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realtime 22

Dec-Jan 1997


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special features

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Company without space, company in between spaces
Visiting UK writer, Sophie Hansen, responds to new media performances by Melbourne’s Company in Space

Enabling dance
Anne Thompson talks to Sally Chance of Adelaide’s Restless Dance Company

Heretics and heritage
Amanda Card in defence of dance independents: Green Mill 1997 and PICA’s Dancers are Spaceaters

New place, old myths, new perceptions
Julia Postle surveys more dance at Canberra’s Festival of Contemporary Arts: Spontaneous Combustion, Visions 7…97, and Canberra Choreographic Centre

Not about disability
Zsuzsanna Soboslay sees Britain’s CandoCo dance company

Shopping and touching
Erin Brannigan on dance at Canberra’s Festival of Contemporary Arts: To the Wall and Laya

The history of our dancing bodies is becoming hot
Eleanor Brickhill on what recent dance in Sydney says about independents

visual arts

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film & screen culture

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+onscreen media arts

(In)forming the nation on the goat tracks of the virtual community
Christina Spurgeon on the implications of the launch of the Department of Communications and the Arts’ Artsinfo website

At the intersection of politcs and poetics
Julianne Pierce immersed in the screens at documentaX

Barroom fantasias
Deane Kiley does Digita at Melbourne’s Cyber-Fringe Binary Bar

Loving your Mac and losing it: Jonathon Delacour

From the dusk of celluloid and the dawn of digital
SIN’s Metalux program inspires Paul Andrew

The two cultures re-animated and perverted
Darren Tofts interrogates two key events at the Interact Asia Pacific Multimedia Festival in Melbourne

Three New Media Arts Fellowships announced
Linda Dement, Stephen Jones and John Gillies to realise major projects