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ISEA2013

7-16 June 2013


 Da Contents H2

July 24 2013
Past-present tensions
Keith Gallasch, Naala-Ba (Look Future), Carriageworks and ISEA2013

July 3 2013
Data noise & the limits of dance
Keith Gallasch, Myriam Gourfink & Kaspar Toeplitz, Breathing Monster

June 26 2013
Nailing the virtual
Virginia Baxter, Keith Gallasch, The Portals

Night work
Keith Gallasch, Embodied Media, Night Rage

Palpable virtualities
Keith Gallasch, Paula Dawson, Holoshop: Drawing and Perceiving in Depth

The big connect
Somaya Langley, The Portals

Transformational walking
Anne Phillips, Long Time, No See?

June 18 2013
Musical multiverses
Gail Priest, Polysonics

Rainbow over ISEA
Keith Gallasch, Electric Nights

realtime tv @ ISEA2013: Zydnei, Troy Innocent

June 17 2013
If a system fails in a forest, is anybody listening?
Urszula Dawkins, If a system fails in a forest…, 107 Projects

June 16 2013
In the digital age, love your stationery obsession
Urszula Dawkins, Durational Book

Painting by algorithms
Keith Gallasch, Ernest Edmonds: Light Logic

June 15 2013
Home, sweet home
Urszula Dawkins, disSentience, Sleeth, SelgasCano, Tin Sheds

Pop up pleasure zones
Gail Priest, Electronic Art Pop-Ups, The Rocks

June 14 2013
Aural ecologies, mechanical and musical
Urszula Dawkins, EchoSonics, UTS Gallery

June 14 2013
Heck, baby, I shoulda seen it comin…
Urszula Dawkins, The Very Near Future, Alex Davies

More than meets the eye
Virginia Baxter, Keith Gallasch, Point of View

New tools and old skool grammars
Gail Priest, Macrophonics II

realtime tv @ ISEA2013: The very near future, Alex Davies

Start by leaping off a small stool
Urszula Dawkins, ISEA Closing Keynote Address: Julian Assange

June 13 2013
A curative dose of spontaneity
Lauren Carroll Harris, pvi collective, Deviator

M e d i a a r t t h e n a n d n o w
Darren Tofts, Catching Light, Campbelltown Arts Centre

Olfaction, decay & speculation
Gail Priest, Raewyn Turner & Brian Harris, Ian Haig, Nandita Kumar, Verge Gallery

ART, WELLNESS & DEATH
Riding the theta waves
Urszula Dawkins, Theta Lab, George Poonkhin Khut and James Brown


Run for your lives [2]
Keith Gallasch, Running the City, COFA, UNSW

To re-map and reclaim
Lisa Gye, Mapping Culture [panel]

Turning the media back on itself
Lisa Gye, Mark Hosler, Adventures in Illegal Art

June 12 2013
Outside the labyrinth…looking in at someone waving
Urszula Dawkins, SoundLabyrinth, Mark Pedersen and Roger Alsop

realtime tv @ ISEA2013: semipermeable (+), SymbioticA

Run for your lives [1]
Keith Gallasch, Marnix de Nijs, Run Motherfucker Run

June 12 2013
The uncanny in the gallery
Keith Gallasch, Mari Velonaki, Simon Ingram, Petra Gemeinboeck & Rob Saunders, Artspace

June 11 2013
realtime tv @ ISEA2013: EchoSonics, UTS Gallery

The science and art of tangible things
Urszula Dawkins, Synapse: A Selection, Powerhouse

Touch me there
Gail Priest, ISEA Artist talks: Siu, Baumann, Velonaki

June 10 2013
Being Stelarc
Gail Priest, Stelarc: Meat, Metal, Code: Engineering affect and aliveness

Life and death, and the membranes inbetween
Urszula Dawkins, semipermeable (+), SymbioticA

realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre

June 9 2013
'Pure' experience, in the round
Urszula Dawkins, Pure Land, iCinema

Data lives
Gail Priest, Genevieve Bell, Mark Hosler, Paolo Cirio & Alessandro Ludovico

realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace

June 8 2013
Knowing your place in Cartesian space
Gail Priest, Ryoji Ikeda, datamatics [ver 2.0]

Stars and starlings, pixels and picknickers
Urszula Dawkins, Ryoji Ikeda, datamatics [ver 2.0] & test pattern

 

In the digital age, love your stationery obsession

Urszula Dawkins, Durational Book


Durational Book Durational Book
photo Urszula Dawkins
Pianola rolls, a vintage portable typewriter, scissors, paper, sticky tape and a mysterious pile of metal file fasteners share the studio table with Macbooks, iPads and a slightly forlorn-looking wireless mouse, apparently un-paired. I’ve managed to track down the Durational Book project – at the State Library of NSW during the week, but relocating on Friday to UTS’s Page Screen studio in Ultimo. Three of the project’s six artists – Zoe Sadokierski, Astrid Lorange and Tom Fethers – are busy and ‘at play’, exploring the possibilities for convergence between text and graphics, digital and sculptural forms. It’s a sort of ‘Twitter meets the book arts’– a sensual juxtaposition of hi- and lo-fi media – and what’s most obvious to me as I walk in is the instant pull: the desire to touch, handle and, I’ll admit it, have, the work that’s spread around the room.

Durational Book is the first iteration of an ongoing project across various art forms: Tom’s and Zoe’s backgrounds are in graphic design, Astrid is a poet and writer, and absent collaborators Megan Heyward, Chris Caines and Jacquie Kasunic work across writing, video art, photography and research. Zoe describes the group’s shared interest in “books and bookishness and e-books and digital publications as well as print books”. Astrid calls the project an experiment with “books as objects that are not singular and not singularly material”. The results are poetic fragments distilled in physical form: words, phrases and sentences honoured like the digital world’s ancestors in exquisitely designed and carefully assembled pieces. Yes, I want to take them all home. Or failing that, to head to Officeworks to get my own gluestick and cutting board (at the same time miraculously gaining a graphic design degree, of course, and the collective imaginations of these six people).

Here are a few of the pieces they’ve created this week:
Durational Book Durational Book
photo Urszula Dawkins

Astrid: “I’ve just finished typing up this long scroll of fairly shoddily typewritten tweets… We’ve been contributing tweets throughout the duration of the project – some people have just been documenting the various things that they’ve been doing, and then my contribution to the project has been tweets solely… So we’ve basically got the entire archive of the week’s worth of tweets in chronological order here…with lots of added, accidental mistakes. Tom has been working from the tweets and producing posters from them.”

Durational Book Durational Book
photo Urszula Dawkins
Tom: “I produced this on Monday, which was the first working day, and Astrid had actually written about 400 tweets in that time, so I just chose the ones that resonated with me most. And I really liked her tweet ‘and so sentences broadly are time-based judgments’. So it was just a way of trying to typographically let the language speak and also bring in an element of design and composition – a quite classical kind I suppose… [This week I’m] setting myself many briefs – just exploring different aesthetic options…and then once it’s finished I think we’ll go in and see which ones we can print out and refine a bit more.

Durational Book Durational Book
photo Urszula Dawkins
Zoe: I took a script that Chris wrote – a script that’s part of a video work where the text turns up almost like captions – and cut it up and threaded it through the pianola roll. Because what he can do with the text on screen is actually pace how quickly or slowly you’re able to read this conversation that happens, and I was trying to pace it in the pianola roll. There’s also sections of image inbetween…found objects, they’re from the bookmarks that they have at the State Library – so that’s me trying to pace the reading experience as he paces the viewing experinece in video.


More works in the Durational Book project can be found online: durationalbook.wordpress.com

Durational Book, Chris Caines, Tom Fethers, Megan Heyward, Jacquie Kasunic, Astrid Lorange, Zoe Sadokierski, State Library of New South Wales, 10–15 June; http://www.isea2013.org/

This article first appeared on the ISEA2013 in RealTime blog

© Urszula Dawkins; for permission to reproduce apply to realtime@realtimearts.net

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