- isea2013: resistance is futile/fertile
keith gallasch: jonathan parsons, director, isea2013, sydney
http://www.realtimearts.net/magazine/114/11048 - the noise and feeling of thought
helen grace: wonderland: new contemporary art from australia, taipei
http://www.realtimearts.net/magazine/109/10674 - surveying your selves
gail priest: alex davies, the black box sessions, uts gallery
http://www.realtimearts.net/magazine/103/10362 - the name of the game: media arts now
keith gallasch, mirror states, campbelltown arts centre
http://www.realtimearts.net/magazine/87/9179 - rules of engagement: auras of presence
stephen jones interacts with the engage symposium
http://www.realtimearts.net/magazine/77/8373 - side by side, australian & japanese media art
wendy haslem in tokyo at the sendai mediatheque
http://www.realtimearts.net/magazine/77/8369 - Memories of buildings and other ghosts
Stephen Jones remembers What Survives
http://www.realtimearts.net/magazine/73/8139 - 2004: glorious corporeality
Lisa Gye
http://www.realtimearts.net/magazine/63/7595 - 3-D and other worlds
Gail Priest
http://www.realtimearts.net/magazine/61/7480 - Primavera's new media magic
Kirsten Krauth
http://www.realtimearts.net/magazine/57/7214 - Alex Davies
Gail Priest
http://www.realtimearts.net/magazine/57/7181 - Unstuffed
The AFC’s <stuff-art> program compels Kevin Murray to consider the future of art on the net
http://www.realtimearts.net/magazine/27/4722 - realtime tv @ ISEA2013: The very near future, Alex Davies
http://www.realtimearts.net/feature/ISEA2013/11189 - Heck, baby, I shoulda seen it comin…
Urszula Dawkins, The Very Near Future, Alex Davies
http://www.realtimearts.net/feature/ISEA2013/11186
2004: glorious corporeality
image: Philip Brophy, The Body Malleable
photo Carla Gottgens
isea2013: resistance is futile/fertile 
image: Golden Solution, First Draft Depot
photo Alex Davies
the noise and feeling of thought 
image: Daniel Crooks, Static No.14 (composition for neon), 2010
courtesy of the artist and Anna Schwartz Gallery
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article