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realtime 34

Dec-Jan 1999


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special features

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Beautiful People, D-Faces of Youth Arts
Anna Hickey

Dance on wheels
Kat Worth reports on integrated dance in LA

Manipulations & Hands

Positioning passions
Erin Brannigan interviews Wayne McGregor about Chunky Move’s Choreolab

Who said?
Grisha Dolgopolov at PICA’s Dancers are Space Eaters festival

visual arts

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film & screen culture

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+onscreen media arts

Feature: RT @ APT3 & MAAP99
Hong Kong—rebuilding on disappearance
Grisha Dolgopolov

Feature: RT @ APT3 & MAAP99
Location location location
Virginia Baxter

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Missile: CONTACT
Grisha Dolgopolov

Feature: RT @ APT3 & MAAP99
Missile: Shanghai N.2
Jason Sweeney

Feature: RT @ APT3 & MAAP99
Notes and imprints
Julainne Sumich

Blood on the keys
Joni Taylor enters Linda Dement’s In My Gash CD-ROM

Did we dream this?
Keith Gallasch and Virginia Baxter examine crime scenes at Sydney’s Police and Justice Museum and the Australian Centre for Photography

Diving into the virtual
Kathy Cleland immersed in the translucent worlds of Char Davies

Hands off credentials
Dean Kiley at Bendigo Art Gallery’s Byte Me

Homo Genesis

Alex Hutchinson on the game

One day all headstones will be electronic
Edward Scheer in the dark corridors of Voiceovers

Organ(ic)s: real and metaphorical
Mitchell Whitelaw explores the Dead Centre of Norie Neumark’s latest collaboration

Short: National Digital Art Awards, IMA

The Wetware season
Mike Leggett reports from The NxT Mutimedia Symposium in Darwin

Kirsten Krauth reviews Patchwork Girl and speaks to Eva Gold about the first-time inclusion of hypertext into high school curriculum