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realtime 138

April-May 2017

editorial

GIVEAWAY 5 APRIL
Ros Bandt, Tarhu Connections, double CD

GIVEAWAY 3 MAY
DVD: Jim Jarmusch, Paterson

GIVEAWAY 26 APRIL
Raw: T-shirts and double passes

THE LOOP
5 April 2017

THE LOOP
26 April 2017

THE LOOP
3 May 2017

THE LOOP
10 May 2017

Vale John Clarke



festivals

Asia TOPA
Flow maps & heightened states
Andrew Fuhrmann

Post-industrial town’s art conversion
Lauren Carroll Harris: Cementa17



special features

An experimental art hub in Melbourne’s west
John Bailey: interview, Brad Spolding, Director, The Substation

Bundanon: channelling Arthur Boyd
Keith Gallasch: Trevor Flinn in-residence

Bundanon: creative refuge
Keith Gallasch: Georgie Meagher, William Zappa, Rhiannon Newton

performance

In the beginning...
Kathryn Kelly: Applespiel, Jarrod Duffy Is Not Dead

Project O: into impossible places
Osunwunmi: interview, Jamila Johnson-Small & Alexandrina Hemsley

Taking care
Keith Gallasch: Shopfront at Belvoir, Treats

Techno-shapeshifting
Laura McLean: Firstdraft and Auto Italia South East, Rogue Agents

The audience on the inside
John Bailey: Passenger; Aeon

The Simpsons will save us
Ben Brooker: STCSA & Belvoir, Anne Washburn's Mr Burns



dance

DANCE MASSIVE 2017
Experience into dance: translation and failure
Andrew Fuhrmann

Asia TOPA
The weight of abstraction
Jana Perkovic: Chunky Move, Anti—Gravity

A nurturing Dancenorth
Bernadette Ashley: Dancenorth, Tomorrow Makers

A subtle excavation
Philipa Rothfield: Jude Walton, The Drill Hall Project 2017

Jack Ferver & persona
Andrew Fuhrmann: Jack Ferver, Mon, Ma, Mes (Revisité)

Science + love = explosive dance
Kathryn Kelly: The Farm & C03, Frank Enstein



visual arts

Artist at play
Keri Glastonbury: Nola Farman, Flight

Globalisation: upside/downside
Kathryn Kelly: Kiah Reading Vs The World

Lili Almog: Lifting the veil
Keith Gallasch: Lili Almog, The Space Within

Natural digital
Keith Gallasch: teamLab, Impermanent Life

sound/music

Asia TOPA
New words for music
Matthew Lorenzon: Between 8 and 9, Chengdu Teahouse Project

A sustaining instrument
Keith Gallasch: Ros Bandt, Tarhu Connections, CD

Beautiful fragments
Jonathan W Marshall: Moscow Contemporary Music Ensemble

Resonant Bodies: voices matter
Zoe Barker

Table manners, dressage & music
Laura Halligan: Never Tilt Your Chair Back On Two Legs



+onscreen
film & screen culture

An Australian sect saga
Luke Goodsell: Rosie Jones, The Family

Eating people: serious horror
Katerina Sakkas: Julia Ducournau’s Raw

Film festivals vs the big streamers
Cameron Williams: Australian film festivals, Netflix and Amazon

Fresh plot for a cinémathèque
Tina Kaufman: proposal for a Sydney cinémathèque

Is anyone there—online or off?
Katerina Sakkas: Olivier Assayas, Personal Shopper

Small films in a big screen world
Luke Goodsell: interview, Richard Sowada, American Essentials

Travelling doco fest fights corruption
Ann Deslandes: Ambulante film festival, Mexico City

Unravelling McFamily-sized myths
Luke Goodsell: Kitty Green's Casting JonBenét



+onscreen media arts

Angelica Mesiti recodes video art
Lauren Carroll Harris: Relay League, Angelica Mesiti

Art as big public infrastructure
Lauren Carroll Harris: interview, Alessio Cavallaro, curatorial director, Wynscreen

Video art treasure house on demand
Conor Bateman: access, quality & streaming portals

Video essay: Cameraperson to person
Conor Bateman: Kirsten Johnson's Cameraperson