Photo courtesy Cementa 2015 |
Co-directors Ann Finegan, Alex Wisser, Christine McMillan and Georgina Pollard have curated an immersive four-day program rich in new forms and cultural diversity, featuring an impressive list of 60 local and visiting artists, Indigenous and non-indigenous, and crossing the great divide between city and country. As well, say the directors, “We will celebrate the beautiful little town that graciously hosts our festival…Artists will exhibit and perform in shop windows and garages, in pubs and churches, in community and scout halls and vacant blocks across the town.”
Liz Day is creating a field of mushrooms knitted by local craftspeople. Indigenous artist Aleshia Lonsdale from Mudgee “will be making a work of concentric circles using earth and different materials to represent the stages of encounter and transformation since first settlement,” and Jason Wing will use “native birdsong to evoke relationship to country.” Wade Marynowsky’s Acconci Robot appears to be a large, plain, human-height box, but when ignored it has a life of its own.
Wade Marynowsky, The Acconci Robot, 2012 An Experimenta Commission RMIT Gallery, Melbourne Photo © RMIT Gallery |
Word about the first Cementa in 2013 spread quickly. Doubtless, the second, much-expanded iteration will attract an even larger audience of locals and visitors eager to embrace new experiences in sound art, installation, performance, electronic art, music, street art and more: artist tours, workshops, and evenings dedicated to sound, poetry, cabaret and film in a unique setting. RT
Cementa 15, Kandos, NSW, 9-12 April, www.cementa.com.au
RealTime issue #125 Feb-March 2015 pg. online
© Keith Gallasch; for permission to reproduce apply to [email protected]