self

issue 74 - Of pressures and privileges

issue 74 - The balancing act of teaching and making film

issue 74 - A filmmaking life

issue 74 - A dance of definitions

issue 74 - Re-animating Australian history

issue 74 - Iraq's shattered dreams

issue 74 - Seeing voices

issue 74 - The university: A new home for new media

issue 74 - The anxious interactive

issue 74 - Digital games, digital winners

issue 74 - The book and beyond

issue 74 - Showcasing First Run

issue 74 - Questions for Sri Lanka

issue 74 - Off to the Biennale de la Danse 2006 Lyon

issue 74 - Dynamic dance theatre: dancing binaries

issue 74 - Innocent pleasures

issue 74 - Two for one

issue 74 - The ambiguities of being

issue 74 - The border artist

issue 74 - The body in the world

issue 74 - When worlds converge

issue 74 - A festival of possibilities: the faraway nearby

issue 74 - Festival in Cali: artists-run, people driven

issue 74 - Strange worlds, alarmingly familiar

issue 74 - The sweet breath of The Black Lung

issue 74 - Made from life, sculpted from junk

issue 74 - Shifting perspectives

issue 74 - Ingesting the world

issue 74 - Wronged animals, bodily remains

issue 74 - A walk on the wild side

issue 74 - Everyone an artist everyday

issue 74 - A visually rich audio festival

issue 74 - Mother tongue, birthday song

issue 74 - A decade of DIY

issue 74 - The world recomposed

issue 74 - More than a performance

issue 74 - Farewell Bronwyn Oliver

issue 74 - Installations: outsized and complex

issue 74 - Castellucci on film, in person

issue 74 - Editorial

issue 73 - shopping & th**king

issue 73 - Cowboys & crowds

issue 73 - Taken to the streets

issue 73 - The power of intimacy

issue 73 - Minus the special effects

issue 73 - Something for everyone, and more

issue 73 - Fire and blood—Indonesian performance art

issue 73 - Nurturing media art in the regions

issue 73 - Transdisciplinary publishing

issue 73 - Women whisper secrets

issue 73 - Berlin: art, technology, mice and men

issue 73 - New media consolations

issue 73 - The luminous nightmare of Marius von Mayenburg

issue 73 - The light at the end of a long tunnel

issue 73 - Competeing addictions: love and heroin

issue 73 - Playing by the rules

issue 73 - Meticulous compositions in time

issue 73 - Inhabited by images and sounds

issue 73 - Experimental film: obits exaggerated

issue 73 - Documentaries to go

issue 73 - The body in the body of work

issue 73 - A telling silence

issue 73 - Revelation 2006: the global view

issue 73 - Emerging Chinese Cinema

issue 73 - Play for fun, play for enlightenment

issue 73 - Digital dialectics

issue 73 - Art machine evolution

issue 73 - As happy as a pig in art

issue 73 - The art of performance: online and alive

issue 73 - The time being

issue 73 - We who get slapped

issue 73 - Surrealism's progeny: grim beauties

issue 73 - Hear and now: Terry Riley in Australia

issue 73 - Art & empathy: music & murder

issue 73 - The rich yield of the law of the minimum

issue 73 - Memories of buildings and other ghosts

issue 73 - The apocalyptic interior

issue 73 - Head music, hard splatter

issue 73 - The music that dances

issue 73 - Acoustic essences

issue 73 - Sound around and about

issue 73 - The slippery path

issue 73 - Solo power: recharged, refocused

issue 73 - Obsessed with the fold

issue 73 - Between frottage and horseplay

issue 73 - Dark flowering

issue 73 - How the time flies

issue 73 - Into the void

issue 73 - Growing art, shaping perception

issue 73 - Off the wall

issue 73 - Editorial

issue 73 - Weightless watchers

issue 73 - Alchemical pianism

issue 72 - AIDC 2006: Active recall, archive power

issue 72 - Disputed models for better films

issue 72 - Africa's problem: Europe

issue 72 - Empathy in intolerant times

issue 72 - Articulating silence

issue 72 - Long life of the short take

issue 72 - Democrazy: Thai film, art, new media

issue 72 - Dance cinema, cinematic dance

issue 72 - The swarming crowd

issue 72 - Querying the Commomwealth

issue 72 - Ever evolving intmate transactions

issue 72 - Queer spill

issue 72 - Digital experimentation: cultural reciprocity

issue 72 - Robotic mimicry

issue 72 - Condition: interface anxiety

issue 72 - Your story: your medium

issue 72 - Innovations for the ear

issue 72 - Impro: ethical, musical and now

issue 72 - Edison's children

issue 72 - Exhumations: Traversing sound art and music

issue 72 - Urban, aural, visceral

issue 72 - Dance for the new century

issue 72 - No reluctance to speak

issue 72 - Written: body, culture, history

issue 72 - Editorial - RT72

issue 72 - The Australia-UK connection

issue 72 - Spaces between

issue 72 - Unpacking south Pacific fantasies

issue 72 - The empty spaces, 21 C

issue 72 - Growing performance: networks & niches

issue 72 - The power of objects and public places.

issue 72 - New visions, forms unfamiliar

issue 72 - Empire and moon

issue 72 - New art, new Cambodia

issue 72 - Partaking of a wider world

issue 72 - Melancholies various

Special Feature - THIS SECRET LOCATION - George Khut: Cyborg dancing

Special Feature - Nurturing Risk Forum: The business of risk

Special Feature - AC Dickson: Rising up to the challenge of his rivals

Special Feature - Monika Tichacek: The threads that bind

Special Feature - Carolyn Wright: Conversational miscues

Special Feature - Gob Squad: What does it mean to be a Vampire?

Special Feature - Uninvited Guests: The art of wounding

Special Feature - David Weber-Krebs: Risk realised

Special Feature - Rosie Dennis: One from the heart

Special Feature - Duncan Speakman: Echo Location

Special Feature - Deborah Pollard: The art of sleeping

Special Feature - The Special Guests: Life on the line

Special Feature - This Secret Location Symposium: The visceral and the virtual

issue 71 - garry stewart: dance evolution in the age of robotics

issue 71 - Dancing, prosthetically

issue 71 - Research & sustainable dance

issue 71 - Movement study, dance magic

issue 71 - The monstrous feminine, Japanese-style

issue 71 - Performance art: talked through but not out

issue 71 - Two ways of looking at Blackbird

issue 71 - New horizons for audio-visuality

issue 71 - Ghost sounds: Philadelphia, Paris, Fremantle...

issue 71 - Gifts for the giver

issue 71 - Mapping queer culture now

issue 71 - The reality and the documentary

issue 71 - Dylan's 60's revisted.

issue 71 - Wrestling with Resfest

issue 71 - RAN: inter-cultural exploration

issue 71 - Expanded cinema: the curators' vision

issue 71 - Media arts: reflections for the future

issue 71 - A grand tour of Australian media art

issue 71 - Interactivity in performance: art as research

issue 71 - Making art of graffiti

issue 71 - Cutting out the middleman, Dr Frankenbott?

issue 71 - In Beijing and Chongqing people say...

issue 71 - Housing the virtual, the radical, the displaced.

issue 71 - Intuiting change

issue 71 - Journey into the unexpected

issue 71 - Playing father

issue 71 - Metaphysics in the mundane

issue 71 - Clown's eye view

issue 71 - The dance of living and dying

issue 71 - The doom complex

issue 71 - Brisbane ladies: explosive icons

issue 71 - The rise and rise of live art

issue 71 - Out-of-body performance

issue 71 - Defying perceptual passivity

issue 71 - Protesting tyranny, testing the law

issue 71 - Mark Brown: Re-working site-specificity

issue 71 - Visual currency in Cairns

issue 71 - Editorial RT71

issue 71 - Sydney’s first Latin-American Film Festival

issue 70 - Talking up change

issue 70 - The medium is the audience

issue 70 - Walking the imagination

issue 70 - Chance, dance, animals & the unconscious

issue 70 - Ngapartji, Ngapartji: sharing language

issue 70 - Songs beyond words

issue 70 - The digital hurricane data dance

issue 70 - Art on the skyline

issue 70 - SEX: slippery viewing

issue 70 - All-in dancing

issue 70 - Dancing north-south

issue 70 - Totally Huge: knots and flames

issue 70 - Cycles, overlaps, intersections

issue 70 - North Queensland: fuelling the art mix

issue 70 - Australian feature films: where we are now

issue 70 - Australian Western: Fear on the frontier

issue 70 - David Perry: moving image artist

issue 70 - Turkish films and festivals: Glancng eastwards

issue 70 - The courage to go cross-media

issue 70 - Kiss the beast and make it cry

issue 70 - Evocative objects, strange selves

issue 70 - Abstraction. Sick.

issue 70 - The Dramaturgies project

issue 70 - Digital wearables: fashion & control

issue 70 - The future makers

issue 70 - New media art: Omigod! It's alive!

issue 70 - Book review: A potent internet pre-history

issue 70 - Time: endured and endurig

issue 70 - Installation dancing

issue 70 - Lateral moves

issue 70 - Depression's ambiguities

issue 70 - Mature, independent dancers seek context

issue 70 - Finding the post-Rationalist audience

issue 70 - All in the re-telling

issue 70 - Classic incursions

issue 70 - Newcastle: cars drive cultural pace

issue 70 - Re-genesis

issue 70 - An enabling epic

issue 70 - Life: no rehearsal

issue 70 - Making machines that make music

issue 70 - Typhoon: fine tuned turbulence

issue 70 - Sound arts and the living dead

issue 70 - New home, new sounds

issue 70 - Sculpted: conscience and consciousness

issue 70 - At work with artists & audiences

issue 70 - A spark in the dark

issue 70 - The spiralling dance of survival

issue 70 - Bringing it home

issue 70 - A cultural gateway

issue 70 - Living dolls and sentient wheelchairs

issue 70 - Warning from above

issue 70 - Exquisite banalities

issue 70 - Editorial RT70

issue 70 - Farewell Bowie

issue 70 - Perceptual adjustments

issue 69 - From: Art in a Cold Climate

issue 69 - A man of the people

issue 69 - New spaces, other intelligences

issue 69 - Bonemap on the Brink

issue 69 - An axis of edges

issue 69 - Darwin art-time

issue 69 - Deep in the Desert

issue 69 - Working with mistakes

issue 69 - Extended dance dynamic

issue 69 - Inner lives

issue 69 - Love Undone

issue 69 - The world in a gesture

issue 69 - The dance of words

issue 69 - Work/place

issue 69 - High roads to China

issue 69 - Saving Sydney's art-house cinemas

issue 69 - Art, exploration and outrage

issue 69 - The medium as the message stick

issue 69 - Activists' Argentina

issue 69 - Taking Spike on the road.

issue 69 - A diminishing vision

issue 69 - Regional hybrids hold sway

issue 69 - New media dreaming

issue 69 - Cell Break

issue 69 - Video lite

issue 69 - New media art: curation/creation

issue 69 - The OnScreen Course Guide, New Media Art

issue 69 - Avant garde/rear guard

issue 69 - Out of thin air

issue 69 - Oblique Space, muliple lives

issue 69 - The party's over

issue 69 - The ambiguities of sin

issue 69 - Inside the Poppins' psyche

issue 69 - A fecund plague

issue 69 - The rewards of risk

issue 69 - Impro innovations

issue 69 - Sydney performance: killer logic

issue 69 - Wanted: Creative producers

issue 69 - Composer metamorphosis

issue 69 - Music and mountains

issue 69 - Computer music: software aesthetics

issue 69 - Ed Kuepper and the Len Lye legacy

issue 69 - Perceptual fundamentals

issue 69 - Remix and re-map

issue 69 - The breath sung and seen

issue 69 - On moving and being moved

issue 69 - Drawing hybrids

issue 69 - Editorial - RT69

issue 69 - Tropical Liquid Architecture

issue 69 - The saxophone multiplied

issue 68 - Keeping the degree creative

issue 68 - The DCA: Sensorial and intellectual

issue 68 - Making music- art, research or both?

issue 68 - Terrible twins: art & the academy

issue 68 - Beyond silence

issue 68 - The brain shifts gear

issue 68 - Sound practice, sound thesis

issue 68 - The MA novel in the world

issue 68 - The rise of the workshop class

issue 68 - Factual fantasy

issue 68 - Cinema for thinkers

issue 68 - Mirror, mirror

issue 68 - Pop- baroque

issue 68 - Improvising in Arafura

issue 68 - REVelation's other worlds

issue 68 - Power without punchlines

issue 68 - The OnScreen Course Guide: Filmmaking & Screen Studies

issue 68 - The creative degree as interface

issue 68 - Films making culture

issue 68 - Hybrid reading

issue 68 - From sideshow to sublime

issue 68 - Art from the heart

issue 68 - Bio-art's hybrid lives

issue 68 - Tackling the unseen

issue 68 - Lost Worlds

issue 68 - Death danced around and through

issue 68 - Nerve 9 goes national

issue 68 - Strange beasts

issue 68 - The liberated work place

issue 68 - Evolving the artist

issue 68 - Forced Entertainment: what a concept

issue 68 - Duplicity, complicity, hybridity

issue 68 - The full Bunyip

issue 68 - Pain: metaphors and melodrama

issue 68 - Enlightened by nightmares

issue 68 - The challenges of emergence

issue 68 - The art of life support

issue 68 - Noise that matters in Bendigo

issue 68 - Liquid Architecture 6: celebrating sound

issue 68 - The composer-filmmaker

issue 68 - Sonic cornucopia

issue 68 - Life as a cabaret

issue 68 - Wood and other media

issue 68 - CCP renewed

issue 68 - Viola visions

issue 68 - Editorial - RT68

issue 67 - Innovation: in a word

issue 67 - A certain aesthetic, a certain strength

issue 67 - Music as art, community, politics

issue 67 - Compute & compose

issue 67 - Indigenous art: collaboration and innovation

issue 67 - Black heat

issue 67 - Cultural exchange: expanded vision

issue 67 - Composing potentials

issue 67 - The artist/curator/artistic director

issue 67 - Bodies as signals, nodes, networks

issue 67 - The acrobatic reader

issue 67 - Creative cross-cultural distortions

issue 67 - Choreographic beginnings

issue 67 - Contentious content, curtailed form

issue 67 - Editorial: lessons from the Indigenous sector

issue 67 - CAAMA: from the heart

issue 67 - A new China syndrome?

issue 67 - Three Dollars: book, film, commodity

issue 67 - A small triumph

issue 67 - The challenges of diversity

issue 67 - The art of 5-minute statements

issue 67 - Art and the innovated human

issue 67 - Building an Australian networked future

issue 67 - The ecology of interaction

issue 67 - Moving image innovators

issue 67 - Refugees: between reality and performance

issue 67 - Malthouse: vision and delirium

issue 67 - Wrestling the black dog

issue 67 - A life between yes and no

issue 67 - The power of invention

issue 67 - Of islands and exile

issue 67 - SMS Circus

issue 67 - NRLA: Bodies making art and clouds

issue 67 - Time_Place_Space 4: enjoying Asia

issue 67 - The insights of a theatre of excess

issue 67 - A life between book and play

issue 67 - Watch this space: desert blooming

issue 67 - Kunst bargains

issue 67 - Not quite still lives

issue 67 - Leah King- Smith: strategies of ambiguity

issue 67 - There and back

issue 67 - In the flesh

issue 67 - Obituary: Joan Brassil 1919- 2005

issue 67 - Performative drawing

issue 67 - Selling new sounds

issue 67 - Image, music, ambiguity

issue 67 - Editorial RT67

issue 67 - Letter to the Editors

issue 67 - Between worlds

issue 66 - Editorial

issue 66 - New media arts sacrifice

issue 66 - Letter to the Editor: Jennifer Bott

issue 66 - Open Letter to the Australia Council: Shaw

issue 66 - Open Letter to the Australia Council: Harkin

issue 66 - Destiny Deacon inside out

issue 66 - Implicating the audience in exile

issue 66 - Missing

issue 66 - The inside eye

issue 66 - All that shimmers...

issue 66 - Selves imprisoned and released

issue 66 - The morning after

issue 66 - Documentary: the great multiplatform adventure

issue 66 - OnScreen Editorial: phone futures

issue 66 - All the right moves

issue 66 - Managing risk

issue 66 - Alchemical torture

issue 66 - Face to face with history

issue 66 - A contradictory art

issue 66 - Pre-digital new media art

issue 66 - A stubborn dream

issue 66 - Super 8, private lives, public art

issue 66 - Mobilising phone art

issue 66 - Immersively self-contained

issue 66 - BEAPworks:immersion and diversion

issue 66 - Let the body navigate

issue 66 - Dancing into the language trap

issue 66 - I link, therefore I am

issue 66 - Wrestling with angels

issue 66 - An arts treasure chest

issue 66 - New performance, New York

issue 66 - Castellucci: theatre of remnants

issue 66 - Wilson on Wilson, many on Cohen

issue 66 - On the wronged side

issue 66 - Wars within wars, spin upon spin

issue 66 - Brisbane gothic

issue 66 - Absurd pleasures

issue 66 - Dreaming and becoming

issue 66 - Four ways to tackle injustice

issue 66 - Sudden Intimacies

issue 66 - I am curious

issue 66 - A question of drag

issue 66 - Inhouse big top

issue 66 - Life and theatre post-apartheid

issue 66 - Of kings, killers and the proudly queer

issue 66 - What NOW for experimental music?

issue 66 - Old languags, new vernaculars

issue 66 - Bridge odyssey

issue 66 - Minimalists in The Apothecary

issue 66 - The uses of art

issue 66 - Strangely Australian

issue 66 - Regan Tamanui: street art, gallery walls

issue 66 - Living history in the present

issue 65 - Editorial

issue 65 - Australia Council unplugged

issue 65 - Minutes to Midnight

issue 65 - Indian art: wit and politics

issue 65 - EAF's global spin: a progress report

issue 65 - Demurely defiant

issue 65 - Saraswati Arts Program

issue 65 - Past and present simultaneously

issue 65 - Marrugeku in Broome

issue 65 - Nunsense in Hill End NSW

issue 65 - Monaco's unwieldy dance fest

issue 65 - A body brought to book

issue 65 - The exquisite horror of banality

issue 65 - Bio-art: adventures in ethics

issue 65 - OnScreen Editorial

issue 65 - Digital agitation: Time To Go John

issue 65 - SOOB: Celebrating oppositional television

issue 65 - PVI's Terror Australis

issue 65 - Bushwacked: Embrace your pain

issue 65 - TV Provera: interactive community TV

issue 65 - Victim: The poetry of fear

issue 65 - Oshii's redemptive pets and killer puppets

issue 65 - Entering the familial web

issue 65 - Provider, protagonist, collaborator

issue 65 - Mardi Gras: An Asian dimension

issue 65 - Short site, limited vision

issue 65 - Korea: gameplay

issue 65 - Multimedia: evolution and transformation

issue 65 - The turbulence of truth

issue 65 - Mecha-lust, mecha-love

issue 65 - Who wins: video or new media art?

issue 65 - Myth, magic and money

issue 65 - Performance resurrected

issue 65 - Unsafe theatre: La Mama, NYID, Little Asia

issue 65 - Miraculous critique

issue 65 - Michael Kantor's new Malthouse brew

issue 65 - Nuclear family gameplay

issue 65 - Instrusions and confessions

issue 65 - New music versus new labels

issue 65 - the NOW now: present and accounted for

issue 65 - Cage: music uncaged

issue 65 - Provider, protagonist, collaborator: An interview with Paulo Cherchi Usai

issue 65 - An organic-synthetic mix

issue 64 - Editorial

issue 64 - Innovation and the dialectics of distance

issue 64 - NSW North Coast: Watching the creatives

issue 64 - Ambition, resistance and transformation

issue 64 - We, robots

issue 64 - Installations out of Wagga

issue 64 - More than a building

issue 64 - Performance Space: some defining moments

issue 64 - The once and future Performance Space

issue 64 - Keeping our distance

issue 64 - NSW: Regional digitisation

issue 64 - New cinemas, new makers

issue 64 - The relatives of realism

issue 64 - No time to wait

issue 64 - Nuturing regional filmmaking: WA

issue 64 - Subtle strokes from the underground

issue 64 - Aural colour, visual music

issue 64 - The Ister: search for the source

issue 64 - Re-thinking Australian film festivals

issue 64 - Adelaide pushes the festival frontier

issue 64 - Game to play

issue 64 - New landscapes, new thinking

issue 64 - Unnameable space

issue 64 - Bridging division with design

issue 64 - The riches of rusting

issue 64 - Glamorous calamities

issue 64 - A porous performative body

issue 64 - Revealing all

issue 64 - The voice in and beyond history

issue 64 - Gutspeak, wordsong

issue 64 - One house, many homes

issue 64 - Under the cover of night

issue 64 - Seeing voices

issue 64 - You can't buy it off the shelf

issue 64 - Many lives in one

issue 64 - Bonemap: Resonant residues

issue 64 - To shop, to die (for)

issue 64 - Once upon the here and now

issue 64 - Sounding out animation

issue 64 - Dark insights

issue 64 - MAAP in Singapore 2004 - Gravity: Introduction

issue 64 - The wild ones

Special Feature - The inevitable body

Special Feature - Archiving history face to face

Special Feature - The body between: an interview/review

Special Feature - The pause that refreshes

Special Feature - Computer juice

Special Feature - An eye for sound

Special Feature - When words flail you

Special Feature - Conceptual leaps

Special Feature - A museum of accidents

Special Feature - Every available space

Special Feature - Material boys

issue 63 - Editorial

issue 63 - Japan inside out: a journey

issue 63 - Collective imagination: et al.

issue 63 - In the space between words

issue 63 - Dresden: art movement in genesis

issue 63 - Hearing voices

issue 63 - Sarah Kane in Berlin

issue 63 - Relativity trip

issue 63 - Aural spell

issue 63 - Res Artis: On the verge of elsewhere

issue 63 - Res Artis: new media neoliberalised

issue 63 - Copyright: whose story?

issue 63 - A question of form

issue 63 - The Mousoulis vision of independence

issue 63 - Middle-Eastern film: women in focus

issue 63 - Thai cinema: the high points

issue 63 - Breaking the doco mould

issue 63 - Documentary: Illuminating the dark

issue 63 - Animation: In the moment

issue 63 - Feature film: Hope...on the edge

issue 63 - Short film: Playing it safe

issue 63 - 2004: unexpected innovations

issue 63 - 2004: glorious corporeality

issue 63 - Notes from a floating world: ISEA2004

issue 63 - Of tools and toys: ISEA2004

issue 63 - MAAP 2004 in Singapore: defying gravity

issue 63 - RealTime is 10: the party

issue 63 - A year of birthdays

issue 63 - Reeldance: the dance-cinema hybrid

issue 63 - Dancing the road to excess

issue 63 - Remembered dislocations

issue 63 - Time_Place_Space 3: Kill your darlings

issue 63 - War, race, pearls

issue 63 - The fine art of juggling

issue 63 - Randai moves, eclectic beats

issue 63 - The cool art of downtempo compilation

issue 63 - In the mind's ear

issue 63 - Magical sci-fi opera

issue 63 - LA5: instrumental explorations

issue 63 - The next move?

issue 63 - Beauty of a greater logic

issue 63 - LA5: drum mutations

issue 63 - Intransitives and declaratives

issue 63 - Red requiem

issue 63 - Obituary: Michael Riley

issue 63 - The art of the Kebaya

issue 63 - Seductive unknowability

issue 63 - David Vadiveloo: grass roots reconciliation

issue 63 - Transforming Argentina

issue 62 - Editorial - RT62

issue 62 - Education Feature: Acting—the bigger picture

issue 62 - Alaska in my freezer

issue 62 - Education Feature: The evolving performer

issue 62 - Memories and micro-worlds

issue 62 - The fun of fakery

issue 62 - Whose happy ending?

issue 62 - Thinking inside the sqaure

issue 62 - Absurdly real

issue 62 - Melbourne Festival: vox pop

issue 62 - Education Feature: The intricate making of animators

issue 62 - Animation: the next wave

issue 62 - Sen's shifting "I"

issue 62 - Somersault: beauty and turmoil

issue 62 - Animating war

issue 62 - Animation: potential or impasse?

issue 62 - WA shorts: the narrative challenge

issue 62 - Message Sticks: Breaking the silence

issue 62 - Diegesis

issue 62 - St Kilda FIlm Festival: short, not sweet

issue 62 - Education Feature: Well taught, self-taught and still learning

issue 62 - Ciber@rt, Bilbao: casting a wider net

issue 62 - BEAP 2004: Perth—digital city

issue 62 - The public face of online interaction

issue 62 - Electrofinge 2004: Replicate, automate, infiltrate

issue 62 - Selling subversion

issue 62 - Depression: the art cure?

issue 62 - Novamedia: an Australian first

issue 62 - Education Feature: Career options and job tracking

issue 62 - Offspring's birthday offering

issue 62 - Education Feature: Circuitous journeys

issue 62 - You are here. But where is that?

issue 62 - Education Feature: In the bones...

issue 62 - Bodies of meaning

issue 62 - The interactive dancer

issue 62 - Between violence and the inviolable

issue 62 - Education Feature: Reciprocal relations and the art of the possible

issue 62 - Bad feelings, sporadic beauties

issue 62 - Envisioning a new education

issue 62 - Asian traffic: redirecting the flow

issue 62 - Video: medium of the moment

issue 62 - Message Sticks: Outback hip hop hybrid

issue 62 - Asia-Pacific: new media exchange

issue 62 - The limits of vapourware

issue 62 - Embracing profusion

issue 62 - Restless men

issue 62 - Dancing the labyrinth

issue 62 - Muderous perspectives

issue 62 - Fast tracking young NT dance

issue 62 - Glittering notes, winning awards

issue 62 - Grand music of the horse opera

issue 62 - Curiouser and curiouser

issue 62 - The deceptive art of manipulation

issue 62 - Another way to be

issue 62 - Theatre of the face

issue 62 - Media beyond The Media

issue 62 - New aural adventures

issue 62 - Singapore plays its own tune

issue 62 - Message Sticks: Blak photo power

issue 62 - Message Sticks: Magical river music

issue 62 - Next Wave's Melbourne metamorphosis

issue 62 - Next Wave: From the everyday to pure effect

issue 62 - Next Wave: Gods with toys

issue 62 - Next Wave: The circus deep inside

issue 62 - Next Wave: Concealed and revealed

issue 62 - Next Wave: New space, new work

issue 62 - Next Wave: Gender shifting, hardcore skipping

issue 62 - Next Wave: Hip hop theatre thrills

issue 62 - Next Wave: Warping dreamscapes

issue 62 - Next Wave: Shipping the goods

issue 62 - 'Burb superstars

issue 62 - The body always tells

issue 62 - Video challenges: fury and reflection

issue 61 - Onwards and upwards: RealTime is 10!

issue 61 - The arts, ecologically

issue 61 - Version 1.0 shares the shame

issue 61 - Exploring the country of death

issue 61 - Loosely speaking

issue 61 - The art of theatrical exhumation

issue 61 - Jazz theatrics

issue 61 - Bad toys, wicked games

issue 61 - A cruel history of choices

issue 61 - Of pearls and peas

issue 61 - Myth-singing

issue 61 - Slippery subject, slow drowning

issue 61 - Michael McMahon: Seeing is believing

issue 61 - An Asian-centred Australian cinema

issue 61 - Must-see Antonioni

issue 61 - The bad dream machine

issue 61 - Improvisation and its actualities

issue 61 - The high art of limited means

issue 61 - SA film: one industry, one voice

issue 61 - The making of a Tasmanian film industry

issue 61 - Letter

issue 61 - Documentary: pro- and inter-active

issue 61 - RealTime is 10! From the Chair

issue 61 - RealTime is 10! From the Editors

issue 61 - RealTime Retrospective 1994-2004

issue 61 - Kate Murphy: truth and contingency

issue 61 - The science and art synapse

issue 61 - Art versus empire

issue 61 - Improving the game

issue 61 - Video + music + art

issue 61 - Biennial snapshot

issue 61 - Seductive talents

issue 61 - Great escape

issue 61 - Beyond the personal

issue 61 - Still travel

issue 61 - Tactile Fragility

issue 61 - Fashion: between containment and chaos

issue 61 - Empathetic angles

issue 61 - Murder from the inside

issue 61 - The fine lines of creation

issue 61 - The light between

issue 61 - Breaking the rules

issue 61 - Sonar: new nations and innovaitons

issue 61 - Hip hop values

issue 61 - The Grabowsky time-space continuum

issue 61 - 3-D and other worlds

issue 61 - Celebration and renewal

issue 61 - Percusive wonders

issue 61 - New Easter art

issue 61 - Down in the flood

issue 60 - Editorial: Meta-Crash

issue 60 - Collaboration or complicity?

issue 60 - Science and the fear of 20th century art

issue 60 - Ehtics and relatives

issue 60 - A teledildonic future?

issue 60 - The beats go on

issue 60 - A gigantic combusiton of forms

issue 60 - No sex please, we're Australian

issue 60 - Jeff Busby: Amplification

issue 60 - Adelaide Festival 2004: Black, white and beyond

issue 60 - Adelaide Festival 2004: Gulpilil

issue 60 - Adelaide Festival 2004: First Night

issue 60 - Adelaide Festival 2004: Absolute Zappa and Blood on the Floor

issue 60 - Adelaide Festival 2004: ADT, Held

issue 60 - Adelaide Festival 2004: RiverlanD

issue 60 - Adelaide Festival 2004: Stories from Australia

issue 60 - Adelaide Festival 2004: And on the Thousandth Night...

issue 60 - Adelaide Festival 2004: Triple Bill

issue 60 - The documentary: art and survival

issue 60 - The good, the bad and the alternatives

issue 60 - Scott Millwood: documentary poet

issue 60 - What cinema does

issue 60 - Our very own crime wave

issue 60 - Growing queer screen culture

issue 60 - German film now

issue 60 - Across great divides

issue 60 - Transmediale 04: the art of hope

issue 60 - Digital training ground

issue 60 - Never mind the bollocks...here—The Cremaster Cycle

issue 60 - Are you real? Am I?

issue 60 - Live Bait: Boxing the monstrous

issue 60 - Prosthetic eye, performative camera

issue 60 - Motel dreams

issue 60 - The library without

issue 60 - Ghostings

issue 60 - The jewellery of place

issue 60 - Opening the cage door

issue 60 - What next?

issue 60 - In the web of the microcosm

issue 60 - The ambiguous power of naming

issue 60 - In for the kill

issue 60 - Faltering Strut

issue 60 - Permutations: sound, light, dance

issue 60 - Tess de Quincey

issue 60 - The Studio: eclectic and electric

issue 60 - NMA's living exhibits

issue 60 - Innovation as incarceration

issue 60 - Words for Escape

issue 60 - Dancing between two shores

issue 60 - New music, new champion

issue 60 - Sweet Carnage

issue 60 - Tesoriero does Ferrier

issue 60 - Limits and leaps

issue 60 - Japanese underground out loud

issue 60 - A-life's mysteries

issue 60 - Documentaries writ large

issue 60 - Intelligent room with a view

issue 60 - Comic insights

issue 60 - History's great escape

issue 60 - Adelaide Festival 2004: Marco Frascari

issue 59 - Editorial - RT59

issue 59 - Carnival of old masters and new

issue 59 - The darkness that yields light

issue 59 - Wataboshi: the seeds grow

issue 59 - Obituary: Benjamin Grieve

issue 59 - What is music? This is!

issue 59 - Art: a forced entertainment

issue 59 - The sacrificial Asian in Australian film

issue 59 - The Finished People: a digital, political vision

issue 59 - Asian Film: mirror images

issue 59 - A passage to Indian cinema

issue 59 - Northern exposures

issue 59 - Flickerfest: looking for signs

issue 59 - Interactive re-futuring

issue 59 - Machineries of joy: Futurotic

issue 59 - The next media spike

issue 59 - ABC TV: Something's missing

issue 59 - Women: the big picture

issue 59 - Documentary: on the map, under pressure

issue 59 - Canada/Australia: comparing challenges

issue 59 - A wider perspective

issue 59 - Seriously weird worlds

issue 59 - Canada's new media insights

issue 59 - SOOB 2003: alive and mutating

issue 59 - Awesome: out of the comfort zone

issue 59 - Technology will eat itself

issue 59 - Re-mapping the world

issue 59 - Fast moves, still lives

issue 59 - Art eats the world, every day

issue 59 - Light made dark

issue 59 - Unseen, all too visible

issue 59 - Video hard sell

issue 59 - Featured Artist: Brad Cook

issue 59 - Tampa microcosm

issue 59 - The painting photography allows

issue 59 - Performance Space redux

issue 59 - Children overboard: outrage & performance

issue 59 - A capital carnival

issue 59 - Wilde: illusion and undoing

issue 59 - Foreman shakes it up

issue 59 - Operatic dirty work

issue 59 - Magical museological music theatre

issue 59 - Hip hop on film

issue 59 - Sonic reinvigorations

issue 59 - Percussion passion

issue 58 - The illuminating presence

issue 58 - Contaminating bodies, existential dances

issue 58 - A tough fairness

issue 58 - Looking for a sense of place

issue 58 - Year of the piss take

issue 58 - Stillness and motion, light and shade

issue 58 - Where's the competition?

issue 58 - Doing it the Melbourne Way

issue 58 - Walkabout: seeking the silenced voice

issue 58 - Watching and listening: didjeridu documentary

issue 58 - Ars Electronica: interface futures

issue 58 - Primavera: the cinematic city

issue 58 - Falling into place

issue 58 - Bringing the new media artist to book

issue 58 - Future longing

issue 58 - Through Alice's Looking Glass

issue 58 - Nexus of parallel universes

issue 58 - Electrofringe: eyes and ears to the future

issue 58 - Novel realities, new dance

issue 58 - The art of articulation

issue 58 - Inner Utopias

issue 58 - Imprints of seduction

issue 58 - Video + Art = ?

issue 58 - All things hybrid, recombinant and mutant

issue 58 - Bondi's Live Bait: the adult hook

issue 58 - Open mind, wide open

issue 58 - Working the weave

issue 58 - A Shakespearean Mix

issue 58 - Death for the living

issue 58 - Cosmic views; new music in Sydney

issue 58 - Rather raging demons than hollow angels

issue 58 - Seeds, particles, resonances

issue 58 - New music wins!

issue 58 - Heiner Goebbels, Surrogate Cities

issue 58 - Liquid Architecture 4

issue 58 - Elision, Burning House

issue 58 - Ethereal Voices, The Music of Einojuhani Rautavaara

issue 58 - Meredith Monk, Mercy

issue 58 - Meredith Monk, Mercy

issue 58 - Editorial RT 58

issue 58 - Time, intimate and epic

issue 58 - Fabre and the anxiety of formlessness

issue 58 - Of style and substance

issue 58 - Across great divides

issue 58 - Consensual transgressions

issue 58 - OBITUARY - Bruce Keller

issue 58 - OBITUARY - Frances (Fran) Ferguson

issue 58 - Welcome challenges, desired seductions

issue 58 - Photomedium as message

issue 58 - The film art of going to pieces

issue 58 - Fridge magnets for media emergencies

issue 58 - WA screen culture: the good news

issue 58 - Recording ecstasy

issue 58 - Unbearable Lightness (tree of fortune)

issue 58 - Immaculate melding

issue 58 - The Big Percussion Concert 1

issue 58 - The Big Percussion Concert 2

issue 57 - Aark

issue 57 - Bradley Alderson

issue 57 - Angela Betzien

issue 57 - Ian Blamey

issue 57 - Hannah Clemen

issue 57 - The Border Project

issue 57 - Michael Farrell

issue 57 - Alex Davies

issue 57 - Martin Coutts

issue 57 - David Franzke

issue 57 - Sarah CrowEST

issue 57 - Aphids

issue 57 - Karen Therese

issue 57 - Beata Batorowicz

issue 57 - Sean Cordeiro & Claire Healy

issue 57 - Vince Miller

issue 57 - Linda Erceg

issue 57 - The Artesian AV Arkestra

issue 57 - STRUT

issue 57 - The Fondue Set

issue 57 - Hoist theatre collective

issue 57 - Jo Lloyd

issue 57 - The Eleventh Hour

issue 57 - Bianca Barling

issue 57 - Phoebe and Julia Robinson

issue 57 - Alexandra Harrison

issue 57 - Fez Fa'anana & Polytoxic

issue 57 - Rowan Marchingo

issue 57 - Astra Howard

issue 57 - Emile Zile

issue 57 - Nareeporn Vachananda

issue 57 - The short feature: stepping stone or dead end?

issue 57 - The documentary unleashed

issue 57 - Queensland: the producer emerges

issue 57 - The South Korea Comparison

issue 57 - The winning team

issue 57 - Krumpet wins!

issue 57 - Revolution for the money

issue 57 - German film now

issue 57 - Primavera's new media magic

issue 57 - My Space is an Amazing Place

issue 57 - RUN_WAY

issue 57 - Vital forces

issue 57 - Engagements with gameplay

issue 57 - The art of in-between

issue 57 - iCinema's big picture

issue 57 - The Electrofringe learningfest

issue 57 - Urban Edge

issue 57 - Building performances, making worlds

issue 57 - Greg Leong

issue 57 - Anita Johnson

issue 57 - Windmill

issue 57 - Vietnam: a psychic guide

issue 57 - Somaya Langley

issue 57 - Theatre of Speed

issue 57 - NRLA Midland

issue 57 - Matt Warren & Sally Rees

issue 57 - Yoko Kajio

issue 57 - Jodi Smith

issue 57 - Jane McKernan

issue 57 - Matthew Tumbers

issue 57 - Matthew Lutton

issue 57 - Stephanie Lake

issue 57 - Fiona Malone

issue 57 - Rachael Guy

issue 57 - The New Pollutants

issue 57 - Kristian Thomas

issue 57 - Rainer Mora Mathews

issue 57 - Frances Rings

issue 57 - SacredCOW

issue 57 - Thembi Soddell

issue 57 - Sebastian Moody

issue 57 - 4 new media artists

issue 57 - TV Moore

issue 57 - Anna Tregloan

issue 57 - Christian Bumbarra Thompson

issue 57 - Irene Torres

issue 57 - Kate Stevens

issue 57 - Version 1.0

issue 57 - Tim Plaisted

issue 57 - Heidi Lefebvre

issue 57 - Paul Romano

issue 57 - Kate Murphy

issue 57 - 4 Adelaide Artists

issue 57 - Nalina Wait

issue 57 - Cinammon Lippard

issue 57 - Luke Jaaniste

issue 57 - Tan Teck Weng

issue 57 - Paul Zivkovich

issue 57 - Sam Fox

issue 57 - Tracks: new venue, new artists

issue 57 - illuminati

issue 57 - You dance, the festival dances

issue 57 - You dance, the festival dances

issue 57 - The distances within

issue 57 - Where to look?

issue 57 - Editorial RT 57: SCAN 2003

issue 57 - Five photographers

issue 57 - The documentary unleashed

issue 56 - Text, voice, vocation

issue 56 - Political king hit

issue 56 - The bridge: between iron and flesh

issue 56 - Berg and Kosky's Wiener Schauspielhaus

issue 56 - 2003 Vienna Festival: communal imagining

issue 56 - The circus of afterwardness

issue 56 - Singapore's chimerical school

issue 56 - Talent, vision and miscrecognition

issue 56 - An eloquent ham

issue 56 - Apprenticeship in the ephemeral

issue 56 - Making a difference

issue 56 - As Australian as...?

issue 56 - New Blak Films: new voices

issue 56 - Mirrors on Aboriginality

issue 56 - Avant-garde: the necessary context

issue 56 - Censorship: the lessons of Ken Park

issue 56 - Remembering the suburban dream

issue 56 - SPARK: firing on all cylinders

issue 56 - Alexandra and the De Heer Project

issue 56 - Cross disciplines, experiment, market!

issue 56 - A waking dream of history

issue 56 - Alt-X turns 10: unclassifiable writing triumphs

issue 56 - Gaming: everybody's doing it

issue 56 - Beyond the new media comfort zone

issue 56 - In the DEAF03 playground, Rotterdam

issue 56 - Multicultural shape-shifting

issue 56 - The search for intelligence and charisma

issue 56 - Nasty little games

issue 56 - A dance of leaving

issue 56 - Video goes big time: some crucial questions

issue 56 - The adaptable, ethical artist-technician

issue 56 - Dadang Christanto: a calling to account

issue 56 - When I'm calling you

issue 56 - Playing hard: team playing

issue 56 - Theatre in her throat

issue 56 - Can education make a sound artist?

issue 56 - The intricacies of low level listening

issue 56 - Liquid Architecture: the Parmegiani experience

issue 56 - Editorial RT57

issue 56 - Seeing double

issue 56 - The past made present

issue 56 - Blobs with personality

issue 56 - Mapping the way home: I remember 1948

issue 55 - Justine Cooper: new media alchemist

issue 55 - Deferred detonations; thrilling pessimism

issue 55 - Evolution as showbiz

issue 55 - To drive the work, compel the listening

issue 55 - History, culture, body, stage...

issue 55 - All in the timing

issue 55 - Zoomorphia: deathly clamour

issue 55 - Nurturing the writer, re-shaping the theatre

issue 55 - Naive desire and coffee table fetishism

issue 55 - Featured Artist: Nicola Loder

issue 55 - Photography's phantasmagorias

issue 55 - Kiarostami: a visionary at the axis of action

issue 55 - Seeing the light

issue 55 - Painleve's scientific surrealism

issue 55 - Tele-scoping: Small Screen Big Picture

issue 55 - Queensland: award dilemmas

issue 55 - An ark floating over the surface of history

issue 55 - Onscreen Editorial

issue 55 - An independent trajectory

issue 55 - In full flight

issue 55 - Revelation in the new cathedral

issue 55 - Cornerfold reinivigorates new writing

issue 55 - The meme game: Escape from Woomera

issue 55 - Expanding the cultural universe

issue 55 - The musical state

issue 55 - Liquid Architecture; on sonic wings

issue 55 - How the balloon taught the piano to play

issue 55 - Sonic show and tell

issue 55 - Hearing is believing

issue 55 - Glass-Ginsberg Musical Lightning

issue 55 - Totally Huge contemporary chamber music

issue 55 - A virago took my baby!

issue 55 - Bastards do Dad proud

issue 55 - Simon Cavanough; a precarious suspension

issue 55 - The performing gallery

issue 55 - Beauty , boards and boredom

issue 55 - Art & the natural born archivist

issue 55 - An eye on mortality

issue 55 - Art to bump into

issue 55 - Narcissus

issue 55 - Putting multicultural arts on the map

issue 55 - Dead Man Walking

issue 55 - The body: sensual, recollected and phantasmic

issue 55 - The Fondue woman

issue 55 - Artful devices and the afterlife

issue 55 - Ten days of puppetry on the island

issue 55 - Dramaturgy in an age of ambient anxiety

issue 55 - Cutting through the fog

issue 55 - The power of perilous negotiations

issue 55 - The art of seeing yourself

issue 55 - Hip hop; the culture and the activist toolkit

issue 55 - Towers of power

issue 55 - NICA's first batch

issue 55 - Editorial RT 55

issue 54 - The psychic space of the horror stretch

issue 54 - Living with a film

issue 54 - In the suspended moment of the leap

issue 54 - Cyberculture: big picture, deep perspective

issue 54 - Getting a grip on new media ephemerality

issue 54 - Conversations for the future

issue 54 - Thinking the body aloud

issue 54 - We have decided not to die

issue 54 - New Media: industry or ideas?

issue 54 - Fine tuning the market

issue 54 - The art of protest

issue 54 - Visions, illusions and delusions part II

issue 54 - James Middleton: island filmmaker

issue 54 - ZOOM!: back from the future

issue 54 - WA Screen Awards: keeping the pulse strong

issue 54 - Taking the gritty backlash to the USA

issue 54 - da Rimini and Tonkin: the viewer at work

issue 54 - AIFF: Pain gaming

issue 54 - New Media Power Play

issue 54 - Graphite2003: between art & technology

issue 54 - Rotterdam: new media pleasure & pain

issue 54 - Opening doors: MAAP in Beijing

issue 54 - Brook Andrew: seriously playful

issue 54 - Who stole 'craft'?

issue 54 - Perth Festival visual arts: local heroes

issue 54 - Art divas, shimmering ciphers

issue 54 - The art of relocation

issue 54 - Palestine remembered

issue 54 - Noel Tovey: what a life

issue 54 - The getting of intercultural wisdom

issue 54 - Bangarra Culture

issue 54 - Lives collaged

issue 54 - The dancer transforming

issue 54 - Creative Disturbance: dance and image

issue 54 - Hip hop accents, hip hop theatre

issue 54 - Are you gonna kill the kids tonight honey?

issue 54 - Early music, contemporary performance

issue 54 - Cinema for the ears: radio at The Studio

issue 54 - Into the festival of fire

issue 54 - Bonemap: off centre, in balance

issue 54 - The winner: Urban Theatre Projects

issue 54 - Editorial RT54

issue 54 - Letters to the Editors

issue 54 - NEXT: DIGITAL MEDIA

issue 54 - The personal is political is opera

issue 54 - From out of the well

issue 54 - Necessary theatre: a city on trial

issue 53 - On the go: Australians performing internationally

issue 53 - The Monaco Dance Forum: everything and more

issue 53 - Theatre in Vienna and Berlin: vision & scale

issue 53 - Women's work

issue 53 - Melbourne theatre: in search of surprise

issue 53 - Australian music: storing, selling, hyperlinking

issue 53 - Dorothy Napangardi

issue 53 - Screen culture: be alert, be alarmed

issue 53 - The personality problems of documentarians

issue 53 - Beckett-land: spirit and letter, stage and screen

issue 53 - Visions, illusions and delusions

issue 53 - It must be the weather

issue 53 - Global, local, digital: Adelaide's film fest

issue 53 - The screen divided

issue 53 - Boys, birds, bombs

issue 53 - ISEA Nagoya: hi-tech, low output

issue 53 - ISEA Nagoya: the delightful slowness of being

issue 53 - Day trading aesthetics: playing with Murdoch

issue 53 - Public art, river dreams

issue 53 - Jay Younger: the politics of exuberance

issue 53 - Tied to an estranged self

issue 53 - Lighting the peripheries

issue 53 - New media, nightlife in the museum

issue 53 - Space travels

issue 53 - The gallery as squatspace

issue 53 - Time_Place_Space: weapons of mass distraction

issue 53 - Erotic lunacy in the digital age

issue 53 - The right time, the right place

issue 53 - Defining moments: the Nimrod story

issue 53 - Poolside performance

issue 53 - Country, city, present tense

issue 53 - A monstrous science

issue 53 - The revolution is no circus

issue 53 - Of terrorism and tourism

issue 53 - Benji Reid: winning body popper

issue 53 - Gilrs just wanna...?

issue 53 - In-Space: the interactive audience

issue 53 - Civic interventions, aesthetic protest

issue 53 - Fallings, failings, squishings

issue 53 - Unsettling realities

issue 53 - Up and coming, ready or not

issue 53 - Lightning conductor: IHOS' Tesla

issue 53 - Our island homes

issue 53 - The NOW now: time slices

issue 53 - Laboratory discoveries

issue 53 - Singing the poetry of Australian history

issue 53 - MEMF: An eye on electronic music

issue 53 - Editorial RT53

issue 53 - Many shades of white

issue 53 - In-Space: conversations in movement

issue 52 - Genesi: From the Museum of Sleep

issue 52 - Lifeline

issue 52 - Tinka's New Dress

issue 52 - The Light Room

issue 52 - Morphia

issue 52 - Cinnabar Field

issue 52 - Fire, Fire, Burning Bright

issue 52 - Mill Quitientos Metros Sobre El Nivel De Jack

issue 52 - Margaret Leng Tan

issue 52 - Total Masala Slammer

issue 52 - Recent Experiences

issue 52 - Space excursions

issue 52 - Vision and remembrance

issue 52 - Rebecca Ann Hobbs

issue 52 - Borderpanic remedies

issue 52 - Pixilated reality

issue 52 - A filmmaker's Brisbane: independence or not?

issue 52 - Projections from the mind's eye

issue 52 - Community television: alive and kicking

issue 52 - Out of the dark

issue 52 - ACMI: Digital comfort

issue 52 - Electrofringe 2002: art and other dirty words

issue 52 - Eurovision time-travelling

issue 52 - New articulations

issue 52 - Digital lab, new works in development

issue 52 - Digital indigeneity

issue 52 - Life dancer

issue 52 - Struggles at the dance-technology interface

issue 52 - From under the skin

issue 52 - Border dancing

issue 52 - Moving right along

issue 52 - Niche #2: a salon performance

issue 52 - Expectation and revelation

issue 52 - Night moves

issue 52 - From impulse to form and community

issue 52 - Mike Parr: internet performance

issue 52 - Barbara Campbell: a body of/at work

issue 52 - The artful divas

issue 52 - First Floor: swansong for a scene maker

issue 52 - Pulling digital strings

issue 52 - Enabling art

issue 52 - Obituary: Kuo Pao Kun

issue 52 - Doll madness

issue 52 - The flow of fragile forces

issue 52 - Liza Lim: instrumental imaginings

issue 52 - New music in Sydney: a lively corpse?

issue 52 - Outcastings: DIY radio

issue 52 - Before and after electricity

issue 52 - Relaxing into joyousness

issue 52 - MAKE IT NOW: the impro revolution

issue 52 - The Castelluci interview: The Angel of Art is Lucifer

issue 52 - Troppo Obscura: The postcolonial eye

issue 52 - Maree Azzopardi: final rituals

issue 52 - De Quincey Co: ghostings

issue 52 - lucy guerin: between temperature & temperament

issue 52 - Love in the Age of Therapy

issue 52 - RT 52 Editorial

issue 52 - Witch craft: the Fringe and beyond

issue 52 - Sounding off in the theatre

issue 52 - Melbourne Workers' Theatre: how to connect?

issue 52 - Legs on the Wall: Needing a leg up

issue 52 - Benedict Andrews: self, style & vision

issue 52 - Sidetrack's Pessoa: a dream life

issue 52 - Introduction: Feeding the need

issue 52 - Last rites: inspirational installation

issue 52 - K

issue 52 - National Review of Live Art: blood lines

issue 51 - Looping forward:the analogue/digital dialogue

issue 51 - RT51 Editorial: Having a say in the future

issue 51 - My brain hurts

issue 51 - Part 1: Digital strategies

issue 51 - Right place, right time?

issue 51 - Making art, opinion, money

issue 51 - Strategies for Tactical Media

issue 51 - BEAP: interactions, intersections

issue 51 - BEAP: art in the lab?

issue 51 - Prototype's interactive pleasure machines

issue 51 - New media, Newcastle Electrofringe

issue 51 - ...machine dreaming?

issue 51 - Part 1: Smoothing the visceral/virtual mix

issue 51 - Blast Theory in Australia

issue 51 - A quiet consensus

issue 51 - The return of time

issue 51 - Sometimes it goes like this...

issue 51 - The view from the child

issue 51 - All the right steps

issue 51 - Well-crafted male angst

issue 51 - Under a cloud

issue 51 - 4 young filmmakers

issue 51 - Shoot! Experimentation in retrospect

issue 51 - Cinema diplomacy

issue 51 - Middle-Eastern film: Sleepers awake!

issue 51 - Flesh Winnow

issue 51 - Liquid, light, hair

issue 51 - Artrageous: Marcus Canning

issue 51 - Melbourne Festival: local heroes

issue 51 - Suburban dream machines

issue 51 - La Mama: psycho-physical

issue 51 - Was this what you wanted?

issue 51 - Closed circuit

issue 51 - Dare to dive

issue 51 - The Night Air: value-added radio

issue 51 - Political tangos

issue 51 - Sources & events

issue 51 - Go, Girl! Bebe Miller talking choreography

issue 51 - Between art and dance

issue 51 - Improvisation & the thickening of time

issue 51 - Nighshift: Did I dream this...?

issue 51 - With ears pinned back...

issue 51 - Abandon Sight Ye Who Enter Here

issue 51 - Big in Japan: where does the swing take you?

issue 51 - Performative re-assemblings

issue 51 - Akram Khan’s Kaash: the release of energy

issue 51 - “I ain’t goin’ bionic!”

issue 51 - Phillip Adams: seriously playful

issue 51 - Unreal

issue 51 - A slippery view

issue 51 - What did you say?

issue 51 - Capsis takes Vienna

issue 51 - Letter

issue 50 - New music, new realities

issue 50 - Naturalised noir

issue 50 - The power of compulsion

issue 50 - Substantial Echoes

issue 50 - A thrilling sono-cranial re-wire

issue 50 - Welcome Saariaho

issue 50 - Art is a rigorous practice

issue 50 - Host bodies of the future

issue 50 - VietPOP: a new generation speaks

issue 50 - SEEN: Visual Arts

issue 50 - Adapt, innovate and collaborate

issue 50 - An Australian blindspot?

issue 50 - The ferocious eye of Kim Ki-duk

issue 50 - Godard: adult concepts?

issue 50 - Disappearing the camera

issue 50 - SEEN: Film

issue 50 - Helyer's progress: fusing art and science

issue 50 - Techgnosis, hypnosis, osmosis

issue 50 - Fusion: the body as screen

issue 50 - Digital Lab: new works in development

issue 50 - Nice work if you can get it

issue 50 - Dancing with time's arrow

issue 50 - Eyes wide open

issue 50 - Antistatic: all-in dance festival

issue 50 - Mysterious meetings

issue 50 - Pretty ugly

issue 50 - Choreographic design

issue 50 - Being, not performing

issue 50 - Bodies at work

issue 50 - A wild space

issue 50 - Snuff Puppets rule!

issue 50 - Improvising the future

issue 50 - The Studio: onwards and upwards

issue 50 - More than skills and showreels

issue 50 - Dangerous waters

issue 50 - Sex worker sorrows

issue 50 - Borderline

issue 50 - RePRESENTING the REAL

issue 50 - RT50 Editoria:l Arts education

issue 50 - The word on the Melbourne Festival

issue 50 - Nightshift

issue 50 - Featured Artist: Michael Riley

issue 50 - Managing multiple media

issue 50 - SOON: Film

issue 49 - Overview: Next Wave

issue 49 - Viet Boys: whose crisis?

issue 49 - Spiritual projections

issue 49 - Existential hitch-hiking

issue 49 - Inside the beast

issue 49 - Untamed and trapped

issue 49 - Dialects of music & image

issue 49 - Off-screen primetime

issue 49 - Love bout

issue 49 - The comic goods

issue 49 - Potential versus perfection

issue 49 - Haunting messages

issue 49 - Making instruments, ears, audiences

issue 49 - The artist and the refugee: tooling up for action

issue 49 - Size matters: the Small to Medium sector issues

issue 49 - Festival city's tour of shame

issue 49 - Featured Artist: Christopher Brown

issue 49 - Obituary: Neil Roberts

issue 49 - Remembrance: Colin Hood

issue 49 - "The liberated showroom"*

issue 49 - HKIFF: Fantasy, pain and profit

issue 49 - Independent pleasures

issue 49 - Not really REAL

issue 49 - AFI Distribution closes - where do the films go?

issue 49 - Panic Room & The Others: Home sinister home

issue 49 - SEEN

issue 49 - Multiplying options

issue 49 - The language of cinescripture

issue 49 - SOON: media arts

issue 49 - SOON: Film

issue 49 - Ozlit online: high impact, low interactivity

issue 49 - Like a thump on the head

issue 49 - Place and aura

issue 49 - Hobart's L-shaped room

issue 49 - In the archive of everything

issue 49 - SEEN: Visual Arts

issue 49 - From ice cream wars to retro-futurism

issue 49 - Time and the theatre fix

issue 49 - On the cross-cultural beach

issue 49 - Identifying with the refugee

issue 49 - All in the execution

issue 49 - Chartering the landscape of time and space

issue 49 - That business with the cat

issue 49 - Unexpected musics

issue 49 - New frequencies

issue 49 - Avant-garde plus and minus

issue 49 - New home, new media, new moves

issue 49 - Life-sized dance

issue 49 - Dancing Metaphysics

issue 49 - Finding place with dance

issue 49 - Smart's the word, quick's the action

issue 49 - RT49 Editorial

issue 49 - High beam: Beyond the performance/therapy axis

issue 49 - On the other side of dancing

issue 49 - New bodies in the house

issue 49 - Toplogy: musical systems

issue 49 - Oven-Garde: Lap-toppers can dance

issue 49 - Room to move: David Toop

issue 49 - fabrique: after the revolution

issue 49 - Roving concert: sensory exploits

issue 49 - (R)everse (E)ngineering (V)irtual Fabrications

issue 48 - That's entertainment...!

issue 48 - Yarning

issue 48 - Maralinga Revisited

issue 48 - An everyday Messiah

issue 48 - Bitter-sweet

issue 48 - Poised to explode

issue 48 - Escape Route

issue 48 - Adelaide biennial: the convergence fantasy

issue 48 - Analogue 2 Digital: magic mechanics

issue 48 - Outside the Cube

issue 48 - Vaudeville alive

issue 48 - Roger Wilkins, NSW Director-General of Arts

issue 48 - Kristian Burford

issue 48 - Catching the slipstream

issue 48 - Beneath Clouds: language as simple as a look

issue 48 - Just whose Indigenous filmmaking?

issue 48 - Zoom!: the boys are back in town

issue 48 - Truth and the Rabbit-proof Fence

issue 48 - Making a Rabbit-proof Fence

issue 48 - 2002 WA Screen Awards: final cut

issue 48 - Life's more than drag

issue 48 - Small screen desire

issue 48 - Seen

issue 48 - Soon

issue 48 - Michelle Glaser: writing digital art

issue 48 - conVerge: joint ventures

issue 48 - Getting away to it all

issue 48 - Digital documentary

issue 48 - Illuminated thesaurus

issue 48 - Digital lab

issue 48 - New media, new resistance

issue 48 - Something in the air

issue 48 - Melbourne's Midsumma cabaret culture

issue 48 - Next Wave: the liberated festival

issue 48 - Dressed to distress

issue 48 - rosalind crisp: a european future

issue 48 - Bodyworks: dance constructions

issue 48 - Filmic thematic at IMA

issue 48 - The object of the game: digital sculpture

issue 48 - Still Angela: a slice of the girl

issue 48 - Black and white in full colour

issue 48 - Half full/empty with happiness

issue 48 - The Opera Project: decadence and survival

issue 48 - A hint of permanence

issue 48 - A sound bible

issue 48 - Totally Huge: landscape/soundscape

issue 48 - Freeformance celebration

issue 48 - The improvising organism

issue 48 - Barret Hodson: The fall of Australian film culture

issue 48 - The Lawson vision: sharing Australia

issue 48 - Stevie Wishart: the anatomy of the hurdy-gurdy

issue 48 - The music of refuge

issue 48 - Tough nights at home

issue 48 - Sydney Biennale 2002: tripping over a zeitgeist

issue 48 - Everyday miracles

issue 48 - Sculptural fantasias

issue 48 - Hello/goodbye PACT

issue 48 - RT48 Editorial

issue 48 - Lesson in dying

issue 48 - POST

issue 48 - Vagina magic

issue 48 - Margaret Roberts: performative architecture

issue 47 - A Frank celebration

issue 47 - Melissa Kyu-Jung Lee: ending with questions

issue 47 - Charlotte Gray - neither here nor there

issue 47 - SPAA Fringe: independence contested

issue 47 - A Golden Eye on Tropfest

issue 47 - ZKM, Sydney & the Art & New Media Detente

issue 47 - A code in search of a process

issue 47 - WriteSites: Living in Aphasia & other net pleasures

issue 47 - fibreculture: oh my god I'm not alone!

issue 47 - Derek Kreckler: something to do with looking

issue 47 - The Bank: the other photography

issue 47 - Sense patterns

issue 47 - Choral complicity: music & power

issue 47 - Prop: between the known & the limitless

issue 47 - The once and future Ausdance NSW

issue 47 - Garth Paine: putting the body back

issue 47 - New life: the hybridised documentary

issue 47 - How to succeed in arts-business

issue 47 - Obituary: Nicholas Zurbrugg

issue 47 - The woman, home alone

issue 47 - Terror, theatre & The Hairy Ape

issue 47 - Political theatre re-activates

issue 47 - Building the future Performance space

issue 47 - Extraordinary lives

issue 47 - The Studio blasts off

issue 47 - Opera dressed to kill

issue 47 - A make/see festival

issue 47 - Obituary: David Branson

issue 47 - TV: critically addicted

issue 47 - Hot talk in Central Australia

issue 47 - Iolini: more than a composer

issue 47 - Pacific Wave: island lives

issue 47 - Fine monkey magic

issue 47 - Paul Capsis at home in Vienna

issue 47 - Myths, histories and projections

issue 47 - RT post: Circus & hope

issue 47 - Recollections: Sydney dance/performance

issue 47 - OnScreen editorial

issue 47 - filmSHORTS

issue 47 - digitalSHORTS

issue 47 - Brendan Lee: the cinema-computer experience

issue 47 - 17 years of the best Aboriginal art

issue 47 - REV: a new, new music festival

issue 47 - Miss XL

issue 47 - How to write about the performing body

issue 47 - A nice, nasty night out

issue 47 - RT47 Editorial - Synchronicities: terror, art & politics

issue 47 - The long, happy haul: touring The Theft of Sita

issue 47 - Give me space, and I'll give you the show!

issue 47 - The clone dance rave

issue 47 - Wilson & Waits do Woyzeck

issue 47 - Site-specific love

issue 47 - Intimacy: performing rites of love

issue 47 - The Flickerfest mission goes online

issue 47 - WriteStuff: the 3 texts of Lantana

issue 46 - RTpost: Censorship wars

issue 46 - Wake up, Australia!

issue 46 - Meaty puppetry

issue 46 - History loosed from its moorings

issue 46 - Tammy Anderson: a way to tell secrets

issue 46 - Australian filmmakers offer asylum

issue 46 - Thinking about cinema: the Jewish mother

issue 46 - Andrew Plain: an eye on the sound

issue 46 - Wilful waste

issue 46 - Newcastle on the electrofringe

issue 46 - Lateral activism

issue 46 - Not so innocent gameplay

issue 46 - New voices, other aesthetics

issue 46 - WriteSites: Papertiger, a new world of poetry

issue 46 - Artists vs cultural planners

issue 46 - Hot enough for ya?

issue 46 - Yokohama Trienniale: art as screen

issue 46 - Warrnambool: art defying logic

issue 46 - New game, new languages

issue 46 - To Watch: an intransitive verb

issue 46 - Art, home delivered!

issue 46 - Lindsay Vickery: running up an opera noir

issue 46 - Sit Ubu sit. Good dog.

issue 46 - Seeing is not believing

issue 46 - Celebrating old growth and new

issue 46 - The grand push and pull of dark matter

issue 46 - Analysing the Firm

issue 46 - Ros Warby: reframing the dancing body

issue 46 - Gender play-off

issue 46 - The dancer captured & revealed

issue 46 - Forsythe & Warren: word moves

issue 46 - Close to the heart

issue 46 - British theatre: bruising and beloved

issue 46 - Architecture does sound

issue 46 - Girls just wanna...?

issue 46 - Innercity and proud

issue 46 - Art & the world: a question

issue 46 - Dancing fast, going ballistic

issue 46 - OnScreen editorial

issue 46 - Multimedia Jewish Shanghai

issue 46 - Promiscuous diversity

issue 46 - Flickerfest: high quality, short anxieties

issue 46 - noise: youth art, making links

issue 46 - The ANAT agenda

issue 46 - Talking up ghosts

issue 46 - Right attitude, right latitude

issue 46 - The art of uneasy steps

issue 46 - The art of ageing, the limits of vision

issue 46 - Editorial: 2001, Wasted

issue 46 - Dream complex

issue 46 - Bitter sweet Turkish delights

issue 46 - Other times, other countries

issue 46 - Photo Technica Award: eye-robics

issue 46 - George Khut: new work, in passing

issue 46 - I have to live, at least until the plague gets me

issue 45 - The struggle for cineliteracy

issue 45 - Caught in the arthouse outhouse

issue 45 - Of subjects and endings

issue 45 - Animation: testing technique

issue 45 - Culturally complex fictions

issue 45 - $92.7m: the morning after

issue 45 - Melbourne Film Festival: doing Asia proud

issue 45 - Digital grit: SAPFF translations

issue 45 - WriteStuff: Chopper

issue 45 - Space odysseys: light visions

issue 45 - WriteSites: school with no rules

issue 45 - Full house

issue 45 - Searching for clues: Cameron and Parker

issue 45 - Dance impro: what's afoot?

issue 45 - The outsider gallery

issue 45 - Chains of inference and connotation

issue 45 - Desert discotheque

issue 45 - Boys, toys, pleasing noise

issue 45 - Waveform: Up to scratch

issue 45 - An orchestra of speakers

issue 45 - Wheatbelt town goes global

issue 45 - Melbourne artist-run spaces: fighting fit

issue 45 - Dark Matter between Australia and Norway

issue 45 - Darwin Festival: the best of times

issue 45 - Filipino high kitsch with crab creole & politics

issue 45 - Red Fern reckonings

issue 45 - Censorship: the restricted adult

issue 45 - MAAP01: new media in excess

issue 45 - OnScreen news

issue 45 - OnScreen news

issue 45 - Arterial Group: the big charge

issue 45 - Power music

issue 45 - QBFM review excerpts

issue 45 - Under_score

issue 45 - editorial - rt45

issue 45 - Identity, being-together, destiny...contingent

issue 45 - Woman on the verge

issue 45 - Innovation: maps & distribution

issue 45 - Strategies for a theatre at risk & in decay

issue 45 - A fish out of water

issue 45 - Doing a Foreman

issue 45 - Shopping & history: new Australian plays

issue 45 - Archiving the useful & useless

issue 45 - Punched out

issue 45 - Tangling with the tango

issue 45 - A Turkish-Australian dilemma

issue 45 - Treading on critic's toes

issue 45 - The body twice

issue 45 - Skinflick: almost magic

issue 45 - Doc Art

issue 45 - Tactical loops…from the inner circle

issue 45 - A stitch in time

issue 45 - Women's music: different architectures

issue 45 - The colour of opera

issue 45 - Geology's musical avatars

issue 45 - Film reviews

issue 45 - Virtual VR immersion at MIFF

issue 45 - Prizes & Projections 2001 Introduction

issue 44 - Winging it with style

issue 44 - Performance art, life crisis rituals

issue 44 - Editorial - RT44

issue 44 - Composing miniatures, places, festivals

issue 44 - The theatre of war, the murder of bridges

issue 44 - Perils of performance pedagogy

issue 44 - Music education: an industrial evolution

issue 44 - Body regimes

issue 44 - RT talk

issue 44 - A (filmic) space between black & white

issue 44 - FedFest: short film reconciliations

issue 44 - Kumarangk 5214: this island is full of bodies

issue 44 - OnScreen editorial: boundaries without fences

issue 44 - Sydney Film Festival: one for the gleaners

issue 44 - Sydney Film Festival: a handful of high/lowlights

issue 44 - Cinesonic 4: bringing sound to the surface

issue 44 - St Kilda Film Festival: (un)certain fusions

issue 44 - New media arts, the NxT wave

issue 44 - d>art: shot through with data

issue 44 - Lev Manovich: how to speak new media

issue 44 - OnScreen news - filmSHORTS

issue 44 - OnScreen news - digitalSHORTS

issue 44 - LIFT: reformulating a festival

issue 44 - Adelaide Fringe: the necessity of re-invention

issue 44 - David Pledger: the danger zone

issue 44 - Chris Drummond: theatre as metaphor

issue 44 - True blue at the local

issue 44 - Sydney & Wollongong: atoms and fuel

issue 44 - More than the usual suspects

issue 44 - Double Vision, strong focus

issue 44 - New latitude for dance at the Powerhouse

issue 44 - Dancing away with the Dendys

issue 44 - A body called flesh

issue 44 - Champion & Whaites: dance theatres

issue 44 - Taube, Ellis, McLeod & the uneasy body

issue 44 - Swan Lake with edge

issue 44 - PVI collective: they're watching you

issue 44 - Exploding tears, hyperreal longing

issue 44 - The quiet archaeology of Neil Roberts

issue 44 - The pull of the volcano

issue 44 - Barry Schwartz: dangerous beauty

issue 44 - Of ears and vampires

issue 44 - Don't go with the flow

issue 44 - Myth, word, aesthetic recycling

issue 44 - RTpost

issue 44 - Picking at Emma's Nose: Flacco does Freud

issue 44 - B sharp and blunt

issue 44 - Why be a playwright when the play is dead?

issue 44 - Stepping into the fold

issue 44 - Inside the hurdy-gurdy

issue 44 - Mezangelling language: net.wurked writing

issue 43 - Aqua Profunda: art in the deep end

issue 43 - A festival of music making

issue 43 - Totally Huge: it's what you do with it

issue 43 - A whisper louder than a scream

issue 43 - Hilyard + Nair: sense cultures

issue 43 - Omeo: 5 years of dance traffic

issue 43 - Cinesonic

issue 43 - John Tonkin: identity tourism

issue 43 - WriteStuff: Head On's narrative strategy

issue 43 - Confounding projections

issue 43 - Musics industrial and rural

issue 43 - Video unframed

issue 43 - Young filmmakers' erections and reflections

issue 43 - Veronica's Revenge + Judy's Dream

issue 43 - Hybrid lives: 21st century snapshots

issue 43 - Tasmania's festival of many media

issue 43 - Clara Law: an impression of permanence

issue 43 - A new Sarai: new media in Delhi

issue 43 - Shannon Bott

issue 43 - The Sty

issue 43 - Journeys across words and water

issue 43 - Melbourne theatre: the witness

issue 43 - Piccinini + Hennessey: sincerely artificial

issue 43 - Intimate drownings

issue 43 - New Adelaide grooves

issue 43 - Dance(r)s with futons

issue 43 - Consumption a la mode

issue 43 - What the ...?

issue 43 - NYID's high octave realism

issue 43 - Performing pain + sentiment

issue 43 - A smash of a different kind

issue 43 - Hot, chilled out bro, and proudly Chinese

issue 43 - The National Museum: the digital media works

issue 43 - Beyond nostalgia

issue 43 - Editorial - RT43

issue 43 - Life in the Global Rancho

issue 43 - OnScreen editorial: the film festival as cultural communique

issue 43 - The Monkey's Mask: lost in translation

issue 43 - Reality theatre, Ranters style

issue 43 - Sydney performance: saints and convicts

issue 43 - Teaching and performance: the missing milieu

issue 43 - Wild Blue: a meditation on violence

issue 43 - RTpost

issue 43 - RTtalk

issue 43 - Obituary: Ian Fredericks

issue 43 - More than one Dolores

issue 43 - Splintering the soul of Dolores

issue 43 - Fader's ghosts

issue 43 - Kat McGuffie: one to watch

issue 43 - OnScreen news

issue 43 - OnScreen News

issue 42 - Working the globe

issue 42 - Making more than one of yourself

issue 42 - Sex drugs and revolutionary modern ballet

issue 42 - Liberating the artist from the revolution

issue 42 - Anxious pleasures

issue 42 - So close to the thing itself, and not

issue 42 - Inside the sense-surround jigsaw

issue 42 - Sounds for hungry ears

issue 42 - What Is Music? finds its audience

issue 42 - Auricle + Clocked Out play with possibilities

issue 42 - Directors + playwrights: the living and the dead

issue 42 - Earthed: Perth International Arts Festival 2001

issue 42 - No good guys/bad guys

issue 42 - Margaret Trail's sounds of un-sense

issue 42 - New choreographies

issue 42 - Yolgnu Boy

issue 42 - The double edge of desire

issue 42 - Zoom brand SA shorts

issue 42 - Life beyond Documart

issue 42 - Korea: split screen

issue 42 - Cinesonic: use no hooks - freighting Tom Hanks

issue 42 - Don't call me baby, baby

issue 42 - ScreenSound out of the vaults

issue 42 - MESH 14: resisting the global narrative

issue 42 - WriteSites: revisualising new media writing

issue 42 - Handy hints for new, new media reviewers

issue 42 - Looking at light

issue 42 - Topology + The Necks play the Powerhouse

issue 42 - Cool and blue in the hot house

issue 42 - Listening like looking

issue 42 - Funny things can happen

issue 42 - Isaac Julien's carnival at the MCA

issue 42 - Liquid Gold cyberdelia

issue 42 - Where is my love scene with Maggie Cheung?

issue 42 - Editorial - RT42

issue 42 - RT post

issue 42 - RT talk

issue 42 - The Arts: What Next - Lost: a space

issue 42 - Small screen youth revolution

issue 42 - Film review

issue 42 - filmSHORTS

issue 42 - The 3 faces of Stacey

issue 42 - Queer, odd and just right

issue 42 - Opening up a classic

issue 42 - Trust nothing to dance

issue 42 - Double vision at Stills

issue 42 - Dirty angels, odd angles

issue 42 - digitalSHORTS

issue 42 - Reinvigorating the arcane

issue 42 - New Music skirmishes

issue 41 - The business of Bell

issue 41 - Editorial - RT41

issue 41 - Powering up the house

issue 41 - A space for memorising and dreaming

issue 41 - Radiohead: ghost in the pop machine

issue 41 - Making Crying Baby

issue 41 - Global volatility, cultural diversity

issue 41 - The vision thing

issue 41 - Not your average flagship

issue 41 - Peter Oldham: man with a camera

issue 41 - Enter the dragon: Asian film in Australian cinemas

issue 41 - A town like Cunnamulla

issue 41 - The genuine Coen product?

issue 41 - Documentary conference on the edge

issue 41 - Jeffrey Shaw: virtual Melbourne

issue 41 - Artificial Life: a hard call

issue 41 - New work matures in Open Space

issue 41 - Degrees of pathos: Sydney performance

issue 41 - A letter from the antechamber

issue 41 - Maliphant: shaping spaces with bodies and light

issue 41 - Profile: Cazerine Barry

issue 41 - TasDance: hypermobile finess

issue 41 - Igneous: hands on diversity

issue 41 - Richard Giblett: life-size

issue 41 - Ghostings: creating intangible, plugged in art

issue 41 - Tos Mahoney: programming new music

issue 41 - Music with the stars

issue 41 - IHOS: the alternating current

issue 41 - Sonic Residues: an education in sound

issue 41 - Sound advice: art consumables

issue 41 - filmSHORTS

issue 41 - Cinesonic: true teen sound in Bring It On

issue 41 - Post-photographic Photofile

issue 41 - digitalSHORTS

issue 41 - WriteSites

issue 41 - Surface tension in New York theatre

issue 41 - Mardi Gras: secret men’s business

issue 41 - Bridging the divide: gallery developments

issue 40 - Music of the pods: Garth Paine's Reeds

issue 40 - Superfluous sex at Ars Electronica

issue 40 - Cyberbiodiversity: new life at Casula

issue 40 - Literature for a new medium

issue 40 - Navigating dark spaces

issue 40 - Incubating online writing possibilities

issue 40 - A view from the bleeding edge

issue 40 - Onlining the documentary

issue 40 - Garry Stewart’s vision for the ADT

issue 40 - Falling, breaking and at an end

issue 39 - Experimenta's Orbital view

issue 39 - Chunky Moves dances the irreducible

issue 39 - Crashing the party

issue 39 - Mixed Metaphor: selected breakages

issue 39 - Flesh/parchment/flesh

issue 39 - Powerhouse dancing: Les attitudes monstre gai

issue 39 - Oscillate’s beetle dancing

issue 39 - Lucy Guerin: finality and new directions

issue 39 - Peeling back epidermis Australis

issue 39 - Stompin Youth: working on the railway

issue 39 - futureScreen 00: getting Alife

issue 39 - Meatings: online writing and other communities

issue 38 - Teaching new media: aiming at a moving target

issue 38 - When can the teacher dance?

issue 38 - The attractions of ReelDance

issue 38 - Over the choreographic precipice

issue 38 - The body apart - a new dance film

issue 38 - St Kilda Film Festival: digital links

issue 38 - Web convergence traps artists and consumers

issue 38 - WriteSites: the email liaison as novel

issue 38 - Redefining hybridity: CD-ROM possibilities

issue 38 - The end of new media art?

issue 38 - Segue, stretto, strafe & sashay

issue 38 - Beyond the interface: exhibiting digital media

issue 38 - The dance unfolds

issue 38 - Works in progress: pt1 (A-G)

issue 38 - Works in progress: pt2 (H-M)

issue 38 - Works in progress: pt3 (P-Z)

issue 38 - ANAT's special alchemy

issue 38 - MAAP festival 2000

issue 38 - Positively infectious

issue 38 - Works in progress: hybrid performance

issue 38 - Something more than choreography

issue 38 - More sites, events and artists

issue 38 - d>art 00: digital exceptions

issue 38 - The documentary goes online

issue 38 - Joe Felber

issue 38 - Something more than choreography

issue 38 - Bonemap

issue 38 - Introduction

issue 37 - Random's integration of new media into dance

issue 37 - Do you have time for a quick chat?

issue 37 - As Phillip Adams shows me around his apartment

issue 37 - Mapping the wild edge

issue 37 - Love & menace to a heartbeat

issue 37 - Dance takes on performance

issue 37 - New texts for old

issue 37 - Trouble with destinations

issue 37 - The dirt on the Dream Kitchen

issue 37 - My viral lover

issue 37 - Parallax resists cultural amnesia

issue 37 - WriteSites: new manoevres

issue 37 - Exposing an emerging genre

issue 37 - (nobleandsilver): It’s only a show

issue 36 - AOL-Time Warner: bye bye freewheeling web?

issue 36 - Breaking the art and science standoff

issue 36 - helen herbertson: the place where things slip

issue 36 - Jude Walton: movement's third eye

issue 36 - Junk: the difference between videogames…

issue 36 - Experimenta into the 21st century

issue 36 - I said I said it all

issue 36 - Touching lightly

issue 36 - Unruly force

issue 36 - Linking out

issue 36 - One gets to the next slightly

issue 36 - Bonemap

issue 36 - Dance film: the art, the market

issue 36 - New media and electronic music: quakes and creations

issue 35 - WriteSites

issue 35 - Junk

issue 35 - Inside the dancer, in the heart of the eye

issue 35 - Star turns: watching Stella b.

issue 35 - Live Acts #4: steady boppin', ass droppin'

issue 35 - Bodyworks: the politics of the embrace

issue 35 - Stomping in slippers to Nirvana

issue 35 - Edge, desert, reticulation, information

issue 35 - Playing virtual dress ups

issue 35 - [R] is for Regulation: cleaning up the net universe

issue 35 - Triple Alice: catching the weather

issue 35 - Time travel is your only means of escape

issue 34 - Diving into the virtual

issue 34 - Organ(ic)s: real and metaphorical

issue 34 - Hands off credentials

issue 34 - One day all headstones will be electronic

issue 34 - The Wetware season

issue 34 - Blood on the keys

issue 34 - Who said?

issue 34 - Positioning passions

issue 34 - Dance on wheels

issue 34 - Manipulations & Hands

issue 34 - Beautiful People, D-Faces of Youth Arts

issue 34 - Did we dream this?

issue 34 - Location location location

issue 34 - Missile: CONTACT

issue 34 - Missile: Shanghai N.2

issue 34 - Hong Kong—rebuilding on disappearance

issue 34 - Notes and imprints

issue 34 - Junk

issue 34 - WriteSites

issue 34 - Homo Genesis

issue 34 - Short: National Digital Art Awards, IMA

issue 33 - Motion picture mission

issue 33 - Cyberistic power and human frailty

issue 33 - Pulsing chiaroscuro, palpable decay

issue 33 - Digital choreographies

issue 33 - Past projections

issue 33 - WriteSites

issue 33 - New media hum

issue 33 - The enemy/other within

issue 33 - No vacancy

issue 33 - Take me dancing

issue 33 - The body rests, the dream in frantic

issue 33 - Driving into the interior

issue 33 - Amplification

issue 33 - The works

issue 33 - Behind the eye

issue 33 - Neither awake nor asleep

issue 33 - Dance fix

issue 32 - Pixelated privates

issue 32 - WriteSites

issue 32 - Digital rules!

issue 32 - Millennial maverick

issue 32 - Challenging the seer

issue 32 - The fantastic adventures of Ling Change

issue 32 - Pixelvisions

issue 32 - A plenitude of Cinderellas

issue 32 - The rise of digital exhibition in the UK

issue 32 - Queerly constrained

issue 32 - Media arts and online culture: enter or escape?

issue 32 - An other writing

issue 32 - Spacing the digital

issue 32 - The animal logic of the antz in the matrix

issue 32 - Erasing the line between film culture and new media

issue 32 - Chunky news

issue 32 - Works in progress: pt2 (M-P)

issue 32 - Works in progress: pt1 (A-L)

issue 32 - Works in progress: pt3 (R-Z)

issue 32 - The big suture

issue 32 - Works in progress: performance

issue 32 - Works in progress: dance

issue 32 - Works in progress: sound & screen, public art

issue 32 - Works in progress: interactive Installations

issue 32 - The real/digital festival

issue 32 - Works in progress: video & film

issue 32 - Delirium

issue 32 - Australia’s expanding screen culture

issue 32 - Online Australia

issue 32 - The distribution challenge

issue 32 - Digital media across the arts

issue 31 - Polarised in Tempe, Arizona

issue 31 - The City in performance in development

issue 31 - Writing, community, virtuality

issue 31 - Strange qualities

issue 31 - Site steps

issue 31 - Relaxed, but engaged?

issue 31 - The centre shifts

issue 31 - Eyeing the interface

issue 31 - The more than visual

issue 31 - Architecture, body parts & language

issue 31 - The word dances

issue 31 - Don't fence me in

issue 31 - The taste of data

issue 31 - Okay, how is cyberspace like Heaven

issue 31 - Body think

issue 31 - WriteSites - starlets and hypertext dropouts

issue 31 - A meta-world of watchfulness

issue 31 - 25 Songs On 25 Lines Of Words On Art Statement For Seven Voices And Dance

issue 31 - Do remember this

issue 31 - Young Woman Glass Soul

issue 31 - Hybrid yield

issue 31 - Boosting performance praxis

issue 31 - Showing the workshopping

issue 31 - Reclaiming dance as innovator

issue 31 - Antistatic and the beast

issue 31 - It's in the bones

issue 30 - Net hopes

issue 30 - WriteSites

issue 30 - Stored roots, stacked histories

issue 30 - In the design

issue 30 - Between freedom and anticipation

issue 30 - Triple Alice

issue 30 - Tracing the departed

issue 30 - Sound as body, body as composer

issue 30 - Memory, debris and ecstasy

issue 30 - New media moves in Tasmania

issue 30 - The smart body laughs

issue 30 - TechGnosis - a secret history

issue 30 - Strange interlude: a stitch in time

issue 30 - Moving images etc

issue 30 - Cold climate conflict

issue 30 - Falling slowly...

issue 30 - Townsville site for turning points

issue 30 - Streets of dancing

issue 30 - A differential tale

issue 29 - Dancing otherwise

issue 29 - Writesites

issue 29 - Hypermedia gets a joystick and goes gun crazy

issue 29 - Kinetic alchemies

issue 29 - Moving and surviving

issue 29 - Between the idea and the act

issue 29 - Barmaid rhythms

issue 29 - Emerging entities, difficult syntheses

issue 29 - A techno-booster nano manifesto

issue 29 - Die Trekkie die

issue 29 - Clare Dyson's Spices

issue 29 - antistatic

issue 28 - Full throated ease

issue 28 - The limits of limits

issue 28 - Intersecting performance paths

issue 28 - Writesites

issue 28 - A dance place for the future

issue 28 - Collision courses

issue 28 - New hierarchies, new colonies

issue 28 - Future (in)human: becoming third nature

issue 28 - Shows and sideshows in the new museum

issue 28 - Spiralling force

issue 28 - One Extra, Territory

issue 28 - Piece for the wicked

issue 28 - Shakespeare's pillowslips

issue 28 - contain.her

issue 28 - Net art and the argument for critical decompression

issue 28 - Finnish shortcuts

issue 27 - A question of visions

issue 27 - Tests of the time

issue 27 - Critical combinations

issue 27 - Between perceptual fields

issue 27 - Dancers behaving complexly

issue 27 - All you need is love

issue 27 - When worlds collide

issue 27 - Mystery points

issue 27 - Let's get lost

issue 27 - All swans together

issue 27 - Mapping the in-between

issue 27 - A world of difference

issue 27 - Shadow boxing?

issue 27 - Filling in the body map

issue 27 - Aesthetic positionings

issue 27 - Excuse me for staring but...

issue 27 - Three for the road

issue 27 - Another mapping

issue 27 - Write sites

issue 27 - Story spaces

issue 27 - Unstuffed

issue 27 - Cutting the new media umbilicus

issue 27 - Blimey!

issue 27 - Two cultures divided

issue 27 - Ways of speaking

issue 27 - MAP intro

issue 27 - Curious interstices

issue 27 - MAP references

issue 27 - Vesalii Icones, Patrick Harding Irmer

issue 27 - Fleshmeet, Chunky Move

issue 27 - Bodies

issue 27 - Territory, One Extra

issue 26 - Promiscuous media

issue 26 - Dancing across waves

issue 26 - Hypertexts

issue 26 - Write sites

issue 26 - Disconnecting the larynx

issue 26 - A question of questions

issue 26 - Waiting for the fourth dimension

issue 26 - Between professional diagnosis and dumb fascination

issue 26 - Troubleshooting

issue 26 - Pay attention to the moves

issue 26 - Maturing blends

issue 26 - Practice as difference

issue 26 - Bent virtual

issue 26 - Tempted south

issue 26 - Digital museuming

issue 26 - Digital acronym riot

issue 25 - write sites

issue 25 - The future business

issue 25 - The video art beyond

issue 25 - Digital subjectivity

issue 25 - Digital rice

issue 25 - Taking up the fight

issue 25 - Looking for the golden needle

issue 25 - Longing, loneliness, late night radio

issue 25 - Surprising even the body that makes it

issue 25 - Archiving the digital

issue 25 - Fin de 21.C

issue 25 - The peculiar things we do with technology

issue 25 - Changing partners

issue 25 - New media performs

issue 25 - I @ Here. You @ There

issue 25 - Mixed Metaphor, Dancehouse

issue 24 - Festival junkie: immersion and withdrawal

issue 24 - Vision and invention

issue 24 - Physical diffusions

issue 24 - Cultural windows

issue 24 - The Sillywood invasion

issue 24 - The body interrogated

issue 24 - The archaeology of the interface

issue 24 - A digital silence

issue 24 - Virtual architecture

issue 24 - Virtual encounters

issue 24 - Various gravities

issue 24 - In the mix

issue 24 - Is there no rest/There is no rest

issue 24 - To enter and exit

issue 24 - In the folds of thought

issue 24 - What I have written

issue 24 - Sacred documents

issue 24 - One step ahead

issue 24 - Motives for movement

issue 24 - Dress, Shelley Lasica

issue 24 - Chunky Move, Wet & Bonehead

issue 23 - Dance as research

issue 23 - Small miracles: from footwork to footage

issue 23 - Praise the lord

issue 23 - Cultures dancing

issue 23 - Out of the box

issue 23 - Radical re-coding

issue 23 - The aniconic and digital image

issue 23 - Dissolving boundaries

issue 23 - bit.depth

issue 23 - Trapped in a wwweb of deceit

issue 23 - Virtual empire

issue 23 - Where the digirati meet the literati

issue 22 - The two cultures re-animated and perverted

issue 22 - (In)forming the nation on the goat tracks of the virtual community

issue 22 - From the dusk of celluloid and the dawn of digital

issue 22 - bit.depth

issue 22 - At the intersection of politcs and poetics

issue 22 - Barroom fantasias

issue 22 - Shopping and touching

issue 22 - New place, old myths, new perceptions

issue 22 - The history of our dancing bodies is becoming hot

issue 22 - Heretics and heritage

issue 22 - Enabling dance

issue 22 - Company without space, company in between spaces

issue 22 - Three New Media Arts Fellowships announced

issue 22 - Not about disability

issue 21 - Between media living and the dead

issue 21 - bit.depth

issue 21 - Virtually as natural as breathing

issue 21 - Respect and Indigenous interconnectivity

issue 21 - Too many cooks?

issue 21 - The gap between moves

issue 21 - 10,000 online cameras in Homebush Stadium

issue 21 - The new age virus

issue 21 - Free from steps

issue 21 - Hybrid ways of making sense

issue 21 - Denmark meets Australia

issue 21 - Three steps forward

issue 20 - The Clark Kent of kinetic intelligence

issue 20 - Rapture and rhythm

issue 20 - Under a Federal sun?

issue 20 - Bit depth

issue 20 - Attaining information fitness

issue 20 - The Inside of Houses

issue 20 - Happy navigating

issue 20 - Complex paths

issue 20 - Timely dreaming

issue 20 - On your toes

issue 20 - In the body of the work

issue 20 - The wound and the taint

issue 20 - Loving the Peace

issue 20 - Untamed audience

issue 19 - Outside outward display: tradition and the derivative

issue 19 - Positively video

issue 19 - Cheek in progress

issue 19 - Fieldworks works the room

issue 19 - Web crud

issue 19 - Condition: Shock of the Ear

issue 19 - LOUDness

issue 19 - A third force

issue 19 - A full dance card

issue 19 - Sandy Edwards & Russell Dumas in Indonesia

issue 18 - From the ashes

issue 18 - techné cultures

issue 18 - John Tonkin: man or morph?

issue 18 - Converging spaces and merging forms

issue 18 - Material imagination

issue 18 - Between the lines

issue 18 - Dance actual and virtual

issue 18 - Into the unknown

issue 18 - Seen moves, silent power

issue 18 - Matinaze '97

issue 18 - Sunshine site

issue 18 - Six variations on a lie, Ros Crisp

issue 18 - From the inside

issue 17 - Curiouser and curiouser

issue 17 - Lo-fi nostalgia and the music of aural voyeurism

issue 17 - Personality problems

issue 17 - I am papyrus, parchment, paper, computer screen

issue 17 - Making web dances

issue 17 - The real material

issue 17 - Talking it over

issue 17 - Beyond off-site

issue 17 - Something beyond

issue 16 - Dancing Keith Haring

issue 16 - New dance dramas

issue 16 - Cold moon and wolf's breath

issue 16 - Moments and movements

issue 16 - Huge beauty

issue 16 - Possessing the new imagination

issue 16 - In support of the fleshmeet even on-line

issue 16 - Anarcho-techno possibilities

issue 16 - Journeys through frames, across dance floors

issue 15 - Dance and anti-dance: a totality

issue 15 - Retina burns

issue 15 - Hovering in the multimedia background

issue 15 - Digital poiesis

issue 15 - EMAgining the future

issue 15 - Playing in the labyrinth

issue 15 - Countering cyber desire

issue 15 - At face value

issue 14 - Playing away

issue 14 - Dancing in the dark

issue 14 - Liminal spaces of becoming

issue 14 - As obvious and forgettable as gravity

issue 14 - ANAT and onward

issue 14 - In nerd paradise

issue 14 - Tardis variations

issue 14 - Squatting, scanning, jamming

issue 14 - Less cliches for the millennium

issue 14 - Writing up an act

issue 14 - Strange attractors: shared perversity

issue 14 - Between representation and the real

issue 13 - closed circuit

issue 13 - coding the possible

issue 13 - At the time and space of interface

issue 13 - Circuits open, closed and indifferent

issue 13 - Monstrous family show

issue 13 - the spiritual in the popular

issue 13 - Great Escapes, Dancehouse

issue 13 - From the crab room, a cherry herring

issue 13 - No Time Like the Present, Wendy McPhee

issue 13 - At the cusp of appearance and disappearance

issue 13 - Dancing western in the north east

issue 12 - The space between

issue 12 - The raw and the complex

issue 12 - Energy as waste, desirous and deadly

issue 12 - To be another body for me

issue 12 - No dance we know

issue 12 - Silicon alchemy: frames from an imaginary flowchart

issue 12 - Virtual nation: I want my Telstra

issue 12 - How's tricks?

issue 12 - Tactical media

issue 12 - Healing virtual realities

issue 12 - An issue of scale

issue 12 - Writing dancing right

issue 11 - A new song and dance

issue 11 - tess de quincey & stuart lynch: dancing the city

issue 11 - Looking at being looked at dancing

issue 11 - Sharpening the edge

issue 11 - Critically interactive

issue 11 - Literate ears

issue 11 - Virtually Stelarc

issue 11 - The unimaginable brought to life

issue 11 - Immersions and navigations

issue 11 - Phobias, fashion and hope

issue 11 - Multimediocre

issue 11 - For the thinking dancer

issue 11 - The space takes care of me

issue 10 - The X-rayed Hamlet

issue 10 - Thirteen ways of attending an electronic art symposium

issue 10 - New depths and old distances

issue 10 - Thinking about killing

issue 10 - Re-viewing the everyday

issue 10 - Don't sign away those electronic rights

issue 10 - Anarchy on the internet

issue 10 - Myopic notion

issue 10 - Book Review: Apparition: Holographic Art in Australia

issue 10 - What's in a body?

issue 10 - It's all dance

issue 10 - What they do better than anyone else

issue 10 - Ephemeral incarnations: dancing poetry

issue 10 - Book review - Dance, Modernity and Culture

issue 9 - Out of the theatre and into the everyday

issue 9 - Digital dereliction

issue 9 - Australia's Asia Pacific interactive option

issue 9 - The monkey with the digital touch

issue 9 - Laterally at the Cab Room

issue 9 - Hybrid or not

issue 9 - Dancing lives

issue 9 - Studio practices 1, extensions: room to move

issue 9 - Opposing forces

issue 9 - Absence and yet presence

issue 8 - The Opportunity of Distance

issue 8 - Art and the Mundane Internet

issue 8 - More M&M's

issue 8 - New Media, New Money

issue 8 - Gook Girls, Monstrous Chimeras and the New Technology

issue 8 - New Media Forum

issue 8 - No Show

issue 8 - Shake it or break it

issue 7 - Multiple Museologies

issue 7 - That's Intertainment

issue 7 - Last Rights?

issue 7 - The Techno Touch

issue 7 - Incidental Pleasures: Arf Arf

issue 7 - Actual Footage

issue 7 - A Melancholy New Dance

issue 7 - Stepping it Out

issue 7 - Too Safe Sex

issue 7 - Au Revoir Vis a Vis

issue 7 - Next Steps

issue 7 - Sweet Yeti

issue 7 - What to Name Your Baby

issue 6 - Spin Cycle

issue 6 - Multimediocrity?

issue 5 - Framegrabs from the future

issue 5 - A body will always be a body

issue 5 - Emergent media zones

issue 5 - System Error

issue 5 - How to get a Bite of the CD-ROM action

issue 5 - CD-ROM - The 21st century bronze?

issue 5 - Teledomesticity: @HOME on the net

issue 4 - M.O.M.A's Australian Video Art

issue 4 - Virtual Dancing

issue 3 - Real Bebe

issue 3 - Experimenta 1994

issue 3 - Earwitness News

issue 3 - North to Cyberia

issue 3 - Soft Core Hardware

issue 3 - Matching Moves

issue 2 - Post Pissed Off

issue 2 - Re: Cycles

issue 2 - Girls in Cyberspace

issue 1 - Dance and Beyond

issue 1 - Dance Degree Zero. Jean Claude Gallota in Australia

issue 1 - Future Speak at the Adelaide Festival

issue 1 - New Media Hype

Special Feature - worlds within

Special Feature - realtime @ push: acknowledgements

issue 0 - aether, 2005

Special Feature - THIS SECRET LOCATION - Ryoji Ikeda & Alex Bradley/Charles Poulet: Hell and heaven

Special Feature - Nurturing Risk Forum: Testing the safety net

Special Feature - Nurturing Risk Forum: Live art and the risk spin

Special Feature - Monika Tichacek: Beautiful bad dream

Special Feature - Gob Squad: Managing fear

Special Feature - Carolyn Wright: Pleased to meet you, again

Special Feature - David Weber-Krebs: Beyond waiting

Special Feature - David Weber-Krebs: More than it says it is…

Special Feature - David Weber-Krebs: The expectant void

Special Feature - Bodies in Flight: And the word was made flesh

Special Feature - Martin del Amo with Gail Priest: Self-generating entities

Special Feature - Del Amo and Pereira: Working bodies

Special Feature - Miguel Pereira: A dying art

Special Feature - Charlie Murphy: Durational smooch

Special Feature - John Gillies: A Geography of Longing and Belonging

Special Feature - John Gillies: Old land, new testament

Special Feature - Paul Granjon: It doesn’t hurt at all

Special Feature - Paul Hurley: Suck it from the shell

Special Feature - Paul Hurley: Oyster romance

Special Feature - Pacitti Company: Bottomless wishing well

Special Feature - Yara El-Sherbini: If the world gives you oranges…

Special Feature - Until Thursday & Yara El- Sherbin: Reality bites back

Special Feature - Tim Etchells: A star is porn

Special Feature - Overview: The mortality manifesto

Special Feature - Overview: The risk of curating

Special Feature - Overview: This isn't a lecture

Special Feature - The secret life of touring

Special Feature - camilla hannan

Special Feature - ai yamamoto

Special Feature - rod cooper

Special Feature - philip brophy

Special Feature - found: quantity of sheep

Special Feature - charlie charlie & will guthrie

Special Feature - robin fox

Special Feature - lawrence english

Special Feature - lawrence english

Special Feature - hinterlandt

Special Feature - the necks

Special Feature - tim o'dwyer

Special Feature - dj olive

Special Feature - anthony pateras

Special Feature - jodi rose & guest artists

Special Feature - michael j schumacher

Special Feature - tarab

Special Feature - toydeath

Special Feature - zane trow

Special Feature - warp: various artists

Special Feature - Forum: Wanted: Creative Producers

Special Feature - Video + Art = ?

Special Feature - Getting The Word Out: Writing for Performance and Dance

Special Feature - Body regimes

Special Feature - The Place of the Space

Special Feature - Size Matters

Special Feature - mercy: the limits of beauty

Special Feature - mercy: the struggle for connection

Special Feature - dream masons: watery transformations

Special Feature - dream masons: plumbing problems, design magic

Special Feature - an other place - lucy bleach: three versions of the outsider

Special Feature - an other place – austin mcquinn: displaced person

Special Feature - to the wall: off the wall

Special Feature - dream masons: the arts centre inside out

Special Feature - an other place - gough & mcquinn: you are going the wrong way

Special Feature - the spectre of the rose: a slave to desire

Special Feature - drive in holiday: stories in the making

Special Feature - the little match girl: safety first

Special Feature - leigh hobba: the performance

Special Feature - dream masons: big magic

Special Feature - to the wall: an unusual education

Special Feature - to the wall: wild hypotheses

Special Feature - the knitting room: knit one, pearl two

Special Feature - maintenance of social solidarity: from the bunker

Special Feature - mikelangelo & the black sea gentlemen: risky and lusty

Special Feature - mercy: fighting form

Special Feature - leigh hobba: theme and variation

Special Feature - free range: design deviations

Special Feature - entwined: music of the islands

Special Feature - maintenance of social solidarity: getting to the source

Special Feature - an other place - alex pentek: paper magic

Special Feature - mikelangelo and the black sea gentlemen: macabre good fun

Special Feature - pacific crystal palace concerts: points of origin

Special Feature - a thousand doors, a thousand windows: an ear to the soul

Special Feature - lura and christine anu: double your diva

Special Feature - small metal objects: an intimate conversation and the perfect front

Special Feature - small metal objects: ordinary guise

Special Feature - small metal objects: deals and dependencies

Special Feature - queen of the snakepit: islands apart

Special Feature - the spectre of the rose: embracing horror

Special Feature - The weight of public spaces

Special Feature - OnScreen Course Guide 2006 - Film & New Media Art

Special Feature - queen of the snakepit: intimate and invasive

Special Feature - maria island of dreams, queen of the snakepit: island homes

Special Feature - There's research and there's research

Special Feature - bikini: savage satire, sombre remembrance

Special Feature - jouissance

Special Feature - various artists produced by le tuan hung; dindy vaughan

Special Feature - pateras/baxter/brown

issue 0 - triple alice, 1999-2001

issue 0 - embrace: guilt frame, 2008

Special Feature - various

Special Feature - the splinter orchestra

Special Feature - a meeting with steve dietz

Special Feature - the black rider: the carnival from hell

Special Feature - old goriot: a cautious vision

Special Feature - the black rider: the accidents of addiction

Special Feature - old goriot: from a safe distance

Special Feature - the black rider: between us and the devil

Special Feature - the space between: the art of dependency

Special Feature - the space between: elastic intimacies

Special Feature - the black rider: acid power trip

Special Feature - the black rider: heart intact, brain in two

Special Feature - frankenstein: the limits of design

Special Feature - the space between: the limits of risk and trust

Special Feature - my name is rachel corrie: an intimate invitation

Special Feature - aout - un repas à la campagne: subtle realities

Special Feature - hey girl!: art object

Special Feature - hey girl!: dark discoveries

Special Feature - aout - un repas à la campagne: truth in a heatwave

Special Feature - my name is rachel corrie: surrogate conscience

Special Feature - frankenstein: a paperhouse of madness

Special Feature - frankenstein: without tears

Special Feature - fever: organized delirium

Special Feature - hey girl!: the painted stage

Special Feature - hey girl!: evolving symbols

Special Feature - my name is rachel corrie: the weight of artifice

Special Feature - fever: disciplined mania

Special Feature - aout - un repas à la campagne: echoes of chekhov

Special Feature - my dad, my dog: unfinished tales

Special Feature - my dad, my dog: disconnection sketched

Special Feature - my dad, my dog: disconnection sketched

Special Feature - my dad, my dog: fuzzy friend

Special Feature - my dad, my dog: beyond the frame

Special Feature - the general: a perfect match

Special Feature - glow: critter conflict

Special Feature - small metal objects: the invisible revealed

Special Feature - glow: electric life

Special Feature - small metal objects: beautiful logic

Special Feature - Dance on Screen

Special Feature - will time tell?: into the cultural vortex

Special Feature - nalina wait: night secrets

Special Feature - nalina wait: the body danced

Special Feature - anamorphic archive: the dancer reconfigured

Special Feature - will time tell?: precise moves

Special Feature - nalina wait: invisible forces

Special Feature - nalina wait: five minutes of madness

Special Feature - anamorphic archive: the rosie dennis file

Special Feature - nalina wait: one dancer, two bodies

Special Feature - will time tell?: many times

Special Feature - nalina wait: making room

Special Feature - will time tell?: multiple beings

Special Feature - media arts education digest 2002-2008

Special Feature - mark cauvin

Special Feature - loren chasse

Special Feature - critical mass

Special Feature - after glow

Special Feature - nothing to lose

Special Feature - engineering the arts

Special Feature - lateral intimacies

Special Feature - suspending the audience

Special Feature - rabbits down the hole

Special Feature - the return of the super-marionette

Special Feature - words for the time being

Special Feature - in bed with a mortal engine

Special Feature - limina, or saying yes to no

Special Feature - who’s zooming who?

Special Feature - passing strange

Special Feature - dance party art

Special Feature - dancing the cosmic murmur

Special Feature - talking australian dance internationally

Special Feature - nothing hidden, much gained

Special Feature - inner-scapes

Special Feature - simultaneities

Special Feature - joel stern

Special Feature - james rushford

Special Feature - liquid architecture

Special Feature - rosie dennis: the truth hurts

Special Feature - the limits of the extraordinary

Special Feature - rosie article

Special Feature - erdem helvacioglu

Special Feature - rice corpse

Special Feature - keith armstrong, media artist

Special Feature - celebrating the flightless phoenix

Special Feature - light dance

Special Feature - black and white insights

Special Feature - beautiful hybrids

Special Feature - mask play

Special Feature - clare cooper & chris abrahams

Special Feature - animation

Special Feature - dance on screen

Special Feature - various

Special Feature - sue healey

Special Feature - what is music? festival

Special Feature - soundcapsule #1

Special Feature - urban theatre projects

Special Feature - lucy guerin inc

Special Feature - aspiration and influence

Special Feature - mike majkowski

Special Feature - benedict andrews: a rigorous vision

Special Feature - indonesian contemporary dance: multiple personalities

Special Feature - from betamax to dvd

Special Feature - such is life, and so is love

Special Feature - when does forever end?

Special Feature - foreign bodies

Special Feature - beyond absence

Special Feature - love and its disconnects

Special Feature - dancing to the threshhold

Special Feature - a dance work revived: faith restored

Special Feature - earth's slow death dance

Special Feature - journey into light

Special Feature - into the vortex

Special Feature - cool tensions

Special Feature - one shoe on, one shoe off

Special Feature - dancing between tradition & modernity

Special Feature - dancing into identity

Special Feature - shaking the spectator's heart

Special Feature - noise in contemporary asian dance

Special Feature - strange worlds, mutating forms

Special Feature - working the audience

Special Feature - borderline control

Special Feature - fighting as performance

Special Feature - 10th indonesian dance festival: dance, future tense

Special Feature - sky needle

Special Feature - matt chaumont

Special Feature - clocked out

Special Feature - clocked out

Special Feature - art & asylum: politics, ethics, aesthetics

Special Feature - contemporary chinese cinema

Special Feature - various

Special Feature - romeo castellucci & societas raffaello sanzio

Special Feature - live art mouth to mouth

Special Feature - you will live forever

Special Feature - two trips to enigma

issue 0 - human interest story, 2010

issue 0 - melt, 2002

Special Feature - the meeting point

issue 0 - structure and sadness, 2006

issue 0 - already elsewhere, 2005

issue 0 - the age im in, 2008

issue 0 - same, same but different, 2002

issue 0 - nerve 9, 2001

issue 0 - triptych, 2008

issue 0 - run—a performance engine, 2009

Special Feature - realtime video interview: gideon obarzanek

issue 0 - dance project, 2005-2010

issue 0 - danse (1), 2006

issue 0 - danse (4), 2008

issue 0 - ...and yet, 1995

issue 0 - huit à huit-dance for the time being, 2009

issue 0 - in time series, 2005-2007

issue 0 - fine line and fine line terrain, 2004

issue 0 - the curiosities, 2008 onwards

issue 0 - delirium, 1999

issue 0 - morphia series, 2002

issue 0 - sunstruck, 2008

issue 0 - tense dave, 2003

issue 0 - i want to dance better at parties, 2004

issue 0 - australia’s most wanted, 2002

issue 0 - glow, 2006

issue 0 - mortal engine, 2008

issue 0 - fish, 1997

issue 0 - ochres, 1995 (co-choreographer bernadette walong)

issue 0 - clan, 2004 (co-choreographer frances rings)

issue 0 - mathinna, 2008

issue 0 - age of unbeauty, 2002

issue 0 - held, 2004

issue 0 - devolution, 2006

issue 0 - g, 2008

issue 0 - songs with mara, 1992

issue 0 - furioso, 1993

issue 0 - original home, 1999

issue 0 - swift, 2003

issue 0 - the oracle, 2009

issue 0 - enso, 1998

issue 0 - monumental, 2006

Special Feature - dance massive 2011 artists: from the archive

Special Feature - ghost dancing

Special Feature - realtime video interview: rosalind crisp

Special Feature - kinetics: sculpted & danced

Special Feature - realtime video interview: madeleine flynn & tim humphrey

Special Feature - the uneasy weight of metaphor

Special Feature - realtime video interview: michelle heaven & brian lucas

Special Feature - topology

Special Feature - displacements: space, stage, workplace

Special Feature - realtime video interview: luke george

Special Feature - realtime video interview: trevor patrick

Special Feature - the truth of the matter, or not

Special Feature - post-apocalyptic drive-in dancing

Special Feature - the unexploited

Special Feature - place: turku, finland

Special Feature - art & disability: new geographies of the body

Special Feature - blip (jim denley, mike majkowksi)

Special Feature - various

Special Feature - decibel

Special Feature - in osborne park no one can hear you scream

Special Feature - totally huge new music festival 2011

Special Feature - water, wind, earth, fire

Special Feature - teased by the trickster

Special Feature - a language in process

Special Feature - movement and stasis

Special Feature - eugene ughetti, realtime video interview

Special Feature - marina rosenfeld, realtime video interview

Special Feature - familiar maps, new territories

Special Feature - what remains: the sum of differences

Special Feature - place: barcelona, spain

Special Feature - place: sarajevo, bosnia & herzegovina

Special Feature - place: new york, usa

Special Feature - soundcapsule #2

Special Feature - new weird australia editions: thomas williams vs scissor lock, spartak

Special Feature - clocked out - archive highlight

Special Feature - place: hong kong, people’s republic of china

Special Feature - place: berlin, germany

Special Feature - place: shanghai, people’s republic of china

Special Feature - soundcapsule #3

Special Feature - place: beirut, lebanon

Special Feature - ros bandt, johannes s sistermanns

Special Feature - place: wroclaw, poland

Special Feature - place: yogyakarta

Special Feature - place: beijing, people’s republic of china

Special Feature - liquid architecture (updated)

Special Feature - place: detroit

Special Feature - soundcapsule #4

Special Feature - the wired lab

Special Feature - place: munich, germany

Special Feature - soundcapsule #5

Special Feature - australian indigenous film

Special Feature - place: santiago, chile

Special Feature - realtime tv: robyn archer, canberra 100

Special Feature - place: auckland, aotearoa, new zealand

Special Feature - realtime tv: claire edwardes & damien ricketson, ensemble offspring

Special Feature - realtime tv: stuart buchanan, new weird australia

Special Feature - realtime tv: joel stern (otherfilm), psycho subtropics

Special Feature - realtime tv: composer profile, jon rose

Special Feature - realtime tv: choreographer garry stewart, be your self

Special Feature - realtime tv: lara thoms, the experts project

Special Feature - realtime tv: kusum normoyle: s.i.t.e (screaming in the everyday)

Special Feature - realtime tv: composer profile, cat hope, decibel

Special Feature - realtime tv: kate champion never did me any harm, force majeure & sydney theatre company

Special Feature - branch nebula

Special Feature - place: glasgow, scotland, united kingdom

Special Feature - an intense manifestation of dance

Special Feature - unsettling the audience

Special Feature - lines of flight

Special Feature - dark symmetries

Special Feature - inside the audience

Special Feature - the poetry of pain

Special Feature - realtime tv: stephanie lake, dual, dance massive 2013

Special Feature - realtime tv: dalisa pigram, gudirr gudirr, dance massive 2013

Special Feature - the origins of feeling

Special Feature - the body un-mirrored

Special Feature - fun and the damage done

Special Feature - realtime tv: lee serle, p.o.v., dance massive 2013

Special Feature - more than smoke and mirrors

Special Feature - now, then, now

Special Feature - realtime tv: anouk van dijk, 247 days, chunky move, dance massive 2013

Special Feature - old tropes & the new disconnect

Special Feature - realtime tv: stephanie lake, dual

Special Feature - realtime tv: dalisa pigram, gudirr gudirr

Special Feature - realtime tv: lee serle, p.o.v.

Special Feature - realtime tv: anouk van dijk, 247 days, chunky move

Special Feature - a not so private hearing

Special Feature - something ends, something begins

Special Feature - realtime tv: antony hamilton, black projects 1& 2, dance massive 2013

Special Feature - realtime tv: antony hamilton, black projects 1& 2

Special Feature - strange affliction: dance massive & transcendence

Special Feature - ritual entwining

Special Feature - realtime tv: tim darbyshire, more of less concrete, dance massive 2013

Special Feature - realtime tv: tim darbyshire, more of less concrete

Special Feature - the life in the work

Special Feature - youtubing live

Special Feature - quotidian moves, gangnam-style

Special Feature - zephyr quartet

Special Feature - place: brussels, belgium

Special Feature - realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace

Special Feature - Knowing your place in Cartesian space

Special Feature - Stars and starlings, pixels and picknickers

Special Feature - Touch me there

Special Feature - 'Pure' experience, in the round

Special Feature - Data lives

Special Feature - Outside the labyrinth…looking in at someone waving

Special Feature - realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace

Special Feature - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre

Special Feature - Life and death, and the membranes inbetween

Special Feature - Being Stelarc

Special Feature - realtime tv @ ISEA2013: EchoSonics, UTS Gallery

Special Feature - The science and art of tangible things

Special Feature - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre

Special Feature - realtime tv @ ISEA2013: EchoSonics, UTS Gallery

Special Feature - realtime tv @ ISEA2013: semipermeable (+), SymbioticA

Special Feature - realtime tv @ ISEA2013: semipermeable (+), SymbioticA

Special Feature - The uncanny in the gallery

Special Feature - Run for your lives [1]

Special Feature - Run for your lives [2]

Special Feature - To re-map and reclaim

Special Feature - M e d i a a r t t h e n a n d n o w

Special Feature - A curative dose of spontaneity

Special Feature - Turning the media back on itself

Special Feature - Olfaction, decay & speculation

Special Feature - Aural ecologies, mechanical and musical

Special Feature - Heck, baby, I shoulda seen it comin…

Special Feature - Start by leaping off a small stool

Special Feature - More than meets the eye

Special Feature - realtime tv @ ISEA2013: The very near future, Alex Davies

Special Feature - New tools and old skool grammars

Special Feature - Pop up pleasure zones

Special Feature - Home, sweet home

Special Feature - Painting by algorithms

Special Feature - In the digital age, love your stationery obsession

Special Feature - If a system fails in a forest, is anybody listening?

Special Feature - Rainbow over ISEA

Special Feature - Musical multiverses

Special Feature - realtime tv @ ISEA2013: Zydnei, Troy Innocent

Special Feature - Nailing the virtual

Special Feature - The big connect

Special Feature - Transformational walking

Special Feature - Night work

Special Feature - Palpable virtualities

Special Feature - Data noise & the limits of dance

Special Feature - The sound of reading

Special Feature - Past-present tensions

Special Feature - Celestial sweet spots

Special Feature - Churches of sound

Special Feature - Eclectic ecstasies

Special Feature - A choreography of oscillation

Special Feature - Explorers of an alien planet

Special Feature - Madness, hell and transcendence

Special Feature - Programming a grotesque order

Special Feature - Bridges and deviations

Special Feature - Pianos wired

Special Feature - A pyrrhic revolt

Special Feature - Art shocks, capitalism quakes!

Special Feature - Kecak, breakdancing, tension & harmony

Special Feature - Larry is sombre

Special Feature - Vigorous ruminations on happiness

Special Feature - Happiness against the odds

Special Feature - Hands up, head down!

Special Feature - The not so sweet science

Special Feature - A Winning punch

Special Feature - Not so strange strangers

Special Feature - Happy as Larry—poor Larry

Special Feature - In Profile: Miranda Wheen

Special Feature - In Profile: Keg de Souza

Special Feature - Ethereal exchanges

Special Feature - Art for water

Special Feature - Realising regional ambitions

Special Feature - Eastern Riverina sites & sounds

Special Feature - Rice, rituals and relationships

Special Feature - Grong Grong Creative House

Special Feature - Contributor profile: Stephen Carleton

Special Feature - Contributor profile: Zsuzsanna (Zsuzsi) Soboslay

Special Feature - Contributor profile: Kathryn Kelly

Special Feature - Regional Profile: Jason Richardson

Special Feature - In Profile: Rachael Dease

Special Feature - In Profile: Sarah-Mace Dennis

Special Feature - Jon Rose

Special Feature - Contributor profile: Anne Thompson

Special Feature - In Profile: Chris Howlett, ARGARMENIA

Special Feature - Place: Split, Croatia

Special Feature - Contributor profile: Katerina Sakkas

Special Feature - realtime tv: FOLA—Sam Halmarack & the Miserablites

Special Feature - realtime tv: FOLA—Nicola Gunn, Person of Interest

Special Feature - realtime tv: FOLA—What is Live Art?

Special Feature - realtime tv: Isaac Julien, PLAYTIME

Special Feature - realtime tv: Chiara Guidi & Jeff Stein, Jack and the Beanstalk

Special Feature - In Profile: Alison Bennett, Shifting Skin

Special Feature - Contributor profile: Oliver Downes

Special Feature - realtime tv at FOLA: Tristan Meecham, Game Show

Special Feature - realtime tv: FOLA— Beth Buchanan, I Know That I am Not Dead

Special Feature - realtime tv: Sarah Last, Wired Open Day

Special Feature - Speak Percussion

Special Feature - Portal archive

Special Feature - Studio archive

Special Feature - Contributor profile: Briony Kidd

Special Feature - Contributor profile: Gail Priest

Special Feature - The other side of Nightfall: Margaret Cameron & Ian Scott

Special Feature - Obituary & Archive: Margaret Cameron

Special Feature - Contributor Profile: Bernadette Ashley

Special Feature - Contributor Profile: Vicki Van Hout

Special Feature - Place: Bourges, France

Special Feature - realtime tv @ ISEA2013: The very near future, Alex Davies

Special Feature - realtime tv @ ISEA2013: Zydnei, Troy Innocent

Special Feature - RealTime Writing Workshop

Special Feature - The epic resonances of diffusion

Special Feature - Folds: loose, taut & generative

Special Feature - The sound shapers

Special Feature - The many-voiced cello of an Australo-German repertoire

Special Feature - Young composers let loose

Special Feature - A fine plenitude

Special Feature - Motion in stillness

Special Feature - Piano adventures

Special Feature - The piano and its others

Special Feature - Adventures in timbre and texture

Special Feature - Space-making Immersive vocal improvisation

Special Feature - Percussive partnerings

Special Feature - Totally Huge’s percussive climax

Special Feature - Place: Seoul, South Korea

Special Feature - In Profile: Nick Power, b*boy, choreographer

Special Feature - In Profile: Jason James, artist

Special Feature - Art versus the war against Nature

Special Feature - A momentary wondrous artefact

Special Feature - Percussion: the beating heart of art

Special Feature - Magic in detritus

Special Feature - The thrill of a cut-above festival

Special Feature - Carry On Culture Wars

Special Feature - This is how we might live, and die

Special Feature - Dana Waranara—Privilege and Responsibility

Special Feature - Dana Waranara—Privilege and Responsibility

Special Feature - Dancing to the Dana Waranara challenge

Special Feature - Dance, not product, but living culture

Special Feature - A conference for irrevocable change

Special Feature - Sideshow Circus Magazine

Special Feature - Giveaway: Gayby Baby DVD