- Riding the theta waves
Urszula Dawkins, Theta Lab, George Poonkhin Khut and James Brown
http://www.realtimearts.net/magazine/117/11178 - ISEA: Immersion + Assange
ISEA2013: Resistance is Futile
http://www.realtimearts.net/magazine/115/11138 - isea2013: resistance is futile/fertile
keith gallasch: jonathan parsons, director, isea2013, sydney
http://www.realtimearts.net/magazine/114/11048 - machine wilderness: water in the desert
janine randerson with te urutahi waikerepuru: isea 2012, albuquerque
http://www.realtimearts.net/magazine/113/10964 - divisible istanbul
melinda rackham: isea 2011, istanbul
http://www.realtimearts.net/magazine/106/10507 - magic and mistakes
somaya langley: isea 08, singapore
http://www.realtimearts.net/magazine/88/9234 - the brain-technology dance
matthew gingold: dumb type’s true at isea 2008
http://www.realtimearts.net/magazine/87/9150 - art in the instant city
michael connor at ZeroOne San Jose/ISEA2006
http://www.realtimearts.net/magazine/76/8260 - Of tools and toys: ISEA2004
John Tebbutt
http://www.realtimearts.net/magazine/63/7597 - Notes from a floating world: ISEA2004
Lizzie Muller
http://www.realtimearts.net/magazine/63/7596 - ISEA Nagoya: the delightful slowness of being
Melinda Rackham
http://www.realtimearts.net/magazine/53/6978 - ISEA Nagoya: hi-tech, low output
Bruce Mowson
http://www.realtimearts.net/magazine/53/6977 - Content as discontent
Jeffrey Cook at a cacophonous ISEA97, Chicago
http://www.realtimearts.net/magazine/22/4245 - In support of the fleshmeet even on-line
Amanda McDonald Crowley muses on internet issues at ISEA96, EMAF and DEAF
http://www.realtimearts.net/magazine/16/5215 - Hovering in the multimedia background
John Potts draws attention to sound at ISEA96 in Rotterdam
http://www.realtimearts.net/magazine/15/5252 - New depths and old distances
Cecelia Cmielewski at ISEA 95 in Montreal
http://www.realtimearts.net/magazine/10/6120 - Thirteen ways of attending an electronic art symposium
Nicholas Gebhardt in Montreal for ISEA 95 (for Wallace Stevens)
http://www.realtimearts.net/magazine/10/6119 - The X-rayed Hamlet
John Potts sees a work-in-progress showing of Robert Lepage’s multimedia Shakespeare at ISEA 95
http://www.realtimearts.net/magazine/10/6090 - North to Cyberia
John Potts reports on the Fifth International Symposium on Electronic Arts (ISEA) held in Helsinki
http://www.realtimearts.net/magazine/3/6476 - Data noise & the limits of dance
Keith Gallasch, Myriam Gourfink & Kaspar Toeplitz, Breathing Monster
http://www.realtimearts.net/feature/ISEA2013/11211 - Palpable virtualities
Keith Gallasch, Paula Dawson, Holoshop: Drawing and Perceiving in Depth
http://www.realtimearts.net/feature/ISEA2013/11204 - Night work
Keith Gallasch, Embodied Media, Night Rage
http://www.realtimearts.net/feature/ISEA2013/11203 - Transformational walking
Anne Phillips, Long Time, No See?
http://www.realtimearts.net/feature/ISEA2013/11202 - The big connect
Somaya Langley, The Portals
http://www.realtimearts.net/feature/ISEA2013/11201 - Nailing the virtual
Virginia Baxter, Keith Gallasch, The Portals
http://www.realtimearts.net/feature/ISEA2013/11200 - realtime tv @ ISEA2013: Zydnei, Troy Innocent
http://www.realtimearts.net/feature/ISEA2013/11198 - Musical multiverses
Gail Priest, Polysonics
http://www.realtimearts.net/feature/ISEA2013/11197 - Rainbow over ISEA
Keith Gallasch, Electric Nights
http://www.realtimearts.net/feature/ISEA2013/11196 - If a system fails in a forest, is anybody listening?
Urszula Dawkins, If a system fails in a forest…, 107 Projects
http://www.realtimearts.net/feature/ISEA2013/11195 - In the digital age, love your stationery obsession
Urszula Dawkins, Durational Book
http://www.realtimearts.net/feature/ISEA2013/11194 - Painting by algorithms
Keith Gallasch, Ernest Edmonds: Light Logic
http://www.realtimearts.net/feature/ISEA2013/11193 - Home, sweet home
Urszula Dawkins, disSentience, Sleeth, SelgasCano, Tin Sheds
http://www.realtimearts.net/feature/ISEA2013/11192 - Pop up pleasure zones
Gail Priest, Electronic Art Pop-Ups, The Rocks
http://www.realtimearts.net/feature/ISEA2013/11191 - New tools and old skool grammars
Gail Priest, Macrophonics II
http://www.realtimearts.net/feature/ISEA2013/11190 - realtime tv @ ISEA2013: The very near future, Alex Davies
http://www.realtimearts.net/feature/ISEA2013/11189 - More than meets the eye
Virginia Baxter, Keith Gallasch, Point of View
http://www.realtimearts.net/feature/ISEA2013/11188 - Start by leaping off a small stool
Urszula Dawkins, ISEA Closing Keynote Address: Julian Assange
http://www.realtimearts.net/feature/ISEA2013/11187 - Heck, baby, I shoulda seen it comin…
Urszula Dawkins, The Very Near Future, Alex Davies
http://www.realtimearts.net/feature/ISEA2013/11186 - Aural ecologies, mechanical and musical
Urszula Dawkins, EchoSonics, UTS Gallery
http://www.realtimearts.net/feature/ISEA2013/11185 - Olfaction, decay & speculation
Gail Priest, Raewyn Turner & Brian Harris, Ian Haig, Nandita Kumar, Verge Gallery
http://www.realtimearts.net/feature/ISEA2013/11184 - Turning the media back on itself
Lisa Gye, Mark Hosler, Adventures in Illegal Art
http://www.realtimearts.net/feature/ISEA2013/11183 - M e d i a a r t t h e n a n d n o w
Darren Tofts, Catching Light, Campbelltown Arts Centre
http://www.realtimearts.net/feature/ISEA2013/11181 - To re-map and reclaim
Lisa Gye, Mapping Culture [panel]
http://www.realtimearts.net/feature/ISEA2013/11180 - Run for your lives [2]
Keith Gallasch, Running the City, COFA, UNSW
http://www.realtimearts.net/feature/ISEA2013/11179 - Run for your lives [1]
Keith Gallasch, Marnix de Nijs, Run Motherfucker Run
http://www.realtimearts.net/feature/ISEA2013/11177 - Outside the labyrinth…looking in at someone waving
Urszula Dawkins, SoundLabyrinth, Mark Pedersen and Roger Alsop
http://www.realtimearts.net/feature/ISEA2013/11176 - realtime tv @ ISEA2013: semipermeable (+), SymbioticA
http://www.realtimearts.net/feature/ISEA2013/11173 - Touch me there
Gail Priest, ISEA Artist talks: Siu, Baumann, Velonaki
http://www.realtimearts.net/feature/ISEA2013/11170 - Being Stelarc
Gail Priest, Stelarc: Meat, Metal, Code: Engineering affect and aliveness
http://www.realtimearts.net/feature/ISEA2013/11167 - Life and death, and the membranes inbetween
Urszula Dawkins, semipermeable (+), SymbioticA
http://www.realtimearts.net/feature/ISEA2013/11166 - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre
http://www.realtimearts.net/feature/ISEA2013/11165 - realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace
http://www.realtimearts.net/feature/ISEA2013/11164 - Data lives
Gail Priest, Genevieve Bell, Mark Hosler, Paolo Cirio & Alessandro Ludovico
http://www.realtimearts.net/feature/ISEA2013/11163 - 'Pure' experience, in the round
Urszula Dawkins, Pure Land, iCinema
http://www.realtimearts.net/feature/ISEA2013/11162 - Stars and starlings, pixels and picknickers
Urszula Dawkins, Ryoji Ikeda, datamatics [ver 2.0] & test pattern
http://www.realtimearts.net/feature/ISEA2013/11161 - Knowing your place in Cartesian space
Gail Priest, Ryoji Ikeda, datamatics [ver 2.0]
http://www.realtimearts.net/feature/ISEA2013/11160
the brain-technology dance
image: Dumb Type, true, table mechanics
photo Motoi Ishibashi
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article