- Canberra: legacy-making & future-thinking
Keith Gallasch, Robyn Archer, Canberra 100
http://www.realtimearts.net/magazine/115/11131 - Opening doors: MAAP in Beijing
Di Ball
http://www.realtimearts.net/magazine/54/7061 - My brain hurts
Ian Haig
http://www.realtimearts.net/magazine/51/6860 - Piccinini + Hennessey: sincerely artificial
Daniel Palmer
http://www.realtimearts.net/magazine/43/5862 - Post-photographic Photofile
Mitchell Whitelaw
http://www.realtimearts.net/magazine/41/9785 - Positively infectious
Cyber Cultures curator Kathy Cleland talks to Keith Gallasch
http://www.realtimearts.net/magazine/38/5428 - Beyond the interface: exhibiting digital media
Kathy Cleland
http://www.realtimearts.net/magazine/38/5415 - Hands off credentials
Dean Kiley at Bendigo Art Gallery’s Byte Me
http://www.realtimearts.net/magazine/34/5350 - Positively video
Kathy Cleland reports on Video Positive 97
http://www.realtimearts.net/magazine/19/4542 - Liminal spaces of becoming
Anna Dzenis encounters art and technology at Next Wave
http://www.realtimearts.net/magazine/14/5691 - At the time and space of interface
Virginia Baxter and Keith Gallasch do the interactive at Burning the Interface, Cybercultures and No Exit
http://www.realtimearts.net/magazine/13/5805 - closed circuit
Jacqueline Millner reports on Digital Aesthetics-One
http://www.realtimearts.net/magazine/13/5803 - Gook Girls, Monstrous Chimeras and the New Technology
Ross Moore visits three Melbourne techno-art exhibitions
http://www.realtimearts.net/magazine/8/6699
Positively infectious
image: John Fairclough and Maureen Lander, Digital String Games 1998-2000
At the time and space of interface
image: Eric Lanz, Manuskript (Switzerland/Germany, 1994)
Opening doors: MAAP in Beijing
image: Gong Xin Wang, Red Gate
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article