Did we dream this? Keith Gallasch and Virginia Baxter examine crime scenes at Sydney’s Police and Justice Museum and the Australian Centre for Photography
http://www.realtimearts.net/magazine/34/11089
The Wetware season Mike Leggett reports from The NxT Mutimedia Symposium in Darwin
http://www.realtimearts.net/magazine/34/5353
Hands off credentials Dean Kiley at Bendigo Art Gallery’s Byte Me
http://www.realtimearts.net/magazine/34/5350
Organ(ic)s: real and metaphorical Mitchell Whitelaw explores the Dead Centre of Norie Neumark’s latest collaboration
http://www.realtimearts.net/magazine/34/5348
Diving into the virtual Kathy Cleland immersed in the translucent worlds of Char Davies
http://www.realtimearts.net/magazine/34/5347
Past projections Martyn Jolly on multimedia in the new Australian War Memorial Galleries
http://www.realtimearts.net/magazine/33/5165
Pulsing chiaroscuro, palpable decay Grisha Dolgopolov on Anemone and the second wave of digital image-making
http://www.realtimearts.net/magazine/33/5155
The animal logic of the antz in the matrix Richard Smith looks at the impact on ideas and practice as feature film and animation converge
http://www.realtimearts.net/magazine/32/5051
Pixelvisions Steven Ball inspired by the Melbourne International Film Festival’s Captured
http://www.realtimearts.net/magazine/32/5027
Digital rules! Michael Hill is engaged by D.art 99 at the Sydney Film Festival
http://www.realtimearts.net/magazine/32/5015
Relaxed, but engaged? Samara Mitchell queries audience positioning at bergbau a techno spectacle in Adelaide
http://www.realtimearts.net/magazine/31/4966
New media moves in Tasmania Diana Klaosen looks at film, video and new media on the Hobart Fringe
http://www.realtimearts.net/magazine/30/4922
Memory, debris and ecstasy Ned Rossiter on Peter Callas and video art at the Festival of Perth
http://www.realtimearts.net/magazine/30/4921
Blimey! Steven Ball negotiates the rules of the game in British Bulldogs
http://www.realtimearts.net/magazine/27/4726
Cutting the new media umbilicus Melbourne Film Festival’s Mousetrap prompts Darren Tofts to revise the language of the new media arts
http://www.realtimearts.net/magazine/27/4724
Bent virtual Shane Rowlands sees Ultraviolet at Griffith Artworks
http://www.realtimearts.net/magazine/26/4398
Disconnecting the larynx Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375
Promiscuous media Shiralee Saul savours new media at Next Wave
http://www.realtimearts.net/magazine/26/4348
Cultural windows Mike Leggett reports on emerging film, video and digital technology in Hong Kong
http://www.realtimearts.net/magazine/24/4172
Virtual empire Diana Klaosen reports on a public multimedia event across Tasmania
http://www.realtimearts.net/magazine/23/4215
The aniconic and digital image Heather Barton rethinks the spiritual and soft space in Malaysian New Media Arts at the First National Electronic Art Exhibition
http://www.realtimearts.net/magazine/23/4206
Barroom fantasias Deane Kiley does Digita at Melbourne’s Cyber-Fringe Binary Bar
http://www.realtimearts.net/magazine/22/4247
Positively video Kathy Cleland reports on Video Positive 97
http://www.realtimearts.net/magazine/19/4542
techné cultures Mike Leggett scans cyber expositions east and west
http://www.realtimearts.net/magazine/18/4596
Curiouser and curiouser Lisa Gye in search of the experimenta media arts festival
http://www.realtimearts.net/magazine/17/4639
Digital poiesis Rachel Kent examines the art of Jon McCormack
http://www.realtimearts.net/magazine/15/5261
Tardis variations Mutley Media producers Kathryn Bird, James Verdon and Grant Hilliard get into their booth, with some prodding from David Varga
http://www.realtimearts.net/magazine/14/5709
The unimaginable brought to life John McConchie previews In Spaces Unsuspected—film, video and electronic art in the Adelaide Festival
http://www.realtimearts.net/magazine/11/6062
No Show Colin Hood surveys the connections between new media education
and the film/video exhibition fringe in Sydney.
http://www.realtimearts.net/magazine/8/6701
M.O.M.A's Australian Video Art Haley Smorgon talks with An Eccentric Orbit producer, artist Ross Harley
http://www.realtimearts.net/magazine/4/6531
Experimenta 1994 Colin Hood previews this years event and talks with director Peter Handsaker
http://www.realtimearts.net/magazine/3/6474
More than meets the eye Virginia Baxter, Keith Gallasch, Point of View
http://www.realtimearts.net/feature/ISEA2013/11188