- a random revolution
urszula dawkins: cyberdada retrospective
http://www.realtimearts.net/magazine/110/10748 - divisible istanbul
melinda rackham: isea 2011, istanbul
http://www.realtimearts.net/magazine/106/10507 - the digitising of public art
christian mccrae walks into troy innocent’s field of play
http://www.realtimearts.net/magazine/79/8595 - The university: A new home for new media
Christy Dena
http://www.realtimearts.net/magazine/74/8168 - 2004: glorious corporeality
Lisa Gye
http://www.realtimearts.net/magazine/63/7595 - Not so innocent gameplay
Dean Kiley
http://www.realtimearts.net/magazine/46/6158 - Hands off credentials
Dean Kiley at Bendigo Art Gallery’s Byte Me
http://www.realtimearts.net/magazine/34/5350 - Emerging entities, difficult syntheses
John Potts reviews Immersive Conditions, part of dLux media arts’ futureScreen
http://www.realtimearts.net/magazine/29/4855 - Disconnecting the larynx
Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375 - techné cultures
Mike Leggett scans cyber expositions east and west
http://www.realtimearts.net/magazine/18/4596 - At the time and space of interface
Virginia Baxter and Keith Gallasch do the interactive at Burning the Interface, Cybercultures and No Exit
http://www.realtimearts.net/magazine/13/5805 - Critically interactive
Previewing the Museum of Contemporary Art’s Burning the Interface, John Conomos demonstrates artists’ challenge to prevailing multimedia myths
http://www.realtimearts.net/magazine/11/6056 - Soft Core Hardware
McKenzie Wark reports from Siggraph94, Florida
http://www.realtimearts.net/magazine/3/6477 - realtime tv @ ISEA2013: Zydnei, Troy Innocent
http://www.realtimearts.net/feature/ISEA2013/11198 - M e d i a a r t t h e n a n d n o w
Darren Tofts, Catching Light, Campbelltown Arts Centre
http://www.realtimearts.net/feature/ISEA2013/11181 - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre
http://www.realtimearts.net/feature/ISEA2013/11165
techné cultures
image: VNS Matrix, BAD CODE
divisible istanbul 
image: Captured (cannon), Tamiko Thiel, 2011
the digitising of public art
image: Field of Play, Digital Harbour
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article