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editorial
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festivals
PERTH INTERNATIONAL ARTS FESTIVAL
A festival that feels, senses and thinks
Keith Gallasch: Interview, Wendy Martin
PERTH INTERNATIONAL ARTS FESTIVAL
The art of empathy
Keith Gallasch: Interview, Clare Patey, Perth Festival
OZASIA FESTIVAL
A rigorous engagement with Asia
Ben Brooker: Performance
OZASIA FESTIVAL
Cultural play & interplay
Chris Reid: Music
OZASIA FESTIVAL
Fragility, resilience, work & home
Ben Brooker: Interview, Melati Suryodarmo
OZASIA FESTIVAL
Renewal through reflection
Chris Reid: Visual Arts
OZASIA FESTIVAL
The past drives dance into the future
Jane Howard: Dance
MELBOURNE INTERNATIONAL ARTS FESTIVAL
The unexpectedly ecstatic
John Bailey: The Bacchae; YOUARENOWHERE
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
A wild flowering of new works
Keith Gallasch: Overview
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Bending a brass band
Felicity Clark: Lauren Brincat & Bree van Reyk, No Performance Today
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Canny Robotics
Stephen Jones: Wade Marynowsky, Robot Opera
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
For highbrow perusal
Fiona McGregor: Eisa Jocson, Death Of The Pole Dancer; Macho Dancer
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Fun durational art
Lauren Carroll Harris: zin, Each Other
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Ice, art & urgency
Fiona McGregor: Latai Taumoepeau, Repatriate I & II
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Let’s do hysteria
Lauren Carrol Harris: Hissy Fit, I Might Blow Up Someday
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Obsession, creation & re-invention
Cleo Mees: Muscle Mouth
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
Primal myth magic
Jodie McNeilly: Victoria Hunt, Tangi Wai - The Cry Of Water
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
When life turns surreal
Jodie McNeilly: Vicki Van Hout, Les Festivités Lubrifier
LIVEWORKS FESTIVAL OF EXPERIMENTAL ART
With an ear to the wall
Felicity Clark: Bree van Reyk, Wall Of Sound
ADELAIDE FESTIVAL OF THE ARTS
Everything depends on dramaturgy
Ben Brooker: Interview, Romeo Castellucci, Go Down, Moses
ADELAIDE FESTIVAL OF THE ARTS
Of kings, carnations & psyches in crisis
Keith Gallasch
Guide to a festival of great gifts
Keith Gallasch: Interview, Lieven Bertels, Sydney Festival
New connections, strange directions
Ben Brooker: PADA, Near and Far
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special features
REGIONAL
A common magic
Jason Richardson: The Cad Factory, On Common Ground
REGIONAL
Place, displacement & disposition
Zsuzsanna Soboslay: Siteworks 2015
CARRIAGEWORKS 2016 PROGRAM
An integrated & evolutionary vision
Keith Gallasch: Interview, Lisa Havilah
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performance
All a part of something
Lauren Carroll Harris: BYDS, The Way
Boldly narrowing the gap
Kathryn Kelly: Brisbane Festival
Cultural climate change
Malcolm Whittaker: Crack Theatre Festival
Insanity, inside & out
Keith Gallasch: STC, King Lear; Sydney Chamber Opera/Ensemble Offspring, An Index Of Metals
Occupy the street
Urszula Dawkins: Skye Gellmann, Bodies Over Bitumen
Performance & the restoration of the real
Andrew Fuhrmann: Richard Murphet, Quick Death/Slow Love
Reality’s other perspectives
Stephen Carleton: Brisbane Festival
Refugee awareness: a way through?
Caroline Wake: A Sri Lankan Tamil Asylum Seeker’s Story As Performed By Australian Actors Under The Guidance Of A Sinhalese Director
The perils of emptiness overcome
Felicity Clark: Theatre Nohgaku, Oppenheimer
Varieties of creative intimacy
Nerida Dickinson: Proximity Festival 2015
What’s in a name?
Virginia Baxter: Desdemona, Sydney Festival
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dance
Ode To Modernism
Philipa Rothfield: Jude Walton, Lehte II
Rewind forward
Jodie McNeilly: Julie-Anne Long & Glenn Thompson, 4’33’’ Into The Past
Walking, animal dances & becoming
Martin Del Amo: Interview, Martin Nachbar, Choreographer
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visual arts
Feminist manifestos converse
Ilana Cohn: Firstdraft, Haunting
Tracing counterpoint
Naomi Riddle: UNSW Galleries, People Like Us
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sound/music
PROFILER 13, 11 NOVEMBER 2015
The force inhabits you
Lauren Carroll Harris: Review, Ryoji Ikeda, Superposition
A tribute to transcendence
Matthew Lorenzon: Arcko Symphonic Ensemble, Nigel Butterley, From Sorrowing Earth
Eclectic fusion
Angus McPherson: Jochen Gutsch & The Hinterlandt Ensemble
Hearing through capital’s illusions
Tiarney Miekus: Liquid Architecture, Capitalist Surrealism
Sonica’s good-looking sounds
Gail Priest: Cryptic’s Sonica, Glasgow
Talents, minds & cultures united
Alex Turley: Tura New Music, Reflection Tour
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+onscreen
film & screen culture
ON THE DOX
Limited critique, internal contradictions
Dan Edwards: Avi Lewis & Naomi Klein, This Changes Everything
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+onscreen media arts
PROFILER 13, 11 NOVEMBER 2015
Experimental art—having to speak for itself
Darren Jorgensen: Report, National Experimental Art Forum
AUDIOVISION 20
Unsound vision
Philip Brophy: David Bowie Is
