- Digital lab, new works in development
Ross Gibson and Kate Richards Life After WarTime
http://www.realtimearts.net/magazine/52/6919 - BEAP: interactions, intersections
Melinda Rackham
http://www.realtimearts.net/magazine/51/6865 - Part 1: Digital strategies
Christine Nicholls
http://www.realtimearts.net/magazine/51/6861 - Multiplying options
Megan Heyward talks to Mike Leggett
http://www.realtimearts.net/magazine/49/6776 - Illuminated thesaurus
Mitchell Whitelaw
http://www.realtimearts.net/magazine/48/6367 - WriteSites: Papertiger, a new world of poetry
Jo Gray
http://www.realtimearts.net/magazine/46/6160 - d>art: shot through with data
Mitchell Whitelaw
http://www.realtimearts.net/magazine/44/5898 - St Kilda Film Festival: (un)certain fusions
Peta Tait
http://www.realtimearts.net/magazine/44/5896 - Piccinini + Hennessey: sincerely artificial
Daniel Palmer
http://www.realtimearts.net/magazine/43/5862 - Navigating dark spaces
John Conomos
http://www.realtimearts.net/magazine/40/5599 - Beyond the interface: exhibiting digital media
Kathy Cleland
http://www.realtimearts.net/magazine/38/5415 - Segue, stretto, strafe & sashay
Dean Kiley
http://www.realtimearts.net/magazine/38/5414 - Redefining hybridity: CD-ROM possibilities
Mike Leggett
http://www.realtimearts.net/magazine/38/5412 - St Kilda Film Festival: digital links
Anna Dzenis
http://www.realtimearts.net/magazine/38/5394 - Time travel is your only means of escape
Joni Taylor
http://www.realtimearts.net/magazine/35/11088 - Did we dream this?
Keith Gallasch and Virginia Baxter examine crime scenes at Sydney’s Police and Justice Museum and the Australian Centre for Photography
http://www.realtimearts.net/magazine/34/11089 - Blood on the keys
Joni Taylor enters Linda Dement’s In My Gash CD-ROM
http://www.realtimearts.net/magazine/34/5354 - The Wetware season
Mike Leggett reports from The NxT Mutimedia Symposium in Darwin
http://www.realtimearts.net/magazine/34/5353 - New media hum
Mike Leggett enters the hive of international digital media/web artists ≈and Jane Prophet
http://www.realtimearts.net/magazine/33/5169 - Works in progress: pt3 (R-Z)
Rackham, Richards, Rothwell, Sag & Cooper, Samartzis, Seevinck, Sweeney, Tham, Thomas, Tonkin, Waterson & Sabiel
http://www.realtimearts.net/magazine/32/5084 - Works in progress: pt1 (A-L)
Barker, Benson, Carroli & Wilson, Cmielewski, geniwate, Glaser, Hutchinson & Xavier, Hoskin, Johnston, Kaye, Kocsis, Kreckler, Le Cappellaine, Leggett, Lerner
http://www.realtimearts.net/magazine/32/5079 - Works in progress: pt2 (M-P)
Mew, Miranda, Munster, Petterd, Petrovitch, Pierce, Proebsting, Pryor
http://www.realtimearts.net/magazine/32/5072 - Digital rules!
Michael Hill is engaged by D.art 99 at the Sydney Film Festival
http://www.realtimearts.net/magazine/32/5015 - Disconnecting the larynx
Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375 - Archiving the digital
Sarah Miller spends time with Arts_Edge at the Art Gallery of WA
http://www.realtimearts.net/magazine/25/4320 - The video art beyond
John Conomos interviews Rudolf Frieling, a curator at ZKM in Germany, a featured guest at this year’s Sydney Film Festival
http://www.realtimearts.net/magazine/25/4287 - The aniconic and digital image
Heather Barton rethinks the spiritual and soft space in Malaysian New Media Arts at the First National Electronic Art Exhibition
http://www.realtimearts.net/magazine/23/4206 - Barroom fantasias
Deane Kiley does Digita at Melbourne’s Cyber-Fringe Binary Bar
http://www.realtimearts.net/magazine/22/4247 - bit.depth
New CD-ROMs prompt thoughts on interactivity and the critical act from Jonathon Delacour
http://www.realtimearts.net/magazine/21/4439 - The Inside of Houses
Lisa Gye, Bronwyn Coupe, Interactive CD-ROM, e-media, Melbourne
http://www.realtimearts.net/magazine/20/4516 - Condition: Shock of the Ear
Keith Gallasch
http://www.realtimearts.net/magazine/19/4569 - Positively video
Kathy Cleland reports on Video Positive 97
http://www.realtimearts.net/magazine/19/4542 - Matinaze '97
http://www.realtimearts.net/magazine/18/4621 - techné cultures
Mike Leggett scans cyber expositions east and west
http://www.realtimearts.net/magazine/18/4596 - Curiouser and curiouser
Lisa Gye in search of the experimenta media arts festival
http://www.realtimearts.net/magazine/17/4639 - Playing in the labyrinth
Trish Fitzsimons visits the CD-ROM component of the Brisbane International Film Festival
http://www.realtimearts.net/magazine/15/5266 - At the time and space of interface
Virginia Baxter and Keith Gallasch do the interactive at Burning the Interface, Cybercultures and No Exit
http://www.realtimearts.net/magazine/13/5805 - Critically interactive
Previewing the Museum of Contemporary Art’s Burning the Interface, John Conomos demonstrates artists’ challenge to prevailing multimedia myths
http://www.realtimearts.net/magazine/11/6056 - Thinking about killing
Nic Beames interviews visiting UK multimedia artist Graham Harwood
http://www.realtimearts.net/magazine/10/6121 - The monkey with the digital touch
Christopher Coe in conversation with James Compton
http://www.realtimearts.net/magazine/9/6271 - Australia's Asia Pacific interactive option
M. Billsson profiles Pacific Advanced Media
http://www.realtimearts.net/magazine/9/6270 - New Media Forum
Amanda McDonald Crowley
http://www.realtimearts.net/magazine/8/6700 - CD-ROM - The 21st century bronze?
Mike Leggett on the potential of CD-ROM technology for artists
http://www.realtimearts.net/magazine/5/6567 - How to get a Bite of the CD-ROM action
David Harrington on the commercial steps to the CD-ROM platform.
http://www.realtimearts.net/magazine/5/6566 - Emergent media zones
McKenzie Wark tunes his aerials to the information superhypeway
http://www.realtimearts.net/magazine/5/6562 - North to Cyberia
John Potts reports on the Fifth International Symposium on Electronic Arts (ISEA) held in Helsinki
http://www.realtimearts.net/magazine/3/6476
Segue, stretto, strafe & sashay
image: Tatiana Pentes, Strange Cities
techné cultures
image: VNS Matrix, BAD CODE
Works in progress: pt3 (R-Z)
image: Gary Zebington, bodyssey
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article