info I contact
advertising
editorial schedule
acknowledgements
join the realtime email list
become a friend of realtime on facebook
follow realtime on twitter
donate

magazine  archive  features  rt profiler  realtimedance  mediaartarchive
back

realtime 137

Feb-March 2017

editorial

GIVEAWAY 22 FEBRUARY
DVD: Life, Animated

GIVEAWAY 15 FEBRUARY
DVD: Tanna

GIVEAWAY 15 FEBRUARY
TAO Dance Theater in ‘6’ and ‘8’
Two double passes, opening night, 22 Feb, Melbourne

GIVEAWAY 1 MARCH
DVD: Ken Loach's I, Daniel Blake

Lauren Carroll Harris joins RealTime

THE LOOP
15 February 2017

THE LOOP
22 February 2017

THE LOOP
8 March 2017

THE LOOP
22 March 2017



festivals

SYDNEY FESTIVAL 2017
Aromatics of thought
Keith Gallasch: Cat Jones, Scent of Sydney

SYDNEY FESTIVAL 2017
Art at labour's limits
Nikki Heywood: Institute; Still Life

SYDNEY FESTIVAL 2017
Art takes on despair
Vicki Van Hout: Blood on the Dance Floor; Prize Fighter; Huff

SYDNEY FESTIVAL 2017
Cultures, words, lives, limits
Keith Gallasch: SHIT, Ich Nibber Dibber, The Season, The Encounter

SYDNEY FESTIVAL 2017
Senses and causes
Nikki Heywood: Imagined Touch; Spectra

PuSh FESTIVAL
Spatial effects, narrative distractions
Alex Lazaridis Ferguson: 2017 PuSh International Festival of Performing Arts

PIAF 2017
Our world, now different?
Jana Perkovic: Museum of Water, Before the Siren, The Year I Was Born

PIAF 2017
Three kinds of grieving
Jonathan W Marshall: Opus No. 7, Betroffenheit, Exit/Exist

IBT 2017
Ghosts and bones and angels
Osunwunmi: In Between Time International Festival 2017

IBT 2017
Phases and faces
Timothy X Atack: In Between Time International Festival, Bristol

ASIA TOPA
Disaster meditations from Japan
John Bailey: Kagerou; Time's Journey Through a Room

ASIA TOPA
Of sport and gods
John Bailey: Circa, One Beautiful Thing; Next Wave, Lukautim Solwara

ASIA TOPA
Performing Asia in & with Australia
Keith Gallasch: interview, Stephen Armstrong, Kate Ben-Tovim

ASIA TOPA
The power of collaboration
Madeline Roycroft: Satan Jawa

ADELAIDE FESTIVAL
A work of art
Keith Gallasch: a preview of selected productions

ADELAIDE FESTIVAL
Life at the limits
Ben Brooker: Betroffenheit; Intimate Space; Wot? No Fish!!

ADELAIDE FESTIVAL
Presence and strength
Ben Brooker: Restless, Intimate Space; Gravity and Other Myths, Backbone

Bold, not just older
Adam Broinowski: BOLD, The Bold Dance Festival

Supercell Dance Festival: Brisbane dances
Keith Gallasch: interview Glyn Roberts, Co-Artistic Director



special features

AIDC 2017: Transcending the news cycle
Dan Edwards: Guardian Documentaries at AIDC

Documentary in a virtual, post-truth world
Dan Edwards: interview, AIDC Director Andrew Wiseman

Virtual embodiment, real empathy
Dan Edwards: VR+ Day, Australian International Documentary Conference

performance

SYDNEY FESTIVAL 2017
More than a bio-opera
Keith Gallasch: Sydney Chamber Opera, Biographica

PIAF 2017
Naturalism that makes space for all
Jana Perkovic: The Gabriels, Election Year In The Life Of One Family

PIAF
Beautiful failure vs fetishised perfection
Jonathan W Marshall: Lady Eats Apple; Meeting

Asia TOPA
Escape attempts
Sally Sussman: Lachlan Philpott, Little Emperors

ADELAIDE FESTIVAL
A king for our time
Keith Gallasch: Thomas Ostermeier, Richard III

ADELAIDE FESTIVAL
Great Kosky, great Saul
Keith Gallasch: Barrie Kosky, Handel's Saul

ADELAIDE FESTIVAL
Sights Unseen
Virginia Baxter: Volker Gerling, Portraits in Motion

A barbarian's right to difference
Renée Newman: Jo Randerson, Banging Cymbal, Clanging Gong

Another side of Mary
James Whiting: The Testament of Mary

AUDIO: A dangerous beast
Keith Gallasch: interview, Kip Williams, director, Chimerica

Crisis face to face
Keith Gallasch: preview, Powerhouse Youth Theatre, Tribunal

Into the internet's black holes
Lauren Carroll Harris, zin, The internet is where innocence goes to die and you can come too

Iran onstage
Megan Garrett-Jones: 35th Fadjr International Theatre Festival

Shifting gravity's centre
Julie Vulcan: Venice International Performance Art Week

The future is almost here
Caroline Wake: Sydney Theatre Company, Chimerica

Undoing imagination
James Whiting: Opera Australia, King Roger

WOMADelaide 2017: Saving the musical mind
Ben Brooker: interview, Roysten Abel, Manganiyar Classroom



dance

SYDNEY FESTIVAL 2017
Dance is the game
Keith Gallasch: Form Dance Projects, Champions

SYDNEY FESTIVAL 2017
Dancing new lives
Keith Gallasch: EkosDance Company: Cry Jailolo; Balabala

ASIA TOPA
Curiosity, clouds, release
Andrew Fuhrmann: interview: Ho Tzu Nyen, Anouk van Dijk, ANTI—GRAVITY

ASIA TOPA
Model dirty dancing
Sally Sussman: The Red Detachment of Women

Privacy & protest
Jodie McNeilly: Craig Bary, In Difference

Unanticipated moves
Kathryn Kelly: Supercell Festival of Contemporary Dance



visual arts

SYDNEY FESTIVAL 2017
Beyond sadness
Katerina Sakkas: Myuran Sukumaran, Another Day In Paradise

Gold Coast new art momentum
Kathryn Kelly: The Walls, 2017 program

sound/music

SYDNEY FESTIVAL 2017
Remarkable musics
Keith Gallasch: five concerts

MONA FOMA
Music's ever evolving electronics
Chris Reid: Electronic music at MOFO

Lloyd Cole: the interacting synthesiser
Chris Reid: Lloyd Cole, Identity vs Noise: 1Dn



+onscreen
film & screen culture

The sweet smell of jalebi
Kirsten Krauth: Garth Davis' Lion

Women's film festivals: breaking the mould
Lauren Carroll Harris: interviews, For Film’s Sake, Melbourne Women in Film Festival



+onscreen media arts

Nam June Paik: bad video, poor performance
Philip Brophy, 10th Anniversary Retrospective of Nam June Paik

Wynscreen: video art for those in transit
Lauren Carroll Harris, interview, doeanddoe (Beatrice Chew, Su-An Ng)