- art-science: the cerebral & the sensory
ella mudie: hokuspokus and the body is a big place, performance space
http://www.realtimearts.net/magazine/107/10570 - imagining the invisible
anna davis on media arts responses to mediatised life
http://www.realtimearts.net/magazine/78/8533 - Digital games, digital winners
Danni Zuvela looks at new media-driven awards & performances
http://www.realtimearts.net/magazine/74/8170 - Artificial Life: a hard call
Liminal Product*
http://www.realtimearts.net/magazine/41/5565 - futureScreen 00: getting Alife
Mitchell Whitelaw talks with Keith Gallasch
http://www.realtimearts.net/magazine/39/5676 - Works in progress: pt1 (A-L)
Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079 - Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations
http://www.realtimearts.net/magazine/28/4778 - Digital subjectivity
Norie Neumark reviews State of the Heart at the ACP and BioTechSex New Media Forum
http://www.realtimearts.net/magazine/25/4292 - Gook Girls, Monstrous Chimeras and the New Technology
Ross Moore visits three Melbourne techno-art exhibitions
http://www.realtimearts.net/magazine/8/6699
Collision courses
image: Michele Barker & Anna Munster, The Love Machine
futureScreen 00: getting Alife
image: Michele Barker, Præternatural
Works in progress: pt1 (A-L)
image: Michele Barker, Præternatural
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article