- art-science: the cerebral & the sensory
ella mudie: hokuspokus and the body is a big place, performance space
http://www.realtimearts.net/magazine/107/10570 - positive initiatives, problematic implications
lisa gye: era, artstart & media arts responses
http://www.realtimearts.net/magazine/92/9523 - imagining the invisible
anna davis on media arts responses to mediatised life
http://www.realtimearts.net/magazine/78/8533 - Digital games, digital winners
Danni Zuvela looks at new media-driven awards & performances
http://www.realtimearts.net/magazine/74/8170 - Collaboration or complicity?
Anna Munster
http://www.realtimearts.net/magazine/60/7375 - Naive desire and coffee table fetishism
Anna Munster
http://www.realtimearts.net/magazine/55/7089 - The screen divided
Anna Munster
http://www.realtimearts.net/magazine/53/6975 - Works in progress: pt2 (M-P)
Mew, Miranda, Munster, Petterd, Petrovitch, Pierce, Proebsting, Pryor
http://www.realtimearts.net/magazine/32/5072 - Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations
http://www.realtimearts.net/magazine/28/4778 - Digital subjectivity
Norie Neumark reviews State of the Heart at the ACP and BioTechSex New Media Forum
http://www.realtimearts.net/magazine/25/4292 - Gook Girls, Monstrous Chimeras and the New Technology
Ross Moore visits three Melbourne techno-art exhibitions
http://www.realtimearts.net/magazine/8/6699
Works in progress: pt2 (M-P)
image: Sally Pryor, As I May Write
Works in progress: pt2 (M-P)
image: Irene Proebsting, Escape from Station E
Works in progress: pt2 (M-P)
image: Anna Munster, Wunderkammer
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article