- Riding the theta waves
Urszula Dawkins, Theta Lab, George Poonkhin Khut and James Brown
http://www.realtimearts.net/magazine/117/11178 - art-science: the cerebral & the sensory
ella mudie: hokuspokus and the body is a big place, performance space
http://www.realtimearts.net/magazine/107/10570 - tackling bio-art’s ethical ambiguities
urszula dawkins: symbiotica symposium, body/art/bioethics
http://www.realtimearts.net/magazine/99/10023 - cellular intrigue
kirsty darlaston: biotech arts revisted, experimental art foundation
http://www.realtimearts.net/magazine/91/9474 - new art the old way
dan mackinlay does beap 2007 on a bike
http://www.realtimearts.net/magazine/82/8771 - ars electronica, vitae brevis!
nigel helyer in linz for the latest on new media art
http://www.realtimearts.net/magazine/82/8763 - Knit two together
Shady Cosgrove visits Catherine Fargher's BioHome
http://www.realtimearts.net/magazine/75/8219 - THIS SECRET LOCATION - George Khut: Cyborg dancing
Tim Atack inside George Khut’s Cardiomorphologies
http://www.realtimearts.net/feature/Inbetween_Time_2006/8299 - Cutting out the middleman, Dr Frankenbott?
Kate Vickers on the ethics & future of bio-robotic art
http://www.realtimearts.net/magazine/71/8034 - Bio-art's hybrid lives
Kirsty Darlaston
http://www.realtimearts.net/magazine/68/7938 - Let the body navigate
Kate Richards talks to electronic artist George Khut
http://www.realtimearts.net/magazine/66/7785 - Bio-art: adventures in ethics
Catherine Fargher
http://www.realtimearts.net/magazine/65/7729 - BEAP 2004: Perth—digital city
Keith Gallasch
http://www.realtimearts.net/magazine/62/7507 - Collaboration or complicity?
Anna Munster
http://www.realtimearts.net/magazine/60/7375 - BEAP: art in the lab?
Stephen Jones
http://www.realtimearts.net/magazine/51/6866 - Helyer's progress: fusing art and science
John Potts
http://www.realtimearts.net/magazine/50/6838 - Digital lab
new works in development
http://www.realtimearts.net/magazine/48/6368 - A view from the bleeding edge
Paul Brown, Consciousness Reframed 2000
http://www.realtimearts.net/magazine/40/5608 - Superfluous sex at Ars Electronica
Melinda Rackham
http://www.realtimearts.net/magazine/40/5591 - Two cultures divided
Ned Rossiter queries the Tissue Culture & Art Project, Stage One
http://www.realtimearts.net/magazine/27/4729
new art the old way
image: Meditations #2 (2007), BORIS + NATASCHA, production still
courtesy of the artists
tackling bio-art’s ethical ambiguities 
image: Victimless Leather, Ionat Zurr
courtesy the artist
Collaboration or complicity?
image: Artists participating in the Biotech Art Workshop,<BR /> Extracting DNA Molecules from a Pea,produced by EAF Adelaide, 2004
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article