- writing the voice
gail priest: voice: vocal aesthetics in digital arts and media
http://www.realtimearts.net/magazine/103/10345 - positive initiatives, problematic implications
lisa gye: era, artstart & media arts responses
http://www.realtimearts.net/magazine/92/9523 - from the simplest of interfaces: complexity
keith gallasch talks with media artist kate richards
http://www.realtimearts.net/magazine/80/8621 - Art versus empire
Robert Hassan
http://www.realtimearts.net/magazine/61/7462 - iCinema's big picture
Mike Leggett
http://www.realtimearts.net/magazine/57/7220 - Cross disciplines, experiment, market!
Linda Wallace
http://www.realtimearts.net/magazine/56/7154 - Revelation in the new cathedral
Kevin Murray
http://www.realtimearts.net/magazine/55/7101 - Digital lab, new works in development
Ross Gibson and Kate Richards Life After WarTime
http://www.realtimearts.net/magazine/52/6919 - Works in progress: pt1 (A-G)
Adams, Armstrong, Brown, Benson, Bai, Christou, Corompt, Crooks, Gibson & Richards
http://www.realtimearts.net/magazine/38/5421 - Beyond the interface: exhibiting digital media
Kathy Cleland
http://www.realtimearts.net/magazine/38/5415 - Did we dream this?
Keith Gallasch and Virginia Baxter examine crime scenes at Sydney’s Police and Justice Museum and the Australian Centre for Photography
http://www.realtimearts.net/magazine/34/11089 - Spacing the digital
Alex Hutchinson talks venues with media artist and Cinemedia Platform 1.0 curator Ross Gibson
http://www.realtimearts.net/magazine/32/5050 - Multiple Museologies
Nicholas Gebhardt gets Ross Gibson’s update on the Musuem of Sydney
http://www.realtimearts.net/magazine/7/6637 - Interactive House and Garden
Kate Richards explores the menu at The Australian Film Commission Narrative and Interactivity Conference, Melbourne 9-11 March 1995
http://www.realtimearts.net/magazine/6/6596
Works in progress: pt1 (A-G)
image: Ross gibson, Kate Richards, Life After Wartime
Works in progress: pt1 (A-G)
image: Keith Armstrong, t_lounge
Revelation in the new cathedral
image: Péter Forgács, Private Hungary
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article