- media arts education: sublimation vs subjugation
lisa gye
http://www.realtimearts.net/magazine/104/10392 - cellular intrigue
kirsty darlaston: biotech arts revisted, experimental art foundation
http://www.realtimearts.net/magazine/91/9474 - ars electronica, vitae brevis!
nigel helyer in linz for the latest on new media art
http://www.realtimearts.net/magazine/82/8763 - BEAP 2004: Perth—digital city
Keith Gallasch
http://www.realtimearts.net/magazine/62/7507 - BEAP: art in the lab?
Stephen Jones
http://www.realtimearts.net/magazine/51/6866 - Digital lab
new works in development
http://www.realtimearts.net/magazine/48/6368 - Superfluous sex at Ars Electronica
Melinda Rackham
http://www.realtimearts.net/magazine/40/5591 - Collision courses
Esta Milne negotiates maps and other metaphors in Viruses and Mutations
http://www.realtimearts.net/magazine/28/4778 - Two cultures divided
Ned Rossiter queries the Tissue Culture & Art Project, Stage One
http://www.realtimearts.net/magazine/27/4729 - realtime tv @ ISEA2013: semipermeable (+), SymbioticA
http://www.realtimearts.net/feature/ISEA2013/11173 - Life and death, and the membranes inbetween
Urszula Dawkins, semipermeable (+), SymbioticA
http://www.realtimearts.net/feature/ISEA2013/11166
Collision courses
image: Michele Barker & Anna Munster, The Love Machine
ars electronica, vitae brevis!
image: Audiowalk Gusen, The Invisible Camp
photo Christoph Mayer chm
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article