- art-science: the cerebral & the sensory
ella mudie: hokuspokus and the body is a big place, performance space
http://www.realtimearts.net/magazine/107/10570 - history by the history-makers
stephen adams: book review, experimental music
http://www.realtimearts.net/magazine/93/9604 - dreams gentle and apocalyptic
tony osborne enters immersion:electrical empathy's ambient theatre
http://www.realtimearts.net/magazine/80/8681 - Memories of buildings and other ghosts
Stephen Jones remembers What Survives
http://www.realtimearts.net/magazine/73/8139 - Typhoon: fine tuned turbulence
Keith Gallasch sees sound art at Artspace
http://www.realtimearts.net/magazine/70/8001 - Electrofinge 2004: Replicate, automate, infiltrate
http://www.realtimearts.net/magazine/62/7510 - Electrofringe: eyes and ears to the future
Jeremy Yuille
http://www.realtimearts.net/magazine/58/7306 - The Electrofringe learningfest
RealTime talks to Gail Priest and Vicky Clare
http://www.realtimearts.net/magazine/57/7221 - Works in progress: performance
http://www.realtimearts.net/magazine/32/5106 - The science and art of tangible things
Urszula Dawkins, Synapse: A Selection, Powerhouse
http://www.realtimearts.net/feature/ISEA2013/11169
dreams gentle and apocalyptic
image: Immersion: Electrical Empathy
photo Alex Davies
Works in progress: performance
image: Lynne Sanderson, States of Kinship
Works in progress: performance
image: Arthur Wicks, Humanoids in progress
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article