- pixels ain’t square, man! seeing the digital light
darren tofts: public symposium, digital light: technique, technology, creation
http://www.realtimearts.net/magazine/103/10325 - making it internationally in media arts
julianne pierce: australian media artists overseas
http://www.realtimearts.net/magazine/101/10160 - the past informs the future
danni zuvela: qld premier’s national new media art awards
http://www.realtimearts.net/magazine/99/10010 - seeing yourself seeing
ella mudie: olafur eliasson, mca; lynette wallworth, carriageworks
http://www.realtimearts.net/magazine/95/9731 - film, image & the post-medium condition
ross harley: the double helix, adelaide film festival
http://www.realtimearts.net/magazine/90/9411 - infiltrations & accumulations
gail priest: sound, film and interactivity in the melbourne festival
http://www.realtimearts.net/magazine/88/9252 - new art the old way
dan mackinlay does beap 2007 on a bike
http://www.realtimearts.net/magazine/82/8771 - the world in our hands
fabienne nicholas interviews media artist lynette wallworth
http://www.realtimearts.net/magazine/79/8577 - Lost Worlds
Gail Priest
http://www.realtimearts.net/magazine/68/7940
pixels ain’t square, man! seeing the digital light
image: Heaven’s Gate 1987, Felix Meritis 1787-1987, Shaffy Theater, Amsterdam, Netherlands
the past informs the future 
image: From You Were in my Dreams, Van Sowerwine and Isobel Knowles
image courtesy the artists
making it internationally in media arts 
image: Wade Marynowsky, Bricolage Disco, 2010, ST PAUL St Gallery, Auckland, New Zeland
photo courtesy the artist
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article