- Managing multiple media
Mike Leggett
http://www.realtimearts.net/magazine/50/9295 - St Kilda Film Festival: (un)certain fusions
Peta Tait
http://www.realtimearts.net/magazine/44/5896 - Post-photographic Photofile
Mitchell Whitelaw
http://www.realtimearts.net/magazine/41/9785 - Redefining hybridity: CD-ROM possibilities
Mike Leggett
http://www.realtimearts.net/magazine/38/5412 - Works in progress: pt1 (A-L)
Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079 - Curiouser and curiouser
Lisa Gye in search of the experimenta media arts festival
http://www.realtimearts.net/magazine/17/4639 - Playing in the labyrinth
Trish Fitzsimons visits the CD-ROM component of the Brisbane International Film Festival
http://www.realtimearts.net/magazine/15/5266 - Critically interactive
Previewing the Museum of Contemporary Art’s Burning the Interface, John Conomos demonstrates artists’ challenge to prevailing multimedia myths
http://www.realtimearts.net/magazine/11/6056
St Kilda Film Festival: (un)certain fusions
image: Edmund Chui, Lucid
Curiouser and curiouser
image: Sarah Waterson, Mapping Emotion
Works in progress: pt1 (A-L)
image: Francesca da Rimini with Los Fantasmos, Los Dias Y Las Noches De Los Muertos
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article