info I contact
editorial schedule
join the realtime email list
become a friend of realtime on facebook
follow realtime on twitter

magazine  archive  features  rt profiler  realtimedance  mediaartarchive

realtime 87

Oct-Nov 2008



art on the side of cinema
carl nilsson-polias: eve sussman, melbourne festival

the brain-technology dance
matthew gingold: dumb type’s true at isea 2008

darwin festival
kindred spirits
keith gallasch, virginia baxter: crossing roper bar, darwin festival

brisbane festival
infinite othernesses
douglas leonard: liza lim’s the navigator, brisbane festival

brisbane festival
multiple maps of the imagination
douglas leonard: brisbane festival theatre program

avignon festival
the art of punishment
carl nilsson-polias: romeo castellucci’s purgatorio in avignon

positively artrageous
silver artrage festival 2008, perth

special features

no content


all in the voice
marie-anne mancio: robert lepage’s lipsynch

at war with war
david williams: sydney theatre company’s gallipoli

character issues
john bailey: meow meow, tony reck, rawcus & restless, melbourne

deep inside the box
jonathan marshall: richard murphet’s the inhabited man

life on the inside
david williams: legs on the wall’s bubble

murderous ambivalences
jonathan marshall: robert reid’s portraits of modern evil

night falls over innocence
peter barclay: the bloody bride, lismore

on the edge of the moment
bryoni trezise: linda luke and peter fraser solos

room for change
jonathan marshall: putting on an act, pica, perth

the limits of healing
caroline wake: sidetrack’s checkpoint zero

the middle way: light infrastructure
sophie travers: the maps scheme for independent theatre & dance

the way we look
keith gallasch: the bland project; don’t say the words

two lives, one storm
sandra thibodeaux: sarah cathcart and nicola fearn’s tracy

working from home: the producing hub
david micklem: battersea arts centre, london


a constrained dance of words
maggi phillips: world dance alliance global summit

a very real unreal place
pauline manly: bernadette walong’s groundup!

beyond the dumb-mobile
jana perkovic: impulstanz dance festival, vienna

in the bodies of others
force majeure: the age i’m in comes to carriageworks

taking underground overground
dancenorth: national tour with underground

the body: re-examined, recreated, restless
jodie mcneilly: sue healey, the curiosities

the challenge: teaching dance screen
erin brannigan: take 7 dance dvd

through violence to contemplation
alex ben mayor: balletlab’s axeman lullaby

visual arts

hardcore and zen
obituary: jon wah, performance and video artist, 1980-2008

homecoming for the future
artspace 24/25: celebrating 25 years

imaging the ritualised hour
urszula dawkins: simon terrill’s crowd theory—port of melbourne

spin cycle
judith abell: philippa steele, white wash

transgression, translation, transcription
keith gallasch: ruark lewis interview

transgression, translation, transcription - full interview
keith gallasch: ruark lewis


liquid architecure 9 - sydney
sounds solid, sounds fluid
gail priest: liquid architecture 9, Sydney

liquid architecture 9 - melbourne
depends on where you sit
chris reid: liquid architecture 9, melbourne

liquid architecture 9 - melbourne
sonic interiors
simon charles: liquid architecture 9, melbourne

beyond easy
keith gallasch: david chesworth ensemble in sydney

diverse readings, acute listenings
peter blamey: book review—hearing places

nayda and the music of change
madeleine blackwell: moroccan music festivals

noise is free in beijing
alistair riddell: the fourth minimidi festival

film & screen culture

active recall: animating history
megan carrigy: waltz with bashir, an animated documentary

film is like music, it has time
danni zuvela: peter kubelka, national film and sound archive

gods in the street
keith gallasch: the light in winter festival

image, music, connection
keith gallasch: fatih akin, turkish-german filmmaker

MIFF 2008: lo-tech brilliance
simon sellars: guy sherwin, ben russell, ben rivers

parallel lives: in cinema & beyond
john conomos: erice-kiarostami, correspondences, acmi

the cross-currents of new russian film
tom redwood: russian resurrection film festival preview

the past bleeds into present
the japanese film festival: sydney and melbourne

the tribulations of based-on-fact fiction
keith gallasch: henry reynolds & the chant of jimmie blacksmith

+onscreen media arts

interactive mysteries
greg hooper: keith armstrong, gina czarnecki, brisbane festival

just what's on offer?
jessica wallace: monceaux & sterling’s supermarket

keith gallasch: jordana maisie’s the real thing

new media, new to china
dan edwards: synthetic times—media art china 2008

only the best
UTS: a new space for media arts in sydney

sharing and remixing via the abc
dan mackinlay: the abc’s pool

the name of the game: media arts now
keith gallasch, mirror states, campbelltown arts centre

the second life funding landscape
keith gallasch: interview, ricardo peach, the inter-arts office