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realtime 122

Aug-Sept 2014

editorial

RT PROFILER 6, 17 SEPTEMBER, 2014
Partner Art

Editorial - RT122

Giveaways RT122



festivals

Artistic greatness and human fallibility
Emi Foster: FTA, Festival TransAmériques, Montreal

Staring down the apocalypse
Junction Festival: The Evolutionary StraitJacket

The global politics of the stage
Theron Schmidt: LIFT 2014, London

The strangeness of communal slumber
Briony Kidd: Dark Mofo: Motel Dreaming



special features

ARTS EDUCATION: VISUAL ARTS
Cover: Considered movement
Brenton Alexander Smith, The Bicycle Man, Cover

ARTS EDUCATION: THEATRE, DANCE, TECHNICAL PRODUCTION
Intensive, intimate, connected
Keith Gallasch: Adelaide College of the Arts

ARTS EDUCATION: THEATRE & PERFORMANCE
Points of difference, degrees of engagement
Survey: performance, acting, dance, design courses

ARTS EDUCATION: THEATRE & PERFORMANCE
Strong tradition, new moves
Keith Gallasch: VCA, University of Melbourne: Robert Walton, Alyson Campbell

ARTS EDUCATION: PERFORMANCE
Academy & industry hand in hand
Keith Gallasch: Interview, Jane Montgomery Griffiths, Centre for Theatre and Performance, Monash University

ARTS EDUCATION: MUSIC
Limited solutions to a crisis in specialisation
Matthew Lorenzon: Peter Tregear, “Enlightenment or Entitlement?”, Platform Papers, 38

ARTS EDUCATION: FILM & MEDIA
Career optimism in tight times
Tina Kaufman

ARTS EDUCATION: BIORESEARCH
New degree in Neo-life
SymbioticA, Master of Biological Arts, UWA

ARTS EDUCATION: ART & DESIGN
Art school redux: from oldest to newest
Keith Gallasch: Interview, Ross Harley, Dean, Art & Design UNSW

ARTS EDUCATION
Presence, integration & deregulation
Introduction

performance

RT PROFILER 6, 17 SEPTEMBER, 2014
realtime tv: Julie Vulcan, performance and installation artist

RT PROFILER 6, 17 SEPTEMBER, 2014
Big science, intimate exchanges, deep humour
Ben Brooker, Cat Jones

RT PROFILER 6, 17 SEPTEMBER, 2014
Imaginings, puppets and saving cranes
Keith Gallasch, interview,Tim Watts, Falling Through Clouds

RT PROFILER 6, 17 SEPTEMBER, 2014
realtime tv: Andrew Upton, Sydney Theatre Company

REGIONAL NSW
Compassionately adrift
Vic McEwan: Scott Howie, Boat/Person

A bitter conceit
Keith Gallasch: Henrik Ibsen, Hedda Gabler

A nice night out
Caroline Wake: Malcolm Whittaker, Jumping the Shark Fantastic

Bloody history lessons
Kathryn Kelly: The Danger Ensemble, Caligula; Linda Hassall, The Return

Braving the limits of the monologue
John Bailey: Red Stitch, Angus Cerini, BalletLab

Breakdown and repair
Ben Brooker: Vitalstatistix, Adhocracy

Dark tales cast light in dark times
Zsuzsanna Soboslay: Vanessa Bates, The Magic Hour

Disability & its taboos
Ben Brooker: Tutti Arts, Eye Music

Grimmer childhood aesthetics
Bryoni Trezise: Chiara Guidi, Jack and the Beanstalk

Life has other ideas
Briony Kidd: Terrapin Puppet Theatre, Big Baby

Love vs Big Pharma
Keith Gallasch: Lucy Prebble, The Effect

Magic: digits & the digital
Briony Kidd: Terrapin Puppet Theatre Artistic Director Sam Routledge

The dangers within
Astrid Francis: Little y Theatre Company & whatshesaid, Rabbithead

The dead end of addiction
Keith Gallasch: Declan Greene, Eight Gigabytes of Hardcore Pornography

The empty space as artifice
Keith Gallasch: William Shakespeare, Macbeth

The view from the Hills Hoist
Nicola Fearn: Sarah Hope, The Hoist



dance

Breaking through the fog of myth
Jessica Sabatini: Interview, Antony Hamilton, Keep Everything

Invitations to other worlds
Keith Gallasch: MAU, Stones in Her Mouth; Djuki Mala (Chooky Dancers)

Micro/macro dances of light & matter
Ben Brooker: ADT, Multiverse

Something human lurks
Jessica Sabatini: James Batchelor, Island

The intricacies of dance and history
Vicki Van Hout: Bangarra Dance Theatre, Patyegarang

The many faces of death
Anne Thompson: Lina Limosani, A Delicate Situation



visual arts

REGIONAL VIC
Screening memory
Urszula Dawkins: Interview, Curator Bridget Crone, The Cinemas Project

ARTS CENTRES
Tasmania’s arts engine room
Judith Abell, Salamanca Arts Centre, Hobart

Mapping the personal
Chris Reid: Joe Felber, Sarah crowEST, Stanislava Pinchuk, Roy Ananda

sound/music

RT PROFILER 6, 17 SEPTEMBER, 2014
In Profile: Matt Warren, mumble(speak), III - real and imagined scenarios Gail Priest
Gail Priest

In the flow
Greg Hooper: DeClassifiedMusic, TRIVIUM

Music un-compressed, non-YouTubed
Greg Hooper: Kupka’s Piano, Modern Music in Exile

New simplicity for new complexists
Matthew Lorenzon: Inverse Spaces

Sounding the boundaries
Clinton Green: Liquid Architecture 2014: The ear is a brain

Stockhausen, May 68: intuition & liberation
Chris Reid: Karlheinz Stockhausen—Electronic Music



+onscreen
film & screen culture

AUDIOVISION
Illuminated edifices & audiovisual effigies
Philip Brophy: Architectural projections

Artists as filmmakers
Kath Dooley: The Hive Production Fund Films

Epic history, intimately told
Dan Edwards: interview, Sophia Turkiewicz, Once My Mother



+onscreen media arts

RT PROFILER 6, 17 SEPTEMBER, 2014
In Profile: David Rosetzky, Gaps
Urszula Dawkins

Avatar theory and a necessary hysteria
Darren Jorgensen: Darren Tofts, alephbet