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realtime 138

April-May 2017

editorial



festivals

Asia TOPA
Flow maps & heightened states
Andrew Fuhrmann



special features

An experimental art hub in Melbourne’s west
John Bailey: interview, Brad Spolding, Director, The Substation

performance

The audience on the inside
John Bailey: Passenger; Aeon



dance

DANCE MASSIVE 2017
Experience into dance: translation and failure
Andrew Fuhrmann

Asia TOPA
The weight of abstraction
Jana Perkovic: Chunky Move, Anti—Gravity

Science + love = explosive dance
Kathryn Kelly: The Farm & C03, Frank Enstein



visual arts

no content

sound/music

Asia TOPA
New words for music
Matthew Lorenzon: Between 8 and 9, Chengdu Teahouse Project

A sustaining instrument
Keith Gallasch: Ros Bandt, Tarhu Connections, CD



+onscreen
film & screen culture

An Australian sect saga
Luke Goodsell: Rosie Jones, The Family

Film festivals vs the big streamers
Cameron Williams: Australian film festivals, Netflix and Amazon

Is anyone there—online or off?
Katerina Sakkas: Olivier Assayas, Personal Shopper



+onscreen media arts

Art as big public infrastructure
Lauren Carroll Harris: interview, Alessio Cavallaro, curatorial director, Wynscreen