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MAAP in Singapore: GRAVITY

Oct 22-Nov 17


 Da Contents H2

October 22 2004
MAAP in Singapore 2004 - Gravity: Introduction
Keith Gallasch

GRAVITY - MAAP in Singapore
November 30 1999
A museum of accidents
Virginia Baxter

GRAVITY: Kim Kichul, Sound Drawing
An eye for sound
Gail Priest

SCAN: Asia Art Archive at The Substation
Archiving history face to face
Keith Gallasch talks to Angela Seng

GRAVITY: Tsunamii.net, alpha3.5crush
Computer juice
Gail Priest

GRAVITY, Singapore Art Museum
Conceptual leaps
Gail Priest

Symposium: GRAVITY
November 30 1999
Every available space
Virginia Baxter

-+-(negative plus negative)
Living the in-between
Keith Gallasch

MAAP artists' talk
Material boys
Keith Gallasch

Katawán, Satti
The body between: an interview/review
Keith Gallasch talks to Fatima Lasay

New Video Art From Australia
The inevitable body
Michael Lee Hong Hwee

-+-(negative plus negative)
November 30 1999
The pause that refreshes
Virginia Baxter

The Gravities of Sound Audio Tunnel/GRAVITY extended
The weight of public spaces
Gail Priest

New Video Art From Australia
The wild ones
Ho Tzu Nyen

GRAVITY, Singapore Art Museum
When words flail you
Gail Priest

 

Contributor profile: Varia Karipoff


Varia Karipoff Varia Karipoff
courtesy the writer
Bio

I studied International Relations before taking a sabbatical in Palestine and then Arctic Russia. As I was drifting through 32 euro-a-night hotels in the red-light district of Paris and other places of disrepute, I realised that the Department of Employment and Workplace Relations in Canberra was no place for the likes of me. I turned my hand to writing instead.

I was given a push by Sian Prior to pursue arts journalism while studying Professional Writing and Editing at RMIT. Initially covering fashion events, I became associate editor of a travel and arts magazine, a regular contributor to RealTime and a freelance writer/editor. My poems have since gone on to make it to print and won a few prizes. I live in Melbourne with my partner, ceramic artist and sculptor, Andrei Davidoff and my daughter Augustine.

Exposé

I think Australia separates art from life either by putting it on a pedestal or shrugging it off for its perceived elitism. Art’s rightful place is at the centre of our cultural life as a part of the fabric of every waking day. Its role is to rouse us from the commonplace and quotidian. I write about art to steal my way into the middle of it as the eager audience, and to share maybe one moment, or crystallise some thought that resonates with a reader and piques their curiosity.

Dance and performance are completely visceral and subjective in their stories. In a way, it is on par with poetry. Movement becomes poetry; a language devoid of words and it has the power to trigger memories or new connections.

English was the second language I spoke. My parents were Russian/Soviet refugees. Like Kerouac or Nabokov, finding a voice amid the languages has been a major influence in why and how I write.

Selected articles

highly strung dance
varia karipoff: gareth hart, ellipsis
RealTime issue #112 Dec-Jan 2012 p27

at the crossroads of the senses
varia karipoff: tim darbyshire, more or less concrete
RealTime issue #109 June-July 2012 p8

dancing fish tales
varia karipoff: james welsby, tidefolk fictions
RealTime issue #110 Aug-Sept 2012 p33

live art release
varia karipoff: an appointment with j dark
RealTime issue #109 June-July 2012 p28

pain makes art
varia karipoff: georgie read, brigid jackson, la mama
RealTime issue #103 June-July 2011 p37

RealTime issue #113 Feb-March 2013 pg. web

© ; for permission to reproduce apply to realtime@realtimearts.net

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