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Archive building in progress
We are currently re-building our online archive, with a powerful search facility to make it more accessible.
This is a major long-term project which will make available editions from our very first in 1994.
We are working backwards from the current edition.
If you are searching for an article in an edition not yet archived, please email the Managing Editors at
[email protected] with your query, and we will attempt to assist you.
Most back editions can be purchased for $5.50 inc, GST, post and packaging.
Editions currently online:
issue 138 - Flow maps & heightened states
issue 138 - Experience into dance: translation and failure
issue 138 - A sustaining instrument
issue 138 - An Australian sect saga
issue 138 - New words for music
issue 138 - Video art treasure house on demand
issue 138 - The weight of abstraction
issue 138 - Ros Bandt, Tarhu Connections, double CD
issue 138 - The audience on the inside
issue 138 - An experimental art hub in Melbourne’s west
issue 138 - Film festivals vs the big streamers
issue 138 - Art as big public infrastructure
issue 138 - Science + love = explosive dance
issue 138 - Is anyone there—online or off?
issue 138 - Bundanon: creative refuge
issue 138 - Bundanon: channelling Arthur Boyd
issue 138 - Raw: T-shirts and double passes
issue 138 - Post-industrial town’s art conversion
issue 138 - Techno-shapeshifting
issue 138 - Eating people: serious horror
issue 138 - Video essay: Cameraperson to person
issue 138 - The Simpsons will save us
issue 138 - DVD: Jim Jarmusch, Paterson
issue 138 - Small films in a big screen world
issue 138 - Table manners, dressage & music
issue 138 - Fresh plot for a cinémathèque
issue 138 - Travelling doco fest fights corruption
issue 138 - Unravelling McFamily-sized myths
issue 138 - In the beginning...
issue 138 - Lili Almog: Lifting the veil
issue 138 - Globalisation: upside/downside
issue 138 - Project O: into impossible places
issue 138 - A subtle excavation
issue 138 - A nurturing Dancenorth
issue 138 - Resonant Bodies: voices matter
issue 138 - Beautiful fragments
issue 138 - Jack Ferver & persona
issue 138 - Angelica Mesiti recodes video art
issue 137 - WOMADelaide 2017: Saving the musical mind
issue 137 - Aromatics of thought
issue 137 - Supercell Dance Festival: Brisbane dances
issue 137 - Into the internet's black holes
issue 137 - The sweet smell of jalebi
issue 137 - Lloyd Cole: the interacting synthesiser
issue 137 - Shifting gravity's centre
issue 137 - Art at labour's limits
issue 137 - Music's ever evolving electronics
issue 137 - Art takes on despair
issue 137 - Undoing imagination
issue 137 - Another side of Mary
issue 137 - More than a bio-opera
issue 137 - Cultures, words, lives, limits
issue 137 - Performing Asia in & with Australia
issue 137 - Lauren Carroll Harris joins RealTime
issue 137 - Presence and strength
issue 137 - Nam June Paik: bad video, poor performance
issue 137 - Documentary in a virtual, post-truth world
issue 137 - AIDC 2017: Transcending the news cycle
issue 137 - A barbarian's right to difference
issue 137 - TAO Dance Theater in ‘6’ and ‘8’
issue 137 - Bold, not just older
issue 137 - AUDIO: A dangerous beast
issue 137 - Wynscreen: video art for those in transit
issue 137 - Gold Coast new art momentum
issue 137 - DVD: Life, Animated
issue 137 - Ghosts and bones and angels
issue 137 - Disaster meditations from Japan
issue 137 - Spatial effects, narrative distractions
issue 137 - Curiosity, clouds, release
issue 137 - Crisis face to face
issue 137 - DVD: Ken Loach's I, Daniel Blake
issue 137 - Women's film festivals: breaking the mould
issue 137 - Unanticipated moves
issue 137 - Three kinds of grieving
issue 137 - Naturalism that makes space for all
issue 137 - Our world, now different?
issue 137 - The power of collaboration
issue 137 - Model dirty dancing
issue 137 - Life at the limits
issue 137 - Virtual embodiment, real empathy
issue 137 - Great Kosky, great Saul
issue 137 - Beautiful failure vs fetishised perfection
issue 137 - The future is almost here
issue 137 - A king for our time
issue 137 - Technique, plus and minus
issue 137 - Time for a reckoning
issue 137 - Hearts beating as one
issue 137 - Scoring conciliation
issue 137 - Inner & outer light
issue 136 - Sonic art liberation
issue 136 - Similitudes & affinities: Dancehouse & the world
issue 136 - Pathos: concept > document > object
issue 136 - Music & politics of migration
issue 136 - Regional stresses & passions
issue 136 - For All We Know (or thought we knew): Part II
issue 136 - ACMI Mark II: Museum of the future
issue 136 - Sydney Festival: A great sense of occasion
issue 136 - 2017 Sydney Festival: A Personal Guide
issue 136 - Reassembling the cosmos
issue 136 - Light made sound made light
issue 136 - Re-imagining 'regional'
issue 136 - Maximalised sounding vs authored synaesthesia
issue 136 - Love, materialism & metaphysics
issue 136 - PIAF 2017: A very special place
issue 136 - DVD: Stephen Page, Spear
issue 136 - Shifting the goalposts
issue 136 - The joy of pulsing complexity
issue 136 - Counterbalancing chaos
issue 136 - Making scents of Sydney
issue 136 - In light of darkness
issue 135 - A common spirituality
issue 135 - Queerings of form and perception
issue 135 - A living document of diversity
issue 135 - Ever blossoming art out of Asia
issue 135 - Festival rises above the storm
issue 135 - BOOK: Unworldly Encounters
issue 135 - Speak Percussion: the music of shells, bells and fluoros
issue 135 - Life distilled into moments
issue 135 - Melbourne Fringe: angles on unsexed perspectives
issue 135 - Melbourne Fringe: the beauty of bafflement
issue 135 - Sublimity in rural Texas
issue 135 - Internationals, locals, any body & every body
issue 135 - The artist, cultural transmitter & trickster
issue 135 - Speculative fictions & microbial collaborations
issue 135 - A festival grounded in transitional space
issue 135 - Everyday crisis-resilience
issue 135 - The ambiguous cry of blood
issue 135 - Performance vs rape culture
issue 135 - Ordinary monsters, at a distance
issue 135 - Drawing: calm in chaos
issue 135 - Old halls, new lives
issue 135 - DVD: Ivan Sen’s Goldstone
issue 135 - Between a plinth and a hard place
issue 135 - Fassbinder, degrees of proximity
issue 135 - Prophetic sonic art
issue 135 - Seeing touch: contemporary soft sculpture
issue 135 - Festival for a town that doesn’t conform
issue 135 - Women, art & the challenges of empowerment
issue 135 - The end of the world as we know it
issue 135 - High anxiety, vivid wondering
issue 135 - Growing choreography in Newcastle
issue 135 - Inside Asia, heart and art
issue 135 - Artefact liberation
issue 135 - On a need to know basis
issue 135 - A storm, untouched by theory
issue 135 - Gesturing kindness and generosity
issue 135 - Rituals of another kind
issue 135 - Music vs capitalism, ghosts in machines
issue 135 - Liveworks: A bigger picture
issue 135 - A new instrument speaks
issue 135 - Voiced-over pop, hateful audiovision
issue 135 - Not defined by rape
issue 135 - DVD: Ben Wheatley’s High-Rise
issue 135 - Having a go at the horror
issue 135 - An ear to the future of creative radio
issue 134 - The virtues of self-indulgence
issue 134 - Occupying culture in Rio de Janeiro
issue 134 - Exploratory music on a high in Bendigo
issue 134 - The cruelties of God, evolution & showbusiness
issue 134 - Accepting the agency of the non-human
issue 134 - Crime, punishment & role reversal
issue 134 - A conflict of interests
issue 134 - Sound by nature, music by name
issue 134 - Advancing the art of reviewing
issue 134 - The making of performance makers
issue 134 - Girls lost and found
issue 134 - Gaming climate change
issue 134 - Art & the inevitable
issue 134 - From Picasso to music to dance
issue 134 - Futuring music theatre in the academy
issue 134 - Cultural diversity’s new dramaturgy
issue 134 - Imagination and incarceration
issue 134 - Taking on the panic machine
issue 134 - Another route to being human
issue 134 - Tribute to a pioneering dance media artist
issue 134 - Tasmanian youth: dancing with a mission
issue 134 - The screen: inside and out
issue 134 - Liveworks 2016: a storm of creativity
issue 134 - Troubled bodies tangle with truth
issue 134 - A just hearing in the court of theatre
issue 134 - On the record: Australian artists in free-fall
issue 134 - Racism laid bare: not so funny
issue 134 - When the Goal Posts Move, by Ben Eltham
issue 134 - OzAsia Festival: Exorcising America
issue 134 - 2016 Darwin Festival: Tradition sustains innovation
issue 134 - The metadata that counts
issue 134 - Salamanca Moves: making visible dance’s diversity
issue 134 - 2016 Darwin Festival: the power of art in the making
issue 134 - The aesthetics of kinetic impact
issue 134 - Imaginary ecologies: real fears & hopes
issue 134 - An independent art school for all
issue 134 - ELISION ensemble: a bold 30-year adventure
issue 134 - Living beneath life
issue 134 - Four quartets, from musing to outburst
issue 134 - Reverse the trend; champion creative education
issue 134 - Adelaide College of the Arts: Acting, privilege and legacy
issue 134 - How animal are humans?
issue 134 - The sounding of dance data
issue 134 - Loops within loops
issue 134 - Music Writers’ Workshop
issue 134 - The ensemble as organism
issue 134 - When light plays an orchestra
issue 134 - The corralling of disparate voices
issue 134 - The dead arise, play and dance
issue 134 - Degrees of green art radicalism
issue 134 - Asia-Pacific artists screen climate change
issue 134 - Inquisitive pairings of data and forms
issue 134 - BIFEM 2016’s unprecedented scale and vision
issue 134 - Slow traumas or apocalypses of choice?
issue 134 - Mastering the power of unpredictability
issue 134 - The critical limits of sound
issue 134 - Fine friction between sound & meaning
issue 134 - Dance: LINK-ing and Mastering
issue 134 - An inclusive vision of Australian women
issue 134 - Donnie Darko, 15th Anniversary Edition DVD
issue 134 - Something more than ourselves
issue 134 - For All We Know (or thought we knew): Part I
issue 133 - Next Wave Festival: complex selves & cultures
issue 133 - The Choreographic: concept or con?
issue 133 - A musical brain of your own
issue 133 - Embracing a new reality
issue 133 - Peggy Guggenheim: Art Addict, DVD
issue 133 - Fighting for the arts & the public good
issue 133 - Fraught organic/digital business
issue 133 - Documenting emotion
issue 133 - Experimental art fills in the blanks
issue 133 - A dance of minds, bodies & synchronicities
issue 133 - The city as problem and solution
issue 133 - Activist art: origins and resurgence
issue 133 - Domestic violence in the white cube
issue 133 - An anxiety-inducing mechanism of fascination
issue 133 - Laughter & pain in a post-colonial limbo
issue 133 - Radically adrift in an expanding cosmos
issue 133 - I Shudder To Think
issue 133 - Revolutionising reception of the world
issue 133 - Initial conditions tight, possibilities unlimited
issue 133 - Brilliant hi- & lo-fi mysteries & disorientations
issue 133 - The artist as stripper: when is ‘too much’ enough?
issue 133 - Roger Smalley: a new music legacy reinvigorated
issue 133 - In the wastes of Ormen
issue 133 - REV 2016: for the love of the big screen
issue 133 - Art & massacre: the necessary memory of loss
issue 133 - Playwriting: celebrating the art against the odds
issue 133 - To live, dance and love, with HIV
issue 133 - Artgaming the art/video game nexus
issue 133 - VR, finding its way to art
issue 133 - A powerful cross-cultural shape-shifter
issue 133 - Cinema that reshapes seeing, time and the human animal
issue 133 - A Pigeon Sat on a Branch Reflecting on Existence DVD
issue 133 - Virtual pain, harsh reality
issue 133 - Absurdly capital contradictions
issue 133 - Should you see Manifesto?
issue 133 - A biennale with the city as site
issue 133 - To connect in a time of disintegration
issue 133 - Angles on eccentricity
issue 133 - Hip, political music-making
issue 133 - From Europe: Two kinds of nakedness
issue 133 - A glorious revelation of the unseen
issue 133 - The challenges of transformation
issue 133 - A reckoning between generations
issue 133 - Saving PACT: persistence vs crisis
issue 133 - A regenerative dreamscape
issue 133 - Putuparri and the Rainmakers DVD
issue 133 - Tea, Elvis & the magical mundane
issue 133 - Thought-shifting art
issue 133 - Angles on democracy
issue 133 - A serious comedy connects with country
issue 133 - OzAsia 2016: a necessary festival
issue 133 - Strengthening an all too fragile loop
issue 133 - Dust, myth & a new hero
issue 133 - Art, empathy and risk
issue 132 - The art of disappearance
issue 132 - Facing trauma with dance
issue 132 - A dance-propelled Newcastle
issue 132 - 20th Biennale of Sydney: fierce return of the Futurists
issue 132 - 2016 Next Wave: the future now
issue 132 - David dead & sounding real
issue 132 - La Mama’s Uncle Vanya plays in regional Victoria
issue 132 - Climate change, culture threat
issue 132 - The beautiful music of mortality
issue 132 - The end of an idyll
issue 132 - The dancing museum & the politics of public space
issue 132 - The art & ideas behind an award
issue 132 - Compulsion’s fraught harmonies
issue 132 - Decibel and the new classicism
issue 132 - Regional industry: dance versus loss
issue 132 - Jafar Panahi’s Tehran Taxi DVD
issue 132 - Eye to eye with the animal
issue 132 - Peggy Guggenheim: Art Addict DVD
issue 132 - Can acrobatics liberate Modernism’s heroines?
issue 132 - Heather Kravas & American Realness
issue 132 - Liberating lo-fi for the digital generation
issue 132 - Men’s Business in another world
issue 132 - Love & pain: a crystalline memoir
issue 132 - Live art, sex, death & community
issue 132 - Playing the live art game
issue 132 - AN ARTS CRITICAL ELECTION
issue 132 - A meeting of Aboriginal & Jewish cultures
issue 132 - Game on: making the virtual physical
issue 132 - Everything in the mix
issue 132 - Derek Kreckler: Accident & Process is on tour
issue 132 - Addiction’s vicious cycles
issue 132 - Nightmares & dreamscapes
issue 132 - Editorial 4 May 2016
issue 132 - Conceptual choreography & award anxieties
issue 132 - RUCKUS, Speed Of Life
issue 132 - Award keeps choreographers & audiences on their toes
issue 132 - Dance opens out gaol-space
issue 132 - Next Wave Festival 2016: the thrill of emergence
issue 132 - Leah Barclay: global sono-eco ambassador
issue 132 - For art’s sake, for artists’ sake - act now!
Special Feature - Next Wave Festival: Re-seeing the body in motion
Special Feature - Next Wave Festival: Many ways into “energized tranquility’
Special Feature - Next Wave Festival: Dance & humour vs misinformation
Special Feature - Next Wave Festival: The violence of internalised oppression
Special Feature - Next Wave Festival: The transmission of sensation
Special Feature - Next Wave Festival: Shaking loose the self
Special Feature - Next Wave Festival: Cultural tensions in a fraught sisterhood
Special Feature - Next Wave Festival: The art of unlearning
Special Feature - Next Wave Festival: The fantastical power of the everyday
Special Feature - Next Wave Festival: The evocative power of abstraction
Special Feature - Next Wave Festival: “How did that make you feel?”
Special Feature - Next Wave Festival: Urgent cultural tensions embodied
Special Feature - Next Wave Festival: Dance, decay & transformation
Special Feature - Next Wave Festival: Wrestling with monsters
Special Feature - Next Wave Festival: From disconnect to transcendence
issue 132 - Next Wave, a festival of creative attentiveness
Special Feature - Oppression & the two sides of the digital coin
issue 131 - I love hard work; I could watch it all day
issue 131 - Video art’s mirror worlds
issue 131 - More Mofo provocations
issue 131 - Giveaway 3rd Feb: Macbeth DVD
issue 131 - Sympatico neuron dancing
issue 131 - Dance, music & biomimicry
issue 131 - When dance makes music
issue 131 - A remaking of resurrected manifestos
issue 131 - What’s missing in Carol?
issue 131 - Obituary: Pierre Boulez, 1925-2016
issue 131 - Maelstrom & meditation
issue 131 - Conversation and arts politics in the arts marketplace
issue 131 - Post-traumatic stress disorder from the inside
issue 131 - Trim, taut, terrific
issue 131 - A positive disturbance
issue 131 - Bonding over bondage
issue 131 - Giveaway 10th Feb: The Family Law DVD
issue 131 - The intimate weave of art and life
issue 131 - Good works for hardworking audiences
issue 131 - Panoptic spreadsheets & political art
issue 131 - “These are the dancers”
issue 131 - The Gods come to Earth
issue 131 - Rights, copyright and the license to critique
issue 131 - Arcadia: two worlds, two minds
issue 131 - lingering + spatialising + listening
issue 131 - Perth International Arts Festival: Modernism repackaged?
issue 131 - Francophone dance, a difference
issue 131 - Customer service and failed intimacy
issue 131 - Perth International Arts Festival: Dark matter
issue 131 - Adelaide Festival: No pastoral refuge
issue 131 - PIAF 2016: Survival arts
issue 131 - PIAF 2016: A personal sharing
issue 131 - PIAF 2016: Contemporary techno-tragedy
issue 131 - MESS: not so old machines, new music
issue 131 - Sounds from the home of The Blizzard
issue 131 - Wired to make a difference
issue 131 - Seeking consistency
issue 131 - A sad bunch of lonely kings
issue 131 - A new landscape for new circus
issue 131 - Exiled from our being
issue 131 - Music, equity & belonging
issue 131 - Dance & other performance art
issue 131 - Between evasion and overload
issue 131 - Arts workers analyse the market
issue 131 - Paying attention to the lives of others
issue 131 - Everyday tech, intimacy & illusion
issue 131 - One heart beating for the many
issue 131 - Giveaway 16th March: The Look of Silence, Joshua Oppenheimer DVD
issue 131 - Narcissism critiqued and indulged
issue 131 - Ambiguities of the Word and the Flood
issue 131 - Redefining form and experience
issue 131 - Old transgressions, new art & understanding
issue 131 - The joy of mesmeric disquietude
issue 131 - Screen as time lens
issue 131 - The summed hum of time and space
issue 131 - The art of sensory expansion
issue 131 - The ever-evolving string quartet
issue 130 - Varieties of creative intimacy
issue 130 - The force inhabits you
issue 130 - Experimental art—having to speak for itself
issue 130 - Editorial: Last Print Edition, Not Last Words
issue 130 - A rigorous engagement with Asia
issue 130 - Cultural play & interplay
issue 130 - Renewal through reflection
issue 130 - The past drives dance into the future
issue 130 - Fragility, resilience, work & home
issue 130 - New connections, strange directions
issue 130 - A wild flowering of new works
issue 130 - For highbrow perusal
issue 130 - When life turns surreal
issue 130 - Ice, art & urgency
issue 130 - Fun durational art
issue 130 - With an ear to the wall
issue 130 - Obsession, creation & re-invention
issue 130 - Bending a brass band
issue 130 - Guide to a festival of great gifts
issue 130 - Everything depends on dramaturgy
issue 130 - The art of empathy
issue 130 - A festival that feels, senses and thinks
issue 130 - Of kings, carnations & psyches in crisis
issue 130 - An integrated & evolutionary vision
issue 130 - Limited critique, internal contradictions
issue 130 - Place, displacement & disposition
issue 130 - Walking, animal dances & becoming
issue 130 - Cultural climate change
issue 130 - Insanity, inside & out
issue 130 - Boldly narrowing the gap
issue 130 - Reality’s other perspectives
issue 130 - The unexpectedly ecstatic
issue 130 - The perils of emptiness overcome
issue 130 - Refugee awareness: a way through?
issue 130 - Performance & the restoration of the real
issue 130 - All a part of something
issue 130 - Hearing through capital’s illusions
issue 130 - A tribute to transcendence
issue 130 - Talents, minds & cultures united
issue 130 - Sonica’s good-looking sounds
issue 130 - Tracing counterpoint
issue 130 - Feminist manifestos converse
issue 129 - Amplified Elephants, Select Naturalis
issue 129 - Listening to others’ listening
issue 129 - The power & beauty of resonance & cadence
Special Feature - In Profile: Zoe Scoglio, artist
issue 129 - Percussive possibilities
issue 129 - Editorial: Liveness/Deadness
issue 129 - Liveness: interrogating the dream
issue 129 - Liveworks Festival Of Experimental Art
issue 129 - Performing hysteria
issue 129 - The Filipino body and labour capital
issue 129 - One-on-one: truly, urgently present
issue 129 - Likeness unlimited
issue 129 - Running for your life, and art
issue 129 - Audience on the spot, inside and out
issue 129 - Virtual restoration as theatre
issue 129 - Liberate media art & animate the gallery
issue 129 - Liveness = not being lost in the crowd
issue 129 - On your feet: protest & walking as art
issue 129 - Audience phones in addiction
issue 129 - Classical gas & retrograde ejaculation
issue 129 - The courage to address other ways of being
issue 129 - Three films as one for our time
issue 129 - Into a heart of darkness (or love)
issue 129 - The shaman’s theatre of the night
issue 129 - Meaning & its absence in the everyday
issue 129 - The dance life of objects
issue 129 - Australia and Indonesia draw near
issue 129 - And now for something different
issue 129 - Putting Africa into Othello
issue 129 - In the flux of the moment
issue 129 - When ‘hypnotic’ is good
issue 129 - Regaining equilibrium
issue 129 - Teenagers dream The Bacchae
issue 129 - Creativity, generosity & taking the pledge
issue 129 - Targeted by art drones
issue 129 - Joys of the ascent
issue 129 - An abundance of imagery—aural, visual, imagined
issue 129 - Kaleidoscopic pleasures
issue 129 - Celebrating Room40 & a world of textures
issue 129 - Raw beauty and complexity
issue 129 - Unseen energies manifest as art
issue 129 - Never turn your back on the sea
issue 129 - Miss Universal dances the Transmodern, with love
issue 129 - Welcome to the all-consuming infinite
issue 129 - Pippa Samaya, film: Dancing in the Now
issue 129 - A new gallery for & of the internet
issue 129 - Declaration of Sonic Rights
issue 128 - From Asia, with passion and daring
issue 128 - A time for experimental thinking & doing
issue 128 - A generous learning and sharing
issue 128 - Practicality, phenomenology & adaptability
issue 128 - Teaching for independence & innovation
issue 128 - Dancing & teaching: with & without a ball
issue 128 - Teaching photography: practically & conceptually
issue 128 - Liberating experimentalism
issue 128 - Art, design, What if… and WTF?
issue 128 - Creating togetherness, making democracy
issue 128 - East, West, chance, dance & causality
issue 128 - Deep time, walking Queensland waterways
issue 128 - Immersive, verbatim & immersively verbatim
issue 128 - Students for the future of documentary
issue 128 - Deafness, symbolism & silence
issue 128 - Killer contrite in a heartbeat
issue 128 - Down-home supernaturalism
issue 128 - Insatiable: ghosts & humans
issue 128 - Conversation, celebration, compassion
issue 128 - A visit with a doppleganger
issue 128 - Asia-Australia: art, conscience, action
issue 128 - Culture and constraint
issue 128 - When blunt design is sharp
issue 128 - Thrills & serial complications
issue 128 - Going for the burn
issue 128 - The shape of things to come?
issue 128 - The virtues of hopelessness
issue 128 - Gay Muslim immigrant pride
issue 128 - Scenographies of the city, weather & politics
issue 128 - Beautiful suffering: Baroque & Gothic
issue 128 - The future with an ear to the past
issue 128 - Scientific conception, sonic sensation
issue 128 - A monumental dance of screens & bodies
issue 128 - New light on light
issue 128 - The sound beyond & the light inside
issue 128 - Multiplying alter egos
issue 128 - The past in present tense
issue 128 - In between moment and momentum
issue 128 - soundinitiative does Lang doing Deleuze doing Beckett
issue 128 - Vivid new music imaginings
issue 128 - The parade of time, change & sound
issue 128 - Feral thought, fears & fun
issue 128 - Experimental, subversive, visceral…underground
issue 127 - Art & healing on the streets of Ansan
issue 127 - Dance & drawing: ways of seeing trace
issue 127 - On the line between earth and sky
issue 127 - Body Image Screen - Introduction
issue 127 - Framing trauma, fear & love
issue 127 - The body in the machine: the screen as performer
issue 127 - A treasure house of movement-led hybridity
issue 127 - Screen-dancing back the layers
issue 127 - Democracy of the lens
issue 127 - Performance art in the experience economy era
issue 127 - The mining of image & metaphor
issue 127 - It’s the nature of play that makes gaming
issue 127 - Hope in and fear of the new
issue 127 - Talk about fucked up
issue 127 - Documenting problems or documentary as problem
issue 127 - A shift in the locus of fear
issue 127 - Horror: intensified but refined
issue 127 - Suburban screen adventure
issue 127 - When buildings sing
issue 127 - Not your average primate
issue 127 - Art and a post-industrial town
issue 127 - Site-specific, durational, regional Chekhov
issue 127 - A dark dance of choice and chance
issue 127 - Without movement, no time
issue 127 - An alchemical progression
issue 127 - Obituary: Maggi Phillips (1944-2015)
issue 127 - The feminine: monstrous, polite, tenacious
issue 127 - Unburdened Australians in an adventurous mix
issue 127 - Crazy Horse exposé
issue 127 - Mingling memories, signs & connotations
issue 127 - Power game variations
issue 127 - Art bred from destruction
issue 127 - New music, digital culture & the big questions
issue 127 - Trio: flight, death, earth
issue 127 - A meeting of cultures through public art
issue 127 - Venice Biennale: the art of housing art
issue 127 - Art that illuminates the street
issue 127 - Emanations from the forest
issue 127 - URGENT: ACT NOW, SENATE ARTS INQUIRY
issue 127 - Inside the sounding of dance
issue 126 - To market to market!
issue 126 - More than meets the ear
issue 126 - The deep roots of revelatory performance
issue 126 - Inner lives & collective crises
issue 126 - Voicing empathy, rehearsing protest
issue 126 - Shoulder to shoulder
issue 126 - Through a looking glass
issue 126 - You can dance if you want to...
issue 126 - The composer in full voice
issue 126 - Ecstatic, tribal contemporary dance
issue 126 - A festival rising in the body of one
issue 126 - Ambition and vision
issue 126 - Weather: immersive
issue 126 - Calm and turbulence
issue 126 - ...on class & development
issue 126 - Reading the film score: part 1
issue 126 - Reading the film score: part 2
issue 126 - From Faust on film to now
issue 126 - At play with perception & consciousness
issue 126 - The body, seen & seeing
issue 126 - The enduring dance
issue 126 - Museums more or less
issue 126 - Digital theatre: live and mobile
issue 126 - To the moon: producing the future
issue 126 - The power of the outsider
issue 126 - Taking a hard look at the self
issue 126 - Lives in collision
issue 126 - Live art: new home, new terrain
issue 126 - Design for the here and now
issue 126 - War, fragility & imagination
issue 126 - Trans-Tasman drone
issue 126 - When music and poetry converse
issue 126 - War, nostalgia, utopia
issue 126 - From lab to creation to festival
issue 126 - The moment in between
issue 126 - The zero waste cut
issue 126 - Draft Apology to the Survivors of Immigration Detention
issue 126 - Get your art fix: Artfilms
issue 126 - Plasticity, performance & environment
issue 126 - The body: subject, object, material
issue 126 - RealTime Writing Workshop
issue 126 - Major art heist: the Brandis file
issue 125 - MoveMe’s becoming & arriving
issue 125 - The greening of performance
Special Feature - Water play and sensory circuits
issue 125 - Art, mind and ideology
issue 125 - Producer at work: a storm of creativity
issue 125 - Time-space reshape
issue 125 - APPCAMP: First snowfall, auspicious beginnings
issue 125 - Shared creation in safe places
issue 125 - The post-museum & the uncertainty principle
issue 125 - To do more than talk, more than please
issue 125 - Ritual empty & full, spiritual & political
issue 125 - Broken: the museum grip on bodily performance
issue 125 - Taking it to the limit
issue 125 - In the neighbourhood
issue 125 - Slippery when whet
issue 125 - Lives in & out of sync
issue 125 - Up there for dancing
issue 125 - A memoir: knock’em down
issue 125 - Film as essay, performance as film
issue 125 - World War Z: Israel-Palestine musical
issue 125 - Scarlett Johansson & the alien feminine
Special Feature - On the border: practice & potential
issue 125 - Mining the magic of the moment
issue 125 - De Keersmaeker’s dance of ever more simple movement
issue 125 - In-theatre, online, public, private
issue 125 - The politics of sacrifice
issue 125 - Mis-labelled child
issue 125 - Underground, actually and seriously
issue 125 - Loving Philip Seymour Hoffman
issue 125 - The performance lecture: the dead & the dead-end
issue 125 - For and by kids with a little help from friends
issue 125 - We’re on earth, is there a cure for that?
issue 125 - Radical thought as sound
issue 125 - Falling into Heaven
issue 125 - Persona re-personified
issue 125 - Live, wired & testing the limits
issue 125 - New audiences for new instruments
issue 125 - The liberation and containment of sight
issue 125 - The art of self-incarceration
issue 125 - The many-meaning Murray
issue 125 - The outsider on the inside
issue 125 - The perfection of silliness and stupidity
issue 125 - Across the great divide
issue 125 - Sounding eclecticism & juxtaposition
issue 125 - Springing from between the cracks
Special Feature - realtime tv: ELECTRONA 7054: An Ode to Suburban Sprawl
issue 124 - Experimentation with added spark
issue 124 - Stories true and truthy
issue 124 - Adapto-mania: insights and limits
issue 124 - The primordial present
issue 124 - Trisha Brown, choreographer of the postmodern
issue 124 - The unease of digitalised intimacy
issue 124 - Excess, insight and magic
issue 124 - Body/tech crossings
issue 124 - Intimate delights and dark disturbances
issue 124 - 2015: the bright maturing of a vision
issue 124 - Ephemerality capture and kin
issue 124 - Thinking big, laterally
issue 124 - Adventures in collaboration
issue 124 - Nature, sound, memory & mortality
issue 124 - The soul of sustainability
issue 124 - An eye on China for three decades
issue 124 - Sacred sites and screenic figurines
issue 124 - Elma Kris: from a Torres Strait Islander perspective
issue 124 - Collision and transcendance
issue 124 - An elusive journey
issue 124 - Growing up with PACT
issue 124 - Vale: Margaret Cameron, 1955-2014
issue 124 - Artists on the road, into the unknown
issue 124 - Immersed in the art of Richard Schechner
issue 124 - Bigger than average performance anxieties
issue 124 - A double life: politics & the family
issue 124 - Flight from extinction
issue 124 - Cross generational soundings
issue 124 - Lateral travel guide
issue 124 - Quiet faith in loud times
issue 124 - Rachael Maza: the power of intuition and collaboration
issue 124 - The audible & the invisible
issue 124 - Bass clarinet + dome = immersion
issue 124 - Viola da Gamba: acoustic, electric, other
issue 124 - The concert: surreptitiously re-thought
issue 124 - Exotic vernacular: Chinese Gardens in Avoca
issue 124 - Remembering not to forget
Special Feature - realtime tv: Dalisa Pigram, Edwin Lee Mulligan, Marrugeku's Cut the Sky
issue 124 - Anthony Pateras, full interview
issue 124 - The interrogatory path
issue 123 - A grand plan: reassurance & hope
issue 123 - From the ashes, renewal
issue 123 - Accelerating cultural evolution
issue 123 - Culture’s haunted houses
issue 123 - Treasures of the lost and found
issue 123 - Christopher Barnett: Cultural Bolshevik
issue 123 - Cultural syntheses: north-south, east-west
issue 123 - Made wise by disorientation
issue 123 - Radical expectations
issue 123 - Live art minus jets
issue 123 - What’s big about being small?
issue 123 - Stepping just out of the frame
issue 123 - Life, death & music—making connections
issue 123 - Hyperreal sonics & breathing music
issue 123 - Horror—beyond genre
issue 123 - Body duress, culture stress
issue 123 - Can we ever be home?
issue 123 - Art against the clock
issue 123 - Listening with my skin, bones, organs, eyes
issue 123 - On the precipice of dancing matter
issue 123 - Holy Sheet & the collective choreographic consciousness
issue 123 - Three minds, six bodies, one wonder
issue 123 - Dancing in the divide
issue 123 - Was there dancing?
issue 123 - The RealTime of our lives
issue 123 - Deep inside the world-as-body
issue 123 - The power of listening
issue 123 - Speaking to reality, more or less
issue 123 - Degrees of risk and violence
issue 123 - In search of a theatre of the mind
issue 123 - The art of escapology
issue 123 - The theatre of induced susceptibility
issue 123 - War on the inside, on both sides
issue 123 - Gorky validated, if improved
issue 123 - Unerring explorations
issue 123 - The percussive gesture
issue 123 - The limits of multi-Mayakovsky
issue 123 - The music of archival track work
issue 123 - Wake with ceramophone
issue 123 - Heaven & Hades, virtually
issue 123 - Opera redux: the Glass Trilogy
issue 123 - Compulsively obsessive art & sound
issue 123 - The binding chains of social connection
issue 123 - Teen fun in dystopic times
issue 123 - Triangulating the horizon
issue 123 - Art and reclamation
Special Feature - realtime tv: Kate McMillan's Moment of Disappearance
Special Feature - realtime tv: Ken Thaiday Senior
Special Feature - In Profile: Angus Cerini, writer, performer, director
Special Feature - In Profile: Julian Day, composer
Special Feature - In Profile: André Lawrence, emerging curator
issue 122 - Epic history, intimately told
issue 122 - Presence, integration & deregulation
issue 122 - Art school redux: from oldest to newest
issue 122 - Limited solutions to a crisis in specialisation
issue 122 - Academy & industry hand in hand
issue 122 - Strong tradition, new moves
issue 122 - Intensive, intimate, connected
issue 122 - Points of difference, degrees of engagement
issue 122 - New degree in Neo-life
issue 122 - Cover: Considered movement
issue 122 - Career optimism in tight times
issue 122 - Illuminated edifices & audiovisual effigies
issue 122 - Artists as filmmakers
issue 122 - Avatar theory and a necessary hysteria
Special Feature - Screening memory
Special Feature - Compassionately adrift
issue 122 - Staring down the apocalypse
issue 122 - Tasmania’s arts engine room
issue 122 - The intricacies of dance and history
issue 122 - Invitations to other worlds
issue 122 - Breaking through the fog of myth
issue 122 - The many faces of death
issue 122 - Something human lurks
issue 122 - Micro/macro dances of light & matter
issue 122 - The global politics of the stage
issue 122 - Magic: digits & the digital
issue 122 - Life has other ideas
issue 122 - Grimmer childhood aesthetics
issue 122 - Artistic greatness and human fallibility
issue 122 - Breakdown and repair
issue 122 - Bloody history lessons
issue 122 - Disability & its taboos
issue 122 - Braving the limits of the monologue
issue 122 - The empty space as artifice
issue 122 - The view from the Hills Hoist
issue 122 - Sounding the boundaries
issue 122 - Stockhausen, May 68: intuition & liberation
issue 122 - Music un-compressed, non-YouTubed
issue 122 - Mapping the personal
issue 122 - The strangeness of communal slumber
issue 122 - Love vs Big Pharma
issue 122 - The dead end of addiction
issue 122 - Dark tales cast light in dark times
issue 122 - New simplicity for new complexists
issue 122 - The dangers within
issue 122 - Big science, intimate exchanges, deep humour
Special Feature - In Profile: David Rosetzky, Gaps
issue 122 - Imaginings, puppets and saving cranes
Special Feature - realtime tv: Andrew Upton, Sydney Theatre Company
Special Feature - realtime tv: Julie Vulcan, performance and installation artist
issue 121 - RealTime, celebrating the second decade
issue 121 - Message from the Chair
issue 121 - RealTime 121: cover story
issue 121 - RealTime: the first 10 years
issue 121 - Abbott claws back the past
issue 121 - RealTime: more than a magazine
issue 121 - Bodies of Thought: 12 Australian Choreographers
issue 121 - A real and quiet horror
issue 121 - Mouthing politics, breathing politics
issue 121 - The idiosyncracies of a film festival curator
issue 121 - Redfern: the view from the inside
Special Feature - Deep cultural waters on the banks of the Shoalhaven
Special Feature - Together, listening to landscape
issue 121 - Build-up, shimmer & share
issue 121 - Choreographic boom for WA
issue 121 - A realm of exquisite sensitivity
issue 121 - Dancing out of trauma
issue 121 - Healing the pain of loss
issue 121 - Risk yields new forces
issue 121 - Bastardy and identity
issue 121 - Tiwi Island Dreamtime fantasia
issue 121 - Inner bodies on the outer
issue 121 - We go to places you can’t go / in real life.
issue 121 - Identity loss, metaphysics and bad democracy
issue 121 - Taking a fine brush to big ideas
issue 121 - Social media demons
issue 121 - Two worlds of percussion
issue 121 - Saxophone sings the stars
issue 121 - The all-inclusive choir
issue 121 - A world made into tools
issue 121 - The melancholy poetry of machines
issue 121 - The Biennale and the Surreal screen
issue 121 - Abstraction re-engaged
issue 121 - Intoxicating media anxieties
issue 121 - Environmentally integrated art-making
issue 121 - The Whitlam legacy: It’s Time again
issue 121 - Fearful future dreaming
Special Feature - Contributor profile: Caroline Wake
Special Feature - Contributor profile: Jodie McNeilly
Special Feature - In Profile: Prying Eye, White Porcelain Doll
issue 121 - Living with the grim reaper
issue 121 - Opening dialogues, evolving spaces
issue 121 - The two voices of Mayakovsky
Special Feature - In Profile: Lily Hibberd, Twin Cinema: Four Devils and a Woman in Red
Special Feature - realtime tv: Lynette Wallworth, Tender
Special Feature - realtime tv: Pilar Mata Dupont, Purgatorio
issue 121 - Getting to the heart of Aboriginal art
Special Feature - realtime tv: Josephine Ridge, Melbourne Festival 2014
Special Feature - realtime tv: Keir Choreographic Award Finalists
issue 121 - On the road & closer to home
issue 121 - Bull leaping and other fearless fun
Special Feature - Contributor profile: Nicola Fearn
Special Feature - In Profile: Lawrence English, Wilderness of Mirrors
Special Feature - In profile: Natalie Abbott, Maximum
issue 120 - Northern Territory is the New Blak
issue 120 - For bodies at risk
issue 120 - Suffering and the limits of sympathy
issue 120 - The television of intimate connections
issue 120 - The water crisis: action or wet dreams?
issue 120 - Whose side are you on?
issue 120 - Told from the inside
issue 120 - A reason to care for strangers
issue 120 - It’s all about you
issue 120 - You, me, the theatre: is it enough?
issue 120 - Five days in other worlds
issue 120 - True cause to celebrate
issue 120 - New music, making the earth move
issue 120 - The imagination writ large
issue 120 - To be different, visible and invisible
issue 120 - Immaculate conception
issue 120 - Documentary democratisation
issue 120 - Emotional pornography & social silence
Special Feature - In Profile: Wyatt Moss-Wellington, Sanitary Apocalypse
Special Feature - See, and hear, history come and go
Special Feature - Enjoying the heat in the kitchen
issue 120 - Enter the real world
issue 120 - Marketplace intensity
issue 120 - Two actors or one, or none, is fine
issue 120 - The power of collaboration
issue 120 - Introducing theatre master Lee Breuer
issue 120 - The intricacies of conflict
issue 120 - Epic tribute to more desperate times
issue 120 - Obituary: James Waites
issue 120 - Meta-theatrical magic
issue 120 - Organic performance growth
issue 120 - Everything new under heaven
issue 120 - Clarinet variations
issue 120 - Sax heaven: Julian Arguelles
issue 120 - The signals have been waiting for us
issue 120 - Obituary: Robert Ashley
issue 120 - Re-estimating the vernacular
issue 120 - The photograph as place
issue 120 - Tacita Dean takes to the stage
issue 120 - Another kind of cinema
issue 120 - In the moment with Deborah Hay
Special Feature - In Profile: Chris Bennie, Fern Studio Floor: a cosmology
issue 120 - A return to aesthetics
issue 120 - Under the Influence: words, pictures, sounds
Special Feature - realtime tv: Theatre Kantanka, Club Singularity
Special Feature - realtime tv: Sarah Last, Wired Open Day
Special Feature - In profile: AñA Wojak, 3 Decades
Special Feature - In Profile: Paper Cut Contemporary Performance Collective
issue 120 - Nostalgia for the Drive-In and ‘Community Arts’
Special Feature - Contributor Profile: Laetitia Wilson
Special Feature - Contributer profile: John Bailey
issue 119 - Kim Machan: re-visioning the horizon
issue 119 - Amplified by the power of three
issue 119 - Sometimes a seam, sometimes a disconnect
issue 119 - Making meaning as you journey
issue 119 - History never repeats
issue 119 - Creating our own centre
issue 119 - Thinking bigger in Parramatta
issue 119 - A community fights back
issue 119 - The trouble with tragedy
issue 119 - Cautionary tales: under the eye of ASIO
issue 119 - Pseudo-cinema & deus ex musica
issue 119 - Forces resisted & revealed
issue 119 - Critical thinking gets Bamboozled
issue 119 - Dance stands up for itself
issue 119 - The strengths & limits of form
issue 119 - Inside the body, behind the mask
issue 119 - Cornered chaos; soccer un-danced
issue 119 - The body is not given in advance
issue 119 - For the wounded: theatre & reality
issue 119 - Curating, caretaking & growing their own
issue 119 - Adelaide uncompromisingly
issue 119 - Becoming environment
issue 119 - Troubled transgression
issue 119 - Ominous and off-kilter
issue 119 - Boy on the edge of obliteration
issue 119 - A haunting illumination
issue 119 - For those game to wait
issue 119 - Catastrophe & mind time
issue 119 - Without the safety net of definition
issue 119 - Everyday listening performatively large
issue 119 - Indeterminate realities, comic truths
issue 119 - Signalling by light and sound
issue 119 - Playful, intimate, humane horror
issue 119 - A life from many angles
issue 119 - The consolations of philosophical theatre
issue 119 - Radical percussions
issue 119 - Hectic, eclectic, enthralling
issue 119 - Exhibition as immersive installation
issue 119 - Telepathic dreaming & the art of mind
issue 119 - Speculative ecologies
issue 119 - Music’s mysterious magic
issue 119 - The soldier inside
issue 119 - The art of the extradimensional
issue 118 - Video art now through the lens of then
issue 118 - The past lives in us
Special Feature - Regional Profiles: The Ronalds
issue 118 - Hamlet, Harding & the Living Dead
issue 118 - Between meaning & pure physical eloquence
issue 118 - Enabling Art: Introduction
issue 118 - Sons & mothers, from two angles
issue 118 - Finding a place in the art world
issue 118 - Are you worth your salt?
issue 118 - New selves made by dancing
issue 118 - Inter-abilities, networks & re-evolutions
issue 118 - Onstage: liberated into other worlds
issue 118 - Live art, the enabler
issue 118 - A dialogue between equals
issue 118 - Celebration and sad reflection
issue 118 - Epics, legacies and continuities
issue 118 - Confronting the canon
issue 118 - Festival-going & making choices
issue 118 - Radically re-thinking film distribution
issue 118 - Making and distributing from the grassroots up
issue 118 - Girls in the beginning
issue 118 - Loving the image of your own voice
issue 118 - Speaking of ghosts
issue 118 - Time out for creatives
Special Feature - Re-inscribing nature
issue 118 - Heat into movement
issue 118 - Creative exploitations
issue 118 - A life re-lived and imagined anew
issue 118 - A republic of words, images, bodies
issue 118 - A painful proximity to truth
issue 118 - War and theatre by other means
issue 118 - The schooled audience
issue 118 - Performative experiments & perspectives
issue 118 - Intimate transformations
issue 118 - The poetry of catastrophe
issue 118 - A long, slow, loving look at dance
issue 118 - Taking flight in a living room
issue 118 - New sound worlds from combined forces
issue 118 - Between desire and silence
issue 118 - Bringing Russian art to light
issue 118 - Wish you were here
Special Feature - Contibutor profile: Benjamin Brooker
Special Feature - Contributor profile: Michelle Astrid Francis (writing as Astrid Francis)
issue 118 - SCANNER 2014: The Experimenters, Part 1
issue 118 - SCANNER 2014: The Experimenters, Part 2
Special Feature - realtime tv @ MONA FOMA
Special Feature - realtime tv @ MONA FOMA: Robin Fox, RGB Laser
issue 118 - Sasha Waltz in conversation
issue 117 - Riding the theta waves
issue 117 - Transitions: performance, mortality and ceremony
Special Feature - Acoustic space: explicit object
Special Feature - Complexity from simple tools
Special Feature - Expectations and cultural crossovers
Special Feature - Shaken out of the everyday
issue 117 - Lives surviving disarray
issue 117 - Other anatomies, other ecosystems
issue 117 - A universe of everyday desires
issue 117 - The art of multi-sensory care
issue 117 - Solace in the sensorium
issue 117 - Art & care: where life and death connect
issue 117 - Facing the evasion of the bitterest truth
issue 117 - Accelerated media & aural fatigue
issue 117 - Unexpectedly & violently absurd
issue 117 - Denying fashion’s dark side
issue 117 - Syria: protest, mobile phones & death
issue 117 - A troubled love letter to Laos
issue 117 - The artist handles the world
issue 117 - User-friendly branding for risk-taking art
issue 117 - Eastern Riverina sites & sounds
issue 117 - In the continuum of flux
issue 117 - Performance Space at 30: still weird & wonderful
issue 117 - Desperately seeking Barbara
issue 117 - Strictly in the moment
issue 117 - Ambiguities of gender
issue 117 - At play with the one-on-one
issue 117 - Making sense of place & relocation
issue 117 - Identity’s loose grip
issue 117 - The evils of neo-liberalised warfare
issue 117 - Teen girl brutalism
issue 117 - A brave & curious turn
issue 117 - Bluebottle’s good genies
issue 117 - Empowered by and embodied in song
issue 117 - Operas of conscience
issue 117 - A lifetime as composition
issue 117 - New music: celebration & angst
issue 117 - Reconsidering museology
issue 117 - What the death wish most desires
issue 117 - In the loop 23 Oct: Quick picks
issue 117 - In the loop 23 Oct: Opportunities
issue 117 - Swept up by an emotional storm
issue 117 - The wrath of Plath
issue 117 - In the loop 30 Oct: Quick Picks
issue 117 - In the loop 30 Oct: Opportunities
issue 117 - The past as the construction of a snapshot
issue 117 - Opera: individual passion, collective tragedy
issue 117 - Intensity over pleasure
issue 117 - In the loop 6 Nov: Quick picks
issue 117 - In the loop 6 Nov: Opportunities
issue 117 - In the loop 13 Nov: quick picks
issue 117 - In the loop 13 Nov: opportunities
issue 117 - Sound, speed, rust and re-cycling
issue 117 - In the loop 20 Nov: opportunities
issue 117 - In the loop 20 Nov: quick picks
issue 116 - In the loop 18 Sept: Quick picks
issue 116 - In the Loop 18 Sept: Opportunities
issue 116 - Past reclamations, future provocations
issue 116 - Zombie apocalypse at the ivory tower
issue 116 - Utopia within, across & beyond the university
issue 116 - In the age of the new King Kongs of the online world
issue 116 - From: Head of the Utopian School of Music
issue 116 - Fresh Cut & Hatched
issue 116 - Transdisciplinary projections
issue 116 - Real thinking in an ideal vein
issue 116 - The book: multigraph not monograph
issue 116 - The crime movie, Indigenously
issue 116 - Goodbye to an interrogative eye
issue 116 - History–just the way it’s got to be
issue 116 - Film’s saving excesses
issue 116 - Non-human speech & listening cameras
issue 116 - From the archive to a new gay baroque
issue 116 - Singing the sound of the world
issue 116 - The eye looks inward
issue 116 - You’ll stop seeing me as your dancing monkey
issue 116 - Fear, imagination & activism
issue 116 - Great expectations
issue 116 - Realising regional ambitions
issue 116 - Live art from demolition
issue 116 - Something happened
issue 116 - A serious laughing matter
issue 116 - Integrated audience & international citizen
issue 116 - Expecting the unexpected
issue 116 - Celebrating the body: plasticity & mutation
issue 116 - Re-working & new expectations
issue 116 - The telling power of masks
issue 116 - Ventures in theatre-film
issue 116 - Mercenary or hero?
issue 116 - Revealing the invisible
issue 116 - Apocalyptic anxieties
issue 116 - Shadow boxing with illusions
issue 116 - To see… or not to see
issue 116 - Live art life styles
issue 116 - Performative evolutions
issue 116 - Arts Centre spelunking
issue 116 - In the belly of the past, with added apocalypse
issue 116 - In the loop August 28: quick picks
issue 116 - In the loop August 28: opportunities
issue 116 - Place: Linz, Austria – Ars Electronica special
issue 116 - Ruptures & raptures
issue 116 - In the loop Sept 4: opportunities
issue 116 - In the loop Sept 4: quick picks
issue 116 - Election art fears & side effects
issue 116 - In the loop 11 Sept: Opportunities
issue 116 - In the loop 11 Sept: Quick picks
issue 116 - The common language of tinkering
issue 116 - Surfing the screen scene
Special Feature - In Profile: Pia van Gelder
Special Feature - In Profile: Michaela Davies
issue 116 - A life too short, a momentary tragedy
issue 116 - Seeing Australia anew
issue 116 - Improvisers & composers connect!
issue 116 - In the loop 25 Sept: Quick picks
issue 116 - In the loop 25 Sept: Opportunities
issue 115 - That business with the art…
issue 115 - Parsifal as modern nightmare
issue 115 - When no means no, maybe
issue 115 - Organic, machinic, artistic, touristic
issue 115 - Time-shifting landscapes
issue 115 - RealTime 115: The body in question
issue 115 - When sculptures look back
issue 115 - The title foregrounds space
issue 115 - Performing in 13 Rooms
issue 115 - Breaching the body
issue 115 - Gender, genitalia & the old hand-in-hand
issue 115 - Do you want me to touch you?
issue 115 - The theatre of rehearsing for life
issue 115 - Circus: second class artform?
issue 115 - The art of re-dancing
issue 115 - Canberra: legacy-making & future-thinking
issue 115 - The potentials of futility
issue 115 - Singing up the tree of light
issue 115 - Canopy delights, underground hell
issue 115 - Alien and other states of being
issue 115 - Cultural resurgence on the Gold Coast
issue 115 - ISEA: Immersion + Assange
issue 115 - The artful scoring of animation
issue 115 - Picturing musical creativity & emptying the self
issue 115 - The rough road to Paradise
issue 115 - Anatomy of a successful arts doco series
issue 115 - Ghosts of presences past
issue 115 - The magical attire of the ordinary
issue 115 - The Maids: the invention of theatre
issue 115 - Tessa Leong & Emma Beech
issue 115 - Intimacies & vulnerabilities
issue 115 - Tragedy not as true as melodrama
issue 115 - A casual musical multiculturalism
issue 115 - Broad spectrum new music
issue 115 - Can composers afford ethical distractions?
issue 115 - Time travelling exorcism
issue 115 - The exhibition as a single entity
issue 115 - Bewitching disorientations
issue 115 - Country, self-discovery and belonging
issue 115 - In the loop 26 June: opportunities
issue 115 - In the loop June 26: quick picks
issue 115 - Cracking the technology case
issue 115 - On the surface of memory and history
issue 115 - In the loop July 3: quick picks
issue 115 - In the loop July 3: opportunities
issue 115 - In the loop July 10: opportunities
issue 115 - In the loop July 10: quick picks
issue 115 - Music denied a voice
issue 115 - Otherworlds of empathy and irony
issue 115 - Screwball Shakespeare
issue 115 - Musical multiplicities
issue 115 - In the loop July 17: opportunities
issue 115 - In the loop July 17: quick picks
issue 115 - Caring for the planet, one step at a time
issue 115 - No blood on the keys?
issue 115 - Big dreams on a small island
issue 115 - In the loop July 24: quick picks
issue 115 - In the loop July 24: opportunities
issue 115 - Dances for a little black dress
issue 115 - The right to a rite of passage
issue 115 - In the loop July 31: quick picks
issue 115 - In the loop 31 July: opportunities
issue 114 - unmoored in the maelstrom
Special Feature - suggestive formalism
Special Feature - life in a puff
Special Feature - blacker than black
Special Feature - brittle bones & internal electricity
issue 114 - in the thick of it
Special Feature - when two become one
issue 114 - a dance for dark times
Special Feature - creating an affective community
Special Feature - inner fury, seductive skill
Special Feature - the perfection of submission
Special Feature - dance & disorientation
Special Feature - more or less monstrous
Special Feature - sounds to dance to, with, against
issue 114 - dance: installed, immersed, hybridised
issue 114 - new kid on the conglomerate art block
issue 114 - isea2013: resistance is futile/fertile
issue 114 - laurie anderson: do dogs aspire to nirvana?
issue 114 - enlarging the musical universe
issue 114 - in the midst of death
issue 114 - the body, eloquent, risk-taking & violent
issue 114 - set controls for the heart of the sun
issue 114 - good lies & truth by degrees
issue 114 - artfully, entertainingly visceral
issue 114 - no prizes for the aacta awards
issue 114 - between electric italy & black america
issue 114 - the heart of cold war survival
issue 114 - excretal, harmful, mournful, wonderful
issue 114 - should i stay or should i go?
issue 114 - two moons, new worlds
issue 114 - rite & scar: boys to men
issue 114 - tracing the transnational: degrees of interactivity
issue 114 - the last dance on earth
issue 114 - paths to art in zones of conflict & transition
issue 114 - appropriations & approximations
issue 114 - 15 minutes of fame & death after supper
issue 114 - embracing the world
issue 114 - inside the lives of others
issue 114 - many questions, no need for answers
issue 114 - entertaining perplexities
issue 114 - coding the software/art nexus
issue 114 - the city and its double
issue 114 - a necessary transfusion
issue 114 - acting out and mouthing off
issue 114 - love might not come easily to art, but…
issue 114 - in the loop may 1: quick picks
issue 114 - in the loop may 1: opportunities
issue 114 - in the loop may 8: quick picks
issue 114 - in the loop may 8: opportunities
issue 114 - reframing the world
issue 114 - in the loop may 15: quick picks
issue 114 - in the loop may 15: opportunities
issue 114 - in the loop may 15: full on, head on
issue 114 - casting light on darkness
issue 114 - coming up in realtime 115
issue 114 - in the loop may 22: quick picks
issue 114 - in the loop may 22: opportunities
issue 114 - in the loop may 22: london calling
issue 113 - our small eternities
issue 113 - a tear in the fabric of invisibility
issue 113 - john cage centenary: an exultation of lineage
issue 113 - john cage centenary: legacies and liberties
issue 113 - the beast unleashed
issue 113 - a spectrum of spontaneity
issue 113 - koji wakamatsu: the ambiguous gaze
issue 113 - country: confirmed & remade
issue 113 - the pleasures of cultural immersion
issue 113 - are we innately art-making creatures?
issue 113 - are we innately art-making creatures?
issue 113 - an intense manifestation of dance
issue 113 - mapping the unmappable
issue 113 - masks of fashion and power
issue 113 - history refracted by art
issue 113 - degrees of subjectivity & the power of empathy
issue 113 - the albie thoms legacy
issue 113 - the ethnography of compassion
issue 113 - the power of the present
issue 113 - 70s dystopia in 2013 via 80s & 90s tv
issue 113 - affected music & emotional exhaustion
issue 113 - hope & survival in the back of a van
issue 113 - machine wilderness: water in the desert
issue 113 - body memory/trauma
issue 113 - balletlab: into the otherness
issue 113 - unravelling tales & constellations
issue 113 - cruel past, uncertain future
issue 113 - festival micro perks
issue 113 - queering the evil child
issue 113 - pleasures synaesthetic & crystalline
issue 113 - sydney chamber opera: opera’s other worlds
issue 113 - everything always: sometimes
issue 113 - water: play, wonder, politics
issue 113 - womadelaide: art, action & erasure
issue 113 - sex: the bigger picture
issue 113 - in the valley of nature & sculpture
issue 113 - things to do with ikea
Special Feature - realtime tv: sarah-jane norman, unsettling suite
issue 113 - lives lost and found
issue 113 - in the loop march 6: quick picks
Special Feature - dance massive 2013: from the archive
Special Feature - Contributor profile: Varia Karipoff
Special Feature - Contributor profile: Philipa Rothfield
issue 113 - in the loop march 6: opportunities
issue 113 - that festival feeling
issue 113 - in the loop march 13: quick picks
issue 113 - in the loop march 13: opportunities
issue 113 - in the loop april 3: quick picks
issue 113 - in the loop april 3: opportunities
issue 113 - in the loop april 3 – a pop-up windmill
issue 112 - oedipus and the doomed choice
issue 112 - on the road with rose
issue 112 - anne teresa de keersmaeker: the highest order out of chaos
issue 112 - highly strung dance
issue 112 - hybrid vigour, classical rigour
issue 112 - daniel matej, yes he loves you!
issue 112 - oh how they danced!
issue 112 - raimund hoghe: difference is his theme
issue 112 - laurie anderson: we are meaning machines
issue 112 - jim campbell: low resolution light magician
issue 112 - welcome the near world
issue 112 - a relational biennale
issue 112 - regional lives and very live art
issue 112 - growing food, growing ideas
issue 112 - world class: twixt exotic & universal
issue 112 - walking in the dark, voices in harmony
issue 112 - once more, with feminism
issue 112 - art, activism and ai weiwei
issue 112 - filmmaking by degree: new modes of production
issue 112 - international animation: the bleak & the upbeat
issue 112 - australian animation: diverse sleights of hand
issue 112 - for your eyes only
issue 112 - counter-voicing politics
issue 112 - the return of the videogame outsiders
issue 112 - metaphors, binaries & mergings
issue 112 - an ocean of pleasure, a tide of responsibility
issue 112 - bergman’s persona re-personified
issue 112 - berlin performs david foster wallace
issue 112 - bodies, guitar and beethoven 7
issue 112 - more than a dog’s life
issue 112 - the body in the shadow of the past
issue 112 - between hell & heaven
issue 112 - art censored in trades hall
issue 112 - is crossover good for music?
issue 112 - come feel the noize
issue 112 - music in nature, nature in music
issue 112 - into the labyrinth
issue 112 - all the right buttons
issue 112 - attentively, on the edge of hearing
issue 112 - over & down yonder & beyond
issue 112 - the artist-run space tour: part 2 detroit, minneapolis, st paul
issue 112 - layerings, labyrinths & revelations
issue 112 - giveaways - rt112 (finished)
issue 112 - hypnagogic horror & hauntological cinema
issue 112 - in the loop jan 30: quick picks
issue 112 - in the loop jan 30: guided by the moon
issue 112 - in the loop jan 30: opportunities
Special Feature - realtime tv: matthew whittet, school dance
issue 112 - adelaide festival: thursday, serious serendipities
issue 112 - in the loop feb 6: do or die
issue 112 - in the loop feb 6: quick picks
issue 112 - in the loop feb 6: opportunities
Special Feature - realtime tv: lee wilson & matt prest, whelping box
issue 111 - in the loop nov 20: the next 25, celebrating sounds in wa
issue 111 - the time bomb ticks
issue 111 - filmic, theatrical polyphony
issue 111 - the sound already present
issue 111 - stephen whittington: musical renewal
issue 111 - anne teresa de keersmaeker speaks
issue 111 - in the loop – quick picks oct 9
issue 111 - blood is such clever stuff
issue 111 - making theatre from scratch
issue 111 - burning issue - authenticity: heritage and avant-garde
issue 111 - cultural protocols: acknowledging the knowledge
issue 111 - myths & epic journeys: creating & recreating
issue 111 - design language: place, people, heart
issue 111 - blak queens talking: it’s a drag thing
issue 111 - show me the culture!
issue 111 - passion finds fertile ground
issue 111 - high octave culture: creating indigenous opera
issue 111 - yellamundie means storyteller
issue 111 - looking back, looking forward
issue 111 - watchaupto? lily shearer
issue 111 - whatchaupto? dalisa pigram
issue 111 - whatchaupto? dallas winmar (yettung)
issue 111 - whatchaupto? isaac drandic
issue 111 - whatchaupto? louana sainsbury
issue 111 - whatchaupto? maurial spearim
issue 111 - the arc, the tension, the payoff
issue 111 - whatchaupto? tammy anderson
issue 111 - in the loop: realblak advance word
issue 111 - boldly crossing artistic boundaries
issue 111 - 2012 london olympics: song-steak with video sizzle
issue 111 - art & games, a killer combination
issue 111 - hostages to culture
issue 111 - diverting if not defiant
issue 111 - anouk van dijk: an introduction in three acts
issue 111 - things to do when you’re invisible
issue 111 - campbelltown arts centre goes dance mad
issue 111 - in the wake of the singularity
issue 111 - survivors of the deep
issue 111 - dancing in the big picture
issue 111 - not quite spring fever
issue 111 - talk about going to pieces!
issue 111 - cross cultural reckonings
issue 111 - deep fear and light obsession
issue 111 - love & unashamed purpose
issue 111 - of the earth, temporarily
issue 111 - mysteries of conception & execution
issue 111 - no strings attached
issue 111 - getting more from your instrument
issue 111 - freedom & structure
issue 111 - the summoning spirit of a civic artist
issue 111 - the ari tour: part 1: chicago
issue 111 - performance space: then, now, next + sex
issue 111 - thing-ness and photography
issue 111 - variants on variety
issue 111 - in the loop oct 23: happy birthday mr cage
issue 111 - In the loop oct 23 – quick picks
issue 111 - in the loop oct 23: opportunities
issue 111 - in the loop & giveaway oct 23: the pause that enlivens
issue 111 - parramasala: south asia celebrated in australia
issue 111 - in the loop nov 6: live art streaming
issue 111 - in the loop nov 6: bringing the desert to town
issue 111 - realtime tv: robyn archer, canberra 100
issue 111 - In the loop nov 20: opportunities
issue 111 - in the loop nov 20: quick picks
issue 111 - in the loop nov 20: other media, other worlds
issue 111 - giveaway nov 20: the share
issue 110 - the mind: travelling & unravelling
issue 110 - performance: the artist-scholar hybrid
issue 110 - true calling: the good news & the bad
issue 110 - going very live online
issue 110 - the research degree—consistency vs diversity
issue 110 - creative doctorates & the health of music education
issue 110 - make the creative process visible
issue 110 - regional as centre
issue 110 - live art-activated launceston
issue 110 - in pursuit of failure & the body possible
issue 110 - contemplation, shit and activism
issue 110 - true chaos: theatre at the limits
issue 110 - antarctic reveries
issue 110 - thinking through film
issue 110 - sean penn: the time, the event
issue 110 - structures, strictures & students
issue 110 - asleep but awake and dancing
issue 110 - aurora festival of living music - feature
issue 110 - a random revolution
issue 110 - beyond our borders
issue 110 - weather patterns & word dances
issue 110 - the body: beginning and end
issue 110 - dancing fish tales
issue 110 - what’s a dramatist to do?
issue 110 - face to face with ingmar bergman
issue 110 - demonic doubt & puppet art
issue 110 - acting and much more
issue 110 - a rash of male hysterics
issue 110 - a scarred colonial psyche
issue 110 - light, shadow & place
issue 110 - who would consider me mad now?
issue 110 - when shapes change shape
issue 110 - canaries in electric rain
issue 110 - on the tightrope of audience judgement
issue 110 - the body in the instrument
issue 110 - lo-fi & hi-fi, irony & alchemy
issue 110 - the longing for healing
issue 110 - photographic uncertainties
issue 110 - transgender transformations
issue 110 - radical relief in reactionary times
issue 110 - more than a shadowy imposter
issue 110 - in the loop aug 21: sonic capers in corner country
issue 110 - in the loop aug 21: dancing season
issue 110 - in the loop aug: 21 quick picks & opportunities
issue 110 - in the loop sept 5: asian flavours under a full moon
issue 110 - in the loop sept 5: digital whispers & shadows
issue 110 - in the loop sept 5: quick picks & opportunities
issue 110 - giveaway: rosas' cesna, carriageworks
issue 110 - in the loop sept 18: quick picks
issue 110 - In the loop sept 18: new spaces & opportunities
issue 110 - realtime tv: claire edwardes & damien ricketson, ensemble offspring
issue 109 - heart, mind, body simultaneously
issue 109 - death and dissociation
issue 109 - filthy & exquisite, base & refined
issue 109 - monetisation & the new rom-commie
Special Feature - Contributor profile: Greg Hooper
issue 109 - being human at critical mass
issue 109 - bir’yun, brilliant, briwyant
issue 109 - new niches, new dance audiences
issue 109 - the suspended moment of energy & stillness
issue 109 - unmoored and entranced
issue 109 - performative repatriation
issue 109 - comedy of not quite in control
issue 109 - mutability: magic & order
issue 109 - at the crossroads of the senses
issue 109 - adelaide festival: the demands on feeling
issue 109 - murder and mutable truths
issue 109 - reading the signs, seeking revelation
issue 109 - the soil for growing innovation
issue 109 - the noise and feeling of thought
issue 109 - returning time to the future
issue 109 - stalker: inside the viewer
issue 109 - an illuminating history: the faces behind the cameras
issue 109 - convergence targeted: policy battle ahead
issue 109 - off to the meta-theatre
issue 109 - hell house, hot house, arts house
issue 109 - lured to the horizon
issue 109 - obituary: rosie lalevich
issue 109 - an exchange: acting, reality & (dis)ability
issue 109 - something wild for everyone
issue 109 - staging the really virtual
issue 109 - listening anew to john cage
issue 109 - memorable ephemera
issue 109 - the photographer made visible
issue 109 - memory & the haunted present
issue 109 - just another moment in time...and then some
issue 109 - the gift that keeps on giving
issue 109 - liberation and/or annihilation
issue 109 - artv: choreographer garry stewart, be your self
issue 109 - testing & celebrating the social animal
issue 109 - next wave day tripping
issue 109 - the comfort of noise
issue 109 - alternate hearings
issue 109 - electric anxieties
issue 109 - innovative diffusion
issue 109 - plucking through the air
issue 109 - dancing alone, walking on ice
issue 109 - unravelled and re-woven
issue 109 - beyond like and dislike
issue 109 - flight-or-fight listening
issue 109 - in the throes of birth or metamorphosis
issue 109 - another audience, guitar with a difference
issue 109 - synergy, energy & introversion
issue 109 - a moving song for the earth
issue 109 - in the loop – july 3
issue 109 - artv: stuart buchanan, new weird australia
issue 109 - artv: joel stern (otherfilm), psycho subtropics
issue 109 - in the loop july 17 – festivals
issue 109 - In the loop – july 17, quick picks and opportunities
issue 109 - perspectives on infinity
issue 109 - street level visions: china, the unofficial view
issue 108 - media art diy: clefts & crevices
issue 108 - the hurt in laughter
issue 108 - moral questions, everyday choices
issue 108 - artv: composer profile, jon rose
issue 108 - a polyphonic clamour of bodies
issue 108 - living with biomorphic anima-machines
issue 108 - the magic of film music—minus the film
issue 108 - the notes that make culture
issue 108 - the ups & downs of one-on-one
issue 108 - entrapment & release
issue 108 - the artist-in-residence: beyond just being there
issue 108 - the sweet music of art-driven tasmania
issue 108 - realtime 2012 reader survey gifts
issue 108 - between authenticity & artifice
issue 108 - an aurora over western sydney
issue 108 - the embassy will be open
issue 108 - deepening the festival experience
issue 108 - the shadowcatchers: australian cinematographers documented
issue 108 - low budget, high ideals
issue 108 - conversations with a sex worker
issue 108 - two-bit antipodean horror becomes a classic
issue 108 - what else goes missing in a disappearance
issue 108 - endangered species: the auteur documentarian
issue 108 - interactivity, agency & the ethics of participation
issue 108 - one size fits all? classifying media in the digital age
issue 108 - something borrowed, something true blue
issue 108 - between one and the many
issue 108 - melded minds & bodies
issue 108 - experts of the everyday
issue 108 - separation and its anxieties
issue 108 - a theatre for children other to itself
issue 108 - presence-absence polarity destabilised
issue 108 - freedom within reach
issue 108 - jon rose: australia made extraordinary
issue 108 - from the living room into the world
issue 108 - borders down, camaraderie on
issue 108 - percussion: the next generation
issue 108 - gloriously interfused antitheses
issue 108 - music theatre of the imagination
issue 108 - the battambang renaissance
issue 108 - when is a walk art?
issue 108 - video art & the uncontainable imagination
issue 108 - the human automaton revealed
issue 108 - tanja liedtke: in the accumulation of traces
issue 108 - in the loop: a noisy decade
issue 108 - in the loop: quantum journeys
issue 108 - in the loop - quick picks
issue 108 - In the loop - unnatural intelligences
issue 108 - In the loop - may 8
issue 108 - in the loop: opportunities - may 8
issue 108 - in the loop: reconciling histories
issue 108 - in the loop: left of centre, beyond the margins
issue 108 - In the loop: quick picks & opportunities
issue 108 - rich rewards for concerti new and renewed
issue 107 - edible, sensual, sustainable,
issue 107 - worlds of possibility
issue 107 - the flickerfest eye-opener
issue 107 - black cultural capital
issue 107 - masculinity on the margins
issue 107 - celebrating an elusive form
issue 107 - essential & seminal: a work called dance
issue 107 - neurons, technology & the extended self
issue 107 - nothing lost in translation
issue 107 - eartheffect: glitter and blood
issue 107 - culture will eat itself
issue 107 - arts centre ascendant
issue 107 - obituary: douglas leonard
issue 107 - the film editor: time & trust in the digital age
issue 107 - spotlight on shame
issue 107 - time shift hong kong
issue 107 - iran: cinematic defiance from a prison home
issue 107 - is this a network i see before me?
issue 107 - in the circles of hell: i could do that
issue 107 - capturing the ephemeral
issue 107 - opening up the terra incognita of experimental film
issue 107 - becoming otherwise: a symposium of images
issue 107 - psychic geology in theatre & dance
issue 107 - of love and purgatory
issue 107 - art is something you do, that happens to you
issue 107 - ethical ventriloquism
issue 107 - contagious matter, infectious stuff
issue 107 - critical acts of forgiveness
issue 107 - inside a korean fantasy-bar
issue 107 - tuning the audience
issue 107 - bracing new music & a new percussion ensemble
issue 107 - the deceptive eye: the world reappraised
issue 107 - remembering future lives
issue 107 - art-science: the cerebral & the sensory
issue 107 - artv: composer profile, cat hope
issue 107 - in the loop - march 6
issue 107 - in the loop: on time and on the map
issue 107 - in the loop: beyond the cage
issue 107 - in the loop: remembered journeys
issue 107 - in the loop: giveaways
issue 107 - in the loop: quick picks
Special Feature - expanding time, space and sounds
Special Feature - the proximity of sounds
Special Feature - playing the ghosts of history
Special Feature - percussion maximal
Special Feature - slippage of sound and sight
Special Feature - sounding architecture, sculpting space
issue 106 - expanding on the solo
issue 106 - the actor in the gallery
issue 106 - the ecstatic, needy, desirous body
issue 106 - censorship and the right to shock
issue 106 - visions of lives constrained
issue 106 - love in a cold climate
issue 106 - bodies, flocks and crowds
issue 106 - layering the asian-australian connection
issue 106 - east & west: side by side & in between
issue 106 - immersed with eyes wide open
issue 106 - points of departure, confrontation & engagement
issue 106 - 2012 sydney festival: black at the centre
issue 106 - unsettling the idea of ideas
issue 106 - in the age of loneliness
issue 106 - riding with dragons
issue 106 - manifesting the unexpressed
issue 106 - short film paradise
issue 106 - shades of light and dark
issue 106 - divisible istanbul
issue 106 - the future of the past of media art
issue 106 - transforming the artist & the audience
issue 106 - between god and human
issue 106 - accessing innovative art
issue 106 - junkyard opera in the tower
issue 106 - outside looking inside out
issue 106 - back to the past, into the future
issue 106 - sharing sound with painters
issue 106 - textures of togetherness
issue 106 - soundstream: smart new music
issue 106 - public art and its audience
issue 106 - performance art: going beyond
issue 106 - slide show or no show
Special Feature - transcending the hear and now
issue 106 - hypnotic hazes, voyeuristic visions
issue 106 - in the loop jan 31
issue 106 - artv: kate champion video interview
issue 105 - in the belly of the beast
issue 105 - the balancing act of life itself
issue 105 - the victim seen and seeing
issue 105 - cross-disciplinary art rock’n’rolls
issue 105 - how to speak about tomorrow
issue 105 - how green are the performing arts?
issue 105 - outsiders & others
issue 105 - putting innovative australian performing arts on the map
issue 105 - from the philippines: ways of making
issue 105 - a revelatory spring
issue 105 - from the fears of innocents
issue 105 - open to anything & everything
issue 105 - relations de-fused
issue 105 - festivals of discovery
issue 105 - novel to film: the art of distillation
issue 105 - ghostly tales from our northern neighbours
issue 105 - in the filmmaking crucible
issue 105 - a nation slips under the waves
issue 105 - at last—a cinematheque for sydney?
issue 105 - ways of seeing nature’s fragility
issue 105 - an audience of your making
issue 105 - theatre/performance education part 2: home & the world
issue 105 - theatre/performance education: training off-shore
issue 105 - mapping the machine
issue 105 - surreal and squirmacious
issue 105 - everything but existence
issue 105 - a melancholy theatre
issue 105 - the mysteries of curation
issue 105 - returning the gift: conceptualising music
issue 105 - part 3: sydney scenes & sounds
issue 105 - combinatorial challenges
issue 105 - new realms for the bass recorder
issue 105 - emitting & sharing vibrations
issue 105 - a formidable duo a decade on
issue 105 - teasing consumerism
issue 105 - chernobyl: looking & listening
issue 105 - body & geography: the dancer as explorer
issue 105 - technical, experimental, metaphysical
issue 105 - in the loop – oct 25
Special Feature - avantwhatever label collection
issue 105 - when opposites meet
issue 105 - in the loop - nov 8
issue 105 - online giveaway - nov 22
Special Feature - Contributor profile: Dan Edwards
issue 105 - listening to landscape & community
issue 105 - in the loop – nov 22
issue 104 - revelling in the now
issue 104 - a new life for william barak
issue 104 - a dark 21st century folktale
issue 104 - the city & its disconnects
issue 104 - dance education: why invoke the nation?
issue 104 - tribute, legacy & radical revisionism
issue 104 - not drowning, dancing
issue 104 - underwater anxieties
issue 104 - theatre/performance education part 1: home & the world
issue 104 - the genesis: ganesh versus the third reich
issue 104 - local government: low farce & high drama
issue 104 - in the loop – august 23
issue 104 - just whose theatre?
issue 104 - the self-centred society
issue 104 - machine/performer/spectator
issue 104 - the ‘legitimate’ limits of artistic practice
issue 104 - film education: rich resources & more to be mined
issue 104 - cop hard: the naked and the web
issue 104 - beyond the tv frame
issue 104 - the art of interactive lighting
issue 104 - the horror: how australian?
issue 104 - real life on the edge
issue 104 - experimental film: state of play
issue 104 - media arts education: sublimation vs subjugation
issue 104 - critical flows: climates & peoples
issue 104 - journey into virtuality & convergence
issue 104 - music education: the hunger for critical literacy
issue 104 - reciprocity between sounds
issue 104 - music to conjoin continents
issue 104 - part 2: sydney scenes & sounds
issue 104 - time as music and image
issue 104 - grand piano designs
issue 104 - visual arts education: local content, global branding
issue 104 - light: substantially
issue 104 - hidden in plain view
issue 104 - in the loop – sept 6
issue 104 - in the loop - sept 20
issue 104 - the unexpected & the unexplored
issue 103 - more or less than fairytale
issue 103 - existential allegories
Special Feature - the poisoned pea
Special Feature - suspending self, time & disbelief
Special Feature - Contributor profile: Jana Perkovic
Special Feature - Contributor profile: Urszula Dawkins
issue 103 - transported: between memory & desire
issue 103 - a garden experiment
Special Feature - Contributor profile: Matthew Lorenzon
Special Feature - Contributor profile: Carl Nilsson-Polias
issue 103 - where there’s a will there’s a when
issue 103 - re-inventing the city
issue 103 - supernow and the hyperlocal
issue 103 - singing to survive
issue 103 - culture, community & inspiration
issue 103 - a fistful of renminbi
issue 103 - china’s divided screen culture
issue 103 - you can’t build on an emptiness
issue 103 - the horror: how australian?
issue 103 - music, machines, misinterpretations
issue 103 - film: the full body experience
issue 103 - pixels ain’t square, man! seeing the digital light
issue 103 - synthetic engineering: dreams & doubts
issue 103 - time, myth & timelessness
issue 103 - onscreen: in the loop
issue 103 - china: creative expression on notice
issue 103 - incendiary performance: christoph schlingensief
issue 103 - rescuing dancefilm from the margins
issue 103 - dancing city—traceries in stone
issue 103 - exhibiting the future
issue 103 - the heart: savage & pained
issue 103 - the power & magic of juxtaposition
issue 103 - brilliance, shimmer & shine
issue 103 - meeting of minds and mountains
issue 103 - a room & the residue of movement
issue 103 - from the ground up
issue 103 - wanted: playwrights, dead or revived
issue 103 - the reverberations of disappearance
issue 103 - a new recipe for reality
issue 103 - controlled abandon
issue 103 - part 1: sydney scenes & sounds
issue 103 - with an ear to the greater city
issue 103 - licence to imagine
issue 103 - a winning year for innovators
issue 103 - the future is now the past
issue 103 - signalling, not clowning
issue 103 - the aesthetic of sensation
issue 103 - the artist as citizen
issue 103 - breakdown of the break-up
issue 103 - in the loop - june 28
issue 103 - surveying your selves
issue 103 - in the loop - july 12
issue 103 - tough love, rough hate
Special Feature - Contributor profile: Ella Mudie
Special Feature - Contributor profile: Chris Reid
issue 103 - in the loop - july 26
issue 102 - putting the work back into networks
issue 102 - new music: challenge as fun
Special Feature - kinetic art machine makes waves for dance
issue 102 - opinion: the wild duck re-make
Special Feature - journey of the tribe
Special Feature - turning the tables, working the audience
issue 102 - china: creative expression on notice
Special Feature - into the dance-scape
Special Feature - the art machine dances
Special Feature - dance like never before
Special Feature - present, tense
Special Feature - in the heat of the moment
Special Feature - the ambiguities of happiness
Special Feature - erupting from the archive
Special Feature - sounds massive
Special Feature - talkin' 'bout my generation
Special Feature - let's dance—and we do
issue 102 - apps, dim sum & astronauts' wives
issue 102 - intro: maintain critical mass!
issue 102 - sparks in the dark: ideas & forms
issue 102 - the city: reversing lines of sight
issue 102 - the speculative fringe
issue 102 - jam tomorrow: art, science & magic
issue 102 - the magical meeting of cinema & media arts
issue 102 - indigenous media art: complex visions
issue 102 - small stories, big pictures, bigger reach
issue 102 - into a hall of mirror gazes
issue 102 - a transmedia fairytale conversation for adults
issue 102 - aligning senses and ethics
issue 102 - shooter with silencer
issue 102 - reworking language for the theatre
issue 102 - new music theatre in utero
issue 102 - delicacies, brutalities & inbetween
issue 102 - another acoustic reality
issue 102 - sounds found & introduced
issue 102 - music and the unruled eye
issue 102 - photography here, there & everywhere
issue 102 - wormholes into new dimensions
issue 102 - into the void: nature distilled
issue 102 - after cinema: the meeting of feeling & meaning
issue 102 - performance art up close at a distance
issue 102 - the dance of language
issue 102 - in the loop – may 10
issue 102 - the pleasures of meta-performance
issue 102 - in the loop – may 24
issue 101 - live art & beyond: deepening & expanding
issue 101 - douglas sirk - the high art of melodrama
Special Feature - for you, against you
issue 101 - man on the edge of...
Special Feature - complicity, responsibility, reality, juju
Special Feature - oblique ethnicities
issue 101 - the unbearable lightness of unconsciousness
issue 101 - non-danse's indelible traces
issue 101 - a comic-romantic crusader for our times
issue 101 - nature, technologically
issue 101 - the quiet influence of accrued wisdom
issue 101 - realtime 101: what next—2011?
issue 101 - when little is big
issue 101 - suburban imaginings
issue 101 - live work, women’s work
issue 101 - how does your live art grow?
issue 101 - the inventiveness of islands
issue 101 - in the loop - rt101
issue 101 - can film do facebook?
issue 101 - a new generation performs
issue 101 - serious competition: life vs art
issue 101 - messing with media
issue 101 - living cultures, moving images
issue 101 - cineclubism: realities & potential
issue 101 - making it internationally in media arts
issue 101 - brisbane screen culture: trials & glories
issue 101 - irregular revelation
issue 101 - celebrating stalker at 21
issue 101 - re-charge: continuity & evolution
issue 101 - gfc: art of the aftershock
issue 101 - designs on australian theatre
issue 101 - new ways to hear australian plays
issue 101 - bringing chamber opera home
issue 101 - songs of lament, resistance & joy
issue 101 - the masters of regeneration
issue 101 - scaling the heights to quality & equality
issue 101 - railroad transformations
issue 101 - sa art: present tense
issue 101 - looking for art in all the wrong places
issue 101 - giveaway: douglas sirk
issue 101 - in the loop - march 7
issue 101 - the human as animal
issue 101 - wim wenders & pina bausch: 3+ dimensions
issue 101 - in the loop – march 22
issue 101 - in the loop – april 5
issue 100 - the artist performed & painted
issue 100 - the many modes of erasure
issue 100 - memorial for a memorial
issue 100 - making dance on the move
issue 100 - dance, strategically
issue 100 - skate, create, destroy
issue 100 - a childhood of theatre
issue 100 - questions of culture
issue 100 - the underworld of performance
issue 100 - the creative suburb
issue 100 - it always feels like the first time
issue 100 - the extra-ordinary
issue 100 - epiphanies and play
issue 100 - on the dyingness of things
issue 100 - expanding the aural palate
issue 100 - art via the arctic portal
issue 100 - the future at our fingertips
issue 100 - alternate-universe australia
issue 100 - new faces of the real
issue 100 - editing: beyond intuition
issue 100 - sounding the festival factory
issue 100 - art’s ghostly touch
issue 100 - the persistence of letters
issue 100 - mind, play, empathy & machines
issue 100 - a line going for a walk
issue 100 - work world upside down
issue 100 - australian dance history treasure chest
issue 100 - dancing to the limit
issue 100 - reflections on self and body
issue 100 - wtf are you doing in february?
issue 100 - survival arts in new york
issue 100 - maximising emergence
issue 100 - australian stages on the page
issue 100 - cross-cultural winners
issue 100 - putting sound into site
issue 100 - sound appropriates space
issue 100 - an unrelievable urge
issue 100 - risk & the politics of place
issue 100 - somnambulant sensing
issue 100 - individual aspirations, collective expectations
issue 100 - in the loop - rt100
issue 100 - in the loop – january 17
issue 99 - 10th indonesian dance festival: dance, future tense
issue 99 - fight censorship with same sex zombies
issue 99 - building an indigenous physical theatre future
issue 99 - the dance of images & artefacts
issue 99 - between past & present, joy & danger
issue 99 - art as acupuncture for the city
issue 99 - it’s relational: shopping for experience
issue 99 - quality-controlled fringe
issue 99 - no denying the body
issue 99 - melbourne festival: from screenplay to stage
issue 99 - parramatta celebrates south asian art
issue 99 - the past informs the future
issue 99 - in trash, the return of mystery
issue 99 - dance, animation & other realities
issue 99 - shanghai: fractured memories, contested histories
issue 99 - boat people: intimate tragedy
issue 99 - through the screen into others’ worlds
issue 99 - memories & miracles
issue 99 - film with a difference
issue 99 - the sun, reconsidered
issue 99 - indigenous new media-making
issue 99 - new kid on the block
issue 99 - tackling bio-art’s ethical ambiguities
issue 99 - tooling up for film career
issue 99 - the life expectancy of choreography?
issue 99 - measuring up & mining the moment
issue 99 - explorations in the missing centre
issue 99 - the trouble with the news
issue 99 - singing director brought to book
issue 99 - experiences & ideas: fast & furious
issue 99 - the wound that will not heal
issue 99 - interior worlds of the north
issue 99 - dream within a dream, city within a city
issue 99 - death & ways of being
issue 99 - the invisible workers dance
issue 99 - war against pop: singing & suing
issue 99 - percussive acts of necessity
issue 99 - life & music: the randomised remix
issue 99 - blues, myth, philosophy & the land
issue 99 - the music is in the timbre
issue 99 - intensified attentiveness
issue 99 - processing paradoxes
issue 99 - festival on country
issue 99 - uneasy un-realities
issue 99 - in the loop – october 25
issue 99 - adventures in perception
issue 99 - in the loop - november 8
issue 99 - in the loop - november 22
issue 98 - genius loci, sparks and arcs
issue 98 - magnificent in defeat
issue 98 - boat people: intimate tragedy
issue 98 - broken mothers in the blind spot
issue 98 - new portraiture: cold tech, warm interior
issue 98 - a delicate balance in a gross world
issue 98 - performance by degree
issue 98 - connecting with culture
issue 98 - the remorseless logic of a farce
issue 98 - transfigurative perspectives
issue 98 - mobilising contemporary performance
issue 98 - ghosts of form and family
issue 98 - for and of the city
issue 98 - the uneasy path to dance practice
issue 98 - dancing into the world
issue 98 - exorcising addiction
issue 98 - the pre-cognitive alternative
issue 98 - film education: new contexts, new criteria
issue 98 - absent parents, challenged childhoods
issue 98 - sublime art, strange states
issue 98 - for and by the community
issue 98 - in the age of over-sharing & the death of shame
issue 98 - adjusting to the artificial others
issue 98 - risk: the limits of laughter & intimacy
issue 98 - in and out of the comfort zone
issue 98 - multicultural arts: always already mainstream
issue 98 - the universities: a sound connection with the world
issue 98 - the accidental audist
issue 98 - sound art+/-performance
issue 98 - visual arts education: between research & the market
issue 98 - self-portrait, multiple careers
issue 98 - artist: intermedia: viewer
issue 98 - effervescent transcendence
issue 98 - wishlists on the way to policy
issue 98 - an artless campaign
issue 98 - a short guide: national cultural policy
issue 98 - interior worlds of the north
issue 98 - alexander proshkin: memories & miracles
issue 98 - in the loop - august 23
issue 98 - war against pop: singing & suing
issue 98 - make art, drink, vomit
issue 98 - in the loop – september 6
issue 98 - in the loop – september 20
issue 98 - restoring culture: the dance of images & artefacts
issue 97 - confessions & generations
issue 97 - disabling art online
issue 97 - meditations in pure space
issue 97 - the growling: talking film festival culture
issue 97 - accidents & art: the evolution of a film
issue 97 - accidents, loss & the grief trap
issue 97 - talking art with the minister
issue 97 - dialectical entanglements
issue 97 - after party for the american century
issue 97 - together in the here & now
issue 97 - culture: an intangible, protectable & nurturable good
issue 97 - making the trip work
issue 97 - starting over: new chinese cinema
issue 97 - from the dark side of economic success
issue 97 - fighting for adventurous documentary making
issue 97 - sun work: mathematics as media
issue 97 - movement is rewarded
issue 97 - from screen dance to screen based
issue 97 - dancefilm: making choices
issue 97 - negotiating a transposed hell
issue 97 - dancing through trauma
issue 97 - intensive research, enriched development
issue 97 - a soft hurtfulness, a kind of beauty
issue 97 - truth, dare or physical challenge?
issue 97 - we made this: scattered tacks
issue 97 - partners in crime & reconciliation
issue 97 - still not there: dylan on film & stage
issue 97 - altered states & mood swings
issue 97 - critical homage to a short life
issue 97 - 10 years of room40: privileging the ears
issue 97 - new music, new means
issue 97 - brave venture in a regional city
issue 97 - looking through photography
issue 97 - video art: performance, politics, vision
issue 97 - in the loop - june 28
issue 97 - coming of age in cane country
issue 97 - in the loop - july 12
issue 97 - the shapes of water
issue 97 - the bostock inheritance
issue 97 - harmony between man, earth, heaven
issue 97 - sao paulo: public space as theatre space
issue 97 - in the loop - july 26
issue 96 - the high art of machine knitting
issue 96 - a place to give pause
issue 96 - unaustralian cinema
issue 96 - lake mungo as medium
issue 96 - campion’s realm of the senses
issue 96 - rooms with surprising views
issue 96 - the complicit witness
issue 96 - death defying opera
issue 96 - layers, exchange, simultaneities
issue 96 - the art in cultural policy making
issue 96 - the city, the world, beauty & music
issue 96 - celebration against the odds
issue 96 - china: alternative realities
issue 96 - australian screen culture: the hard yards
issue 96 - the hybrid screen library
issue 96 - the past is always present
issue 96 - experimental audiovisual: room to move
issue 96 - infinities material and spiritual
issue 96 - envisaging the unseeable
issue 96 - the future with a foot in the past
issue 96 - between space, people & camera
issue 96 - a wealth of dancing partners
issue 96 - live the questions now
issue 96 - keeping up with the audience
issue 96 - good mother, bad mother
issue 96 - next wave 2010: riding risk
issue 96 - epic new music showcase
issue 96 - looping & shimmering
issue 96 - vigorous exercise & a well-balanced diet
issue 96 - the greater politics of human interaction
issue 96 - true aussie diggers
issue 96 - in the loop - april 27
issue 96 - the challenges of homage
issue 96 - love spread too thin
issue 96 - the bitter landscape of the soul
issue 96 - dancing lightly on their graves
issue 96 - in the loop - may 10
issue 96 - massacre sites: actual, theatrical, virtual
issue 96 - expanded dramaturgical thinking
issue 96 - in the loop - may 24
issue 96 - place: confirmed and displaced
issue 95 - seeing yourself seeing
issue 95 - putting us in the bigger picture
issue 95 - cities: art-led renewal
issue 95 - berlin: island & identity
issue 95 - revisioning east/west
issue 95 - australian dance: unseen at home
issue 95 - in and out of the frame
issue 95 - home is where the hurt is
issue 95 - selling experience & interaction
issue 95 - walkers re-write city
issue 95 - ancient rites, new filmmaking
issue 95 - an unpredictable auteur
issue 95 - australian film: a wider screen
issue 95 - the sound of some other australia
issue 95 - media arts and their disconnects
issue 95 - message is medium is message
issue 95 - dancing into altered states
issue 95 - out of the ordinary
issue 95 - inbetween dance & visual art
issue 95 - twixt ecstasy & self-possesion
issue 95 - no surfaces, only depths
issue 95 - the voyeur unsheltered
issue 95 - tensions at the point of origin
issue 95 - performing new form history 1973-86
issue 95 - the theatre of our city selves
issue 95 - wunderkind mysteries
issue 95 - performance in brazil's mega-metropolis
issue 95 - gone to air but taken to account
issue 95 - myths refurbished and upgraded
issue 95 - human rights push and pull
issue 95 - a lot can happen in a minute
issue 95 - a feast of summer sounds
issue 95 - new director, new opera
issue 95 - coders, crafters & cooks
issue 95 - the exhibition makes, unmakes & remakes itself
issue 95 - tooling the art of electronics
issue 95 - the poetry of the mundane
issue 95 - fire & family in the memory
issue 95 - life & death, sound & soul
issue 95 - the not too united states of carmilla
issue 95 - the sacrifice of father-daughter love
issue 94 - the art of integration
issue 94 - glocal slippage: the festival show conundrum
issue 94 - intercultural in-between
issue 94 - mind, body & the evolution of a dance work
issue 94 - innocents retrieved
issue 94 - a fine catch in a net cast wide
issue 94 - merely floating in the world
issue 94 - where the truth lies
issue 94 - an eye on screen history
issue 94 - everyday complexity
issue 94 - we’re on the road to nowhere
issue 94 - a film for all markets
issue 94 - stop-start beat: walking the city
issue 94 - utopia reconsidered
issue 94 - so you think you can make art?
issue 94 - digital demands & pleasures
issue 94 - contemplations of hanged men
issue 94 - dancing with expectations
issue 94 - the art of excavation
issue 94 - child flight, adult plight
issue 94 - reflections on reconciliation
issue 94 - ageing and [in]difference
issue 94 - naturally, electromagnetic
issue 94 - music for the quick and the dead
issue 94 - the makings of sound
issue 94 - riding the impro wave
issue 94 - machine age new music
issue 94 - temporal oscillator
issue 94 - seeing black: degrees of invisibility
issue 94 - unfinished business
issue 94 - deepening degrees of subjectivity
issue 94 - sensitively national, selectively global
issue 94 - the shame of growing old gracefully
issue 94 - performing performance anxiety
issue 93 - retooling modernist tropes
Special Feature - elegy for the land
issue 93 - a monument of dancing bodies
issue 93 - look back, move forward, cross borders
issue 93 - dancing up the apocalypse
issue 93 - indigenous & cosmopolitan
issue 93 - mime, new generations
issue 93 - risky theatre at risk
issue 93 - building capacity, growing culture
issue 93 - chronicles of the blank generation
issue 93 - the great filmmaking escape
issue 93 - the fruits of intervention
issue 93 - documentary: art and truth
issue 93 - layers of history & filmmaking
issue 93 - keeping the (on)line open
issue 93 - mothers and children
issue 93 - the story of a story
issue 93 - human nature in the clouds
issue 93 - time travelling via gps
issue 93 - british computer art 1960-1980
issue 93 - new media fast forward
issue 93 - sound-image synaesthesia
issue 93 - dancing heavy metal
issue 93 - romance: excavated & mutated
issue 93 - purist, improvisor, shape-shifter
issue 93 - signatures and signalling
issue 93 - darwin celebrates darwin
issue 93 - more than a walk in the park
issue 93 - hyperrealism in overdrive
issue 93 - violations: sex, history, form
issue 93 - history by the history-makers
issue 93 - music that needs to be seen
issue 93 - listening for change
issue 93 - seeing, hearing, believing
issue 93 - new growth, new directions
issue 93 - capitalism’s ups and downs
issue 93 - obituary: emil goh, 1966-2009
issue 93 - rewind, recall, recover
issue 93 - the edge of reality
issue 93 - away from the studio, towards the gallery
issue 93 - outside the western box
issue 92 - reform, reinvention & the education revolution
issue 92 - arts business practice or practice based research?
issue 92 - new rules: the research game
issue 92 - creative release, creative limits
issue 92 - of tea and other fluids
issue 92 - the future now, minus nations
issue 92 - chinese photography: out of the shadows
issue 92 - making room for hope
issue 92 - bangarra at 20: circle of connection
issue 92 - rt92 - education and the arts
issue 92 - period of adjustment
issue 92 - the man in the malkovich mask
issue 92 - figuring motion: a 20th century artist for the 21st
issue 92 - eddie & charlie, kings of the road
issue 92 - nationalistic fervour & metaphysical reverie
issue 92 - positive initiatives, problematic implications
issue 92 - online life, downside and up
issue 92 - d emoshnl pwr of d txt msg
issue 92 - matchbox magic: dance as film
issue 92 - a mindful body-in-place
issue 92 - embodying inner demons
issue 92 - observation and its relativities
issue 92 - the image that pierces
issue 92 - comeout 09: artful reciprocity
issue 92 - stockhausen: visions of light
issue 92 - architectural meltdown
issue 92 - sound, image & their ghosts
issue 92 - the art of sonic curation
issue 92 - mind-reading in the 21st century
issue 92 - politics & art: direct engagement
issue 92 - risks with self and stranger
issue 92 - global transmission in progress
issue 92 - new, new music for sydney
issue 92 - taboo teen territory
issue 92 - sydney's mean streets
issue 92 - the nurturing of chinese photography
issue 92 - new growth, new directions
issue 92 - fringe festival: roulette and reason
issue 91 - the audience made complicit
issue 91 - culture crash: things as they are
issue 91 - art-working the city
issue 91 - merce cunningham: generational mix
issue 91 - i don't know about acting…
issue 91 - stirring transformations
issue 91 - classic transposition
issue 91 - new asian dance: body doubles
issue 91 - identity’s black holes
issue 91 - interdisciplinary artists & publics
issue 91 - a home for contemporary cultures
issue 91 - activating art spaces
issue 91 - a matter of urgency
issue 91 - screening the ‘other’ deutschland
issue 91 - shimmering beauty, dark vision
issue 91 - jack charles, hybrid lives
issue 91 - redefining film’s cutting edge
issue 91 - animating dreaming into action
issue 91 - pornography with difference
issue 91 - expanded screen writing, expansive cinema
issue 91 - screendance 2.0 is with us
issue 91 - threshold intimacies
issue 91 - exhibiting the future
issue 91 - mediated: craving for expression
issue 91 - second life eco-management
issue 91 - ecstasy and repulsion
issue 91 - the dance of inner space
issue 91 - canonical miss-takes
issue 91 - reading at a remove
issue 91 - composed spontaneity
issue 91 - transient works, temporary publics
issue 91 - a return to vulnerability
issue 91 - at the end of the day
issue 91 - he’s watching the detectives
issue 91 - contentious cut and paste
Special Feature - horror stretch
Special Feature - 18 minutes in another town
Special Feature - reality dance
Special Feature - ensemble power
issue 90 - e-bodies in trouble
issue 90 - from glitz to pure gold
issue 90 - unconditional acceptance
issue 90 - dance massive: intro
issue 90 - infrastructure & the health of the organism
issue 90 - post-youth new growth
issue 90 - the jobbing playwright
issue 90 - the seeing ear, the hearing eye
issue 90 - the making of samson & delilah
issue 90 - mary and max: little people, big animation
issue 90 - love the beast: bogan dreams and endless love
issue 90 - the combination: gauging rage
issue 90 - adrenaline-fuelled life in the media arts lab
issue 90 - film, image & the post-medium condition
issue 90 - wired 4 games: artful computer gaming
issue 90 - blast theory: small secrets in public spaces
issue 90 - animating the interactive spin
issue 90 - media arts: in search of history & legitimacy
issue 90 - expanding the cultural zone
issue 90 - unfolding bonachela
issue 90 - as dreamt by a dancer
issue 90 - the metaphysics of birdwatching
issue 90 - yoga land & crack alley square off
issue 90 - no room for psycho-realism
issue 90 - at the coalface of queer performance
issue 90 - barometer of a generation
issue 90 - play as political gesture
issue 90 - the real & other realities
issue 90 - at the bottom of the garden
issue 90 - the sound of bicycles singing
issue 90 - a walk on the wilder side
issue 90 - the work, the influence
issue 90 - cause for celebration
issue 90 - tuning the inner ear
issue 89 - the war within, the war without
issue 89 - the gift of a smile
issue 89 - belarus free theatre: an aesthetic opposition first of all
issue 89 - reveries and dark dreams beyond categories
issue 89 - iceland, taiwan, sicily, england, japan...tasmania
issue 89 - surreal realities from the other side
issue 89 - targeting australia
issue 89 - through the screen to palestine
issue 89 - making images with audiences
issue 89 - a new cinema: immersive and interactive
issue 89 - making dancefilm: influences, cultures, bodies
issue 89 - investing in dance screen
issue 89 - reframing the dance screen
issue 89 - smelling the sun, breathing a river
issue 89 - media art: negotiating the future
issue 89 - intelligent fabrics, organic attire
issue 89 - the science-art of quakes
issue 89 - creative electronic community
issue 89 - the dislocation of european desires
issue 89 - the improvising animal
issue 89 - jungle sounds: raw & synthetic
issue 89 - cross-generational experimentation
issue 89 - of the moment and about time!
issue 89 - a quarter century sampler
issue 89 - fabrication & physics
issue 89 - beauties beyond irony and austerity
issue 88 - returning the audience’s gaze
issue 88 - the darkest of fairytales
issue 88 - powered up with performance
issue 88 - in the belly of the beast
issue 88 - all the right steps
issue 88 - talking through hybrid performance
issue 88 - time slips in an other place
issue 88 - nature by design, music & science
issue 88 - first kiss: the arts and health sciences
issue 88 - anxious times: the future of australian film funding
issue 88 - othering the cultural mainstream
issue 88 - buried truths, hidden history
issue 88 - past into present times the future
issue 88 - a sudden responsibility, a new career
issue 88 - life behind a curtain
issue 88 - the thin line between mainstream & underground
issue 88 - a deep breath of russian cinema
issue 88 - not so silent resurrection
issue 88 - wonder, beyond categories
issue 88 - looking for deep generative poetry
issue 88 - rewarding the field
issue 88 - electrofringe will eat itself
issue 88 - secretary of the impossible
issue 88 - how it came to this, explained in full
issue 88 - virtually/actually hands-on
issue 88 - across the film-vis arts divide
issue 88 - a revealing partnering
issue 88 - performance space: the winning years
issue 88 - ironies of the inevitable
issue 88 - simple materials, live art
issue 88 - schütte-lihotzky: the architecture of a life
issue 88 - ecstasy & other states
issue 88 - infiltrations & accumulations
issue 88 - a branching practice
issue 88 - the making of a world
issue 88 - the fiona winning interview
issue 87 - art on the side of cinema
issue 87 - the art of punishment
issue 87 - the brain-technology dance
issue 87 - multiple maps of the imagination
issue 87 - infinite othernesses
issue 87 - deep inside the box
issue 87 - two lives, one storm
issue 87 - murderous ambivalences
issue 87 - the limits of healing
issue 87 - night falls over innocence
issue 87 - on the edge of the moment
issue 87 - the middle way: light infrastructure
issue 87 - working from home: the producing hub
issue 87 - MIFF 2008: lo-tech brilliance
issue 87 - the tribulations of based-on-fact fiction
issue 87 - film is like music, it has time
issue 87 - image, music, connection
issue 87 - active recall: animating history
issue 87 - the past bleeds into present
issue 87 - the cross-currents of new russian film
issue 87 - parallel lives: in cinema & beyond
issue 87 - new media, new to china
issue 87 - interactive mysteries
issue 87 - the name of the game: media arts now
issue 87 - just what's on offer?
issue 87 - the second life funding landscape
issue 87 - sharing and remixing via the abc
issue 87 - beyond the dumb-mobile
issue 87 - a constrained dance of words
issue 87 - taking underground overground
issue 87 - through violence to contemplation
issue 87 - in the bodies of others
issue 87 - the body: re-examined, recreated, restless
issue 87 - a very real unreal place
issue 87 - the challenge: teaching dance screen
issue 87 - noise is free in beijing
issue 87 - nayda and the music of change
issue 87 - diverse readings, acute listenings
issue 87 - depends on where you sit
issue 87 - sounds solid, sounds fluid
issue 87 - imaging the ritualised hour
issue 87 - transgression, translation, transcription
issue 87 - transgression, translation, transcription - full interview
issue 87 - homecoming for the future
issue 87 - positively artrageous
issue 86 - new humans, beyond meaning
issue 86 - the job-ready graduate: on the right path
issue 86 - the job-ready graduate: acting and a lot more
issue 86 - the world in a book
issue 86 - the refugee’s only currency
issue 86 - violence by degrees
issue 86 - the job-ready graduate: multi-skilled, self-sufficient
issue 86 - bleak days for the aussie male
issue 86 - puppet power & scary magic
issue 86 - making art out of hollywood
issue 86 - the job-ready graduate: autonomous & entrepreneurial
issue 86 - if you like photosensitive seizures, we like you
issue 86 - weightlessly home, safe
issue 86 - naturally synthetic
issue 86 - listening to the turning world
issue 86 - the job-ready graduate: well supported, well connected
issue 86 - bitter-sweet ageing
issue 86 - the partiality of perspective
issue 86 - forsythe, bausch, platel…
issue 86 - judging the body-media meld
issue 86 - the job-ready graduate: underpinning independence
issue 86 - a sound archive for an aural future
issue 86 - what you hear is what you see
issue 86 - unchanged perceptions
issue 86 - questions of intimacy
issue 86 - laidback listening to sounds concrete & chaotic
issue 86 - pre-dawn revelations
issue 86 - the job-ready graduate: making art, maybe money
issue 86 - un-linear life & art
issue 86 - engagingly awkward proximities
issue 86 - tainting the artist
issue 86 - energy in flux, change in motion
issue 86 - dark futures, distant present
issue 86 - playing with the audience
issue 86 - to create, not repeat
issue 86 - domestic inspiration
issue 86 - disagreeable, but desirable
issue 86 - between contemplation and delirium
issue 86 - from the outside in
issue 85 - editorial rt85 - censorship
issue 85 - reeldance festival: contemporary dance on screen
issue 85 - entwining china & australia
issue 85 - fugue of the senses, geometry of desire
issue 85 - flying high, and under the radar
issue 85 - open letter in support of bill henson
issue 85 - puppets at play with form & history
issue 85 - inside the experience of living
issue 85 - hybrid lives, hybrid dreams
issue 85 - tasmanian horrors real & mythic
issue 85 - the city eroticised
issue 85 - a place for dialogue
issue 85 - film by other means
issue 85 - the musicality of the moving image
issue 85 - video art for the cinema
issue 85 - mapping an ugly australia
issue 85 - graham tardif & the aural auteur
issue 85 - broadcasting the future
issue 85 - between research, philosophy & documentation
issue 85 - british multimedia interventions
issue 85 - the dimensions of perception
issue 85 - the road to excess leads to...
issue 85 - multiplying screens & means
issue 85 - dance of the aftermath
issue 85 - memories spoken and embodied
issue 85 - a democratic offering
issue 85 - nightshift: dangerous work
issue 85 - tribute to an outlaw
issue 85 - everything postdramatic
issue 85 - cross-racial casting: what will it take?
issue 85 - direction, design & room to move
issue 85 - paper theatre, uncertain memories
issue 85 - intercultural harmonising
issue 85 - the past made present
issue 85 - the many ways to play
issue 85 - elemental vibrations
issue 85 - car, crash, contemporary
issue 85 - the drama & dance of xenakis
issue 85 - contemporary...now and then
issue 85 - vale tristram cary, 1925-2008
issue 85 - percussion: power and puzzle
issue 85 - photography: look twice
issue 85 - 798 at the crossroads
issue 85 - a city remembered in trees
issue 85 - art when it’s at home
issue 85 - performance for making change
issue 85 - reeldance festival: the awards
issue 85 - reeldance festival: global shorts, this dancing life
issue 85 - reeldance: global shorts: music:dance:image
issue 85 - reeldance festival: global shorts, the art of moving
issue 84 - nrla 2008: live art talk
issue 84 - a thinking person’s list
issue 84 - the theatre of live art
issue 84 - big, intimate and fearless
issue 84 - the games art plays
issue 84 - moving messages and uncertain content
issue 84 - the rise of the west
issue 84 - hybrid arts: hives of industry
issue 84 - art, commerce, action!
issue 84 - cinema in transition: a comedy
issue 84 - hamlet as film: the rest is static
issue 84 - making light of winter
issue 84 - sydney film festival adapts and mutates
issue 84 - the intimate details
issue 84 - every moment lived, a moment lost
issue 84 - australian animation: quality wins
issue 84 - a complex culture in film
issue 84 - engineering the arts
issue 84 - games as art: playtime over
issue 84 - bee art: exchange systems
issue 84 - furthering hybridity
issue 84 - the festival dances
issue 84 - next: evolving dance
issue 84 - reading the land, seeing the light
issue 84 - reinventions radical & respectful
issue 84 - someone else’s dream
issue 84 - life swapping freefall
issue 84 - walking with artists
issue 84 - melancholia’s peculiar beauty
issue 84 - the quick and the dirty
issue 84 - the black hole of injustice
issue 84 - bollywood: film as theatre
issue 84 - relocation and reinvention
issue 84 - is anybody listening?
issue 84 - the instrument and beyond
issue 84 - furnishings for the mind
issue 84 - Photofile: an expanded perspective
Special Feature - the space between: a triangle of trust
Special Feature - hey girl!: ache and awe
Special Feature - my name is rachel corrie: a life resurrected
Special Feature - my dad, my dog: between worlds
Special Feature - small metal objects: magic micro culture clash
Special Feature - instructions for modern living: night fears
Special Feature - clark and I somewhere In connecticut: the one who cares
issue 83 - glow: analog passion, digital driver
Special Feature - palace grand: grand illusion
Special Feature - palace grand: theatre of the self
issue 83 - a spontaneous sounding
issue 83 - across minds and cultures
issue 83 - a quiet kind of terror
issue 83 - love’s waiting room
issue 83 - lost in translation
issue 83 - taking it to the streets
issue 83 - it’s happening (again)
issue 83 - mexico is different…
issue 83 - the rhythm of the night
issue 83 - cyber-conceived/cyber-birthed
issue 83 - in a state of dance
issue 83 - ghosts in the machine, romance in the garden
issue 83 - mixed reality cycling
issue 83 - art-layering the city
issue 83 - images of resilience
issue 83 - encounters bizarre, elusive & beautiful
issue 83 - welsh border crossing
issue 83 - gob squad saves the world
issue 83 - the classic justly undone
issue 83 - mission just possible
issue 83 - port adelaide reanimated
issue 83 - at play on a digital slippery slope
issue 83 - obituary: jean-pierre voos
issue 83 - the raw materials for change
issue 83 - construction as performance
issue 83 - in the dead of night
issue 83 - opening up the house
issue 83 - the unbinding of desire
issue 83 - fragility and responsibility
issue 83 - dance screen treasure chest
issue 83 - within the frame: a timeless space
issue 83 - listening to history
issue 83 - so much to sing about
issue 83 - on, off, into and across the record
issue 83 - visceral intuition, critical thought
issue 83 - puppet power and youth pull
issue 83 - connect: canada and australia
issue 83 - screendance: artform in transition
issue 82 - hybrid life: some recent sightings
issue 82 - the festivals make music
issue 82 - making the world work
issue 82 - legacies, living and transmuted
issue 82 - certain uncertainties
issue 82 - the elusiveness of cultural exchange
issue 82 - new music out of china
issue 82 - ars electronica, vitae brevis!
issue 82 - empathy and otherness
issue 82 - rock stars in the cross-hairs
issue 82 - still touching from a distance
issue 82 - led zeppelin: art at the crossroads
issue 82 - from chinatown to china
issue 82 - she’s a smooth operator
issue 82 - performative cinema
issue 82 - new art the old way
issue 82 - no mission statements please
issue 82 - dead cinema, new cinema
issue 82 - the thought provoking jolt
issue 82 - a once and future building
issue 82 - diverting disconnects
issue 82 - tensions of form and affect
issue 82 - the art of going global
issue 82 - being in one place with roots in another
issue 82 - solace, if not closure
issue 82 - the term of their unnatural lives
issue 82 - living football in the territory
issue 82 - young, local, national, global....
issue 82 - sound worlds past and present
issue 82 - experimental sounds in the city
issue 82 - joyous songs of sadness
issue 82 - still life in a dying world
issue 82 - artful contemplation
issue 82 - an itty-bitty theatre of the absurd
issue 82 - of trains and training
issue 82 - the twyla tharp legacy
issue 82 - birth rites by vote
issue 82 - RealTime online @ PuSh
issue 82 - the loving wild child
issue 82 - greater than the sum of its parts
issue 81 - pacific australia, south-west sydney
issue 81 - nt’s festive season
issue 81 - the simple fact of merce cunningham
issue 81 - matthew barney meets monkey king
issue 81 - cultural infusion: indonesia in australia
issue 81 - loud, soft and with feeling
issue 81 - confessions of a fast talker
issue 81 - small tales and true
issue 81 - the power of arab film
issue 81 - reinvigorating the most important art
issue 81 - the art of the short short
issue 81 - point of view: female
issue 81 - making films politically
issue 81 - adding sound to silents
issue 81 - traditional animation, the computer finish
issue 81 - shopping for interactivity
issue 81 - new order distribution
issue 81 - more than rabbitting on
issue 81 - dvd: almost absolutely robert wilson
issue 81 - last days of raunch at lanfranchi’s
issue 81 - a game with the works
issue 81 - shocking symmetries
issue 81 - deeply abhorrent and utterly entertaining
issue 81 - to choose or not to choose
issue 81 - apoplectic apocalypto
issue 81 - at play in public space
issue 81 - gideon obarzanek: after glow
issue 81 - dancing cultural time zones
issue 81 - prediction and predilection
issue 81 - magic dance patterning
issue 81 - sound in mind and body
issue 81 - elision: musical gaming
issue 81 - the art of not-listening
issue 81 - percussive dance and drama
issue 81 - opera and the primal sublime
issue 81 - unexpected synergies
issue 81 - between heaven and hell
issue 81 - steampunk aiming high
issue 81 - re-casting the apocalypse
issue 81 - aphids-realtime reviewer residency
issue 81 - stuck pigs squeal incest & sibling rivalry
issue 81 - pain relief for paranoia
issue 81 - testing the tightrope
issue 81 - making music at the interface
issue 81 - the body inside and out
issue 80 - free and not so free
issue 80 - negotiations and love songs
issue 80 - from the simplest of interfaces: complexity
issue 80 - tiny movies, big moves
issue 80 - from anywhere at any time
issue 80 - the art of the earth
issue 80 - a festival to change perceptions
issue 80 - revolution or reaction?
issue 80 - embodiment’s adventures in scholarship
issue 80 - contemporary performance: signs of life
issue 80 - precarious balance & extra-daily effort
issue 80 - the new academicism
issue 80 - music education in search of a future
issue 80 - sound art and the extended university
issue 80 - production challenges, threats to theory
issue 80 - the thousand voices of garin nugroho
issue 80 - the poetry of turkish cinema
issue 80 - the secret war: remembered & repressed
issue 80 - animation: access, artistry, limits
issue 80 - unleashing the inanimate
issue 80 - farewell bergman, farewell antonioni
issue 80 - the piano replayed & re-read
issue 80 - digitising the film industry: the big questions
issue 80 - DVD: the innovator, interviewed: adam elliot
issue 80 - extreme writing: digital lifestyle practice
issue 80 - escaping into the hands of the enemy
issue 80 - the road to excess & the wisdom of restraint
issue 80 - in expectation of the unexpected
issue 80 - the art of the after-party
issue 80 - the incessant alert of responsibility
issue 80 - radio-ing in: the artifice of intervention
issue 80 - a very strange kind of time
issue 80 - the underground's big day out
issue 80 - post-dance, everything is choreographic
issue 80 - dance film: spiritual odyssey
issue 80 - room for everything and more
issue 80 - computer composers go back to the future
issue 80 - sounds seen & worded
issue 80 - lessons in hyper-virtuosity
issue 80 - making space: the freedom to mess
issue 80 - the ghosts of bad blood
issue 80 - the big spill: a fitting climax
issue 80 - radical fanging in the museum
issue 80 - new recipes in theatre making
issue 80 - the hurt of pain witnessed
issue 80 - with a child's eyes
issue 80 - fine with a chance of cloud
issue 80 - this girl can’t be serious
issue 80 - dreams gentle and apocalyptic
issue 79 - plugging into film culture
issue 79 - the world in our hands
issue 79 - there forever, gone tomorrow
issue 79 - ghosts of hamlets past
issue 79 - performance art beyond the event
issue 79 - live art strategies
issue 79 - bright sparks in the silence
issue 79 - art becomes village becomes art
issue 79 - out of the frying pan...
issue 79 - world without bearings
issue 79 - re-skinning documentary
issue 79 - sydney film festival’s new face
issue 79 - meditations & contradictions
issue 79 - black sun: after the eclipse
issue 79 - the digitising of public art
issue 79 - an improvising automaton
issue 79 - archivists on the edge
issue 79 - the war that never ends
issue 79 - virtually the real thing
issue 79 - autonomy and the emerging artist
issue 79 - duetting new possibilities
issue 79 - when I was born, I couldn’t move at all
issue 79 - messing with the word
issue 79 - vigilante performance
issue 79 - bible bashing and book burning
issue 79 - evolving indigenous live art
issue 79 - one woman in many: survival and resilience
issue 79 - adventures 07: anxious pleasures
issue 79 - musical archaeology
issue 79 - loud, clear and cantankerous
issue 79 - vertiginous pleasures of disconnection
issue 79 - photography: stillness & beyond
issue 79 - conversation in slow time
issue 79 - art animated and dissected
Special Feature - the write/here project: signs of the times
Special Feature - leigh hobba – the space of presence: time spans
Special Feature - port arthur project: sites unseen
Special Feature - queen of the snakepit: stories, shandies and supersnakes
issue 78 - radical theatre of failure
issue 78 - urban theatre projects: urgent agendas
issue 78 - acp: photography speaks up
issue 78 - mirror stories: the implicated audience
issue 78 - twixt black box & white cube
issue 78 - an experiment in life at the piano
issue 78 - the cool of artertainment
issue 78 - realtime on the island
issue 78 - cinemas of possibility
issue 78 - lo-budget good health
issue 78 - wrestling with fandom
issue 78 - unpicking the flicks
issue 78 - the logic of mediation
issue 78 - of profits and prophets
issue 78 - films otherwise unseen
issue 78 - but is it washable?
issue 78 - imagining the invisible
issue 78 - upgrading and evolving
issue 78 - apocalypse near you
issue 78 - word magic: the how of reading
issue 78 - loungeroom critique
issue 78 - to learn again to adventure
issue 78 - 2007 singapore arts festival
issue 78 - crossing the divide
issue 78 - dancing at the interface
issue 78 - a vertiginous theatre
issue 78 - unnerving and uncanny
issue 78 - setting boundaries, combating fear
issue 78 - obituary: lindzee smith
issue 78 - history too innocent
issue 78 - out of the underworld
issue 78 - working that european thing
issue 78 - split radio breaks the spell of pop
issue 78 - whistling on the way to the apocalypse
issue 78 - media multiplies opera
issue 78 - indoors and out there
issue 78 - so artless, so interesting
issue 78 - seeing what we need to see
issue 78 - the body written, recollected, haunted
issue 78 - the converging of art history and media art
issue 78 - the touch of nations (the companies we keep)
issue 77 - london’s regenerative festival
issue 77 - volatile work for incendiary ends
issue 77 - the future arrives: a new APT, a new gallery
issue 77 - islands of ambiguity
issue 77 - a theatre for all the senses
issue 77 - an endless dance of death and yearning
issue 77 - danger: transcendental theatre
issue 77 - lost in translation
issue 77 - love, digital and suicidal
issue 77 - adelaide festival centre redux
issue 77 - performance on DVD: archive alive
issue 77 - other worlds, outer limits
issue 77 - shifting and shucking
issue 77 - in the theatre of war
issue 77 - all in the choreography
issue 77 - down there for thinking
issue 77 - farewell fromagerie
issue 77 - the dancer moves, the world begins
issue 77 - performance alchemies
issue 77 - the whole stage is breathing
issue 77 - the eternally flickering image
issue 77 - string quartet: evolution & mutation
issue 77 - new music from dead horse
issue 77 - part 2: the films—buried histories
issue 77 - a new gaze via remote control
issue 77 - a pansemiotic cornucopia
issue 77 - lights, camera...social action!
issue 77 - this is not a comic book
issue 77 - d/Lux & the super history of super 8 in sydney
issue 77 - the filmmaker underdog and the australian way
issue 77 - russian cinema: audacious and inimitable
issue 77 - the virtual gets physical, the user too
issue 77 - a media arts cornucopia machine
issue 77 - side by side, australian & japanese media art
issue 77 - game on: agendas of gender
issue 77 - unwilling prophet of the present
issue 77 - playing with reality in virtual worlds
issue 77 - haunted machines & spooky ideologies
issue 77 - rules of engagement: auras of presence
issue 77 - second front: online performance art
issue 77 - emergent and infectious
Special Feature - Living the in-between
issue 76 - the body in the city in the picture
issue 76 - christoph marthaler: in the meantime
issue 76 - the young & the restless
issue 76 - company b: dissolving distance
issue 76 - deeply collaborative, richly minimalist
issue 76 - adelaide grows a festival
issue 76 - the rise of the superdoc
issue 76 - looking back over pilger's australia
issue 76 - michael riley: photographer & filmmaker - part 1: spirit, land, image
issue 76 - female experimental film magic
issue 76 - vancouver international film festival
issue 76 - art in the instant city
issue 76 - interactive feedback
issue 76 - the best of the beast
issue 76 - video as spatial experience
issue 76 - a second life: living online
issue 76 - music makes the moves
issue 76 - risky business adds aesthetic value
issue 76 - joyous music, modest means
issue 76 - crisis within, crisis without
issue 76 - disturbing the dust on a bowl of rose leaves
issue 76 - icons, puppets & perspectives
issue 76 - bootcamp for the soul
issue 76 - haunted by the outside world
issue 76 - art against the silence
issue 76 - ANTI festival, finland, site-specific mysteries
issue 76 - heroes in the theatre of adversity
issue 76 - writing our culture alive
issue 76 - ornamental happiness & walking cures
issue 76 - the many-otheredness of the NRLA
issue 76 - two blokes in a room, drawing on each other
issue 76 - elves and other friends
issue 76 - new music machine up & running
issue 76 - discontinuous perceptions
issue 76 - singapore biennale, a total approach
issue 76 - intersections in the screen pit
issue 76 - a desolation too real
issue 76 - myth through an avant garde lens
issue 76 - clowning into oblivion
issue 75 - Melbourne International Arts Festival: Inside out/outside in
issue 75 - The journey: expansion and implosion
issue 75 - Under the city's skin
issue 75 - Regenerative inversions
issue 75 - The body transported & transformed
issue 75 - Celebration of transformation
issue 75 - An impetus to innovate
issue 75 - What the listener sees
issue 75 - Magical, micro, experimental and underground
issue 75 - Hidden: a film for our time
issue 75 - In the pleasure dome
issue 75 - Nordic thrills and other good shorts
issue 75 - War for real: drama & documentary
issue 75 - Matthew Barney: cinema under review
issue 75 - Onscreen Course Guide—Film and New Media Art
issue 75 - Contagious diseases, virulent truths
issue 75 - The art of mobile phone empathy
issue 75 - Time sliced, perception shifted
issue 75 - Courageous lover, great imagineer
issue 75 - Dancing in the folds
issue 75 - Several degrees of separation
issue 75 - Perspective on power and perception
issue 75 - Handme that crowbar
issue 75 - Murder in the theatre
issue 75 - A murderous month in the country
issue 75 - Action art against all odds
issue 75 - Not diving, falling
issue 75 - Artists invade history
issue 75 - Sounds improbable, sounds remarkable
issue 75 - Confined and released
issue 75 - Synaethesia for all
issue 75 - Fast, furious, fleeting
issue 75 - Space voyages and neonatal nightmares
issue 75 - The ambiguities of ambition
issue 75 - We're all in this kitchen
issue 75 - In the body of the beholder
issue 75 - Singing the unheroic hero
issue 74 - Two lives in one: theatre making & teaching
issue 74 - The ambulatory artist-teacher
issue 74 - Making music: inside/outside
issue 74 - The when of composing
issue 74 - Oscillations: the sound artist as educator
issue 74 - Dancer-teacher: The undivided self
issue 74 - Of pressures and privileges
issue 74 - The balancing act of teaching and making film
issue 74 - A dance of definitions
issue 74 - Re-animating Australian history
issue 74 - Iraq's shattered dreams
issue 74 - The university: A new home for new media
issue 74 - The anxious interactive
issue 74 - Digital games, digital winners
issue 74 - The book and beyond
issue 74 - Showcasing First Run
issue 74 - Questions for Sri Lanka
issue 74 - Off to the Biennale de la Danse 2006 Lyon
issue 74 - Dynamic dance theatre: dancing binaries
issue 74 - The ambiguities of being
issue 74 - The body in the world
issue 74 - When worlds converge
issue 74 - A festival of possibilities: the faraway nearby
issue 74 - Festival in Cali: artists-run, people driven
issue 74 - Strange worlds, alarmingly familiar
issue 74 - The sweet breath of The Black Lung
issue 74 - Made from life, sculpted from junk
issue 74 - Shifting perspectives
issue 74 - Ingesting the world
issue 74 - Wronged animals, bodily remains
issue 74 - A walk on the wild side
issue 74 - Everyone an artist everyday
issue 74 - A visually rich audio festival
issue 74 - Mother tongue, birthday song
issue 74 - The world recomposed
issue 74 - More than a performance
issue 74 - Farewell Bronwyn Oliver
issue 74 - Installations: outsized and complex
issue 74 - Castellucci on film, in person
issue 73 - shopping & th**king
issue 73 - Taken to the streets
issue 73 - The power of intimacy
issue 73 - Minus the special effects
issue 73 - Something for everyone, and more
issue 73 - Fire and blood—Indonesian performance art
issue 73 - Nurturing media art in the regions
issue 73 - Transdisciplinary publishing
issue 73 - Women whisper secrets
issue 73 - Berlin: art, technology, mice and men
issue 73 - New media consolations
issue 73 - The luminous nightmare of Marius von Mayenburg
issue 73 - The light at the end of a long tunnel
issue 73 - Competeing addictions: love and heroin
issue 73 - Playing by the rules
issue 73 - Meticulous compositions in time
issue 73 - Inhabited by images and sounds
issue 73 - Experimental film: obits exaggerated
issue 73 - Documentaries to go
issue 73 - The body in the body of work
issue 73 - Revelation 2006: the global view
issue 73 - Emerging Chinese Cinema
issue 73 - Play for fun, play for enlightenment
issue 73 - Art machine evolution
issue 73 - As happy as a pig in art
issue 73 - The art of performance: online and alive
issue 73 - Surrealism's progeny: grim beauties
issue 73 - Hear and now: Terry Riley in Australia
issue 73 - Art & empathy: music & murder
issue 73 - The rich yield of the law of the minimum
issue 73 - Memories of buildings and other ghosts
issue 73 - The apocalyptic interior
issue 73 - Head music, hard splatter
issue 73 - The music that dances
issue 73 - Sound around and about
issue 73 - Solo power: recharged, refocused
issue 73 - Obsessed with the fold
issue 73 - Between frottage and horseplay
issue 73 - Growing art, shaping perception
issue 73 - Weightless watchers
issue 72 - AIDC 2006: Active recall, archive power
issue 72 - Disputed models for better films
issue 72 - Africa's problem: Europe
issue 72 - Empathy in intolerant times
issue 72 - Articulating silence
issue 72 - Long life of the short take
issue 72 - Democrazy: Thai film, art, new media
issue 72 - Dance cinema, cinematic dance
issue 72 - Querying the Commomwealth
issue 72 - Ever evolving intmate transactions
issue 72 - Digital experimentation: cultural reciprocity
issue 72 - Condition: interface anxiety
issue 72 - Your story: your medium
issue 72 - Innovations for the ear
issue 72 - Impro: ethical, musical and now
issue 72 - Exhumations: Traversing sound art and music
issue 72 - Urban, aural, visceral
issue 72 - Dance for the new century
issue 72 - No reluctance to speak
issue 72 - Written: body, culture, history
issue 72 - The Australia-UK connection
issue 72 - Unpacking south Pacific fantasies
issue 72 - The empty spaces, 21 C
issue 72 - Growing performance: networks & niches
issue 72 - The power of objects and public places.
issue 72 - New visions, forms unfamiliar
issue 72 - New art, new Cambodia
issue 72 - Partaking of a wider world
issue 72 - Melancholies various
Special Feature - THIS SECRET LOCATION - George Khut: Cyborg dancing
Special Feature - Nurturing Risk Forum: The business of risk
Special Feature - AC Dickson: Rising up to the challenge of his rivals
Special Feature - Monika Tichacek: The threads that bind
Special Feature - Carolyn Wright: Conversational miscues
Special Feature - Gob Squad: What does it mean to be a Vampire?
Special Feature - Uninvited Guests: The art of wounding
Special Feature - David Weber-Krebs: Risk realised
Special Feature - Rosie Dennis: One from the heart
Special Feature - Duncan Speakman: Echo Location
Special Feature - Deborah Pollard: The art of sleeping
Special Feature - The Special Guests: Life on the line
Special Feature - This Secret Location Symposium: The visceral and the virtual
issue 71 - garry stewart: dance evolution in the age of robotics
issue 71 - Dancing, prosthetically
issue 71 - Research & sustainable dance
issue 71 - Movement study, dance magic
issue 71 - The monstrous feminine, Japanese-style
issue 71 - Performance art: talked through but not out
issue 71 - Two ways of looking at Blackbird
issue 71 - New horizons for audio-visuality
issue 71 - Ghost sounds: Philadelphia, Paris, Fremantle...
issue 71 - Gifts for the giver
issue 71 - Mapping queer culture now
issue 71 - The reality and the documentary
issue 71 - Dylan's 60's revisted.
issue 71 - Wrestling with Resfest
issue 71 - RAN: inter-cultural exploration
issue 71 - Expanded cinema: the curators' vision
issue 71 - Media arts: reflections for the future
issue 71 - A grand tour of Australian media art
issue 71 - Interactivity in performance: art as research
issue 71 - Making art of graffiti
issue 71 - Cutting out the middleman, Dr Frankenbott?
issue 71 - In Beijing and Chongqing people say...
issue 71 - Housing the virtual, the radical, the displaced.
issue 71 - Journey into the unexpected
issue 71 - Metaphysics in the mundane
issue 71 - The dance of living and dying
issue 71 - Brisbane ladies: explosive icons
issue 71 - The rise and rise of live art
issue 71 - Out-of-body performance
issue 71 - Defying perceptual passivity
issue 71 - Protesting tyranny, testing the law
issue 71 - Mark Brown: Re-working site-specificity
issue 71 - Visual currency in Cairns
issue 71 - Sydney’s first Latin-American Film Festival
issue 70 - The medium is the audience
issue 70 - Walking the imagination
issue 70 - Chance, dance, animals & the unconscious
issue 70 - Ngapartji, Ngapartji: sharing language
issue 70 - The digital hurricane data dance
issue 70 - SEX: slippery viewing
issue 70 - Dancing north-south
issue 70 - Totally Huge: knots and flames
issue 70 - Cycles, overlaps, intersections
issue 70 - North Queensland: fuelling the art mix
issue 70 - Australian feature films: where we are now
issue 70 - Australian Western: Fear on the frontier
issue 70 - David Perry: moving image artist
issue 70 - Turkish films and festivals: Glancng eastwards
issue 70 - The courage to go cross-media
issue 70 - Kiss the beast and make it cry
issue 70 - Evocative objects, strange selves
issue 70 - The Dramaturgies project
issue 70 - Digital wearables: fashion & control
issue 70 - New media art: Omigod! It's alive!
issue 70 - Book review: A potent internet pre-history
issue 70 - Time: endured and endurig
issue 70 - Installation dancing
issue 70 - Depression's ambiguities
issue 70 - Mature, independent dancers seek context
issue 70 - Finding the post-Rationalist audience
issue 70 - All in the re-telling
issue 70 - Newcastle: cars drive cultural pace
issue 70 - Making machines that make music
issue 70 - Typhoon: fine tuned turbulence
issue 70 - Sound arts and the living dead
issue 70 - New home, new sounds
issue 70 - Sculpted: conscience and consciousness
issue 70 - At work with artists & audiences
issue 70 - A spark in the dark
issue 70 - The spiralling dance of survival
issue 70 - Living dolls and sentient wheelchairs
issue 70 - Exquisite banalities
issue 70 - Perceptual adjustments
issue 69 - From: Art in a Cold Climate
issue 69 - A man of the people
issue 69 - New spaces, other intelligences
issue 69 - Bonemap on the Brink
issue 69 - Working with mistakes
issue 69 - Extended dance dynamic
issue 69 - The world in a gesture
issue 69 - High roads to China
issue 69 - Saving Sydney's art-house cinemas
issue 69 - Art, exploration and outrage
issue 69 - The medium as the message stick
issue 69 - Activists' Argentina
issue 69 - Taking Spike on the road.
issue 69 - A diminishing vision
issue 69 - Regional hybrids hold sway
issue 69 - New media art: curation/creation
issue 69 - The OnScreen Course Guide, New Media Art
issue 69 - Avant garde/rear guard
issue 69 - Oblique Space, muliple lives
issue 69 - The ambiguities of sin
issue 69 - Inside the Poppins' psyche
issue 69 - The rewards of risk
issue 69 - Sydney performance: killer logic
issue 69 - Wanted: Creative producers
issue 69 - Composer metamorphosis
issue 69 - Music and mountains
issue 69 - Computer music: software aesthetics
issue 69 - Ed Kuepper and the Len Lye legacy
issue 69 - Perceptual fundamentals
issue 69 - The breath sung and seen
issue 69 - On moving and being moved
issue 69 - Tropical Liquid Architecture
issue 69 - The saxophone multiplied
issue 68 - Keeping the degree creative
issue 68 - The DCA: Sensorial and intellectual
issue 68 - Making music- art, research or both?
issue 68 - Terrible twins: art & the academy
issue 68 - The brain shifts gear
issue 68 - Sound practice, sound thesis
issue 68 - The MA novel in the world
issue 68 - The rise of the workshop class
issue 68 - Cinema for thinkers
issue 68 - Improvising in Arafura
issue 68 - REVelation's other worlds
issue 68 - Power without punchlines
issue 68 - The OnScreen Course Guide: Filmmaking & Screen Studies
issue 68 - The creative degree as interface
issue 68 - Films making culture
issue 68 - From sideshow to sublime
issue 68 - Bio-art's hybrid lives
issue 68 - Tackling the unseen
issue 68 - Death danced around and through
issue 68 - Nerve 9 goes national
issue 68 - The liberated work place
issue 68 - Evolving the artist
issue 68 - Forced Entertainment: what a concept
issue 68 - Duplicity, complicity, hybridity
issue 68 - Pain: metaphors and melodrama
issue 68 - Enlightened by nightmares
issue 68 - The challenges of emergence
issue 68 - The art of life support
issue 68 - Noise that matters in Bendigo
issue 68 - Liquid Architecture 6: celebrating sound
issue 68 - The composer-filmmaker
issue 68 - Wood and other media
issue 67 - Innovation: in a word
issue 67 - A certain aesthetic, a certain strength
issue 67 - Music as art, community, politics
issue 67 - Indigenous art: collaboration and innovation
issue 67 - Cultural exchange: expanded vision
issue 67 - Composing potentials
issue 67 - The artist/curator/artistic director
issue 67 - Bodies as signals, nodes, networks
issue 67 - The acrobatic reader
issue 67 - Creative cross-cultural distortions
issue 67 - Choreographic beginnings
issue 67 - Contentious content, curtailed form
issue 67 - Editorial: lessons from the Indigenous sector
issue 67 - CAAMA: from the heart
issue 67 - A new China syndrome?
issue 67 - Three Dollars: book, film, commodity
issue 67 - The challenges of diversity
issue 67 - The art of 5-minute statements
issue 67 - Art and the innovated human
issue 67 - Building an Australian networked future
issue 67 - The ecology of interaction
issue 67 - Moving image innovators
issue 67 - Refugees: between reality and performance
issue 67 - Malthouse: vision and delirium
issue 67 - Wrestling the black dog
issue 67 - A life between yes and no
issue 67 - The power of invention
issue 67 - Of islands and exile
issue 67 - NRLA: Bodies making art and clouds
issue 67 - Time_Place_Space 4: enjoying Asia
issue 67 - The insights of a theatre of excess
issue 67 - A life between book and play
issue 67 - Watch this space: desert blooming
issue 67 - Not quite still lives
issue 67 - Leah King- Smith: strategies of ambiguity
issue 67 - Obituary: Joan Brassil 1919- 2005
issue 67 - Performative drawing
issue 67 - Image, music, ambiguity
issue 67 - Letter to the Editors
issue 66 - New media arts sacrifice
issue 66 - Letter to the Editor: Jennifer Bott
issue 66 - Open Letter to the Australia Council: Shaw
issue 66 - Open Letter to the Australia Council: Harkin
issue 66 - Destiny Deacon inside out
issue 66 - Implicating the audience in exile
issue 66 - All that shimmers...
issue 66 - Selves imprisoned and released
issue 66 - Documentary: the great multiplatform adventure
issue 66 - OnScreen Editorial: phone futures
issue 66 - All the right moves
issue 66 - Face to face with history
issue 66 - A contradictory art
issue 66 - Pre-digital new media art
issue 66 - Super 8, private lives, public art
issue 66 - Mobilising phone art
issue 66 - Immersively self-contained
issue 66 - BEAPworks:immersion and diversion
issue 66 - Let the body navigate
issue 66 - Dancing into the language trap
issue 66 - I link, therefore I am
issue 66 - Wrestling with angels
issue 66 - An arts treasure chest
issue 66 - New performance, New York
issue 66 - Castellucci: theatre of remnants
issue 66 - Wilson on Wilson, many on Cohen
issue 66 - On the wronged side
issue 66 - Wars within wars, spin upon spin
issue 66 - Dreaming and becoming
issue 66 - Four ways to tackle injustice
issue 66 - Life and theatre post-apartheid
issue 66 - Of kings, killers and the proudly queer
issue 66 - What NOW for experimental music?
issue 66 - Old languags, new vernaculars
issue 66 - Minimalists in The Apothecary
issue 66 - Strangely Australian
issue 66 - Regan Tamanui: street art, gallery walls
issue 66 - Living history in the present
issue 65 - Australia Council unplugged
issue 65 - Minutes to Midnight
issue 65 - Indian art: wit and politics
issue 65 - EAF's global spin: a progress report
issue 65 - Saraswati Arts Program
issue 65 - Past and present simultaneously
issue 65 - Marrugeku in Broome
issue 65 - Nunsense in Hill End NSW
issue 65 - Monaco's unwieldy dance fest
issue 65 - A body brought to book
issue 65 - The exquisite horror of banality
issue 65 - Bio-art: adventures in ethics
issue 65 - Digital agitation: Time To Go John
issue 65 - SOOB: Celebrating oppositional television
issue 65 - PVI's Terror Australis
issue 65 - Bushwacked: Embrace your pain
issue 65 - TV Provera: interactive community TV
issue 65 - Victim: The poetry of fear
issue 65 - Oshii's redemptive pets and killer puppets
issue 65 - Entering the familial web
issue 65 - Provider, protagonist, collaborator
issue 65 - Mardi Gras: An Asian dimension
issue 65 - Short site, limited vision
issue 65 - Multimedia: evolution and transformation
issue 65 - The turbulence of truth
issue 65 - Mecha-lust, mecha-love
issue 65 - Who wins: video or new media art?
issue 65 - Myth, magic and money
issue 65 - Performance resurrected
issue 65 - Unsafe theatre: La Mama, NYID, Little Asia
issue 65 - Miraculous critique
issue 65 - Michael Kantor's new Malthouse brew
issue 65 - Nuclear family gameplay
issue 65 - Instrusions and confessions
issue 65 - New music versus new labels
issue 65 - the NOW now: present and accounted for
issue 65 - Cage: music uncaged
issue 65 - Provider, protagonist, collaborator: An interview with Paulo Cherchi Usai
issue 65 - An organic-synthetic mix
issue 64 - Innovation and the dialectics of distance
issue 64 - NSW North Coast: Watching the creatives
issue 64 - Ambition, resistance and transformation
issue 64 - Installations out of Wagga
issue 64 - More than a building
issue 64 - Performance Space: some defining moments
issue 64 - The once and future Performance Space
issue 64 - Keeping our distance
issue 64 - NSW: Regional digitisation
issue 64 - New cinemas, new makers
issue 64 - The relatives of realism
issue 64 - Nuturing regional filmmaking: WA
issue 64 - Subtle strokes from the underground
issue 64 - Aural colour, visual music
issue 64 - The Ister: search for the source
issue 64 - Re-thinking Australian film festivals
issue 64 - Adelaide pushes the festival frontier
issue 64 - New landscapes, new thinking
issue 64 - Bridging division with design
issue 64 - The riches of rusting
issue 64 - Glamorous calamities
issue 64 - A porous performative body
issue 64 - The voice in and beyond history
issue 64 - One house, many homes
issue 64 - Under the cover of night
issue 64 - You can't buy it off the shelf
issue 64 - Bonemap: Resonant residues
issue 64 - To shop, to die (for)
issue 64 - Once upon the here and now
issue 64 - Sounding out animation
issue 64 - MAAP in Singapore 2004 - Gravity: Introduction
Special Feature - The inevitable body
Special Feature - Archiving history face to face
Special Feature - The body between: an interview/review
Special Feature - The pause that refreshes
Special Feature - Computer juice
Special Feature - An eye for sound
Special Feature - When words flail you
Special Feature - Conceptual leaps
Special Feature - A museum of accidents
Special Feature - Every available space
Special Feature - Material boys
issue 63 - Japan inside out: a journey
issue 63 - Collective imagination: et al.
issue 63 - In the space between words
issue 63 - Dresden: art movement in genesis
issue 63 - Sarah Kane in Berlin
issue 63 - Res Artis: On the verge of elsewhere
issue 63 - Res Artis: new media neoliberalised
issue 63 - Copyright: whose story?
issue 63 - The Mousoulis vision of independence
issue 63 - Middle-Eastern film: women in focus
issue 63 - Thai cinema: the high points
issue 63 - Breaking the doco mould
issue 63 - Documentary: Illuminating the dark
issue 63 - Animation: In the moment
issue 63 - Feature film: Hope...on the edge
issue 63 - Short film: Playing it safe
issue 63 - 2004: unexpected innovations
issue 63 - 2004: glorious corporeality
issue 63 - Notes from a floating world: ISEA2004
issue 63 - Of tools and toys: ISEA2004
issue 63 - MAAP 2004 in Singapore: defying gravity
issue 63 - RealTime is 10: the party
issue 63 - A year of birthdays
issue 63 - Reeldance: the dance-cinema hybrid
issue 63 - Dancing the road to excess
issue 63 - Remembered dislocations
issue 63 - Time_Place_Space 3: Kill your darlings
issue 63 - The fine art of juggling
issue 63 - Randai moves, eclectic beats
issue 63 - The cool art of downtempo compilation
issue 63 - Magical sci-fi opera
issue 63 - LA5: instrumental explorations
issue 63 - Beauty of a greater logic
issue 63 - LA5: drum mutations
issue 63 - Intransitives and declaratives
issue 63 - Obituary: Michael Riley
issue 63 - The art of the Kebaya
issue 63 - Seductive unknowability
issue 63 - David Vadiveloo: grass roots reconciliation
issue 63 - Transforming Argentina
issue 62 - Education Feature: Acting—the bigger picture
issue 62 - Alaska in my freezer
issue 62 - Education Feature: The evolving performer
issue 62 - Memories and micro-worlds
issue 62 - Whose happy ending?
issue 62 - Thinking inside the sqaure
issue 62 - Melbourne Festival: vox pop
issue 62 - Education Feature: The intricate making of animators
issue 62 - Animation: the next wave
issue 62 - Somersault: beauty and turmoil
issue 62 - Animation: potential or impasse?
issue 62 - WA shorts: the narrative challenge
issue 62 - Message Sticks: Breaking the silence
issue 62 - St Kilda FIlm Festival: short, not sweet
issue 62 - Education Feature: Well taught, self-taught and still learning
issue 62 - Ciber@rt, Bilbao: casting a wider net
issue 62 - BEAP 2004: Perth—digital city
issue 62 - The public face of online interaction
issue 62 - Electrofinge 2004: Replicate, automate, infiltrate
issue 62 - Depression: the art cure?
issue 62 - Novamedia: an Australian first
issue 62 - Education Feature: Career options and job tracking
issue 62 - Offspring's birthday offering
issue 62 - Education Feature: Circuitous journeys
issue 62 - You are here. But where is that?
issue 62 - Education Feature: In the bones...
issue 62 - The interactive dancer
issue 62 - Between violence and the inviolable
issue 62 - Education Feature: Reciprocal relations and the art of the possible
issue 62 - Bad feelings, sporadic beauties
issue 62 - Envisioning a new education
issue 62 - Asian traffic: redirecting the flow
issue 62 - Video: medium of the moment
issue 62 - Message Sticks: Outback hip hop hybrid
issue 62 - Asia-Pacific: new media exchange
issue 62 - The limits of vapourware
issue 62 - Embracing profusion
issue 62 - Dancing the labyrinth
issue 62 - Muderous perspectives
issue 62 - Fast tracking young NT dance
issue 62 - Glittering notes, winning awards
issue 62 - Grand music of the horse opera
issue 62 - Curiouser and curiouser
issue 62 - The deceptive art of manipulation
issue 62 - Theatre of the face
issue 62 - Media beyond The Media
issue 62 - New aural adventures
issue 62 - Singapore plays its own tune
issue 62 - Message Sticks: Blak photo power
issue 62 - Message Sticks: Magical river music
issue 62 - Next Wave's Melbourne metamorphosis
issue 62 - Next Wave: From the everyday to pure effect
issue 62 - Next Wave: Gods with toys
issue 62 - Next Wave: The circus deep inside
issue 62 - Next Wave: Concealed and revealed
issue 62 - Next Wave: New space, new work
issue 62 - Next Wave: Gender shifting, hardcore skipping
issue 62 - Next Wave: Hip hop theatre thrills
issue 62 - Next Wave: Warping dreamscapes
issue 62 - Next Wave: Shipping the goods
issue 62 - The body always tells
issue 62 - Video challenges: fury and reflection
issue 61 - Onwards and upwards: RealTime is 10!
issue 61 - The arts, ecologically
issue 61 - Version 1.0 shares the shame
issue 61 - Exploring the country of death
issue 61 - The art of theatrical exhumation
issue 61 - Bad toys, wicked games
issue 61 - A cruel history of choices
issue 61 - Slippery subject, slow drowning
issue 61 - Michael McMahon: Seeing is believing
issue 61 - An Asian-centred Australian cinema
issue 61 - The bad dream machine
issue 61 - Improvisation and its actualities
issue 61 - The high art of limited means
issue 61 - SA film: one industry, one voice
issue 61 - The making of a Tasmanian film industry
issue 61 - Documentary: pro- and inter-active
issue 61 - RealTime is 10! From the Chair
issue 61 - RealTime is 10! From the Editors
issue 61 - RealTime Retrospective 1994-2004
issue 61 - Kate Murphy: truth and contingency
issue 61 - The science and art synapse
issue 61 - Video + music + art
issue 61 - Beyond the personal
issue 61 - Fashion: between containment and chaos
issue 61 - Murder from the inside
issue 61 - The fine lines of creation
issue 61 - Sonar: new nations and innovaitons
issue 61 - The Grabowsky time-space continuum
issue 61 - 3-D and other worlds
issue 61 - Celebration and renewal
issue 60 - Editorial: Meta-Crash
issue 60 - Collaboration or complicity?
issue 60 - Science and the fear of 20th century art
issue 60 - Ehtics and relatives
issue 60 - A teledildonic future?
issue 60 - A gigantic combusiton of forms
issue 60 - No sex please, we're Australian
issue 60 - Jeff Busby: Amplification
issue 60 - Adelaide Festival 2004: Black, white and beyond
issue 60 - Adelaide Festival 2004: Gulpilil
issue 60 - Adelaide Festival 2004: First Night
issue 60 - Adelaide Festival 2004: Absolute Zappa and Blood on the Floor
issue 60 - Adelaide Festival 2004: ADT, Held
issue 60 - Adelaide Festival 2004: RiverlanD
issue 60 - Adelaide Festival 2004: Stories from Australia
issue 60 - Adelaide Festival 2004: And on the Thousandth Night...
issue 60 - Adelaide Festival 2004: Triple Bill
issue 60 - The documentary: art and survival
issue 60 - The good, the bad and the alternatives
issue 60 - Scott Millwood: documentary poet
issue 60 - Our very own crime wave
issue 60 - Growing queer screen culture
issue 60 - Across great divides
issue 60 - Transmediale 04: the art of hope
issue 60 - Digital training ground
issue 60 - Never mind the bollocks...here—The Cremaster Cycle
issue 60 - Are you real? Am I?
issue 60 - Live Bait: Boxing the monstrous
issue 60 - Prosthetic eye, performative camera
issue 60 - The library without
issue 60 - The jewellery of place
issue 60 - Opening the cage door
issue 60 - In the web of the microcosm
issue 60 - The ambiguous power of naming
issue 60 - Permutations: sound, light, dance
issue 60 - The Studio: eclectic and electric
issue 60 - NMA's living exhibits
issue 60 - Innovation as incarceration
issue 60 - Dancing between two shores
issue 60 - New music, new champion
issue 60 - Tesoriero does Ferrier
issue 60 - Japanese underground out loud
issue 60 - Documentaries writ large
issue 60 - Intelligent room with a view
issue 60 - History's great escape
issue 60 - Adelaide Festival 2004: Marco Frascari
issue 59 - Carnival of old masters and new
issue 59 - The darkness that yields light
issue 59 - Wataboshi: the seeds grow
issue 59 - Obituary: Benjamin Grieve
issue 59 - What is music? This is!
issue 59 - Art: a forced entertainment
issue 59 - The sacrificial Asian in Australian film
issue 59 - The Finished People: a digital, political vision
issue 59 - Asian Film: mirror images
issue 59 - A passage to Indian cinema
issue 59 - Flickerfest: looking for signs
issue 59 - Interactive re-futuring
issue 59 - Machineries of joy: Futurotic
issue 59 - The next media spike
issue 59 - ABC TV: Something's missing
issue 59 - Women: the big picture
issue 59 - Documentary: on the map, under pressure
issue 59 - Canada/Australia: comparing challenges
issue 59 - A wider perspective
issue 59 - Seriously weird worlds
issue 59 - Canada's new media insights
issue 59 - SOOB 2003: alive and mutating
issue 59 - Awesome: out of the comfort zone
issue 59 - Technology will eat itself
issue 59 - Re-mapping the world
issue 59 - Fast moves, still lives
issue 59 - Art eats the world, every day
issue 59 - Unseen, all too visible
issue 59 - Featured Artist: Brad Cook
issue 59 - The painting photography allows
issue 59 - Performance Space redux
issue 59 - Children overboard: outrage & performance
issue 59 - Wilde: illusion and undoing
issue 59 - Foreman shakes it up
issue 59 - Operatic dirty work
issue 59 - Magical museological music theatre
issue 59 - Sonic reinvigorations
issue 58 - The illuminating presence
issue 58 - Contaminating bodies, existential dances
issue 58 - Looking for a sense of place
issue 58 - Year of the piss take
issue 58 - Stillness and motion, light and shade
issue 58 - Where's the competition?
issue 58 - Doing it the Melbourne Way
issue 58 - Walkabout: seeking the silenced voice
issue 58 - Watching and listening: didjeridu documentary
issue 58 - Ars Electronica: interface futures
issue 58 - Primavera: the cinematic city
issue 58 - Bringing the new media artist to book
issue 58 - Through Alice's Looking Glass
issue 58 - Nexus of parallel universes
issue 58 - Electrofringe: eyes and ears to the future
issue 58 - Novel realities, new dance
issue 58 - The art of articulation
issue 58 - Imprints of seduction
issue 58 - All things hybrid, recombinant and mutant
issue 58 - Bondi's Live Bait: the adult hook
issue 58 - Open mind, wide open
issue 58 - A Shakespearean Mix
issue 58 - Death for the living
issue 58 - Cosmic views; new music in Sydney
issue 58 - Rather raging demons than hollow angels
issue 58 - Seeds, particles, resonances
issue 58 - Heiner Goebbels, Surrogate Cities
issue 58 - Liquid Architecture 4
issue 58 - Elision, Burning House
issue 58 - Ethereal Voices, The Music of Einojuhani Rautavaara
issue 58 - Meredith Monk, Mercy
issue 58 - Meredith Monk, Mercy
issue 58 - Time, intimate and epic
issue 58 - Fabre and the anxiety of formlessness
issue 58 - Of style and substance
issue 58 - Across great divides
issue 58 - Consensual transgressions
issue 58 - OBITUARY - Bruce Keller
issue 58 - OBITUARY - Frances (Fran) Ferguson
issue 58 - Welcome challenges, desired seductions
issue 58 - Photomedium as message
issue 58 - The film art of going to pieces
issue 58 - Fridge magnets for media emergencies
issue 58 - WA screen culture: the good news
issue 58 - Unbearable Lightness (tree of fortune)
issue 58 - The Big Percussion Concert 1
issue 58 - The Big Percussion Concert 2
issue 57 - Sean Cordeiro & Claire Healy
issue 57 - The Artesian AV Arkestra
issue 57 - Hoist theatre collective
issue 57 - Phoebe and Julia Robinson
issue 57 - Fez Fa'anana & Polytoxic
issue 57 - Nareeporn Vachananda
issue 57 - The short feature: stepping stone or dead end?
issue 57 - The documentary unleashed
issue 57 - Queensland: the producer emerges
issue 57 - The South Korea Comparison
issue 57 - Revolution for the money
issue 57 - Primavera's new media magic
issue 57 - My Space is an Amazing Place
issue 57 - Engagements with gameplay
issue 57 - The art of in-between
issue 57 - iCinema's big picture
issue 57 - The Electrofringe learningfest
issue 57 - Building performances, making worlds
issue 57 - Vietnam: a psychic guide
issue 57 - Matt Warren & Sally Rees
issue 57 - Rainer Mora Mathews
issue 57 - 4 new media artists
issue 57 - Christian Bumbarra Thompson
issue 57 - Tracks: new venue, new artists
issue 57 - You dance, the festival dances
issue 57 - You dance, the festival dances
issue 57 - The distances within
issue 57 - Editorial RT 57: SCAN 2003
issue 57 - The documentary unleashed
issue 56 - Text, voice, vocation
issue 56 - The bridge: between iron and flesh
issue 56 - Berg and Kosky's Wiener Schauspielhaus
issue 56 - 2003 Vienna Festival: communal imagining
issue 56 - The circus of afterwardness
issue 56 - Singapore's chimerical school
issue 56 - Talent, vision and miscrecognition
issue 56 - Apprenticeship in the ephemeral
issue 56 - Making a difference
issue 56 - As Australian as...?
issue 56 - New Blak Films: new voices
issue 56 - Mirrors on Aboriginality
issue 56 - Avant-garde: the necessary context
issue 56 - Censorship: the lessons of Ken Park
issue 56 - Remembering the suburban dream
issue 56 - SPARK: firing on all cylinders
issue 56 - Alexandra and the De Heer Project
issue 56 - Cross disciplines, experiment, market!
issue 56 - A waking dream of history
issue 56 - Alt-X turns 10: unclassifiable writing triumphs
issue 56 - Gaming: everybody's doing it
issue 56 - Beyond the new media comfort zone
issue 56 - In the DEAF03 playground, Rotterdam
issue 56 - Multicultural shape-shifting
issue 56 - The search for intelligence and charisma
issue 56 - Video goes big time: some crucial questions
issue 56 - The adaptable, ethical artist-technician
issue 56 - Dadang Christanto: a calling to account
issue 56 - When I'm calling you
issue 56 - Playing hard: team playing
issue 56 - Theatre in her throat
issue 56 - Can education make a sound artist?
issue 56 - The intricacies of low level listening
issue 56 - Liquid Architecture: the Parmegiani experience
issue 56 - The past made present
issue 56 - Blobs with personality
issue 56 - Mapping the way home: I remember 1948
issue 55 - Justine Cooper: new media alchemist
issue 55 - Deferred detonations; thrilling pessimism
issue 55 - Evolution as showbiz
issue 55 - To drive the work, compel the listening
issue 55 - History, culture, body, stage...
issue 55 - Zoomorphia: deathly clamour
issue 55 - Nurturing the writer, re-shaping the theatre
issue 55 - Naive desire and coffee table fetishism
issue 55 - Featured Artist: Nicola Loder
issue 55 - Photography's phantasmagorias
issue 55 - Kiarostami: a visionary at the axis of action
issue 55 - Painleve's scientific surrealism
issue 55 - Tele-scoping: Small Screen Big Picture
issue 55 - Queensland: award dilemmas
issue 55 - An ark floating over the surface of history
issue 55 - An independent trajectory
issue 55 - Revelation in the new cathedral
issue 55 - Cornerfold reinivigorates new writing
issue 55 - The meme game: Escape from Woomera
issue 55 - Expanding the cultural universe
issue 55 - Liquid Architecture; on sonic wings
issue 55 - How the balloon taught the piano to play
issue 55 - Sonic show and tell
issue 55 - Hearing is believing
issue 55 - Glass-Ginsberg Musical Lightning
issue 55 - Totally Huge contemporary chamber music
issue 55 - A virago took my baby!
issue 55 - Bastards do Dad proud
issue 55 - Simon Cavanough; a precarious suspension
issue 55 - The performing gallery
issue 55 - Beauty , boards and boredom
issue 55 - Art & the natural born archivist
issue 55 - An eye on mortality
issue 55 - Putting multicultural arts on the map
issue 55 - The body: sensual, recollected and phantasmic
issue 55 - Artful devices and the afterlife
issue 55 - Ten days of puppetry on the island
issue 55 - Dramaturgy in an age of ambient anxiety
issue 55 - Cutting through the fog
issue 55 - The power of perilous negotiations
issue 55 - The art of seeing yourself
issue 55 - Hip hop; the culture and the activist toolkit
issue 54 - The psychic space of the horror stretch
issue 54 - In the suspended moment of the leap
issue 54 - Cyberculture: big picture, deep perspective
issue 54 - Getting a grip on new media ephemerality
issue 54 - Conversations for the future
issue 54 - Thinking the body aloud
issue 54 - We have decided not to die
issue 54 - New Media: industry or ideas?
issue 54 - Fine tuning the market
issue 54 - Visions, illusions and delusions part II
issue 54 - James Middleton: island filmmaker
issue 54 - ZOOM!: back from the future
issue 54 - WA Screen Awards: keeping the pulse strong
issue 54 - Taking the gritty backlash to the USA
issue 54 - da Rimini and Tonkin: the viewer at work
issue 54 - New Media Power Play
issue 54 - Graphite2003: between art & technology
issue 54 - Rotterdam: new media pleasure & pain
issue 54 - Opening doors: MAAP in Beijing
issue 54 - Brook Andrew: seriously playful
issue 54 - Perth Festival visual arts: local heroes
issue 54 - Art divas, shimmering ciphers
issue 54 - The art of relocation
issue 54 - Palestine remembered
issue 54 - Noel Tovey: what a life
issue 54 - The getting of intercultural wisdom
issue 54 - The dancer transforming
issue 54 - Creative Disturbance: dance and image
issue 54 - Hip hop accents, hip hop theatre
issue 54 - Are you gonna kill the kids tonight honey?
issue 54 - Early music, contemporary performance
issue 54 - Cinema for the ears: radio at The Studio
issue 54 - Into the festival of fire
issue 54 - Bonemap: off centre, in balance
issue 54 - The winner: Urban Theatre Projects
issue 54 - Letters to the Editors
issue 54 - NEXT: DIGITAL MEDIA
issue 54 - The personal is political is opera
issue 54 - From out of the well
issue 54 - Necessary theatre: a city on trial
issue 53 - On the go: Australians performing internationally
issue 53 - The Monaco Dance Forum: everything and more
issue 53 - Theatre in Vienna and Berlin: vision & scale
issue 53 - Melbourne theatre: in search of surprise
issue 53 - Australian music: storing, selling, hyperlinking
issue 53 - Screen culture: be alert, be alarmed
issue 53 - The personality problems of documentarians
issue 53 - Beckett-land: spirit and letter, stage and screen
issue 53 - Visions, illusions and delusions
issue 53 - It must be the weather
issue 53 - Global, local, digital: Adelaide's film fest
issue 53 - ISEA Nagoya: hi-tech, low output
issue 53 - ISEA Nagoya: the delightful slowness of being
issue 53 - Day trading aesthetics: playing with Murdoch
issue 53 - Public art, river dreams
issue 53 - Jay Younger: the politics of exuberance
issue 53 - Tied to an estranged self
issue 53 - Lighting the peripheries
issue 53 - New media, nightlife in the museum
issue 53 - The gallery as squatspace
issue 53 - Time_Place_Space: weapons of mass distraction
issue 53 - Erotic lunacy in the digital age
issue 53 - The right time, the right place
issue 53 - Defining moments: the Nimrod story
issue 53 - Poolside performance
issue 53 - Country, city, present tense
issue 53 - A monstrous science
issue 53 - The revolution is no circus
issue 53 - Of terrorism and tourism
issue 53 - Benji Reid: winning body popper
issue 53 - Gilrs just wanna...?
issue 53 - In-Space: the interactive audience
issue 53 - Civic interventions, aesthetic protest
issue 53 - Fallings, failings, squishings
issue 53 - Unsettling realities
issue 53 - Up and coming, ready or not
issue 53 - Lightning conductor: IHOS' Tesla
issue 53 - The NOW now: time slices
issue 53 - Laboratory discoveries
issue 53 - Singing the poetry of Australian history
issue 53 - MEMF: An eye on electronic music
issue 53 - Many shades of white
issue 53 - In-Space: conversations in movement
issue 52 - Genesi: From the Museum of Sleep
issue 52 - Fire, Fire, Burning Bright
issue 52 - Mill Quitientos Metros Sobre El Nivel De Jack
issue 52 - Total Masala Slammer
issue 52 - Vision and remembrance
issue 52 - Borderpanic remedies
issue 52 - A filmmaker's Brisbane: independence or not?
issue 52 - Projections from the mind's eye
issue 52 - Community television: alive and kicking
issue 52 - ACMI: Digital comfort
issue 52 - Electrofringe 2002: art and other dirty words
issue 52 - Eurovision time-travelling
issue 52 - Digital lab, new works in development
issue 52 - Digital indigeneity
issue 52 - Struggles at the dance-technology interface
issue 52 - From under the skin
issue 52 - Niche #2: a salon performance
issue 52 - Expectation and revelation
issue 52 - From impulse to form and community
issue 52 - Mike Parr: internet performance
issue 52 - Barbara Campbell: a body of/at work
issue 52 - First Floor: swansong for a scene maker
issue 52 - Pulling digital strings
issue 52 - Obituary: Kuo Pao Kun
issue 52 - The flow of fragile forces
issue 52 - Liza Lim: instrumental imaginings
issue 52 - New music in Sydney: a lively corpse?
issue 52 - Outcastings: DIY radio
issue 52 - Before and after electricity
issue 52 - Relaxing into joyousness
issue 52 - MAKE IT NOW: the impro revolution
issue 52 - The Castelluci interview: The Angel of Art is Lucifer
issue 52 - Troppo Obscura: The postcolonial eye
issue 52 - Maree Azzopardi: final rituals
issue 52 - De Quincey Co: ghostings
issue 52 - lucy guerin: between temperature & temperament
issue 52 - Love in the Age of Therapy
issue 52 - Witch craft: the Fringe and beyond
issue 52 - Sounding off in the theatre
issue 52 - Melbourne Workers' Theatre: how to connect?
issue 52 - Legs on the Wall: Needing a leg up
issue 52 - Benedict Andrews: self, style & vision
issue 52 - Sidetrack's Pessoa: a dream life
issue 52 - Introduction: Feeding the need
issue 52 - Last rites: inspirational installation
issue 52 - National Review of Live Art: blood lines
issue 51 - Looping forward:the analogue/digital dialogue
issue 51 - RT51 Editorial: Having a say in the future
issue 51 - Part 1: Digital strategies
issue 51 - Right place, right time?
issue 51 - Making art, opinion, money
issue 51 - Strategies for Tactical Media
issue 51 - BEAP: interactions, intersections
issue 51 - BEAP: art in the lab?
issue 51 - Prototype's interactive pleasure machines
issue 51 - New media, Newcastle Electrofringe
issue 51 - ...machine dreaming?
issue 51 - Part 1: Smoothing the visceral/virtual mix
issue 51 - Blast Theory in Australia
issue 51 - Sometimes it goes like this...
issue 51 - The view from the child
issue 51 - All the right steps
issue 51 - Well-crafted male angst
issue 51 - Shoot! Experimentation in retrospect
issue 51 - Middle-Eastern film: Sleepers awake!
issue 51 - Liquid, light, hair
issue 51 - Artrageous: Marcus Canning
issue 51 - Melbourne Festival: local heroes
issue 51 - Suburban dream machines
issue 51 - La Mama: psycho-physical
issue 51 - Was this what you wanted?
issue 51 - The Night Air: value-added radio
issue 51 - Go, Girl! Bebe Miller talking choreography
issue 51 - Between art and dance
issue 51 - Improvisation & the thickening of time
issue 51 - Nighshift: Did I dream this...?
issue 51 - With ears pinned back...
issue 51 - Abandon Sight Ye Who Enter Here
issue 51 - Big in Japan: where does the swing take you?
issue 51 - Performative re-assemblings
issue 51 - Akram Khan’s Kaash: the release of energy
issue 51 - “I ain’t goin’ bionic!”
issue 51 - Phillip Adams: seriously playful
issue 51 - Capsis takes Vienna
issue 50 - New music, new realities
issue 50 - The power of compulsion
issue 50 - A thrilling sono-cranial re-wire
issue 50 - Art is a rigorous practice
issue 50 - Host bodies of the future
issue 50 - VietPOP: a new generation speaks
issue 50 - Adapt, innovate and collaborate
issue 50 - An Australian blindspot?
issue 50 - The ferocious eye of Kim Ki-duk
issue 50 - Godard: adult concepts?
issue 50 - Disappearing the camera
issue 50 - Helyer's progress: fusing art and science
issue 50 - Techgnosis, hypnosis, osmosis
issue 50 - Fusion: the body as screen
issue 50 - Digital Lab: new works in development
issue 50 - Nice work if you can get it
issue 50 - Dancing with time's arrow
issue 50 - Antistatic: all-in dance festival
issue 50 - Mysterious meetings
issue 50 - Choreographic design
issue 50 - Being, not performing
issue 50 - Snuff Puppets rule!
issue 50 - Improvising the future
issue 50 - The Studio: onwards and upwards
issue 50 - More than skills and showreels
issue 50 - RePRESENTING the REAL
issue 50 - RT50 Editoria:l Arts education
issue 50 - The word on the Melbourne Festival
issue 50 - Featured Artist: Michael Riley
issue 50 - Managing multiple media
issue 49 - Overview: Next Wave
issue 49 - Viet Boys: whose crisis?
issue 49 - Spiritual projections
issue 49 - Existential hitch-hiking
issue 49 - Untamed and trapped
issue 49 - Dialects of music & image
issue 49 - Off-screen primetime
issue 49 - Potential versus perfection
issue 49 - Making instruments, ears, audiences
issue 49 - The artist and the refugee: tooling up for action
issue 49 - Size matters: the Small to Medium sector issues
issue 49 - Festival city's tour of shame
issue 49 - Featured Artist: Christopher Brown
issue 49 - Obituary: Neil Roberts
issue 49 - Remembrance: Colin Hood
issue 49 - "The liberated showroom"*
issue 49 - HKIFF: Fantasy, pain and profit
issue 49 - Independent pleasures
issue 49 - AFI Distribution closes - where do the films go?
issue 49 - Panic Room & The Others: Home sinister home
issue 49 - Multiplying options
issue 49 - The language of cinescripture
issue 49 - Ozlit online: high impact, low interactivity
issue 49 - Like a thump on the head
issue 49 - Hobart's L-shaped room
issue 49 - In the archive of everything
issue 49 - From ice cream wars to retro-futurism
issue 49 - Time and the theatre fix
issue 49 - On the cross-cultural beach
issue 49 - Identifying with the refugee
issue 49 - All in the execution
issue 49 - Chartering the landscape of time and space
issue 49 - That business with the cat
issue 49 - Avant-garde plus and minus
issue 49 - New home, new media, new moves
issue 49 - Dancing Metaphysics
issue 49 - Finding place with dance
issue 49 - Smart's the word, quick's the action
issue 49 - High beam: Beyond the performance/therapy axis
issue 49 - On the other side of dancing
issue 49 - New bodies in the house
issue 49 - Toplogy: musical systems
issue 49 - Oven-Garde: Lap-toppers can dance
issue 49 - Room to move: David Toop
issue 49 - fabrique: after the revolution
issue 49 - Roving concert: sensory exploits
issue 49 - (R)everse (E)ngineering (V)irtual Fabrications
issue 48 - That's entertainment...!
issue 48 - Maralinga Revisited
issue 48 - An everyday Messiah
issue 48 - Adelaide biennial: the convergence fantasy
issue 48 - Analogue 2 Digital: magic mechanics
issue 48 - Roger Wilkins, NSW Director-General of Arts
issue 48 - Catching the slipstream
issue 48 - Beneath Clouds: language as simple as a look
issue 48 - Just whose Indigenous filmmaking?
issue 48 - Zoom!: the boys are back in town
issue 48 - Truth and the Rabbit-proof Fence
issue 48 - Making a Rabbit-proof Fence
issue 48 - 2002 WA Screen Awards: final cut
issue 48 - Life's more than drag
issue 48 - Small screen desire
issue 48 - Michelle Glaser: writing digital art
issue 48 - conVerge: joint ventures
issue 48 - Getting away to it all
issue 48 - Digital documentary
issue 48 - Illuminated thesaurus
issue 48 - New media, new resistance
issue 48 - Something in the air
issue 48 - Melbourne's Midsumma cabaret culture
issue 48 - Next Wave: the liberated festival
issue 48 - Dressed to distress
issue 48 - rosalind crisp: a european future
issue 48 - Bodyworks: dance constructions
issue 48 - Filmic thematic at IMA
issue 48 - The object of the game: digital sculpture
issue 48 - Still Angela: a slice of the girl
issue 48 - Black and white in full colour
issue 48 - Half full/empty with happiness
issue 48 - The Opera Project: decadence and survival
issue 48 - A hint of permanence
issue 48 - Totally Huge: landscape/soundscape
issue 48 - Freeformance celebration
issue 48 - The improvising organism
issue 48 - Barret Hodson: The fall of Australian film culture
issue 48 - The Lawson vision: sharing Australia
issue 48 - Stevie Wishart: the anatomy of the hurdy-gurdy
issue 48 - The music of refuge
issue 48 - Tough nights at home
issue 48 - Sydney Biennale 2002: tripping over a zeitgeist
issue 48 - Sculptural fantasias
issue 48 - Margaret Roberts: performative architecture
issue 47 - A Frank celebration
issue 47 - Melissa Kyu-Jung Lee: ending with questions
issue 47 - Charlotte Gray - neither here nor there
issue 47 - SPAA Fringe: independence contested
issue 47 - A Golden Eye on Tropfest
issue 47 - ZKM, Sydney & the Art & New Media Detente
issue 47 - A code in search of a process
issue 47 - WriteSites: Living in Aphasia & other net pleasures
issue 47 - fibreculture: oh my god I'm not alone!
issue 47 - Derek Kreckler: something to do with looking
issue 47 - The Bank: the other photography
issue 47 - Choral complicity: music & power
issue 47 - Prop: between the known & the limitless
issue 47 - The once and future Ausdance NSW
issue 47 - Garth Paine: putting the body back
issue 47 - New life: the hybridised documentary
issue 47 - How to succeed in arts-business
issue 47 - Obituary: Nicholas Zurbrugg
issue 47 - The woman, home alone
issue 47 - Terror, theatre & The Hairy Ape
issue 47 - Political theatre re-activates
issue 47 - Building the future Performance space
issue 47 - Extraordinary lives
issue 47 - The Studio blasts off
issue 47 - Opera dressed to kill
issue 47 - A make/see festival
issue 47 - Obituary: David Branson
issue 47 - TV: critically addicted
issue 47 - Hot talk in Central Australia
issue 47 - Iolini: more than a composer
issue 47 - Pacific Wave: island lives
issue 47 - Paul Capsis at home in Vienna
issue 47 - Myths, histories and projections
issue 47 - RT post: Circus & hope
issue 47 - Recollections: Sydney dance/performance
issue 47 - Brendan Lee: the cinema-computer experience
issue 47 - 17 years of the best Aboriginal art
issue 47 - REV: a new, new music festival
issue 47 - How to write about the performing body
issue 47 - A nice, nasty night out
issue 47 - RT47 Editorial - Synchronicities: terror, art & politics
issue 47 - The long, happy haul: touring The Theft of Sita
issue 47 - Give me space, and I'll give you the show!
issue 47 - The clone dance rave
issue 47 - Wilson & Waits do Woyzeck
issue 47 - Intimacy: performing rites of love
issue 47 - The Flickerfest mission goes online
issue 47 - WriteStuff: the 3 texts of Lantana
issue 46 - RTpost: Censorship wars
issue 46 - Wake up, Australia!
issue 46 - History loosed from its moorings
issue 46 - Tammy Anderson: a way to tell secrets
issue 46 - Australian filmmakers offer asylum
issue 46 - Thinking about cinema: the Jewish mother
issue 46 - Andrew Plain: an eye on the sound
issue 46 - Newcastle on the electrofringe
issue 46 - Not so innocent gameplay
issue 46 - New voices, other aesthetics
issue 46 - WriteSites: Papertiger, a new world of poetry
issue 46 - Artists vs cultural planners
issue 46 - Yokohama Trienniale: art as screen
issue 46 - Warrnambool: art defying logic
issue 46 - New game, new languages
issue 46 - To Watch: an intransitive verb
issue 46 - Art, home delivered!
issue 46 - Lindsay Vickery: running up an opera noir
issue 46 - Sit Ubu sit. Good dog.
issue 46 - Seeing is not believing
issue 46 - Celebrating old growth and new
issue 46 - The grand push and pull of dark matter
issue 46 - Ros Warby: reframing the dancing body
issue 46 - The dancer captured & revealed
issue 46 - Forsythe & Warren: word moves
issue 46 - British theatre: bruising and beloved
issue 46 - Architecture does sound
issue 46 - Girls just wanna...?
issue 46 - Innercity and proud
issue 46 - Art & the world: a question
issue 46 - Dancing fast, going ballistic
issue 46 - Multimedia Jewish Shanghai
issue 46 - Promiscuous diversity
issue 46 - Flickerfest: high quality, short anxieties
issue 46 - noise: youth art, making links
issue 46 - Right attitude, right latitude
issue 46 - The art of uneasy steps
issue 46 - The art of ageing, the limits of vision
issue 46 - Editorial: 2001, Wasted
issue 46 - Bitter sweet Turkish delights
issue 46 - Other times, other countries
issue 46 - Photo Technica Award: eye-robics
issue 46 - George Khut: new work, in passing
issue 46 - I have to live, at least until the plague gets me
issue 45 - The struggle for cineliteracy
issue 45 - Caught in the arthouse outhouse
issue 45 - Of subjects and endings
issue 45 - Animation: testing technique
issue 45 - Culturally complex fictions
issue 45 - $92.7m: the morning after
issue 45 - Melbourne Film Festival: doing Asia proud
issue 45 - Digital grit: SAPFF translations
issue 45 - WriteStuff: Chopper
issue 45 - Space odysseys: light visions
issue 45 - WriteSites: school with no rules
issue 45 - Searching for clues: Cameron and Parker
issue 45 - Dance impro: what's afoot?
issue 45 - The outsider gallery
issue 45 - Chains of inference and connotation
issue 45 - Boys, toys, pleasing noise
issue 45 - Waveform: Up to scratch
issue 45 - An orchestra of speakers
issue 45 - Wheatbelt town goes global
issue 45 - Melbourne artist-run spaces: fighting fit
issue 45 - Dark Matter between Australia and Norway
issue 45 - Darwin Festival: the best of times
issue 45 - Filipino high kitsch with crab creole & politics
issue 45 - Red Fern reckonings
issue 45 - Censorship: the restricted adult
issue 45 - MAAP01: new media in excess
issue 45 - Arterial Group: the big charge
issue 45 - QBFM review excerpts
issue 45 - Identity, being-together, destiny...contingent
issue 45 - Innovation: maps & distribution
issue 45 - Strategies for a theatre at risk & in decay
issue 45 - A fish out of water
issue 45 - Shopping & history: new Australian plays
issue 45 - Archiving the useful & useless
issue 45 - Tangling with the tango
issue 45 - A Turkish-Australian dilemma
issue 45 - Treading on critic's toes
issue 45 - Skinflick: almost magic
issue 45 - Tactical loops…from the inner circle
issue 45 - Women's music: different architectures
issue 45 - The colour of opera
issue 45 - Geology's musical avatars
issue 45 - Virtual VR immersion at MIFF
issue 45 - Prizes & Projections 2001 Introduction
issue 44 - Winging it with style
issue 44 - Performance art, life crisis rituals
issue 44 - Composing miniatures, places, festivals
issue 44 - The theatre of war, the murder of bridges
issue 44 - Perils of performance pedagogy
issue 44 - Music education: an industrial evolution
issue 44 - A (filmic) space between black & white
issue 44 - FedFest: short film reconciliations
issue 44 - Kumarangk 5214: this island is full of bodies
issue 44 - OnScreen editorial: boundaries without fences
issue 44 - Sydney Film Festival: one for the gleaners
issue 44 - Sydney Film Festival: a handful of high/lowlights
issue 44 - Cinesonic 4: bringing sound to the surface
issue 44 - St Kilda Film Festival: (un)certain fusions
issue 44 - New media arts, the NxT wave
issue 44 - d>art: shot through with data
issue 44 - Lev Manovich: how to speak new media
issue 44 - OnScreen news - filmSHORTS
issue 44 - OnScreen news - digitalSHORTS
issue 44 - LIFT: reformulating a festival
issue 44 - Adelaide Fringe: the necessity of re-invention
issue 44 - David Pledger: the danger zone
issue 44 - Chris Drummond: theatre as metaphor
issue 44 - True blue at the local
issue 44 - Sydney & Wollongong: atoms and fuel
issue 44 - More than the usual suspects
issue 44 - Double Vision, strong focus
issue 44 - New latitude for dance at the Powerhouse
issue 44 - Dancing away with the Dendys
issue 44 - A body called flesh
issue 44 - Champion & Whaites: dance theatres
issue 44 - Taube, Ellis, McLeod & the uneasy body
issue 44 - Swan Lake with edge
issue 44 - PVI collective: they're watching you
issue 44 - Exploding tears, hyperreal longing
issue 44 - The quiet archaeology of Neil Roberts
issue 44 - The pull of the volcano
issue 44 - Barry Schwartz: dangerous beauty
issue 44 - Of ears and vampires
issue 44 - Don't go with the flow
issue 44 - Myth, word, aesthetic recycling
issue 44 - Picking at Emma's Nose: Flacco does Freud
issue 44 - Why be a playwright when the play is dead?
issue 44 - Stepping into the fold
issue 44 - Inside the hurdy-gurdy
issue 44 - Mezangelling language: net.wurked writing
issue 43 - Aqua Profunda: art in the deep end
issue 43 - A festival of music making
issue 43 - Totally Huge: it's what you do with it
issue 43 - A whisper louder than a scream
issue 43 - Hilyard + Nair: sense cultures
issue 43 - Omeo: 5 years of dance traffic
issue 43 - John Tonkin: identity tourism
issue 43 - WriteStuff: Head On's narrative strategy
issue 43 - Confounding projections
issue 43 - Musics industrial and rural
issue 43 - Young filmmakers' erections and reflections
issue 43 - Veronica's Revenge + Judy's Dream
issue 43 - Hybrid lives: 21st century snapshots
issue 43 - Tasmania's festival of many media
issue 43 - Clara Law: an impression of permanence
issue 43 - A new Sarai: new media in Delhi
issue 43 - Journeys across words and water
issue 43 - Melbourne theatre: the witness
issue 43 - Piccinini + Hennessey: sincerely artificial
issue 43 - New Adelaide grooves
issue 43 - Dance(r)s with futons
issue 43 - Consumption a la mode
issue 43 - NYID's high octave realism
issue 43 - Performing pain + sentiment
issue 43 - A smash of a different kind
issue 43 - Hot, chilled out bro, and proudly Chinese
issue 43 - The National Museum: the digital media works
issue 43 - Life in the Global Rancho
issue 43 - OnScreen editorial: the film festival as cultural communique
issue 43 - The Monkey's Mask: lost in translation
issue 43 - Reality theatre, Ranters style
issue 43 - Sydney performance: saints and convicts
issue 43 - Teaching and performance: the missing milieu
issue 43 - Wild Blue: a meditation on violence
issue 43 - Obituary: Ian Fredericks
issue 43 - More than one Dolores
issue 43 - Splintering the soul of Dolores
issue 43 - Kat McGuffie: one to watch
issue 42 - Making more than one of yourself
issue 42 - Sex drugs and revolutionary modern ballet
issue 42 - Liberating the artist from the revolution
issue 42 - So close to the thing itself, and not
issue 42 - Inside the sense-surround jigsaw
issue 42 - Sounds for hungry ears
issue 42 - What Is Music? finds its audience
issue 42 - Auricle + Clocked Out play with possibilities
issue 42 - Directors + playwrights: the living and the dead
issue 42 - Earthed: Perth International Arts Festival 2001
issue 42 - No good guys/bad guys
issue 42 - Margaret Trail's sounds of un-sense
issue 42 - The double edge of desire
issue 42 - Zoom brand SA shorts
issue 42 - Life beyond Documart
issue 42 - Korea: split screen
issue 42 - Cinesonic: use no hooks - freighting Tom Hanks
issue 42 - Don't call me baby, baby
issue 42 - ScreenSound out of the vaults
issue 42 - MESH 14: resisting the global narrative
issue 42 - WriteSites: revisualising new media writing
issue 42 - Handy hints for new, new media reviewers
issue 42 - Topology + The Necks play the Powerhouse
issue 42 - Cool and blue in the hot house
issue 42 - Listening like looking
issue 42 - Funny things can happen
issue 42 - Isaac Julien's carnival at the MCA
issue 42 - Liquid Gold cyberdelia
issue 42 - Where is my love scene with Maggie Cheung?
issue 42 - The Arts: What Next - Lost: a space
issue 42 - Small screen youth revolution
issue 42 - The 3 faces of Stacey
issue 42 - Queer, odd and just right
issue 42 - Opening up a classic
issue 42 - Trust nothing to dance
issue 42 - Double vision at Stills
issue 42 - Dirty angels, odd angles
issue 42 - Reinvigorating the arcane
issue 42 - New Music skirmishes
issue 41 - The business of Bell
issue 41 - Powering up the house
issue 41 - A space for memorising and dreaming
issue 41 - Radiohead: ghost in the pop machine
issue 41 - Global volatility, cultural diversity
issue 41 - Not your average flagship
issue 41 - Peter Oldham: man with a camera
issue 41 - Enter the dragon: Asian film in Australian cinemas
issue 41 - A town like Cunnamulla
issue 41 - The genuine Coen product?
issue 41 - Documentary conference on the edge
issue 41 - Jeffrey Shaw: virtual Melbourne
issue 41 - Artificial Life: a hard call
issue 41 - New work matures in Open Space
issue 41 - Degrees of pathos: Sydney performance
issue 41 - A letter from the antechamber
issue 41 - Maliphant: shaping spaces with bodies and light
issue 41 - Profile: Cazerine Barry
issue 41 - TasDance: hypermobile finess
issue 41 - Igneous: hands on diversity
issue 41 - Richard Giblett: life-size
issue 41 - Ghostings: creating intangible, plugged in art
issue 41 - Tos Mahoney: programming new music
issue 41 - Music with the stars
issue 41 - IHOS: the alternating current
issue 41 - Sonic Residues: an education in sound
issue 41 - Sound advice: art consumables
issue 41 - Cinesonic: true teen sound in Bring It On
issue 41 - Post-photographic Photofile
issue 41 - Surface tension in New York theatre
issue 41 - Mardi Gras: secret men’s business
issue 41 - Bridging the divide: gallery developments
issue 40 - Music of the pods: Garth Paine's Reeds
issue 40 - Superfluous sex at Ars Electronica
issue 40 - Cyberbiodiversity: new life at Casula
issue 40 - Literature for a new medium
issue 40 - Navigating dark spaces
issue 40 - Incubating online writing possibilities
issue 40 - A view from the bleeding edge
issue 40 - Onlining the documentary
issue 40 - Garry Stewart’s vision for the ADT
issue 40 - Falling, breaking and at an end
issue 39 - Experimenta's Orbital view
issue 39 - Chunky Moves dances the irreducible
issue 39 - Mixed Metaphor: selected breakages
issue 39 - Flesh/parchment/flesh
issue 39 - Powerhouse dancing: Les attitudes monstre gai
issue 39 - Oscillate’s beetle dancing
issue 39 - Lucy Guerin: finality and new directions
issue 39 - Peeling back epidermis Australis
issue 39 - Stompin Youth: working on the railway
issue 39 - futureScreen 00: getting Alife
issue 39 - Meatings: online writing and other communities
issue 38 - Teaching new media: aiming at a moving target
issue 38 - When can the teacher dance?
issue 38 - The attractions of ReelDance
issue 38 - Over the choreographic precipice
issue 38 - The body apart - a new dance film
issue 38 - St Kilda Film Festival: digital links
issue 38 - Web convergence traps artists and consumers
issue 38 - WriteSites: the email liaison as novel
issue 38 - Redefining hybridity: CD-ROM possibilities
issue 38 - The end of new media art?
issue 38 - Segue, stretto, strafe & sashay
issue 38 - Beyond the interface: exhibiting digital media
issue 38 - Works in progress: pt1 (A-G)
issue 38 - Works in progress: pt2 (H-M)
issue 38 - Works in progress: pt3 (P-Z)
issue 38 - ANAT's special alchemy
issue 38 - Positively infectious
issue 38 - Works in progress: hybrid performance
issue 38 - Something more than choreography
issue 38 - More sites, events and artists
issue 38 - d>art 00: digital exceptions
issue 38 - The documentary goes online
issue 38 - Something more than choreography
issue 37 - Random's integration of new media into dance
issue 37 - Do you have time for a quick chat?
issue 37 - As Phillip Adams shows me around his apartment
issue 37 - Mapping the wild edge
issue 37 - Love & menace to a heartbeat
issue 37 - Dance takes on performance
issue 37 - Trouble with destinations
issue 37 - The dirt on the Dream Kitchen
issue 37 - Parallax resists cultural amnesia
issue 37 - WriteSites: new manoevres
issue 37 - Exposing an emerging genre
issue 37 - (nobleandsilver): It’s only a show
issue 36 - AOL-Time Warner: bye bye freewheeling web?
issue 36 - Breaking the art and science standoff
issue 36 - helen herbertson: the place where things slip
issue 36 - Jude Walton: movement's third eye
issue 36 - Junk: the difference between videogames…
issue 36 - Experimenta into the 21st century
issue 36 - I said I said it all
issue 36 - One gets to the next slightly
issue 36 - Dance film: the art, the market
issue 36 - New media and electronic music: quakes and creations
issue 35 - Inside the dancer, in the heart of the eye
issue 35 - Star turns: watching Stella b.
issue 35 - Live Acts #4: steady boppin', ass droppin'
issue 35 - Bodyworks: the politics of the embrace
issue 35 - Stomping in slippers to Nirvana
issue 35 - Edge, desert, reticulation, information
issue 35 - Playing virtual dress ups
issue 35 - [R] is for Regulation: cleaning up the net universe
issue 35 - Triple Alice: catching the weather
issue 35 - Time travel is your only means of escape
issue 34 - Diving into the virtual
issue 34 - Organ(ic)s: real and metaphorical
issue 34 - Hands off credentials
issue 34 - One day all headstones will be electronic
issue 34 - Positioning passions
issue 34 - Manipulations & Hands
issue 34 - Beautiful People, D-Faces of Youth Arts
issue 34 - Location location location
issue 34 - Missile: Shanghai N.2
issue 34 - Hong Kong—rebuilding on disappearance
issue 34 - Short: National Digital Art Awards, IMA
issue 33 - Motion picture mission
issue 33 - Cyberistic power and human frailty
issue 33 - Pulsing chiaroscuro, palpable decay
issue 33 - Digital choreographies
issue 33 - The enemy/other within
issue 33 - The body rests, the dream in frantic
issue 33 - Driving into the interior
issue 33 - Neither awake nor asleep
issue 32 - Millennial maverick
issue 32 - Challenging the seer
issue 32 - The fantastic adventures of Ling Change
issue 32 - A plenitude of Cinderellas
issue 32 - The rise of digital exhibition in the UK
issue 32 - Queerly constrained
issue 32 - Media arts and online culture: enter or escape?
issue 32 - Spacing the digital
issue 32 - The animal logic of the antz in the matrix
issue 32 - Erasing the line between film culture and new media
issue 32 - Works in progress: pt2 (M-P)
issue 32 - Works in progress: pt1 (A-L)
issue 32 - Works in progress: pt3 (R-Z)
issue 32 - Works in progress: performance
issue 32 - Works in progress: dance
issue 32 - Works in progress: sound & screen, public art
issue 32 - Works in progress: interactive Installations
issue 32 - The real/digital festival
issue 32 - Works in progress: video & film
issue 32 - Australia’s expanding screen culture
issue 32 - The distribution challenge
issue 32 - Digital media across the arts
issue 31 - Polarised in Tempe, Arizona
issue 31 - The City in performance in development
issue 31 - Writing, community, virtuality
issue 31 - Relaxed, but engaged?
issue 31 - Eyeing the interface
issue 31 - The more than visual
issue 31 - Architecture, body parts & language
issue 31 - Okay, how is cyberspace like Heaven
issue 31 - WriteSites - starlets and hypertext dropouts
issue 31 - A meta-world of watchfulness
issue 31 - 25 Songs On 25 Lines Of Words On Art Statement For Seven Voices And Dance
issue 31 - Young Woman Glass Soul
issue 31 - Boosting performance praxis
issue 31 - Showing the workshopping
issue 31 - Reclaiming dance as innovator
issue 31 - Antistatic and the beast
issue 30 - Stored roots, stacked histories
issue 30 - Between freedom and anticipation
issue 30 - Tracing the departed
issue 30 - Sound as body, body as composer
issue 30 - Memory, debris and ecstasy
issue 30 - New media moves in Tasmania
issue 30 - The smart body laughs
issue 30 - TechGnosis - a secret history
issue 30 - Strange interlude: a stitch in time
issue 30 - Cold climate conflict
issue 30 - Townsville site for turning points
issue 30 - A differential tale
issue 29 - Hypermedia gets a joystick and goes gun crazy
issue 29 - Moving and surviving
issue 29 - Between the idea and the act
issue 29 - Emerging entities, difficult syntheses
issue 29 - A techno-booster nano manifesto
issue 29 - Clare Dyson's Spices
issue 28 - The limits of limits
issue 28 - Intersecting performance paths
issue 28 - A dance place for the future
issue 28 - New hierarchies, new colonies
issue 28 - Future (in)human: becoming third nature
issue 28 - Shows and sideshows in the new museum
issue 28 - One Extra, Territory
issue 28 - Piece for the wicked
issue 28 - Shakespeare's pillowslips
issue 28 - Net art and the argument for critical decompression
issue 27 - A question of visions
issue 27 - Critical combinations
issue 27 - Between perceptual fields
issue 27 - Dancers behaving complexly
issue 27 - All you need is love
issue 27 - When worlds collide
issue 27 - Mapping the in-between
issue 27 - A world of difference
issue 27 - Filling in the body map
issue 27 - Aesthetic positionings
issue 27 - Excuse me for staring but...
issue 27 - Cutting the new media umbilicus
issue 27 - Two cultures divided
issue 27 - Curious interstices
issue 27 - Vesalii Icones, Patrick Harding Irmer
issue 27 - Fleshmeet, Chunky Move
issue 27 - Territory, One Extra
issue 26 - Dancing across waves
issue 26 - Disconnecting the larynx
issue 26 - A question of questions
issue 26 - Waiting for the fourth dimension
issue 26 - Between professional diagnosis and dumb fascination
issue 26 - Pay attention to the moves
issue 26 - Practice as difference
issue 26 - Digital acronym riot
issue 25 - The future business
issue 25 - The video art beyond
issue 25 - Digital subjectivity
issue 25 - Taking up the fight
issue 25 - Looking for the golden needle
issue 25 - Longing, loneliness, late night radio
issue 25 - Surprising even the body that makes it
issue 25 - Archiving the digital
issue 25 - The peculiar things we do with technology
issue 25 - I @ Here. You @ There
issue 25 - Mixed Metaphor, Dancehouse
issue 24 - Festival junkie: immersion and withdrawal
issue 24 - Vision and invention
issue 24 - Physical diffusions
issue 24 - The Sillywood invasion
issue 24 - The body interrogated
issue 24 - The archaeology of the interface
issue 24 - Virtual architecture
issue 24 - Is there no rest/There is no rest
issue 24 - In the folds of thought
issue 24 - What I have written
issue 24 - Motives for movement
issue 24 - Dress, Shelley Lasica
issue 24 - Chunky Move, Wet & Bonehead
issue 23 - Small miracles: from footwork to footage
issue 23 - The aniconic and digital image
issue 23 - Dissolving boundaries
issue 23 - Trapped in a wwweb of deceit
issue 23 - Where the digirati meet the literati
issue 22 - The two cultures re-animated and perverted
issue 22 - (In)forming the nation on the goat tracks of the virtual community
issue 22 - From the dusk of celluloid and the dawn of digital
issue 22 - At the intersection of politcs and poetics
issue 22 - Shopping and touching
issue 22 - New place, old myths, new perceptions
issue 22 - The history of our dancing bodies is becoming hot
issue 22 - Heretics and heritage
issue 22 - Company without space, company in between spaces
issue 22 - Three New Media Arts Fellowships announced
issue 22 - Not about disability
issue 21 - Between media living and the dead
issue 21 - Virtually as natural as breathing
issue 21 - Respect and Indigenous interconnectivity
issue 21 - The gap between moves
issue 21 - 10,000 online cameras in Homebush Stadium
issue 21 - Hybrid ways of making sense
issue 21 - Denmark meets Australia
issue 21 - Three steps forward
issue 20 - The Clark Kent of kinetic intelligence
issue 20 - Under a Federal sun?
issue 20 - Attaining information fitness
issue 20 - The Inside of Houses
issue 20 - In the body of the work
issue 20 - The wound and the taint
issue 19 - Outside outward display: tradition and the derivative
issue 19 - Fieldworks works the room
issue 19 - Condition: Shock of the Ear
issue 19 - Sandy Edwards & Russell Dumas in Indonesia
issue 18 - John Tonkin: man or morph?
issue 18 - Converging spaces and merging forms
issue 18 - Material imagination
issue 18 - Dance actual and virtual
issue 18 - Seen moves, silent power
issue 18 - Six variations on a lie, Ros Crisp
issue 17 - Curiouser and curiouser
issue 17 - Lo-fi nostalgia and the music of aural voyeurism
issue 17 - Personality problems
issue 17 - I am papyrus, parchment, paper, computer screen
issue 16 - Dancing Keith Haring
issue 16 - Cold moon and wolf's breath
issue 16 - Moments and movements
issue 16 - Possessing the new imagination
issue 16 - In support of the fleshmeet even on-line
issue 16 - Anarcho-techno possibilities
issue 16 - Journeys through frames, across dance floors
issue 15 - Dance and anti-dance: a totality
issue 15 - Hovering in the multimedia background
issue 15 - EMAgining the future
issue 15 - Playing in the labyrinth
issue 15 - Countering cyber desire
issue 14 - Dancing in the dark
issue 14 - Liminal spaces of becoming
issue 14 - As obvious and forgettable as gravity
issue 14 - Squatting, scanning, jamming
issue 14 - Less cliches for the millennium
issue 14 - Strange attractors: shared perversity
issue 14 - Between representation and the real
issue 13 - coding the possible
issue 13 - At the time and space of interface
issue 13 - Circuits open, closed and indifferent
issue 13 - Monstrous family show
issue 13 - the spiritual in the popular
issue 13 - Great Escapes, Dancehouse
issue 13 - From the crab room, a cherry herring
issue 13 - No Time Like the Present, Wendy McPhee
issue 13 - At the cusp of appearance and disappearance
issue 13 - Dancing western in the north east
issue 12 - The raw and the complex
issue 12 - Energy as waste, desirous and deadly
issue 12 - To be another body for me
issue 12 - Silicon alchemy: frames from an imaginary flowchart
issue 12 - Virtual nation: I want my Telstra
issue 12 - Healing virtual realities
issue 12 - Writing dancing right
issue 11 - A new song and dance
issue 11 - tess de quincey & stuart lynch: dancing the city
issue 11 - Looking at being looked at dancing
issue 11 - Sharpening the edge
issue 11 - Critically interactive
issue 11 - The unimaginable brought to life
issue 11 - Immersions and navigations
issue 11 - Phobias, fashion and hope
issue 11 - For the thinking dancer
issue 11 - The space takes care of me
issue 10 - Thirteen ways of attending an electronic art symposium
issue 10 - New depths and old distances
issue 10 - Thinking about killing
issue 10 - Re-viewing the everyday
issue 10 - Don't sign away those electronic rights
issue 10 - Anarchy on the internet
issue 10 - Book Review: Apparition: Holographic Art in Australia
issue 10 - What they do better than anyone else
issue 10 - Ephemeral incarnations: dancing poetry
issue 10 - Book review - Dance, Modernity and Culture
issue 9 - Out of the theatre and into the everyday
issue 9 - Australia's Asia Pacific interactive option
issue 9 - The monkey with the digital touch
issue 9 - Laterally at the Cab Room
issue 9 - Studio practices 1, extensions: room to move
issue 9 - Absence and yet presence
issue 8 - The Opportunity of Distance
issue 8 - Art and the Mundane Internet
issue 8 - New Media, New Money
issue 8 - Gook Girls, Monstrous Chimeras and the New Technology
issue 8 - Shake it or break it
issue 7 - Multiple Museologies
issue 7 - That's Intertainment
issue 7 - Incidental Pleasures: Arf Arf
issue 7 - A Melancholy New Dance
issue 7 - What to Name Your Baby
issue 5 - Framegrabs from the future
issue 5 - A body will always be a body
issue 5 - Emergent media zones
issue 5 - How to get a Bite of the CD-ROM action
issue 5 - CD-ROM - The 21st century bronze?
issue 5 - Teledomesticity: @HOME on the net
issue 4 - M.O.M.A's Australian Video Art
issue 1 - Dance Degree Zero. Jean Claude Gallota in Australia
issue 1 - Future Speak at the Adelaide Festival
Special Feature - worlds within
Special Feature - realtime @ push: acknowledgements
Special Feature - THIS SECRET LOCATION - Ryoji Ikeda & Alex Bradley/Charles Poulet: Hell and heaven
Special Feature - Nurturing Risk Forum: Testing the safety net
Special Feature - Nurturing Risk Forum: Live art and the risk spin
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Special Feature - Gob Squad: Managing fear
Special Feature - Carolyn Wright: Pleased to meet you, again
Special Feature - David Weber-Krebs: Beyond waiting
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Special Feature - Bodies in Flight: And the word was made flesh
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Special Feature - Until Thursday & Yara El- Sherbin: Reality bites back
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Special Feature - Overview: This isn't a lecture
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Special Feature - charlie charlie & will guthrie
Special Feature - lawrence english
Special Feature - lawrence english
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Special Feature - jodi rose & guest artists
Special Feature - michael j schumacher
Special Feature - warp: various artists
Special Feature - Forum: Wanted: Creative Producers
Special Feature - Video + Art = ?
Special Feature - Getting The Word Out: Writing for Performance and Dance
Special Feature - Body regimes
Special Feature - The Place of the Space
Special Feature - Size Matters
Special Feature - mercy: the limits of beauty
Special Feature - mercy: the struggle for connection
Special Feature - dream masons: watery transformations
Special Feature - dream masons: plumbing problems, design magic
Special Feature - an other place - lucy bleach: three versions of the outsider
Special Feature - an other place – austin mcquinn: displaced person
Special Feature - to the wall: off the wall
Special Feature - dream masons: the arts centre inside out
Special Feature - an other place - gough & mcquinn: you are going the wrong way
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Special Feature - dream masons: big magic
Special Feature - to the wall: an unusual education
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Special Feature - mikelangelo & the black sea gentlemen: risky and lusty
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Special Feature - queen of the snakepit: islands apart
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Special Feature - The weight of public spaces
Special Feature - OnScreen Course Guide 2006 - Film & New Media Art
Special Feature - queen of the snakepit: intimate and invasive
Special Feature - maria island of dreams, queen of the snakepit: island homes
Special Feature - There's research and there's research
Special Feature - bikini: savage satire, sombre remembrance
Special Feature - various artists produced by le tuan hung; dindy vaughan
Special Feature - pateras/baxter/brown
issue 0 - triple alice, 1999-2001
issue 0 - embrace: guilt frame, 2008
Special Feature - the splinter orchestra
Special Feature - a meeting with steve dietz
Special Feature - the black rider: the carnival from hell
Special Feature - old goriot: a cautious vision
Special Feature - the black rider: the accidents of addiction
Special Feature - old goriot: from a safe distance
Special Feature - the black rider: between us and the devil
Special Feature - the space between: the art of dependency
Special Feature - the space between: elastic intimacies
Special Feature - the black rider: acid power trip
Special Feature - the black rider: heart intact, brain in two
Special Feature - frankenstein: the limits of design
Special Feature - the space between: the limits of risk and trust
Special Feature - my name is rachel corrie: an intimate invitation
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Special Feature - aout - un repas à la campagne: truth in a heatwave
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Special Feature - hey girl!: the painted stage
Special Feature - hey girl!: evolving symbols
Special Feature - my name is rachel corrie: the weight of artifice
Special Feature - fever: disciplined mania
Special Feature - aout - un repas à la campagne: echoes of chekhov
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Special Feature - my dad, my dog: disconnection sketched
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Special Feature - will time tell?: into the cultural vortex
Special Feature - nalina wait: night secrets
Special Feature - nalina wait: the body danced
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Special Feature - nalina wait: invisible forces
Special Feature - nalina wait: five minutes of madness
Special Feature - anamorphic archive: the rosie dennis file
Special Feature - nalina wait: one dancer, two bodies
Special Feature - will time tell?: many times
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Special Feature - will time tell?: multiple beings
Special Feature - media arts education digest 2002-2008
Special Feature - loren chasse
Special Feature - critical mass
Special Feature - nothing to lose
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Special Feature - suspending the audience
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Special Feature - limina, or saying yes to no
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Special Feature - two trips to enigma
issue 0 - human interest story, 2010
Special Feature - the meeting point
issue 0 - structure and sadness, 2006
issue 0 - already elsewhere, 2005
issue 0 - same, same but different, 2002
issue 0 - run—a performance engine, 2009
Special Feature - realtime video interview: gideon obarzanek
issue 0 - dance project, 2005-2010
issue 0 - huit à huit-dance for the time being, 2009
issue 0 - in time series, 2005-2007
issue 0 - fine line and fine line terrain, 2004
issue 0 - the curiosities, 2008 onwards
issue 0 - morphia series, 2002
issue 0 - i want to dance better at parties, 2004
issue 0 - australia’s most wanted, 2002
issue 0 - ochres, 1995 (co-choreographer bernadette walong)
issue 0 - clan, 2004 (co-choreographer frances rings)
issue 0 - age of unbeauty, 2002
issue 0 - songs with mara, 1992
Special Feature - dance massive 2011 artists: from the archive
Special Feature - ghost dancing
Special Feature - realtime video interview: rosalind crisp
Special Feature - kinetics: sculpted & danced
Special Feature - realtime video interview: madeleine flynn & tim humphrey
Special Feature - the uneasy weight of metaphor
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Special Feature - realtime video interview: luke george
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Special Feature - post-apocalyptic drive-in dancing
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Special Feature - place: barcelona, spain
Special Feature - place: sarajevo, bosnia & herzegovina
Special Feature - place: new york, usa
Special Feature - soundcapsule #2
Special Feature - new weird australia editions: thomas williams vs scissor lock, spartak
Special Feature - clocked out - archive highlight
Special Feature - place: hong kong, people’s republic of china
Special Feature - place: berlin, germany
Special Feature - place: shanghai, people’s republic of china
Special Feature - soundcapsule #3
Special Feature - place: beirut, lebanon
Special Feature - ros bandt, johannes s sistermanns
Special Feature - place: wroclaw, poland
Special Feature - place: yogyakarta
Special Feature - place: beijing, people’s republic of china
Special Feature - liquid architecture (updated)
Special Feature - place: detroit
Special Feature - soundcapsule #4
Special Feature - the wired lab
Special Feature - place: munich, germany
Special Feature - soundcapsule #5
Special Feature - australian indigenous film
Special Feature - place: santiago, chile
Special Feature - realtime tv: robyn archer, canberra 100
Special Feature - place: auckland, aotearoa, new zealand
Special Feature - realtime tv: claire edwardes & damien ricketson, ensemble offspring
Special Feature - realtime tv: stuart buchanan, new weird australia
Special Feature - realtime tv: joel stern (otherfilm), psycho subtropics
Special Feature - realtime tv: composer profile, jon rose
Special Feature - realtime tv: choreographer garry stewart, be your self
Special Feature - realtime tv: lara thoms, the experts project
Special Feature - realtime tv: kusum normoyle: s.i.t.e (screaming in the everyday)
Special Feature - realtime tv: composer profile, cat hope, decibel
Special Feature - branch nebula
Special Feature - place: glasgow, scotland, united kingdom
Special Feature - an intense manifestation of dance
Special Feature - unsettling the audience
Special Feature - lines of flight
Special Feature - dark symmetries
Special Feature - inside the audience
Special Feature - the poetry of pain
Special Feature - realtime tv: stephanie lake, dual, dance massive 2013
Special Feature - realtime tv: dalisa pigram, gudirr gudirr, dance massive 2013
Special Feature - the origins of feeling
Special Feature - the body un-mirrored
Special Feature - fun and the damage done
Special Feature - realtime tv: lee serle, p.o.v., dance massive 2013
Special Feature - more than smoke and mirrors
Special Feature - now, then, now
Special Feature - realtime tv: anouk van dijk, 247 days, chunky move, dance massive 2013
Special Feature - old tropes & the new disconnect
Special Feature - realtime tv: stephanie lake, dual
Special Feature - realtime tv: dalisa pigram, gudirr gudirr
Special Feature - realtime tv: lee serle, p.o.v.
Special Feature - realtime tv: anouk van dijk, 247 days, chunky move
Special Feature - a not so private hearing
Special Feature - something ends, something begins
Special Feature - realtime tv: antony hamilton, black projects 1& 2, dance massive 2013
Special Feature - realtime tv: antony hamilton, black projects 1& 2
Special Feature - strange affliction: dance massive & transcendence
Special Feature - ritual entwining
Special Feature - realtime tv: tim darbyshire, more of less concrete, dance massive 2013
Special Feature - realtime tv: tim darbyshire, more of less concrete
Special Feature - the life in the work
Special Feature - youtubing live
Special Feature - quotidian moves, gangnam-style
Special Feature - zephyr quartet
Special Feature - place: brussels, belgium
Special Feature - realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace
Special Feature - Knowing your place in Cartesian space
Special Feature - Stars and starlings, pixels and picknickers
Special Feature - Touch me there
Special Feature - 'Pure' experience, in the round
Special Feature - Outside the labyrinth…looking in at someone waving
Special Feature - realtime tv @ ISEA2013: Velonaki, Ingram, Gemeinboeck & Saunders, Artspace
Special Feature - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre
Special Feature - Life and death, and the membranes inbetween
Special Feature - Being Stelarc
Special Feature - realtime tv @ ISEA2013: EchoSonics, UTS Gallery
Special Feature - The science and art of tangible things
Special Feature - realtime tv @ ISEA2013: Catching Light, Campbelltown Arts Centre
Special Feature - realtime tv @ ISEA2013: EchoSonics, UTS Gallery
Special Feature - realtime tv @ ISEA2013: semipermeable (+), SymbioticA
Special Feature - realtime tv @ ISEA2013: semipermeable (+), SymbioticA
Special Feature - The uncanny in the gallery
Special Feature - Run for your lives [1]
Special Feature - Run for your lives [2]
Special Feature - To re-map and reclaim
Special Feature - M e d i a a r t t h e n a n d n o w
Special Feature - A curative dose of spontaneity
Special Feature - Turning the media back on itself
Special Feature - Olfaction, decay & speculation
Special Feature - Aural ecologies, mechanical and musical
Special Feature - Heck, baby, I shoulda seen it comin…
Special Feature - Start by leaping off a small stool
Special Feature - More than meets the eye
Special Feature - realtime tv @ ISEA2013: The very near future, Alex Davies
Special Feature - New tools and old skool grammars
Special Feature - Pop up pleasure zones
Special Feature - Home, sweet home
Special Feature - Painting by algorithms
Special Feature - In the digital age, love your stationery obsession
Special Feature - If a system fails in a forest, is anybody listening?
Special Feature - Rainbow over ISEA
Special Feature - Musical multiverses
Special Feature - realtime tv @ ISEA2013: Zydnei, Troy Innocent
Special Feature - Nailing the virtual
Special Feature - The big connect
Special Feature - Transformational walking
Special Feature - Palpable virtualities
Special Feature - Data noise & the limits of dance
Special Feature - The sound of reading
Special Feature - Past-present tensions
Special Feature - Celestial sweet spots
Special Feature - Churches of sound
Special Feature - Eclectic ecstasies
Special Feature - A choreography of oscillation
Special Feature - Explorers of an alien planet
Special Feature - Madness, hell and transcendence
Special Feature - Programming a grotesque order
Special Feature - Bridges and deviations
Special Feature - Pianos wired
Special Feature - A pyrrhic revolt
Special Feature - Art shocks, capitalism quakes!
Special Feature - Kecak, breakdancing, tension & harmony
Special Feature - Larry is sombre
Special Feature - Vigorous ruminations on happiness
Special Feature - Happiness against the odds
Special Feature - Hands up, head down!
Special Feature - The not so sweet science
Special Feature - A Winning punch
Special Feature - Not so strange strangers
Special Feature - Happy as Larry—poor Larry
Special Feature - In Profile: Miranda Wheen
Special Feature - In Profile: Keg de Souza
Special Feature - Ethereal exchanges
Special Feature - Art for water
Special Feature - Realising regional ambitions
Special Feature - Eastern Riverina sites & sounds
Special Feature - Rice, rituals and relationships
Special Feature - Grong Grong Creative House
Special Feature - Contributor profile: Stephen Carleton
Special Feature - Contributor profile: Zsuzsanna (Zsuzsi) Soboslay
Special Feature - Contributor profile: Kathryn Kelly
Special Feature - Regional Profile: Jason Richardson
Special Feature - In Profile: Rachael Dease
Special Feature - In Profile: Sarah-Mace Dennis
Special Feature - Contributor profile: Anne Thompson
Special Feature - In Profile: Chris Howlett, ARGARMENIA
Special Feature - Place: Split, Croatia
Special Feature - Contributor profile: Katerina Sakkas
Special Feature - realtime tv: FOLA—Nicola Gunn, Person of Interest
Special Feature - realtime tv: FOLA—What is Live Art?
Special Feature - realtime tv: Isaac Julien, PLAYTIME
Special Feature - realtime tv: Chiara Guidi & Jeff Stein, Jack and the Beanstalk
Special Feature - In Profile: Alison Bennett, Shifting Skin
Special Feature - Contributor profile: Oliver Downes
Special Feature - realtime tv at FOLA: Tristan Meecham, Game Show
Special Feature - realtime tv: FOLA— Beth Buchanan, I Know That I am Not Dead
Special Feature - realtime tv: Sarah Last, Wired Open Day
Special Feature - Speak Percussion
Special Feature - Portal archive
Special Feature - Studio archive
Special Feature - Contributor profile: Briony Kidd
Special Feature - Contributor profile: Gail Priest
Special Feature - The other side of Nightfall: Margaret Cameron & Ian Scott
Special Feature - Obituary & Archive: Margaret Cameron
Special Feature - Contributor Profile: Bernadette Ashley
Special Feature - Contributor Profile: Vicki Van Hout
Special Feature - Place: Bourges, France
Special Feature - realtime tv @ ISEA2013: The very near future, Alex Davies
Special Feature - realtime tv @ ISEA2013: Zydnei, Troy Innocent
Special Feature - RealTime Writing Workshop
Special Feature - The epic resonances of diffusion
Special Feature - Folds: loose, taut & generative
Special Feature - The sound shapers
Special Feature - The many-voiced cello of an Australo-German repertoire
Special Feature - Young composers let loose
Special Feature - A fine plenitude
Special Feature - Motion in stillness
Special Feature - Piano adventures
Special Feature - The piano and its others
Special Feature - Adventures in timbre and texture
Special Feature - Space-making Immersive vocal improvisation
Special Feature - Percussive partnerings
Special Feature - Totally Huge’s percussive climax
Special Feature - Place: Seoul, South Korea
Special Feature - In Profile: Nick Power, b*boy, choreographer
Special Feature - In Profile: Jason James, artist
Special Feature - Art versus the war against Nature
Special Feature - A momentary wondrous artefact
Special Feature - Percussion: the beating heart of art
Special Feature - Magic in detritus
Special Feature - The thrill of a cut-above festival
Special Feature - Carry On Culture Wars
Special Feature - This is how we might live, and die
Special Feature - Dana Waranara—Privilege and Responsibility
Special Feature - Dana Waranara—Privilege and Responsibility
Special Feature - Dancing to the Dana Waranara challenge
Special Feature - Dance, not product, but living culture
Special Feature - A conference for irrevocable change