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realtime 28

Dec-Jan 1998


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special features

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Melbourne Festival
Full throated ease
Zsuzsanna Soboslay Moore, Ballet Preljocaj, Romeo et Juliette, A Matter of Breath & Into The Volcano, Elision Ensemble

Melbourne Festival
The limits of limits
Philipa Rothfield, Streb, Trompe l’Oeil, Nederlands Dans Theater III, Romeo et Juliette, Ballet Preljocaj, Fleshmeet, Chunky Move, Trial by Video, Company in Space

Brisbane Festival
Intersecting performance paths
Kerrie Schaefer, including Attitude, Expressions Dance Company and Hong Kong City Contemporary Dance Company

A dance place for the future
Sophie Hansen traces the history of an astonishing London contemporary dance institution

One Extra, Territory
Keith Gallasch

Piece for the wicked
Tony Osborne seduced by the intimacy of Sue Peacock and Bill Handley’s Watershed at Artrage

Shakespeare's pillowslips
Philipa Rothfield, Zsuzsanna Soboslay Moore

Spiralling force
Martin Walch sees Avanti, Hobart’s new intermedia performance group

visual arts

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film & screen culture

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+onscreen media arts

Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations


Finnish shortcuts
Melinda Burgess—new media tourist in Finland

Future (in)human: becoming third nature
McKenzie Wark reviews Darren Tofts and Murray McKeich’s Memory Trade: A Prehistory of Cyberculture

Net art and the argument for critical decompression

New hierarchies, new colonies
Linda Carroli and JM John Armstrong look at MAAPing in Brisbane’s new multimedia festival

Shows and sideshows in the new museum
Mike Leggett moves through site-time-media-space at a Museum of Sydney seminar

Kirsten Krauth looks at hyperfiction on the net