- disabling art online
melinda rackham: australian internet censorship legislation
http://www.realtimearts.net/magazine/97/9777 - message is medium is message
zanny begg: an australian media activist legacy
http://www.realtimearts.net/magazine/95/9752 - the itch factor
melinda rackham: media art jury duty
http://www.realtimearts.net/magazine/91/9469 - the second life funding landscape
keith gallasch: interview, ricardo peach, the inter-arts office
http://www.realtimearts.net/magazine/87/9181 - playing the moon
christy dena on the fate of new media art
http://www.realtimearts.net/magazine/83/8881 - new order distribution
keith gallasch at dlux/media/art’s d/art/07 forum
http://www.realtimearts.net/magazine/81/8714 - Transdisciplinary publishing
Lisa Gye reports on the Hard Copy forum
http://www.realtimearts.net/magazine/73/8112 - Nurturing media art in the regions
Gail Priest surveys some of the emerging producers from the EPIC program
http://www.realtimearts.net/magazine/73/8111 - Housing the virtual, the radical, the displaced.
Danni Zuvela on alternative art venues in Brisbane
http://www.realtimearts.net/magazine/71/8036 - Open Letter to the Australia Council: Harkin
Brendan Harkin
http://www.realtimearts.net/magazine/66/7764 - Open Letter to the Australia Council: Shaw
Jeffrey Shaw
http://www.realtimearts.net/magazine/66/7763 - Letter to the Editor: Jennifer Bott
March 24
http://www.realtimearts.net/magazine/66/7762 - New media arts sacrifice
Keith Gallasch
http://www.realtimearts.net/magazine/66/7761 - Australia Council unplugged
Keith Gallasch
http://www.realtimearts.net/magazine/65/7717 - Canada's new media insights
Daniel Heckenberg
http://www.realtimearts.net/magazine/59/7351 - RUN_WAY
Anna Davis
http://www.realtimearts.net/magazine/57/7216 - Digital indigeneity
Christine Nicholls
http://www.realtimearts.net/magazine/52/6920 - Strategies for Tactical Media
McKenzie Wark
http://www.realtimearts.net/magazine/51/6864 - Part 1: Digital strategies
Christine Nicholls
http://www.realtimearts.net/magazine/51/6861 - New media, new resistance
David Varga
http://www.realtimearts.net/magazine/48/6370 - Innovation: maps & distribution
Terry Cutler in discussion with Sarah Miller, Alessio Cavallaro, Linda Wallace & Keith Gallasch
http://www.realtimearts.net/magazine/45/9691 - The National Museum: the digital media works
Mitchell Whitelaw
http://www.realtimearts.net/magazine/43/5873 - Handy hints for new, new media reviewers
Dean Kiley
http://www.realtimearts.net/magazine/42/5737 - MESH 14: resisting the global narrative
Esther Milne
http://www.realtimearts.net/magazine/42/5735 - Onlining the documentary
http://www.realtimearts.net/magazine/40/5619 - The end of new media art?
Mitchell Whitelaw
http://www.realtimearts.net/magazine/38/5413 - Web convergence traps artists and consumers
Nadine Clements
http://www.realtimearts.net/magazine/38/5402 - Breaking the art and science standoff
Paul Brown
http://www.realtimearts.net/magazine/36/5498 - AOL-Time Warner: bye bye freewheeling web?
Ashley Crawford
http://www.realtimearts.net/magazine/36/5497 - [R] is for Regulation: cleaning up the net universe
Linda Carroli
http://www.realtimearts.net/magazine/35/5325 - The big suture
Art and technology, business and culture sewn up in Online Australia’s Project 1. Keith Gallasch reports.
http://www.realtimearts.net/magazine/32/5088 - Beyond techno-evangelism - whoÕs working the screen
http://www.realtimearts.net/magazine/32/5048 - Media arts and online culture: enter or escape?
Jeffrey Cook says it’s time to look at defragmenting online arts distribution
http://www.realtimearts.net/magazine/32/5047 - The rise of digital exhibition in the UK
Sophie Hansen reports on northern England’s Arc—“one of the first venues in the UK to place new media arts in a mainstream context”
http://www.realtimearts.net/magazine/32/5033 - Pixelated privates
Ivana Caprice and partner Art sample porn on the internet before the censor drops
http://www.realtimearts.net/magazine/32/5013 - The taste of data
Jane Mills chews over the AFC’s Get The Picture
http://www.realtimearts.net/magazine/31/4986 - Net art and the argument for critical decompression
Letters
http://www.realtimearts.net/magazine/28/4804 - Looking for engagement
Anne V McGravie-Wright tracks a multimedia forum for the cultural industries
http://www.realtimearts.net/magazine/28/4790 - Shows and sideshows in the new museum
Mike Leggett moves through site-time-media-space at a Museum of Sydney seminar
http://www.realtimearts.net/magazine/28/4782 - Digital museuming
A unique interdisciplinary conference on digital media at the Museum of Sydney
http://www.realtimearts.net/magazine/26/4408 - Disconnecting the larynx
Mike Leggett on Being Connected at the AFC’s multimedia conference
http://www.realtimearts.net/magazine/26/4375 - Fin de 21.C
Darren Tofts farewells a favourite
http://www.realtimearts.net/magazine/25/4325 - Trapped in a wwweb of deceit
Alan Thomas inside the Age of (X-file) Information
http://www.realtimearts.net/magazine/23/4214 - bit.depth
Could I please have your attention? asks Jonathon Delacour
http://www.realtimearts.net/magazine/23/4213 - bit.depth
Loving your Mac and losing it: Jonathon Delacour
http://www.realtimearts.net/magazine/22/4242 - (In)forming the nation on the goat tracks of the virtual community
Christina Spurgeon on the implications of the launch of the Department of Communications and the Arts’ Artsinfo website
http://www.realtimearts.net/magazine/22/4239 - Hybrid ways of making sense
ANAT’s CODE RED speakers McKenzie Wark and Geert Lovink debate the implications of an English language dominated internet
http://www.realtimearts.net/magazine/21/4465 - The new age virus
Ian Haig does a new media freak-out
http://www.realtimearts.net/magazine/21/4457 - 10,000 online cameras in Homebush Stadium
John McConnchie on net possibilities
http://www.realtimearts.net/magazine/21/4456 - Bit depth
The first in a series of new media columns by Jonathon Delacour
http://www.realtimearts.net/magazine/20/4506 - Under a Federal sun?
Mike Leggett asks whatever happened to CMCs
http://www.realtimearts.net/magazine/20/4494 - Anarcho-techno possibilities
John McConnchie in Adelaide reports on the UTLCA Symposium: Community Cultural Development and Multimedia.
http://www.realtimearts.net/magazine/16/5219 - Virtual nation: I want my Telstra
Boris Kelly considers the implications of the sale of Telstra in a new internet context
http://www.realtimearts.net/magazine/12/5995 - Myopic notion
Annemarie Jonson reflects on Creative Nation’s multimedia initiatives one year on
http://www.realtimearts.net/magazine/10/6125 - Anarchy on the internet
Boris Kelly @ ANIMA
http://www.realtimearts.net/magazine/10/6124 - Don't sign away those electronic rights
Tony Davies, editor of Arts Law’s ArtLines discusses with Keith Gallasch the need for a legal advice publication about the digital arts
http://www.realtimearts.net/magazine/10/6123 - No Show
Colin Hood surveys the connections between new media education and the film/video exhibition fringe in Sydney.
http://www.realtimearts.net/magazine/8/6701 - More M&M's
Annemarie Jonson finds more multimediocrity at the second of the Creative Nation multimedia forums: Sydney, 15 and 16 June, 1995
http://www.realtimearts.net/magazine/8/6697 - Art and the Mundane Internet
Chris Chesher
http://www.realtimearts.net/magazine/8/6696 - Last Rights?
John Potts speaks with Ian Collie, Director of the Arts Law Centre of Australia, about rights in the digital age
http://www.realtimearts.net/magazine/7/6639 - Multimediocrity?
RT suffers the first Creative Nation Multimedia Forum in Sydney
http://www.realtimearts.net/magazine/6/6597 - How to get a Bite of the CD-ROM action
David Harrington on the commercial steps to the CD-ROM platform.
http://www.realtimearts.net/magazine/5/6566 - System Error
John Conomos retrieves artists from the Creative Nation trash can
http://www.realtimearts.net/magazine/5/6563 - Emergent media zones
McKenzie Wark tunes his aerials to the information superhypeway
http://www.realtimearts.net/magazine/5/6562 - Framegrabs from the future
Framegrabs from the Future Ross Harley windowshops at the the techno-design interface
http://www.realtimearts.net/magazine/5/6543 - New Media Hype
McKenzie Wark in the info-sphere
http://www.realtimearts.net/magazine/1/6432
disabling art online
www.getup.org.au/campaigns
new order distribution
image: Grant Stevens, I Like Ike, installation 2005
courtesy the artist and Gallery Barry Keldoulis
Digital indigeneity
image: Christian Bumbarra Thompson, Untitled (Marcia Langton), Blak Palace Series, Tiwi Jumper
Banner: (detail) Daniel Crooks, On perspective and motion (part 2), 2006, courtesy the artist and Anna Schwartz Gallery. See article