- adjusting to the artificial others
kirsty darlaston: the uncanny valley
http://www.realtimearts.net/magazine/98/9949 - ars electronica, vitae brevis!
nigel helyer in linz for the latest on new media art
http://www.realtimearts.net/magazine/82/8763 - Justine Cooper: new media alchemist
Keith Gallasch emails Justine Cooper in New York
http://www.realtimearts.net/magazine/55/7081 - Opening doors: MAAP in Beijing
Di Ball
http://www.realtimearts.net/magazine/54/7061 - Beyond the interface: exhibiting digital media
Kathy Cleland
http://www.realtimearts.net/magazine/38/5415 - Pulsing chiaroscuro, palpable decay
Grisha Dolgopolov on Anemone and the second wave of digital image-making
http://www.realtimearts.net/magazine/33/5155 - Australia’s expanding screen culture
Introduction
http://www.realtimearts.net/magazine/32/11110 - Emerging entities, difficult syntheses
John Potts reviews Immersive Conditions, part of dLux media arts’ futureScreen
http://www.realtimearts.net/magazine/29/4855 - New hierarchies, new colonies
Linda Carroli and JM John Armstrong look at MAAPing in Brisbane’s new multimedia festival
http://www.realtimearts.net/magazine/28/4779 - Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations
http://www.realtimearts.net/magazine/28/4778 - Between professional diagnosis and dumb fascination
Colin Hood enters the spirit of Justine Cooper’s Rapt
http://www.realtimearts.net/magazine/26/4381
New hierarchies, new colonies
image: Lehan Ramsay & Hiroshi Yasukawa, Resonance (detail), Shoreline exhibition, 1998
ars electronica, vitae brevis!
image: Audiowalk Gusen, The Invisible Camp
photo Christoph Mayer chm
Collision courses
image: Michele Barker & Anna Munster, The Love Machine
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article