- strange affliction: dance massive & transcendence
keith gallasch: jo lloyd, future perfect
http://www.realtimearts.net/feature/Dance_Massive_2013/11031 - something ends, something begins
virginia baxter: dance exchange, dance for the time being - southern exposure
http://www.realtimearts.net/feature/Dance_Massive_2013/11027 - Absence and yet presence
Eleanor brickhill visits Dance Exchange at Artspace
http://www.realtimearts.net/magazine/9/10083 - Hybrid or not
Jacqueline Millner on the dance video conjunctions of Dance Exchange and interventions on SBC TV
http://www.realtimearts.net/magazine/9/10079 - words for the time being
virginia baxter: russell dumas, huit à huit—dance for the time being
http://www.realtimearts.net/feature/Dance_Massive_2009/9372 - critical mass
virginia baxter: melbourne’s dance massive
http://www.realtimearts.net/magazine/89/9329 - Performance Space: some defining moments
Julie-Anne Long
http://www.realtimearts.net/magazine/64/7669 - Ros Warby: reframing the dancing body
Erin Brannigan
http://www.realtimearts.net/magazine/46/6174 - Body regimes
RealTime-Performance Space Forum
http://www.realtimearts.net/magazine/44/5886 - Bodyworks: the politics of the embrace
Jonathan Marshall
http://www.realtimearts.net/magazine/35/5301 - Do remember this
Virginia Baxter: Antistatic 99
http://www.realtimearts.net/magazine/31/5003 - Don't fence me in
Anne Thompson: Antistatic 99
http://www.realtimearts.net/magazine/31/4983 - Stored roots, stacked histories
Zsuzsanna Soboslay travels from Monk in New York to Dumas in Melbourne
http://www.realtimearts.net/magazine/30/4900 - Sandy Edwards & Russell Dumas in Indonesia
Virginia Baxter
http://www.realtimearts.net/magazine/19/4575 - Outside outward display: tradition and the derivative
Eleanor Brickhill re-thinks tradition in Australian dance and surveys performances and debate at The Performance Space’s antistatic
http://www.realtimearts.net/magazine/19/4538 - Cultures dancing
Eleanor Brickhill compares performances by Tharp! and Dance Exchange
http://www.realtimearts.net/magazine/23/4201
