- BEAP: interactions, intersections
Melinda Rackham
http://www.realtimearts.net/magazine/51/6865 - Michelle Glaser: writing digital art
Felena Alach
http://www.realtimearts.net/magazine/48/6363 - d>art: shot through with data
Mitchell Whitelaw
http://www.realtimearts.net/magazine/44/5898 - Works in progress: pt2 (H-M)
Haig, Heyward, Hobbs with Xavier, Beames & Glaser, Lunney, Madigan, MacDonald, McLaughlin
http://www.realtimearts.net/magazine/38/5422 - Redefining hybridity: CD-ROM possibilities
Mike Leggett
http://www.realtimearts.net/magazine/38/5412 - Works in progress: pt1 (A-L)
Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079 - techné cultures
Mike Leggett scans cyber expositions east and west
http://www.realtimearts.net/magazine/18/4596
techné cultures
image: Norie Neumark, A Shock in the Ear
Works in progress: pt1 (A-L)
image: Anita Kocsis, Neonverte
Works in progress: pt1 (A-L)
image: Francesca da Rimini with Los Fantasmos, Los Dias Y Las Noches De Los Muertos
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article