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 Da Contents H2

September 11 2013
Happy as Larry—poor Larry
Fiona Carter: Shaun Parker & Company, Happy As Larry

September 5 2013
Ethereal exchanges
Mike Bodnar: Polytoxic, Tradewinds

September 4 2013
A Winning punch
Nicola Fearn: Roslyn Oades, I’m Your Man

Not so strange strangers
Nicola Fearn: Polytoxic, Trade Winds

August 26 2013
Hands up, head down!
Fiona Carter: Roslyn Oades, I'm Your Man

Happiness against the odds
Kaye Hall: Shaun Parker & Company, Happy as Larry

August 26 2013
Larry is sombre
Nicola Fearn: Shaun Parker & Company, Happy as Larry

DARWIN FESTIVAL
Shaken out of the everyday
Nicola Fearn: Yumi Umiumare with Theatre Gumbo, DasSHOKU SHAKE!


The not so sweet science
Mike Bodnar: Roslyn Oades, I'm Your Man

Vigorous ruminations on happiness
Mike Bodnar: Shaun Parker & Company, Happy as Larry

August 23 2013
Art shocks, capitalism quakes!
Kaye Hall: Yumi Umiumare & Theatre Gumbo, DasSHOKU SHAKE!

DARWIN FESTIVAL
August 23 2013
Expectations and cultural crossovers
Fiona Carter: Tracks Dance Company, Zombies In the Banyan Tree


Kecak, breakdancing, tension & harmony
Kyle Walmsley: Tracks Dance Company, Zombies In the Banyan Tree

 

Not so strange strangers

Nicola Fearn: Polytoxic, Trade Winds

Nicola Fearn is a theatre maker, director, performer and teacher (Australia & UK). She is Artistic Director of Business Unusual, a Darwin-based company specialising in visual, physical theatre and is a graduate of the Victorian College of the Arts postgraduate theatre course.

Leah Shelton & Lisa Fa'alafi, Tradewinds, Polytoxic Leah Shelton & Lisa Fa'alafi, Tradewinds, Polytoxic
courtesy the artist
Two women, dressed in identical voluminous white dresses, appear in the water at each side of the Darwin Recreation Lagoon—they float towards each other carrying small origami boats. Their easeful passage is disrupted as the women stumble, their boats dipping dangerously, the gentle ethereal music becomes dissonant and their glide momentarily jagged.

The dangers of sea travel is referenced, resonating with a northern Australian audience used to asylum seekers being turned away from their shores. The women meet but cannot work out how to greet, each performing ritual gestures that do not match.

Polytoxics’ performative outdoor installation Trade Winds depicts the meeting of women from different cultures. A dance work with contemporary pop aesthetic projections from Samuel Tupou, it is set to a rhythmic soundtrack of piano, electronica and bass hums. The women look identical, they wear matching dresses, carry the same umbrellas and mirror each other’s movements as vibrant projected patterns cover them. Is it deliberate that these supposedly different cultures appear to be mirror images of each other or is the audience watching from the beach the stranger? The narrative is loose in Trade Winds with the visual element as the main focus.

The women’s dresses and umbrellas form screens for the animated projections of the weird, wonderful and sometimes bizarre creatures and plant life they encounter in a strange land. The pair are in turns intrigued, amused and afraid of these highly coloured creations that run riot over their clothing—blue pigs, purple crocodiles, insects, hummingbirds, rapidly growing flowers and slightly oddly, what appeared to be a rainstorm of decapitated heads. Much of the dancers’ movement is restricted to ritualised arm and hand gestures and occasional exaggerated pantomime as they respond to the creatures, patterns and plants.

Following their meeting, both with each other and an alien culture, the women drift back to their sides of the lagoon and eventually out of sight—seemingly unchanged by their brief encounter.

For a visual work the overwhelming problem was the necessity for front-on viewing vital if one was to see the projections which were the mainstay of the piece. The audience sat in a semi-circle around the lagoon but only those sitting directly in front of the performers were able to see the animations.

The workshop prior to the event engaged the largely family audience with children making origami boats which carried their written dreams and hopes. These were internally lit and floated on the lagoon during the performance. This ‘message-in-a-bottle’ reaching out across the waters was powerful and poignant for a Darwin audience that is itself a cultural melting pot and only a few hours sail away from our Asian neighbours.


Darwin Festival, Polytoxic. Trade Winds, visual artist Samuel Tupou. Darwin Recreation Lagoon, 22-25 August

The NT Writers’ Centre’s RealTime Workshop project is supported by the Australian Government Regional Arts Fund and the Northern Territory Government.

Nicola Fearn is a theatre maker, director, performer and teacher (Australia & UK). She is Artistic Director of Business Unusual, a Darwin-based company specialising in visual, physical theatre and is a graduate of the Victorian College of the Arts postgraduate theatre course.

© Nicola Fearn; for permission to reproduce apply to realtime@realtimearts.net

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