editorial
festivals
miaf
art on the side of cinema
carl nilsson-polias: eve sussman, melbourne festival
isea08
the brain-technology dance
matthew gingold: dumb type’s true at isea 2008
darwin festival
kindred spirits
keith gallasch, virginia baxter: crossing roper bar, darwin festival
brisbane festival
infinite othernesses
douglas leonard: liza lim’s the navigator, brisbane festival
brisbane festival
multiple maps of the imagination
douglas leonard: brisbane festival theatre program
avignon festival
the art of punishment
carl nilsson-polias: romeo castellucci’s purgatorio in avignon
artrage
positively artrageous
silver artrage festival 2008, perth
special features
no content
performance
all in the voice
marie-anne mancio: robert lepage’s lipsynch
at war with war
david williams: sydney theatre company’s gallipoli
character issues
john bailey: meow meow, tony reck, rawcus & restless, melbourne
deep inside the box
jonathan marshall: richard murphet’s
the inhabited man
life on the inside
david williams: legs on the wall’s bubble
murderous ambivalences
jonathan marshall: robert reid’s portraits of modern evil
night falls over innocence
peter barclay: the bloody bride, lismore
on the edge of the moment
bryoni trezise: linda luke and peter fraser solos
room for change
jonathan marshall: putting on an act,
pica, perth
the limits of healing
caroline wake: sidetrack’s checkpoint zero
the middle way: light infrastructure
sophie travers: the maps scheme for
independent theatre & dance
the way we look
keith gallasch: the bland project;
don’t say the words
two lives, one storm
sandra thibodeaux: sarah cathcart and nicola fearn’s tracy
working from home: the producing hub
david micklem: battersea arts centre, london
dance
a constrained dance of words
maggi phillips: world dance alliance global summit
a very real unreal place
pauline manly: bernadette walong’s groundup!
beyond the dumb-mobile
jana perkovic: impulstanz dance festival, vienna
in the bodies of others
force majeure: the age i’m in comes to carriageworks
taking underground overground
dancenorth: national tour with underground
the body: re-examined, recreated, restless
jodie mcneilly: sue healey, the curiosities
the challenge: teaching dance screen
erin brannigan: take 7 dance dvd
through violence to contemplation
alex ben mayor: balletlab’s axeman lullaby
visual arts
hardcore and zen
obituary: jon wah, performance and video artist, 1980-2008
homecoming for the future
artspace 24/25: celebrating 25 years
imaging the ritualised hour
urszula dawkins: simon terrill’s crowd theory—port of melbourne
spin cycle
judith abell: philippa steele, white wash
transgression, translation, transcription
keith gallasch: ruark lewis interview
transgression, translation, transcription - full interview
keith gallasch: ruark lewis
sound/music
liquid architecure 9 - sydney
sounds solid, sounds fluid
gail priest: liquid architecture 9, Sydney
liquid architecture 9 - melbourne
depends on where you sit
chris reid: liquid architecture 9, melbourne
liquid architecture 9 - melbourne
sonic interiors
simon charles: liquid architecture 9, melbourne
beyond easy
keith gallasch: david chesworth ensemble in sydney
diverse readings, acute listenings
peter blamey: book review—hearing places
nayda and the music of change
madeleine blackwell: moroccan music festivals
noise is free in beijing
alistair riddell: the fourth minimidi festival
+onscreen
film & screen culture
active recall: animating history
megan carrigy: waltz with bashir, an animated documentary
film is like music, it has time
danni zuvela: peter kubelka, national film and sound archive
gods in the street
keith gallasch: the light in winter festival
image, music, connection
keith gallasch: fatih akin, turkish-german filmmaker
MIFF 2008: lo-tech brilliance
simon sellars: guy sherwin, ben russell, ben rivers
parallel lives: in cinema & beyond
john conomos: erice-kiarostami, correspondences, acmi
the cross-currents of new russian film
tom redwood: russian resurrection film festival preview
the past bleeds into present
the japanese film festival: sydney and melbourne
the tribulations of based-on-fact fiction
keith gallasch: henry reynolds & the chant of jimmie blacksmith
+onscreen media arts
interactive mysteries
greg hooper: keith armstrong, gina czarnecki, brisbane festival
just what's on offer?
jessica wallace: monceaux & sterling’s
supermarket
kaleidoscoped
keith gallasch: jordana maisie’s the real thing
new media, new to china
dan edwards: synthetic times—media art china 2008
only the best
UTS: a new space for media arts in sydney
sharing and remixing via the abc
dan mackinlay: the abc’s pool
the name of the game: media arts now
keith gallasch, mirror states, campbelltown arts centre
the second life funding landscape
keith gallasch: interview, ricardo peach, the inter-arts office