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realtime 95

Feb-March 2010


march 29
in the loop
realtime news and advance word

march 15
in the loop
realtime news and advance word

march 1
in the loop
realtime news and advance word

editorial - rt 95

in the loop - rt95
realtime news and advance word


beauty disturbed
david williams: ruhe, sydney festival

home is where the hurt is
caroline wake: urban theatre projects, the fence, sydney festival

in and out of the frame
keith gallasch: 2010 sydney festival

selling experience & interaction
matthew hearn, wunderbar, newcastle, uk

walkers re-write city
helen cole: anti festival 2009, kuopio, finland

special features

berlin: island & identity
keith gallasch, virginia baxter

cities: art-led renewal
keith gallasch, virginia baxter: new spaces for the arts, berlin

new seeding
robyn archer: canberra performance series, part 3

revisioning east/west
fiona winning: IETM plenary, vilnius


online exclusive - march 29
the sacrifice of father-daughter love
keith gallasch: tom holloway's love me tender, belvoir street

gone to air but taken to account
bryoni trezise: sydney theatre company’s tot mom

human rights push and pull
urszula dawkins: pvi collective, resist—the right to revolution

murder reverie
jonathan bollen: ladykillers, the pyjama girl

myths refurbished and upgraded
keith gallasch: sydney theatre co, genesis: the mysteries

performance in brazil's mega-metropolis
carlos gomes: contemporary performance, sao paulo

performing new form history 1973-86
keith gallasch: mike mullins, the politics of change

tensions at the point of origin
matthew clayfield: theatre, dance, performance, new york 

the theatre of our city selves
caroline wake: tantrum theatre, newcastle, nsw

wunderkind mysteries
john bailey: melbourne performance


online exclusive - march 29
fire & family in the memory
keith gallasch: katrina lazaroff's pomona road

australian dance: unseen at home
sophie travers: national dance touring & roadwork

dancing into altered states
keith gallasch: interview, adam linder, dance-maker

inbetween dance & visual art
pauline manley: what I think about when i think about dancing

no surfaces, only depths
philipa rothfield: shelley lasica, full colour

out of the ordinary
jane mckernan: interview, rosemary butcher

the voyeur unsheltered
douglas leonard: clare dyson, the voyeur

twixt ecstasy & self-possesion
douglas leonard: lisa o’neill, the pipe manager

visual arts

online exclusive
the poetry of the mundane
sandy edwards: japanese photography, 1970s to the present

coders, crafters & cooks
melinda rackham, craftivism, arnolfini, bristol

seeing yourself seeing
ella mudie: olafur eliasson, mca; lynette wallworth, carriageworks

the exhibition makes, unmakes & remakes itself
james curry: gone in no time (gone in no time), aeaf


online exclusive - march 29
life & death, sound & soul
keith gallasch: jo dudley, louis & bebe, berlin

a feast of summer sounds
gail priest: difficult music festival, sydney

a lot can happen in a minute
ben byrne: what is music?, melbourne

new director, new opera
keith gallasch: david young, artistic director, chamber made opera

film & screen culture

online exclusive - march 29
the not too united states of carmilla
kirsten krauth: dave de vries debut feature, carmilla hyde

an unpredictable auteur
thomas redwood: dutch tilt, aussie auteur, the films of rolf de heer

ancient rites, new filmmaking
keith gallasch: the new black, indigenous short films

australian film: a wider screen
jack sargeant: comment—audiences & australian films

putting us in the bigger picture
danni zuvela: asia pacific triennial cinema program

the sound of some other australia
robyn archer: music and baz luhrmann’s australia

+onscreen media arts

online exclusive
tooling the art of electronics
somaya langley: people doing strange things with electricity, dorkbot-syd

japanese dreaming
gail priest: spooky action at a distance

media arts and their disconnects
christian mccrea: re:live and super human

message is medium is message
zanny begg: an australian media activist legacy